Advanced search
- TITLES
- NAMES
- COLLABORATIONS
Search filters
Enter full date
to
or just enter yyyy, or yyyy-mm below
to
to
to
Exclude
Only includes titles with the selected topics
to
In minutes
to
1-50 of 117
- In a small village in Mozambique, two little boys make use of condoms in a different way.
- Feature narrative Era Oculta - "Hidden Era" unfolds in the vibrant city of Maputo, where Rastafari artist Phambi grapples with securing his son's education amidst the rhythmic beats of Mozambique. Perennially on the brink of expulsion due to payment delays, Phambi's artistic journey becomes a compelling narrative, showcasing the challenges and triumphs of an artist navigating the unique landscape of Mozambique. In the film amidst the vibrant art scene, two young women, allies to Phambi, play a pivotal role in supporting his artistic endeavors. They willingly pose for him, adding depth and inspiration to his creations. Their presence in the film highlights the collaborative spirit within the artistic community. It brings a nuanced perspective to the narrative, reflecting the diverse voices that contribute to the cultural tapestry of Maputo. Against the backdrop of reggae, Rastafarianism, and the distinctive dynamics of survival in Matola and Maputo, the film delves deeper into societal norms, revealing the transformative power of resilience in the face of adversity. The two young women, through their participation, contribute to the exploration of the complexities and nuances of Africa's artistic landscape, creating a richer and more inclusive portrayal of the community. As the story unfolds, the hidden era of Africa's artistic landscape is further enriched, shedding light on the vibrant tapestry of creativity that defines the region. Phambi's dedication to his craft, with the support of these two young women, paints a vivid picture with an expanded exploration of the broader African context, capturing the essence of an artist's survival in this dynamic and challenging environment. In this hidden era, Ixon, Phambi's young son, becomes a witness to his father's artistic struggle, discovering the essence of art beyond traditional visions and embracing the diverse influences that shape the continent's cultural mosaic. The film magnifies the resilience and creativity required to navigate the complexities of the artistic world in Mozambique and beyond, offering a broader perspective on the African narrative within the global artistic discourse. "Hidden Era" celebrates resilience, a visual and auditory odyssey that invites audiences to reflect on the power of art and activism in driving social change. We intend to immerse viewers in the rich cultural tapestry of Mozambique, inviting them to explore the hidden layers of a society in flux and to recognize the unsung heroes who, against all odds, shape the course of history. Through this film, we aim to amplify the voices of those often marginalized, shedding light on the transformative potential of art and the indomitable spirit of individuals who defy societal expectations to forge a path of their own.
- After her daughter's death, Rita returns to the African country of her childhood to investigate the death of Yvone Kane, a former political activist and guerrilla fighter. There, she becomes embroiled in a journey into the past of a land haunted by war and evil.
- A young ex-con seeking redemption is surprised by a bank foreclosure that forces him to plot against a ruthless crime boss.
- In the midst of Mozambique's devastating civil war, Muidinga, an orphaned refugee, wanders the countryside in search of his mother. His only companion is an elderly storyteller, and the only guide to finding his mother is a dead man's diary. This transporting drama underscores the power of imagination in surviving, and ultimately overcoming, the catastrophe of war.
- Zafa finally opens the bar. Throughout the day things don't go as planned, the workers he hired aren't as qualified as they seemed, and things get worse. But he never gives up on his dreams.
- A man revisits his grandparents' Mozambique village where he grew up when civil war raged. His grandmother protected him from the war back then. The film now shines light into that dark history prudently.
- Tizangara, Mozambique. After the peace agreement. A mystery. UN soldiers exploding. An investigation is begun and Massimo is appointed to solve the mystery. Joaquim will have to translate, not only the words but the facts, in order for him to understand.
- As children, a Mozambique native and a Portuguese colonialist were friends. Years have passed and Mozambique is fighting for its independence. Two childhood friends meet on opposing sides.
- 1975, Mozambique's rebirth as an independent nation. The young revolution sweeps the streets of Maputo clean of prostitutes and bad habits. The prostitutes are sent to re-education camps deep in the countryside, where they will become "new women" - loyal comrades of the new nation. As the "clean-up" takes place, Margarida, a 16-year-old girl from the countryside, is mistakenly taken. Drawing on the stories of real women, Virgin Margarida is a dramatic exploration of a little known chapter in Mozambique's history. A chapter that made no allowance for individuality and enshrined male domination as an ideology.
- On 16 June 1960 in Mueda, Mozambique, the Portuguese army executed six hundred inhabitants on the orders of the Portuguese governor. Since the country's independence, Mueda's residents relive this event each year in a theatrical re-enactment, playing the roles of the assassins, victims and spectators. This film sets a historical landmark in the cinematic memory of decolonization and the Mozambican people's grieving process.
