6/10
Disappointing third act (possible spoiler alert)
6 November 2003
Warning: Spoilers
The first 2/3 of "House of Games" is really enjoyable, as Lindsay Crouse's psychiatrist character is engulfed into the world of professional con artists. Dr. Ford's insights into human behaviour and motivations give her a giddy thrill in watching a "mark" succumb, and by giving us a peek behind the scenes, writer/director David Mamet allows us to get drawn in right along with her. In fact, our knowledge soon overtakes Dr. Ford's, when it becomes apparent that she herself has unknowingly become the patsy in a much bigger con-within-a-con. Nothing wrong with that, except that Mamet clearly expects us to be "surprised" by this revelation, long after it's blatantly obvious to everyone except the doc. At this point, she suddenly looks extremely gullible and slow-witted, our empathy with her is lost, and no amount of enjoyably hard-boiled Mamet dialogue can redeem the rest of the movie. (Incidentally, the strangely robotic performance from the usually compelling Lindsay Crouse, the former Mrs. Mamet, should be compared to the even-stiffer Rebecca Pigeon, the PRESENT Mrs. Mamet, in 1997's not-dissimilar "Spanish Prisoner". Maybe Mamet just can't direct women who are his wives?)
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