An eager and idealistic young attorney defends an Alcatraz prisoner accused of murdering a fellow inmate. The extenuating circumstances: his client had just spent over three years in solitar... Read allAn eager and idealistic young attorney defends an Alcatraz prisoner accused of murdering a fellow inmate. The extenuating circumstances: his client had just spent over three years in solitary confinement.An eager and idealistic young attorney defends an Alcatraz prisoner accused of murdering a fellow inmate. The extenuating circumstances: his client had just spent over three years in solitary confinement.
- Awards
- 2 wins & 2 nominations
William H. Macy
- William McNeil
- (as Bill Macy)
Alex Bookston
- Alcatraz Doc
- (as Alexander Bookston)
David Michael Sterling
- Inmate Rufus 'Ray' McCain
- (as David Sterling)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaIn real life, Henri Young's defense was handled by two prominent San Francisco attorneys, Sol A. Abrams and James Martin MacInnes. They offered the temporary insanity defense, saying that Young's brutal treatment on Alcatraz had led him to murder his fellow inmate, Rufus McCain. The jury bought the argument, and returned a verdict of Involuntary manslaughter, largely because the Alcatraz officials who testified at Young's trial refused to provide any actual details of prisoner treatment at the prison to contradict Young's defense. (Alcatraz officials and guards lived under strict rules not to talk about prison procedures when off the island, for fear these details would make it into the newspapers and be used by criminals in breakout attempts.)
- GoofsHenry Young didn't go to Alcatraz for "stealing 5 dollars." In real life, he was both a bank robber and a murderer, and had already been in at least two state prisons before landing at Alcatraz.
- - - - -
- Quotes
James Stamphill: Did you kill Rufus McCain?
Henri Young: I was the weapon, but I ain't no killer.
- Crazy creditsThis Film is Inspired by a True Story
- ConnectionsFeatured in Siskel & Ebert: Memo to the Academy - 1995 (1995)
- SoundtracksTuxedo Junction
Written by Erskine Hawkins, William Johnson, Julian Dash, and Buddy Feyne
Performed by The Andrews Sisters
Courtesy of MCA Records
Featured review
A Terrific, Inspiring and Entertaining Movie.
I had not heard of his movie before. I caught it in mid-broadcast on cable, while channel surfing, eleven years after its release, and after the first few moments, decided to watch it to the end. It is now one of my favorites, right up there with "To Kill a Mockingbird." This film succeeds both as star turns and as an ensemble piece. But more importantly it succeeds in portraying American society in the 1930s as a whole, and involving the audience emotionally in both the the greater social issues as well as the smaller, more tender, personal issues. Despite its sensitivity, it is far from a chick flick. Despite it's theme of violence, it is far from a macho action flick. It is a courtroom thriller based on real events, and it is worth watching more than once.
The script writing and direction are calculated to be moving, and they succeed. Every actor in the film, every detail of the art direction, every camera angle plays on your heart and sense of moral indignation. To do so successfully, as I think this movie does, is the definition and purpose of art.
Kevin Bacon shows the most range in his film that I have ever seen from him. His physical performance was very demanding, his character work even finer. His chemistry with each actor in every scene is both bold and subtle, raw and complex. He reminds me of DeNiro's performance in the "Cape Fear" remake.
Christian Slater's character provides the viewer's point of view in the film, and he plays with great emotion and passion, and yet with a touch of reserve and detachment. I am strongly reminded of Kevin Costner's performance in "The Untouchables." Needless to say, Gary Oldman is a master at his craft, and always amazing to watch. Every character Oldman plays is memorable, and the antithesis of type-casting. His portrayal of the warden in this film is a brilliant balance of a socially acceptable monster.
This movie has received a lot of criticism for portraying historical facts inaccurately, and for taking sides in a political debate. I would remind the open-minded viewer that "To Kill A Mockingbird" also took great liberties with the facts of the historic court case on which it was based (there were six accused rapists, not one; the person on whom Atticus Finch was based was in reality the judge and not the defense attorney, etc.) and emphatically took sides in the even more hotly contested political debate over racial discrimination in America. Both films were based on real life, but neither claimed to be a documentary. Whether you resent historical tampering and political statements for dramatic impact is something only you can decide for yourself. Personally, I support both "To Kill A Mockingbird" and "Murder in the First" as films whose merits outweigh their flaws.
In short, this movie is worthy of your time, and will reward you, whether you want entertainment thrills, a good popcorn movie, a morally inspiring story or the appreciation of a well-crafted piece of work. It falls a little short of "The Shawshank Redemption," but not far. Despite what this or any other review says, start this movie without any preconceived notions, and just go along for the ride. I think you will be surprised, happy and satisfied.
The script writing and direction are calculated to be moving, and they succeed. Every actor in the film, every detail of the art direction, every camera angle plays on your heart and sense of moral indignation. To do so successfully, as I think this movie does, is the definition and purpose of art.
Kevin Bacon shows the most range in his film that I have ever seen from him. His physical performance was very demanding, his character work even finer. His chemistry with each actor in every scene is both bold and subtle, raw and complex. He reminds me of DeNiro's performance in the "Cape Fear" remake.
Christian Slater's character provides the viewer's point of view in the film, and he plays with great emotion and passion, and yet with a touch of reserve and detachment. I am strongly reminded of Kevin Costner's performance in "The Untouchables." Needless to say, Gary Oldman is a master at his craft, and always amazing to watch. Every character Oldman plays is memorable, and the antithesis of type-casting. His portrayal of the warden in this film is a brilliant balance of a socially acceptable monster.
This movie has received a lot of criticism for portraying historical facts inaccurately, and for taking sides in a political debate. I would remind the open-minded viewer that "To Kill A Mockingbird" also took great liberties with the facts of the historic court case on which it was based (there were six accused rapists, not one; the person on whom Atticus Finch was based was in reality the judge and not the defense attorney, etc.) and emphatically took sides in the even more hotly contested political debate over racial discrimination in America. Both films were based on real life, but neither claimed to be a documentary. Whether you resent historical tampering and political statements for dramatic impact is something only you can decide for yourself. Personally, I support both "To Kill A Mockingbird" and "Murder in the First" as films whose merits outweigh their flaws.
In short, this movie is worthy of your time, and will reward you, whether you want entertainment thrills, a good popcorn movie, a morally inspiring story or the appreciation of a well-crafted piece of work. It falls a little short of "The Shawshank Redemption," but not far. Despite what this or any other review says, start this movie without any preconceived notions, and just go along for the ride. I think you will be surprised, happy and satisfied.
helpful•313
- WJArvay
- Mar 16, 2006
- How long is Murder in the First?Powered by Alexa
Details
Box office
- Gross US & Canada
- $17,381,942
- Opening weekend US & Canada
- $4,719,188
- Jan 22, 1995
- Gross worldwide
- $17,381,942
- Runtime2 hours 2 minutes
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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