- The agitprop film ESTAS SÃO AS ARMAS by Murilo Salles was edited together from archival images and formed one of the first works to be produced by the newly founded film institute in Maputo.
- This film seeks to visualize Maputo in Mozambique as one of Africa's divided cities. One day in the city, through the eyes of the people who live there.
- When Professor Suthu, a Bantu Anthropologist obsessed with the unusual phenomena present in African Culture, is accused by the police of incentivizing albino people's kidnapping because of a lesson of his where he explains the different beliefs that African people hold regarding albinos and their magical powers, he notices that the police lack the expertise to investigate witchcraft and paranormal related crimes and he convinces them to be their consultant as he uses his extraordinary skills to solve incomprehensible crimes with the help of a police detective, Luna, a medical trainee, Kayana and a witch-doctor banned from practicing because of her unusual methods, Mamã Mathusse.
- MABATA BATA is a trip to the African modern rural world in Mozambique, where the magical universe is still very present on people's life who have few options to face poverty. Their great dream, still now, is to reach the 'other side', where they believe they can find potential solutions for their lives. But what is the point of making plans if the war can keep you from accomplishing them? The film is an adaptation of THE DAY MABATA BATA EXPLODED, a short story by international awarded writer MIA COUTO, published in VOICES MADE NIGHT, the author's first short stories book. The original story talks about a shepherd boy who wants to go to school, but he is not allowed to do it because he has to take care of the herd for the lobolo (traditional dowry) of his uncle, who works in the mines of South Africa. Above all, he has to take care of MABATA BATA, the herd's biggest ox. In the adaptation, the film gains a magical dimension, with the introduction of a ceremony, with an invocation of the spirit that may or may not bless the marriage that was preceded by tragic events. The war is present: the ox explodes, the boy runs away, which triggers a series of events that will end unpredictably. The film was made in co-production with the Mozambican company PROMARTE, and the Portuguese company BANDO À PARTE.
- In Inhambane, Mozambique, the sketchy and funny portrait of a youth who dreams, despairs, cleans, flirts and climbs baobabs.
- Accused of having caused the death of her husband, she was persecuted and humiliated. Twice she proved her innocence. Even so, she was punished in a merciless fashion.
- Mozambique gained independence from Portugal in 1975, following a bloody struggle that lasted more than a decade. In three acts (plus a poetic prologue and epilogue), some of those who lived through it tell their story about the struggle for independence. A former political prisoner returns to the building named Villa Algarve, where he was tortured - though dilapidated now, it is still maintained as a monument to what took place. There were many who did not survive the torture. We also get to hear the other side of the story, as told by the daughter of an agent of the secret police who was murdered before her eyes following the fall of the Portuguese dictatorship. This striking mix of archive footage, shots of present day and the pervasive soundtrack give us the feeling that past and present are inextricably linked. The oral testimonies bear witness to a multifaceted colonial trauma, and the wounds are still fresh.
- NICO (Peter P. Gudo) is a true life story about a Mozambican child who promises to his dying mother to keep studying and take care of his little sister. However, everything falls apart and Nico feels small and hopeless when his stepfather mistreats and forces him to live on the street and abuses sexually the little girl. After one year living on the street Nico decides to go back to his small village and when he gets there he finds his 14 years old sister pregnant and the father... The father is his stepfather who forced him to live on the street.
- TV SeriesSingle men and women will share a meal with families and friends, while the intended ones stay in the room and watch the lunches. After the lunches, the suitor chooses 1 for a romantic dinner and see if the relationship will happen.
- IZIDINE, a recently promoted Police Detective, is called to an elderdy home set in a former colonial fortress to investigate a crime: VASTO EXCELÊNCIO, the home's director has been murdered. MARTA, the home's nurse tries to steer the investigation to the real crime, the home's very own existence. IZIDINE is confronted with a surprise: all the residents confess that they are the murderer. Their motives going from the way the director treated the elderly, beating them, the domestic violence perpetrated by the director on his own wife's, or the nurse confessing a love affair with the deceased who forced her to have an abortion. The detective will slowly discover that the real crime was a revenge. The director used the Home to smuggle weapons, which the elderly made disappear, sentencing him to be killed by his buddy criminals.
- Each Malangatana's brushstroke is a new line of a long life story. Odd black and white sketching, full of little people in the middle of animals, or with such an explosive African color, that describes the painter memories. Starring at the drawings he says "one day I will explain all this". Throughout is living memories and these promises we are taken on a journey into the African world. We see the relation between the present and the past along with the spirits, how they are connected in an emotional way, how they integrate themselves, having to assimilate another culture in colonial time. Malangatana is one of the most important painters of the African Continent.
- When one of the 'children' of the Brats is stolen by the local Bully, it's up to them to retrieve it at all costs, at some point they discover that there are more Toys that were stolen from other kids and that this Bully plans to sell them.