There is something about the period of the Napoleonic Wars and the personality of Napoleon Bonaparte himself that keeps world-renowned filmmakers returning to the subject. Maybe it's the aesthetics of the early 19th century and the epic battles of the time. Maybe it's the fascination of the life of the great French general and emperor that ambitious filmmakers are drawn to.
Whatever the reason, each of these films either failed commercially or received mixed reviews from critics. Abel Gance's Napoleon, Sergei Bondarchuk's War and Peace and Waterloo, Peter Weir's Master and Commander, and of course Ridley Scott's recent Napoleon – despite epic scales, a talented cast and crew, and sometimes even a great script, all of the above films failed in one way or another.
Ridley Scott's new feature, starring Joaquin Phoenix, is both commercially and critically underwhelming. Despite its grandeur, its Rotten Tomatoes score was a...
Whatever the reason, each of these films either failed commercially or received mixed reviews from critics. Abel Gance's Napoleon, Sergei Bondarchuk's War and Peace and Waterloo, Peter Weir's Master and Commander, and of course Ridley Scott's recent Napoleon – despite epic scales, a talented cast and crew, and sometimes even a great script, all of the above films failed in one way or another.
Ridley Scott's new feature, starring Joaquin Phoenix, is both commercially and critically underwhelming. Despite its grandeur, its Rotten Tomatoes score was a...
- 4/26/2024
- by louise.everitt@startefacts.com (Louise Everitt)
- STartefacts.com
“There’s someone in the house … absolutely trying to kill me, ya’know?”
The Christmas season is upon us! The warm glow of twinkling lights fills the air. Green pine trees decorate our living rooms and every solid surface seems to be decked out with ribbons and garland of deepest crimson. What better time to celebrate Dario Argento’s 1975 holiday giallo film Deep Red. Musician Marcus Daly (David Hemmings) is on his way home when he witnesses a brutal murder in the window of a neighboring apartment. To keep from becoming the next victim, he and quirky reporter Gianna Brezzi (Daria Nicolodi) must team up to solve not only the crime, but the mystery of the missing painting. This rocky partnership will lead them to a deep red lecture hall, a steamy bathroom, and an abandoned house in the canary islands all to track down a mysterious – and musical – killer.
The Christmas season is upon us! The warm glow of twinkling lights fills the air. Green pine trees decorate our living rooms and every solid surface seems to be decked out with ribbons and garland of deepest crimson. What better time to celebrate Dario Argento’s 1975 holiday giallo film Deep Red. Musician Marcus Daly (David Hemmings) is on his way home when he witnesses a brutal murder in the window of a neighboring apartment. To keep from becoming the next victim, he and quirky reporter Gianna Brezzi (Daria Nicolodi) must team up to solve not only the crime, but the mystery of the missing painting. This rocky partnership will lead them to a deep red lecture hall, a steamy bathroom, and an abandoned house in the canary islands all to track down a mysterious – and musical – killer.
- 12/22/2023
- by Jenn Adams
- bloody-disgusting.com
The Bloody Disgusting-powered Screambox is home to a variety of unique horror content, from originals and exclusives to cult classics and documentaries. With such a rapidly-growing library, there are many hidden gems waiting to be discovered.
Alongside exclusives like Secret Santa and Night of the Missing and such classics as Black Christmas and Silent Night, Deadly Night 2, here are five Christmas horror recommendations you can stream on Screambox right now.
Christmas Evil
Not to be confused with the innumerable Santa slashers, Christmas Evil (also known as You Better Watch Out) is tonally more in line with Taxi Driver than Silent Night, Deadly Night. Writer-director Lewis Jackson clearly had no interest in making a body count flick; instead, he explores the psyche of a mentally unstable man who happens to dress up as Santa and kill people. The low-budget grit adds to the dark atmosphere.
The 1980 film chronicles one man’s...
Alongside exclusives like Secret Santa and Night of the Missing and such classics as Black Christmas and Silent Night, Deadly Night 2, here are five Christmas horror recommendations you can stream on Screambox right now.
Christmas Evil
Not to be confused with the innumerable Santa slashers, Christmas Evil (also known as You Better Watch Out) is tonally more in line with Taxi Driver than Silent Night, Deadly Night. Writer-director Lewis Jackson clearly had no interest in making a body count flick; instead, he explores the psyche of a mentally unstable man who happens to dress up as Santa and kill people. The low-budget grit adds to the dark atmosphere.
The 1980 film chronicles one man’s...
- 12/13/2023
- by Alex DiVincenzo
- bloody-disgusting.com
Nineteen sixty-eight has to be considered the apex of psychedelic sexploitation romps, with the release of Candy, adapted from Mason Hoffenberg and Terry Southern’s satirical reworking of Voltaire’s Candide, and Roger Vadim’s Barbarella, based on Jean-Claude Forest’s comic, and partially scripted by Southern (alongside an armada of other credited writers). Both employ a rambling, shaggy-dog structure as an excuse to flagrantly foreground softcore sexual hijinks tinged with a pungent whiff of social commentary, albeit the latter aspect may be easier to discern in Candy’s perverse daisy chain of events.
Southern’s contributions to the Dino De Laurentiis-produced Barbarella can be detected in some of its wittier lines (“A good many dramatic situations begin with screaming!”) and sly pokes at the persistence of class-consciousness. Aside from Southern, the two films are linked by the presence of Anita Pallenberg, style icon and muse of the Rolling...
Southern’s contributions to the Dino De Laurentiis-produced Barbarella can be detected in some of its wittier lines (“A good many dramatic situations begin with screaming!”) and sly pokes at the persistence of class-consciousness. Aside from Southern, the two films are linked by the presence of Anita Pallenberg, style icon and muse of the Rolling...
- 11/21/2023
- by Budd Wilkins
- Slant Magazine
With guild agreements being signed and production ramping up, Hollywood hopefully awaits a moment of youthful innovation.
Oops: The most newsworthy films set for imminent release are directed by filmmakers in their 80s – grizzled veterans who understand their muscle but, like the neophytes, are perplexed by the chaotic landscape.
Will this become a Back to the Future moment?
