On my IMDb "Top 10 Greatest Comedy Films" list.
No other "Coming Of Age" teen film since has been able to knock Ferris Bueller off its post-American Graffiti "COA" throne. Like the 1961 Ferrari GT 250 SWB California portrayed in this film (more than one used in production, and all were well-made knock-offs as no one was going to risk knocking around an ultra-rare $25M collectable), there is simply no substitute (George Lucas' American Graffiti' still reins as the all-time #1 COA film, but that came 10 years earlier, and is in a class by itself, although this film is also deserving of being considered an "important and significant film").
This was John Hughes' 4th directed movie, during his most prodigious period from 1984 to 1990, that also included 'The Breakfast Club' and 'Home Alone'.
Hughes tried to portray teens realistically and gave them relevance in his films - he was empathetic to the challenges of adolescence, and consciously avoided Hollywood's often shallow characterizations of the teen high school years.
The Library of Congress selected the film in 2014 to be preserved in the National Film Registry, honoring FBDO for its cultural significance.
No other "Coming Of Age" teen film since has been able to knock Ferris Bueller off its post-American Graffiti "COA" throne. Like the 1961 Ferrari GT 250 SWB California portrayed in this film (more than one used in production, and all were well-made knock-offs as no one was going to risk knocking around an ultra-rare $25M collectable), there is simply no substitute (George Lucas' American Graffiti' still reins as the all-time #1 COA film, but that came 10 years earlier, and is in a class by itself, although this film is also deserving of being considered an "important and significant film").
This was John Hughes' 4th directed movie, during his most prodigious period from 1984 to 1990, that also included 'The Breakfast Club' and 'Home Alone'.
Hughes tried to portray teens realistically and gave them relevance in his films - he was empathetic to the challenges of adolescence, and consciously avoided Hollywood's often shallow characterizations of the teen high school years.
The Library of Congress selected the film in 2014 to be preserved in the National Film Registry, honoring FBDO for its cultural significance.