Ageism debates about Biden (80) and Trump (77) may prompt political headlines, but it’s not intruding on either The Golden Bachelor (Gerry Turner is 72) or the movie release date calendar.
Still, talk to Michael Mann (Ferrari), Ridley Scott (Napoleon) or Martin Scorsese (Killers of the Flower Moon) and you won’t encounter the sort of “we own the system” bluster held by the old-time studio directors. Behind them is an even older lineup of vintage filmmakers: Woody Allen (87) and Roman Polanski (90), whose movies await release dates, and Francis Coppola (84), who would welcome distribution...
Oops: The most newsworthy films set for imminent release are directed by filmmakers in their 80s – grizzled veterans who understand their muscle but, like the neophytes, are perplexed by the chaotic landscape.
Will this become a Back to the Future moment?
Ageism debates about Biden (80) and Trump (77) may prompt political headlines, but it’s not intruding on either The Golden Bachelor (Gerry Turner is 72) or the movie release date calendar.
Still, talk to Michael Mann (Ferrari), Ridley Scott (Napoleon) or Martin Scorsese (Killers of the Flower Moon) and you won’t encounter the sort of “we own the system” bluster held by the old-time studio directors. Behind them is an even older lineup of vintage filmmakers: Woody Allen (87) and Roman Polanski (90), whose movies await release dates, and Francis Coppola (84), who would welcome distribution...
- 9/28/2023
- by Peter Bart
- Deadline Film + TV
Gayle Hunnicutt, best known for playing Vanessa Beaumont in the final three seasons of Dallas, has died. She was 80. According to The Times (U.K.), Hunnicutt passed away on Thursday, August 31, at a hospital in London. Born on February 6, 1943, in Fort Worth, Texas, Hunnicutt made her television debut in 1966 on the NBC sitcom Mister Roberts and went on to appear in several more TV series throughout the 1960s and 70s, including The Beverly Hillbillies, Get Smart, and Hey Landlord. She married British actor David Hemmings in 1968 and moved to the U.K, where she had roles in many British TV series, including The Golden Browl, Fall of Eagles, Thriller, and Return of the Saint. Hunnicutt also starred in numerous films, perhaps most memorably playing a glamorous Hollywood actress alongside James Garner in the 1969 neo-noir detective drama Marlowe. Her other film work includes The Wild Angels, Eye of the Cat, Fragment of Fear,...
- 9/6/2023
- TV Insider
Gayle Hunnicutt, the Texas-born actor known for 1969’s “Marlowe” and her role as Vanessa Beaumont in “Dallas,” died on Aug. 31 in London, according to The Times of London. She was 80.
Hunnicutt played Vanessa Beaumont, an English aristocrat who shares an illegitimate son with Larry Hagman’s J.R. Ewing, in the final three seasons of “Dallas” from 1989 to 1991.
Born on Feb. 6, 1943, in Fort Worth, Texas, Hunnicutt made her television debut in 1966 on the NBC sitcom “Mister Roberts.” She guested on several series in the ’60s, including “The Beverly Hillbillies,” “Hey Landlord,” “Love on a Rooftop” and “Get Smart.”
On the film side, Hunnicutt starred opposite James Garner in the 1969 neo-noir crime film “Marlowe,” in which she played television star Mavis Wald. She appeared in more than 30 films during her career, including “The Wild Angels,” “P.J.,” “Freelance,” “Running Scared,” “Target” and “The Legend of Hell House” opposite Roddy McDowell.
Hunnicutt married...
Hunnicutt played Vanessa Beaumont, an English aristocrat who shares an illegitimate son with Larry Hagman’s J.R. Ewing, in the final three seasons of “Dallas” from 1989 to 1991.
Born on Feb. 6, 1943, in Fort Worth, Texas, Hunnicutt made her television debut in 1966 on the NBC sitcom “Mister Roberts.” She guested on several series in the ’60s, including “The Beverly Hillbillies,” “Hey Landlord,” “Love on a Rooftop” and “Get Smart.”
On the film side, Hunnicutt starred opposite James Garner in the 1969 neo-noir crime film “Marlowe,” in which she played television star Mavis Wald. She appeared in more than 30 films during her career, including “The Wild Angels,” “P.J.,” “Freelance,” “Running Scared,” “Target” and “The Legend of Hell House” opposite Roddy McDowell.
Hunnicutt married...
- 9/6/2023
- by Michaela Zee
- Variety Film + TV
Gayle Hunnicutt, whose best-known work came as Vanessa Beaumont, the mother of J.R. Ewing’s illegitimate son, in the final three seasons of Dallas, has died per multiple U.K. reports. Hunnicutt died last Thursday at a hospital in London, according to her ex-husband Simon Jenkins. She was 80 years old.
That Hunnicutt would find fame playing Vanessa Beaumont, a Brit, on a TV show called Dallas was a bit ironic for a woman born in Fort Worth. But it was entirely sensible given that the actress spent much of her career in British TV and movies, even marrying the be-knighted Jenkins before returning to work in the U.S.
Her TV career began with a role on the shortlived small-screen adaptation of Mister Roberts and included roles on The Beverly Hillbillies, Get Smart and in Marlowe opposite James Garner.
In 1970, Hunnicutt met and later married David Hemmings, who himself...
That Hunnicutt would find fame playing Vanessa Beaumont, a Brit, on a TV show called Dallas was a bit ironic for a woman born in Fort Worth. But it was entirely sensible given that the actress spent much of her career in British TV and movies, even marrying the be-knighted Jenkins before returning to work in the U.S.
Her TV career began with a role on the shortlived small-screen adaptation of Mister Roberts and included roles on The Beverly Hillbillies, Get Smart and in Marlowe opposite James Garner.
In 1970, Hunnicutt met and later married David Hemmings, who himself...
- 9/6/2023
- by Tom Tapp
- Deadline Film + TV
Rockstars appearing in movies is not rare, but they don’t often have leading roles. The Beatles had a few films starring themselves, such as A Hard Day’s Night and Help!, and accompanied by a stellar soundtrack. Mick Jagger also has a minor acting career, but he wanted to go big by starring in the lead role in a Stanley Kubrick classic, and The Beatles backed his ambitions.
The Beatles signed a letter saying Mick Jagger should play the lead in ‘A Clockwork Orange’
1971’s A Clockwork Orange was directed by Stanley Kubrick and starred Malcolm McDowell in the lead role. Based on a novel by Anthony Burgess, the film centers around Alex, a young, violent delinquent who is jailed and subjected to behavior modification techniques. He returns to the world, cured, but is punished by the victims he wronged in his past.
It’s a disturbing film that...
The Beatles signed a letter saying Mick Jagger should play the lead in ‘A Clockwork Orange’
1971’s A Clockwork Orange was directed by Stanley Kubrick and starred Malcolm McDowell in the lead role. Based on a novel by Anthony Burgess, the film centers around Alex, a young, violent delinquent who is jailed and subjected to behavior modification techniques. He returns to the world, cured, but is punished by the victims he wronged in his past.
It’s a disturbing film that...
- 7/11/2023
- by Ross Tanenbaum
- Showbiz Cheat Sheet
One of Stanley Kubrick’s lost projects, a large-scale biopic of Napoleon Bonaparte, has been in the works for HBO for the last seven years.
Steven Spielberg, who has been involved for at least ten years, now says he is “mounting a big production” and the project will become a seven-part series for the premium cable network.
It’s not clear whether the project is still in the development stages or has a series order.
Speaking at the Berlin Film Festival, The Fabelmans director said, “With the co-operation of Christiane Kubrick and Jan Harlan, we’re mounting a large production for HBO on based on Stanley’s original script Napoloeon. We are working on Napoleon as a seven-part limited series,” he said.
Kubrick had originally planned the film after the success of 2001 and did extensive research on the French Revolutionary leader. He had planned to film the movie across Europe,...
Steven Spielberg, who has been involved for at least ten years, now says he is “mounting a big production” and the project will become a seven-part series for the premium cable network.
It’s not clear whether the project is still in the development stages or has a series order.
Speaking at the Berlin Film Festival, The Fabelmans director said, “With the co-operation of Christiane Kubrick and Jan Harlan, we’re mounting a large production for HBO on based on Stanley’s original script Napoloeon. We are working on Napoleon as a seven-part limited series,” he said.
Kubrick had originally planned the film after the success of 2001 and did extensive research on the French Revolutionary leader. He had planned to film the movie across Europe,...
- 2/21/2023
- by Peter White
- Deadline Film + TV
Raquel Welch, the actor who became an icon and sex symbol thanks to films like “One Million Years B.C.” and “Three Musketeers,” died Wednesday in Los Angeles after a brief illness, her manager confirmed to Variety. She was 82.
She came onto the movie scene in 1966 with the sci-fi film “Fantastic Voyage” and the prehistoric adventure “One Million Years B.C.,” the latter of which established Welch as a sex symbol. The actor went on to appear in the controversial adaptation of Gore Vidal’s “Myra Beckrinridge,” “Kansas City Bomber” and Richard Lester’s delightful romps “The Three Musketeers” (1973), for which she won a Golden Globe, and “The Four Musketeers: Milady’s Revenge” (1974). She was one of the first women to play the lead role — not the romantic interest — in a Western, 1971 revenge tale “Hannie Caulder” — an inspiration for Quentin Tarantino’s “Kill Bill” (2003), according to the director.
(Earlier, Marlene Dietrich and Joan Crawford...
She came onto the movie scene in 1966 with the sci-fi film “Fantastic Voyage” and the prehistoric adventure “One Million Years B.C.,” the latter of which established Welch as a sex symbol. The actor went on to appear in the controversial adaptation of Gore Vidal’s “Myra Beckrinridge,” “Kansas City Bomber” and Richard Lester’s delightful romps “The Three Musketeers” (1973), for which she won a Golden Globe, and “The Four Musketeers: Milady’s Revenge” (1974). She was one of the first women to play the lead role — not the romantic interest — in a Western, 1971 revenge tale “Hannie Caulder” — an inspiration for Quentin Tarantino’s “Kill Bill” (2003), according to the director.
(Earlier, Marlene Dietrich and Joan Crawford...
- 2/15/2023
- by Carmel Dagan
- Variety Film + TV
Music teacher David Hemmings investigates a series of brutal axe murders in Dario Argento’s seminal giallo. Stylishly shot in Argento’s favorite location, Torino, Italy. The film exists in multiple edits, the original Italian running 126 minutes. The rock group Goblin provided their first of several Argento music scores when called in to replace composer Giorgio Gasilini, who ankled the project after blow-ups with the director. The 101 minute US theatrical version, titled The Hatchet Murders, is available online at The Internet Archive.
Check out Guillermo del Toro’s Spanish-language rendition of his Deep Red trailer commentary here!
The post Deep Red appeared first on Trailers From Hell.
Check out Guillermo del Toro’s Spanish-language rendition of his Deep Red trailer commentary here!
The post Deep Red appeared first on Trailers From Hell.
- 1/11/2023
- by TFH Team
- Trailers from Hell
Pairing wine with movies! See the trailers and hear the fascinating commentary for these movies and many more at Trailers From Hell. This week, the wine is the color of blood as we serve up some pairings for three films concerning serial killers.
In Cold Blood is a movie from 1967, based on Truman Capote’s book about the brutal real-life murders of a Kansas family by a pair of criminals in 1959. Their killing spree was a short one – they slit the throats of and shot the four family members in the middle of the night, after failing to find a safe full of cash they had hoped to crack. Robert Blake plays one of the killers while John Forsythe plays a state investigator.
When the two felons get out of prison and decide to resume a life of crime, they head to southwestern Kansas as the logical place to get their careers back on track.
In Cold Blood is a movie from 1967, based on Truman Capote’s book about the brutal real-life murders of a Kansas family by a pair of criminals in 1959. Their killing spree was a short one – they slit the throats of and shot the four family members in the middle of the night, after failing to find a safe full of cash they had hoped to crack. Robert Blake plays one of the killers while John Forsythe plays a state investigator.
When the two felons get out of prison and decide to resume a life of crime, they head to southwestern Kansas as the logical place to get their careers back on track.
- 1/6/2023
- by Randy Fuller
- Trailers from Hell
"A Christmas Carol" by Charles Dickens was embraced by the British public from the moment it first dropped in 1843; it was an instant bestseller and the work has never been out of print since (via ThoughtCo). Almost 60 years later, the festive tale took a leap to the new-fangled medium of cinema with "Scrooge, or Marley's Ghost" in 1901. That title hinted at a vision of Film Adaptations Yet to Come; Scrooge was the star of the show and would become a juicy role for dozens of famous actors over the next 120 years.
Since Daniel Smith donned Scrooge's nightcap in that pioneering first adaptation, George C. Scott, Albert Finney, Reginald Owen, Patrick Stewart, and Henry Winkler have all given their distinctive take on the role, while Alastair Sim remains many people's definitive version of the character. Bill Murray put a modern spin on the tale in "Scrooged," while in animation we've had Mr. Magoo,...
Since Daniel Smith donned Scrooge's nightcap in that pioneering first adaptation, George C. Scott, Albert Finney, Reginald Owen, Patrick Stewart, and Henry Winkler have all given their distinctive take on the role, while Alastair Sim remains many people's definitive version of the character. Bill Murray put a modern spin on the tale in "Scrooged," while in animation we've had Mr. Magoo,...
- 12/10/2022
- by Lee Adams
- Slash Film
When Jane Fonda was preparing for the galactic striptease that opens the 1968 sci-fi fantasy Barbarella, she plied herself with vodka. She was so terrified that she made sure she was completely drunk before the cameras started rolling. A bat flew in front of the lens, spoiling the shot, and the director, her then-husband Roger Vadim, insisted that she shoot it again the next day.
“The take that was actually used, I was not only drunk. I was hungover too,” Fonda recalled in the 2018 documentary about her, Jane Fonda in Five Acts.
It’s one of the most memorable sequences in an otherwise patchy and eccentric movie that scarcely deserves its cult reputation. Fonda appears to be floating as she pulls off her outfit. In fact, she was lying on a pane of glass with the rest of the spaceship behind her for the shot. While she removes her helmet, gloves and eventually everything else,...
“The take that was actually used, I was not only drunk. I was hungover too,” Fonda recalled in the 2018 documentary about her, Jane Fonda in Five Acts.
It’s one of the most memorable sequences in an otherwise patchy and eccentric movie that scarcely deserves its cult reputation. Fonda appears to be floating as she pulls off her outfit. In fact, she was lying on a pane of glass with the rest of the spaceship behind her for the shot. While she removes her helmet, gloves and eventually everything else,...
- 10/21/2022
- by Geoffrey Macnab
- The Independent - Film
In 1971, the Cannes Film Festival opened with a screening of Gimme Shelter by Albert and David Maysles, an immersive, vérité depiction of two weeks in the touring life of the Rolling Stones. If that was all it did, it might have been forgotten by now. But by a terrible freak of chance, the filmmakers followed the band to the most notorious concert of their entire career — the Altamont Speedway Free Festival in Livermore, CA, where the Stones, along with Santana, Jefferson Airplane, The Flying Burrito Brothers and Crosby, Stills, Nash & Young, were set to perform a free concert for 300,000 people on Dec. 6, 1969. “We didn’t know what it was going to be,” Albert said later. “We just had a childish faith that having seen the Stones and getting along with them, there might be a feature film there.”
At the apparent suggestion of Jefferson Airplane and the Grateful Dead (who...
At the apparent suggestion of Jefferson Airplane and the Grateful Dead (who...
- 5/17/2022
- by Damon Wise
- Deadline Film + TV
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By Todd Garbarini
The major question that I have about Douglas Heyes’s Kitten with a Whip, which opened in New York on Wednesday, November 4, 1964 on a double bill with Lance Comfort’s Sing and Swing (1963) with David Hemmings at some theaters, is this: where is the titular whip? We have the kitten, as embodied by the overly beautiful Ann-Margret as “bad girl” Jody Dvorak, but there is no whip to be found. Perhaps the “whip” is her personality? There certainly is an argument to be made for that. Jody has just made a break from a juvenile detention center but not before seriously wounding the head of the place who becomes hospitalized. Outwitting the police, she breaks into the semi-upscale home of David Stratton (John Forsyth), a stuffy, by-the-book political candidate hopeful twenty-three years her senior whose wife and daughter are conveniently...
By Todd Garbarini
The major question that I have about Douglas Heyes’s Kitten with a Whip, which opened in New York on Wednesday, November 4, 1964 on a double bill with Lance Comfort’s Sing and Swing (1963) with David Hemmings at some theaters, is this: where is the titular whip? We have the kitten, as embodied by the overly beautiful Ann-Margret as “bad girl” Jody Dvorak, but there is no whip to be found. Perhaps the “whip” is her personality? There certainly is an argument to be made for that. Jody has just made a break from a juvenile detention center but not before seriously wounding the head of the place who becomes hospitalized. Outwitting the police, she breaks into the semi-upscale home of David Stratton (John Forsyth), a stuffy, by-the-book political candidate hopeful twenty-three years her senior whose wife and daughter are conveniently...
- 4/13/2022
- by nospam@example.com (Cinema Retro)
- Cinemaretro.com
” I will make it my personal business to see you don’t leave here alive. You understand me?”
Rogue Cops and Racketeers: Two Crime Thrillers: The Big Racket (1976) and The Heroin Busters (1977) will be available on Blu-ray April 19th from Arrow Video
Over a long and wide-ranging career, director Enzo G. Castellari helmed some of the most infamous of all the poliziotteschi – the gritty, action-packed crime films that proliferated in Italy throughout the 70s. Buckle up for a heart-stopping thrill ride through the seedy underbelly of Italian society in two of his most celebrated thrillers!
In 1976’s The Big Racket, Inspector Nico Palmieri is hot on the heels of a gang of ruthless racketeers. Realizing he’s not going to get anywhere within the confines of the law, Nico recruits a crack squad of civilians to dole out their own brand of justice. Then, in 1977’s The Heroin Busters, rule-flouting...
Rogue Cops and Racketeers: Two Crime Thrillers: The Big Racket (1976) and The Heroin Busters (1977) will be available on Blu-ray April 19th from Arrow Video
Over a long and wide-ranging career, director Enzo G. Castellari helmed some of the most infamous of all the poliziotteschi – the gritty, action-packed crime films that proliferated in Italy throughout the 70s. Buckle up for a heart-stopping thrill ride through the seedy underbelly of Italian society in two of his most celebrated thrillers!
In 1976’s The Big Racket, Inspector Nico Palmieri is hot on the heels of a gang of ruthless racketeers. Realizing he’s not going to get anywhere within the confines of the law, Nico recruits a crack squad of civilians to dole out their own brand of justice. Then, in 1977’s The Heroin Busters, rule-flouting...
- 3/9/2022
- by Tom Stockman
- WeAreMovieGeeks.com
Exclusive: Helen Shaver has been tapped to direct and executive produce NBC’s Quantum Leap pilot, a reboot of the beloved 1990s sci-fi series, which starred Scott Bakula and the late Dean Stockwell.
Written and executive produced by La Brea co-showrunners Steven Lilien and Bryan Wynbrandt and executive produced by Blindspot creator Martin Gero as well as Quantum Leap creator/EP Don Bellisario and EP/co-narrator Deborah Pratt, the follow-up series is set in present time. It’s been 30 years since Dr. Sam Beckett (Bakula) stepped into the Quantum Leap accelerator and vanished. Now a new team has been assembled to restart the project in the hopes of understanding the mysteries behind the machine and the man who created it.
Bakula is not attached to reprise his role or produce the new Quantum Leap but is aware of the reboot and has had conversations about potentially getting involved.
Written and executive produced by La Brea co-showrunners Steven Lilien and Bryan Wynbrandt and executive produced by Blindspot creator Martin Gero as well as Quantum Leap creator/EP Don Bellisario and EP/co-narrator Deborah Pratt, the follow-up series is set in present time. It’s been 30 years since Dr. Sam Beckett (Bakula) stepped into the Quantum Leap accelerator and vanished. Now a new team has been assembled to restart the project in the hopes of understanding the mysteries behind the machine and the man who created it.
Bakula is not attached to reprise his role or produce the new Quantum Leap but is aware of the reboot and has had conversations about potentially getting involved.
- 2/10/2022
- by Nellie Andreeva and Denise Petski
- Deadline Film + TV
To mark the release of Just a Gigolo on 8th November, we’ve been given 2 copies to give away on Blu-ray.
Paul von Przygodski (David Bowie), a young Prussian gentleman, arrives in the trenches in time to be caught in the final explosion of the Great War. After recuperating in a military hospital, where he is mistaken for a French hero, he returns to Berlin. His family home has been turned into a boarding house, his father (Rudolf Schündler) is paralyzed, and his mother (Maria Schell) is working in the Turkish baths. Attempting to find a new purpose, his childhood friend, Cilly (Sydne Rome), abandons him for fame and fortune; his former commanding officer, Captain Kraft (David Hemmings), tries to persuade him to join his right-wing movement and a widow, Helga von Kaiserling (Kim Novak), briefly seduces him with the finer things in life. In a society where the...
Paul von Przygodski (David Bowie), a young Prussian gentleman, arrives in the trenches in time to be caught in the final explosion of the Great War. After recuperating in a military hospital, where he is mistaken for a French hero, he returns to Berlin. His family home has been turned into a boarding house, his father (Rudolf Schündler) is paralyzed, and his mother (Maria Schell) is working in the Turkish baths. Attempting to find a new purpose, his childhood friend, Cilly (Sydne Rome), abandons him for fame and fortune; his former commanding officer, Captain Kraft (David Hemmings), tries to persuade him to join his right-wing movement and a widow, Helga von Kaiserling (Kim Novak), briefly seduces him with the finer things in life. In a society where the...
- 11/3/2021
- by Competitions
- HeyUGuys.co.uk
Dario Argento in 4K — that sounds like a good idea, especially for his more visually jolting giallos. Arrayed in garish reds and blacks, this blood-soaked mystery shocker emphasizes exotic murders — stabbings, scaldings, lacerations from broken glass. David Hemmings is again the investigator, digging into evidence sourced not in photographic details, but the hidden artwork of a disturbed child. Techniscope images by Luigi Kuveiller and music by Goblin, with abbondante gore orchestrated by Signor Argento at the top of his form.
Deep Red 4K
4K Ultra HD
Arrow Video
1975 / Color / 2:35 widescreen / 127 & 105 min. / Street Date October 26, 2021 / 59.95
Starring: David Hemmings, Daria Nicolodi, Gabriele Lavia, Macha Méril, Eros Pagni, Giuliana Calandra, Piero Mazzinghi, Glauco Mauri, Clara Calamai, Nocoletta Elmi.
Cinematography: Luigi Kuveiller
Production Designer: Art Director:
Film Editor: Franco Fraticelli
Original Music: Goblin
Written by Dario Argento, Bernardino Zapponi
Produced by Claudio Argento, Salvatore Argento
Directed by Dario Argento
Deep Red hasn’t...
Deep Red 4K
4K Ultra HD
Arrow Video
1975 / Color / 2:35 widescreen / 127 & 105 min. / Street Date October 26, 2021 / 59.95
Starring: David Hemmings, Daria Nicolodi, Gabriele Lavia, Macha Méril, Eros Pagni, Giuliana Calandra, Piero Mazzinghi, Glauco Mauri, Clara Calamai, Nocoletta Elmi.
Cinematography: Luigi Kuveiller
Production Designer: Art Director:
Film Editor: Franco Fraticelli
Original Music: Goblin
Written by Dario Argento, Bernardino Zapponi
Produced by Claudio Argento, Salvatore Argento
Directed by Dario Argento
Deep Red hasn’t...
- 11/2/2021
- by Glenn Erickson
- Trailers from Hell
“I can feel death in this room! I feel a presence, a twisted mind sending me thoughts! Perverted, murderous thoughts… Go away! You have killed! And you will kill again!”
Dario Argento’s Deep Red will be available on Uhd 4K Ultra HD October 26th from Arrow Video
From Dario Argento, maestro of the macabre and the man behind some of the greatest excursions in Italian horror, comes Deep Red – the ultimate giallo movie.
One night, musician Marcus Daly, looking up from the street below, witnesses the brutal axe murder of a woman in her apartment. Racing to the scene, Marcus just manages to miss the perpetrator… or does he? As he takes on the role of amateur sleuth, Marcus finds himself ensnared in a bizarre web of murder and mystery where nothing is what it seems…
Aided by a throbbing score from regular Argento collaborators Goblin, Deep Red (aka...
Dario Argento’s Deep Red will be available on Uhd 4K Ultra HD October 26th from Arrow Video
From Dario Argento, maestro of the macabre and the man behind some of the greatest excursions in Italian horror, comes Deep Red – the ultimate giallo movie.
One night, musician Marcus Daly, looking up from the street below, witnesses the brutal axe murder of a woman in her apartment. Racing to the scene, Marcus just manages to miss the perpetrator… or does he? As he takes on the role of amateur sleuth, Marcus finds himself ensnared in a bizarre web of murder and mystery where nothing is what it seems…
Aided by a throbbing score from regular Argento collaborators Goblin, Deep Red (aka...
- 10/6/2021
- by Tom Stockman
- WeAreMovieGeeks.com
“I tend to the bodily needs of these people, not the spiritual ones. Now, come along back to bed.”
Sharon Tate in Eye Of The Devil (1966) will be available on Blu-ray October 26th from Warner Archive
A forbidding French chateau and its surrounding vineyards are the setting for Gothic thrills in this haunting excursion into the occult. Deborah Kerr and David Niven, costarring for the first time since Separate Tables, lead an exceptional cast in a chiller reminiscent of the later The Wicker Man (1973), in which an innocent outsider to an enclosed world peels back layers of mystery to reveal a shocking truth. Vineyard owner Marquis Philippe de Montfaucon (David Niven) is called back to his castle Bellenac because of another dry season. He asks his wife and children to remain in Paris, but they still come after him. His wife Catherine de Montfaucon (Deborah Kerr) soon discovers that her...
Sharon Tate in Eye Of The Devil (1966) will be available on Blu-ray October 26th from Warner Archive
A forbidding French chateau and its surrounding vineyards are the setting for Gothic thrills in this haunting excursion into the occult. Deborah Kerr and David Niven, costarring for the first time since Separate Tables, lead an exceptional cast in a chiller reminiscent of the later The Wicker Man (1973), in which an innocent outsider to an enclosed world peels back layers of mystery to reveal a shocking truth. Vineyard owner Marquis Philippe de Montfaucon (David Niven) is called back to his castle Bellenac because of another dry season. He asks his wife and children to remain in Paris, but they still come after him. His wife Catherine de Montfaucon (Deborah Kerr) soon discovers that her...
- 9/29/2021
- by Tom Stockman
- WeAreMovieGeeks.com
To mark the release of Just a Gigolo, out now, we’ve been given a signed copy of the boxset to give away.
Paul von Przygodski (David Bowie), a young Prussian gentleman, arrives in the trenches in time to be caught in the final explosion of the Great War. After recuperating in a military hospital, where he is mistaken for a French hero, he returns to Berlin. His family home has been turned into a boarding house, his father (Rudolf Schündler) is paralyzed, and his mother (Maria Schell) is working in the Turkish baths.
Attempting to find a new purpose, his childhood friend, Cilly (Sydne Rome), abandons him for fame and fortune; his former commanding officer, Captain Kraft (David Hemmings), tries to persuade him to join his right-wing movement and a widow, Helga von Kaiserling (Kim Novak), briefly seduces him with the finer things in life.
In a society...
Paul von Przygodski (David Bowie), a young Prussian gentleman, arrives in the trenches in time to be caught in the final explosion of the Great War. After recuperating in a military hospital, where he is mistaken for a French hero, he returns to Berlin. His family home has been turned into a boarding house, his father (Rudolf Schündler) is paralyzed, and his mother (Maria Schell) is working in the Turkish baths.
Attempting to find a new purpose, his childhood friend, Cilly (Sydne Rome), abandons him for fame and fortune; his former commanding officer, Captain Kraft (David Hemmings), tries to persuade him to join his right-wing movement and a widow, Helga von Kaiserling (Kim Novak), briefly seduces him with the finer things in life.
In a society...
- 8/16/2021
- by Competitions
- HeyUGuys.co.uk
Brian Trenchard-Smith created this trailer for an Aussie supernatural thriller that never made it to American theaters. Director David Hemmings (star of Blow-Up) was determined to class up what was initially intended as a lowly horror movie, and rewrites of David Ambrose’s script continued throughout production. Actor’s Equity frowned on so many overseas cast members and refused to allow Susan George and Samatha Eggar to perform. Thom Eberhardt’s 1983 Sole Survivor uses the same premise to a degree that it should almost be considered a remake, although there’s no official connection.
The post The Survivor appeared first on Trailers From Hell.
The post The Survivor appeared first on Trailers From Hell.
- 4/14/2021
- by TFH Team
- Trailers from Hell
“I’m working in the outhouse again.” That’s how Ben Hecht, the fabled screenwriter, used to describe toiling in Hollywood. “And the nitwits are still in charge,” he assured his friends.
Hecht wrote terrific movies like Scarface and Notorious but he hated studio chiefs, and it was mutual. His name came to mind last week when Don Winslow posted his poignant piece on Deadline reminding producers and executives that writers of books and scripts these days could use a little more love. Given the tensions of the moment, he argued, a few friendly phone calls (and even checks) would bolster sagging writer morale.
More from DeadlineDon Winslow: Top 10 Things Studios, Networks and Streamers Could Do To Treat Authors BetterDon Winslow: My First Experience With Hollywood MathDon Winslow's Take On Scorsese & De Niro Doing 'The Irishman' Over 'Frankie Machine:' 'I Blame Eric Roth'
Winslow is responsible for...
Hecht wrote terrific movies like Scarface and Notorious but he hated studio chiefs, and it was mutual. His name came to mind last week when Don Winslow posted his poignant piece on Deadline reminding producers and executives that writers of books and scripts these days could use a little more love. Given the tensions of the moment, he argued, a few friendly phone calls (and even checks) would bolster sagging writer morale.
More from DeadlineDon Winslow: Top 10 Things Studios, Networks and Streamers Could Do To Treat Authors BetterDon Winslow: My First Experience With Hollywood MathDon Winslow's Take On Scorsese & De Niro Doing 'The Irishman' Over 'Frankie Machine:' 'I Blame Eric Roth'
Winslow is responsible for...
- 4/16/2020
- by Peter Bart
- Deadline Film + TV
Music teacher David Hemmings investigates a series of brutal axe murders in Dario Argento’s seminal giallo. Stylishly shot in Argento’s favorite location, Torino, Italy. The film exists in multiple edits, the original Italian running 126 minutes. The rock group Goblin provided their first of several Argento music scores when called in to replace composer Giorgio Gasilini, who ankled the project after blow-ups with the director. The 101 minute Us theatrical version, titled The Hatchet Murders, is available online at The Internet Archive.
Check out Guillermo del Toro’s Spanish-language rendition of his Deep Red trailer commentary here!
The post Deep Red appeared first on Trailers From Hell.
Check out Guillermo del Toro’s Spanish-language rendition of his Deep Red trailer commentary here!
The post Deep Red appeared first on Trailers From Hell.
- 10/7/2019
- by TFH Team
- Trailers from Hell
England’s swingin’ ’60s were more than A Hard Day’s Night, the Mersey Beat and slapstick in the street with Rita Tushingham. Michael Winner got the scene off to an early start with this beach-set tale of ‘clever lads’ that cooperate to score with vacationing girls. Oliver Reed gives a sterling performance as Tinker, a photo-snapper who takes on a tall target — an independent, posh model with her own amorous agenda. The romance proceeds in a positive direction… or is Tinker fooling himself?
The System (The Girl-Getters)
Blu-ray
Powerhouse Indicator
1964 / B&w / 1:85 / 90 min. / / Street Date September 23, 2019 / available from Powerhouse Films UK / £15.99
Starring: Oliver Reed, Jane Merrow, Barbara Ferris, Julia Foster, Harry Andrews, Ann Lynn, Guy Doleman, David Hemmings.
Cinematography: Nicholas Roeg
Film Editor: Fred Burnley
Original Music: Stanley Black
Songs: The Searchers, The Marauders, The Rocking Berries
Written by Peter Draper
Produced by Kenneth Shipman
Directed by Michael...
The System (The Girl-Getters)
Blu-ray
Powerhouse Indicator
1964 / B&w / 1:85 / 90 min. / / Street Date September 23, 2019 / available from Powerhouse Films UK / £15.99
Starring: Oliver Reed, Jane Merrow, Barbara Ferris, Julia Foster, Harry Andrews, Ann Lynn, Guy Doleman, David Hemmings.
Cinematography: Nicholas Roeg
Film Editor: Fred Burnley
Original Music: Stanley Black
Songs: The Searchers, The Marauders, The Rocking Berries
Written by Peter Draper
Produced by Kenneth Shipman
Directed by Michael...
- 9/28/2019
- by Glenn Erickson
- Trailers from Hell
Music teacher David Hemmings investigates a series of brutal axe murders in Dario Argento’s seminal giallo. Stylishly shot in Argento’s favorite location, Torino, Italy. The film exists in multiple edits, the original Italian running 126 minutes. The rock group Goblin provided their first of several Argento music scores when called in to replace composer Giorgio Gasilini, who ankled the project after blow-ups with the director. The 101 minute Us theatrical version, titled The Hatchet Murders, is available online at The Internet Archive.
The post Deep Red appeared first on Trailers From Hell.
The post Deep Red appeared first on Trailers From Hell.
- 9/6/2019
- by TFH Team
- Trailers from Hell
Music teacher David Hemmings investigates a series of brutal axe murders in Dario Argento’s seminal giallo. Stylishly shot in Argento’s favorite location, Torino, Italy. The film exists in multiple edits, the original Italian running 126 minutes. The rock group Goblin provided their first of several Argento music scores when called in to replace composer Giorgio Gasilini, who ankled the project after blow-ups with the director. The 101 minute Us theatrical version, titled The Hatchet Murders, is available online at The Internet Archive.
The post Deep Red appeared first on Trailers From Hell.
The post Deep Red appeared first on Trailers From Hell.
- 9/6/2019
- by TFH Team
- Trailers from Hell
Anni Browning accepts the 2017 Spa Award to Film Finances for Best Service and Facilities.
In 22 years with Film Finances Australasia, Anni Browning experienced numerous highs and faced a few challenges as the cinema industry ebbed and flowed.
Browning, who has stepped down as MD of the completion bond company but is still a consultant, supported Rachel Perkins’ debut feature Radiance.
She took one of her biggest risks on a Rolf de Heer movie, which she counts as one of her proudest achievements.
The biggest trend during her time has been the proliferation of low budget films, despite the need to pay crews and allocate reasonable money for post- production. Film Finances bonded a lot of films budgeted at $1 million- $1.5 million and one-off feature docs costing as little as $100,000- $200,000.
One thing which has not remained constant is the insurance bond premium. When she started it was as high as 6 per cent of the budget.
In 22 years with Film Finances Australasia, Anni Browning experienced numerous highs and faced a few challenges as the cinema industry ebbed and flowed.
Browning, who has stepped down as MD of the completion bond company but is still a consultant, supported Rachel Perkins’ debut feature Radiance.
She took one of her biggest risks on a Rolf de Heer movie, which she counts as one of her proudest achievements.
The biggest trend during her time has been the proliferation of low budget films, despite the need to pay crews and allocate reasonable money for post- production. Film Finances bonded a lot of films budgeted at $1 million- $1.5 million and one-off feature docs costing as little as $100,000- $200,000.
One thing which has not remained constant is the insurance bond premium. When she started it was as high as 6 per cent of the budget.
- 7/7/2019
- by The IF Team
- IF.com.au
How terrible to be the solitary vampire; cursed to walk the earth alone, sleepless nights interrupted by an insatiable blood lust, no one to go shopping with. It just doesn’t seem like the most sociable of lifestyle choices. This would be the case for most of horror’s filmdom until Thirst (1979), a quirky Australian blend of political satire and nightmarish imagery that presents a society of bloodsuckers intent on branding long before it entered the consciousness.
Released by New Line Cinema in late September, Thirst traipsed its way through the market place of grindhouse and drive-ins before popping up on VHS, where a young horror fiend (me) eagerly lapped up everything coming out by the nascent home video realm. What did the ten year old think? Well, not much at the time; he found it well made but slow. The man-child before you has the same thoughts, except time has brought me patience,...
Released by New Line Cinema in late September, Thirst traipsed its way through the market place of grindhouse and drive-ins before popping up on VHS, where a young horror fiend (me) eagerly lapped up everything coming out by the nascent home video realm. What did the ten year old think? Well, not much at the time; he found it well made but slow. The man-child before you has the same thoughts, except time has brought me patience,...
- 3/23/2019
- by Scott Drebit
- DailyDead
To live under the shadow of a famous father must be very hard, especially so if you choose to follow in his footsteps; the fact that you’re born unto him is beyond your control, but to take the same path will bring a lifetime of comparisons, unjust or not. Such is the case with Lamberto Bava; toiling on some of Mario’s films as assistant director (and a couple of Argento’s as well) gave him the confidence to fly solo, and his second feature A Blade in the Dark (1983) is brimming with that confidence – and a bit of blood, too.
Released in its native Italy in August, Blade arrived stateside through Ascot Films, but not until ’86; perhaps this was done to capitalize on Bava’s success with the Argento-produced Demons from the previous year. Regardless of the reasoning, Blade holds its own as an impressive giallo from a...
Released in its native Italy in August, Blade arrived stateside through Ascot Films, but not until ’86; perhaps this was done to capitalize on Bava’s success with the Argento-produced Demons from the previous year. Regardless of the reasoning, Blade holds its own as an impressive giallo from a...
- 3/2/2019
- by Scott Drebit
- DailyDead
Suspiria. Courtesy of Tk.Cinematographer Vittorio Storaro, who shot Dario Argento’s debut The Bird with the Crystal Plumage (1970), believes it to be “the blueprint for all Argento movies.” It first introduced the gloved hands and the knives. It displayed a tendency towards strange supporting characters and underlying fetishes. As a film about seeing and memory, Argento would essentially remake the film in 1975 as Deep Red, but would incorporate these fractured images and wounded pasts into nearly all his characters and the films that would follow. His cinema is one of convoluted gender roles and impotence. Argento’s films evolve and progress over time, but always keep traveling back to these same questions, essentially using the framework of The Bird with the Crystal Plumage in various settings and situations in his attempts to dig deeper into these issues. It is an investigation that begins two years prior to Argento’s directorial debut,...
- 9/23/2018
- MUBI
Deep Red. Image courtesy of Tk.A hand, sheathed in black leather, fingers wrapped around a razor—or maybe a meat cleaver—rises dramatically. It alone occupies the screen. The glinting blade pauses briefly at its apex, then plummets, slashing pale flesh, the blood a garish shade of red pouring in runnels, spraying walls and floors. A woman’s face contorts into a look of anguish—eyes wide, mouth agape, white teeth bared. Maybe she raises weakly a hand in futile protest, maybe she gets out a pitiable call for help before falling dead to the floor. Maybe the killer photographs her. Flashes of eyeballs, or palpitant gray matter, appear on screen, a suggestion of the ubiquity of danger, of psychological turmoil. The body lays supine, limbs protruding at awkward angles. The head might have smashed through a pane of glass. It’s all theatrical, orchestrated with a cruel and terrific deftness.
- 9/17/2018
- MUBI
“I can feel death in this room! I feel a presence, a twisted mind sending me thoughts! Perverted, murderous thoughts… Go away! You have killed! And you will kill again!”
Dario Argent’s Deep Red (1975) screens midnights this weekend (May 11th and 12th ) at the Tivoli Theater (6350 Delmar Boulevard) as part of their Reel Late at the Tivoli Midnight series.
Like all Dario Argento’s films, you have to be ready for completely off-kilter characters and plot machinations. Once you have excepted those eccentricities, though, Deep Red is one of the most rewarding experiences you can have watching a horror film and I think it’s Argento’s best. I saw the 90 minutes cut of Deep Red at least a half dozen times (mostly at the Drive-in under its alternate title The Hatchet Murders) before I saw the full, 127-minute version when it was finally restored by Anchor Bay on VHS in the ‘90s.
Dario Argent’s Deep Red (1975) screens midnights this weekend (May 11th and 12th ) at the Tivoli Theater (6350 Delmar Boulevard) as part of their Reel Late at the Tivoli Midnight series.
Like all Dario Argento’s films, you have to be ready for completely off-kilter characters and plot machinations. Once you have excepted those eccentricities, though, Deep Red is one of the most rewarding experiences you can have watching a horror film and I think it’s Argento’s best. I saw the 90 minutes cut of Deep Red at least a half dozen times (mostly at the Drive-in under its alternate title The Hatchet Murders) before I saw the full, 127-minute version when it was finally restored by Anchor Bay on VHS in the ‘90s.
- 5/7/2018
- by Tom Stockman
- WeAreMovieGeeks.com
April 10th is going to be a momentous day to be a cult genre fan, as we have a bevy of home media releases that folks are surely going to want to add to their Blu-ray and DVD collections. Arrow Video’s two-disc limited edition set for Dario Argento’s Deep Red looks absolutely incredible, and Scream Factory is keeping busy with a few releases of their own, including Larry Cohen’s Full Moon High, Crucible of Horror, and Superbeast. And as if all that wasn’t enough, Kino Classics is resurrecting The Psychopath in HD as well (which I personally cannot wait to revisit myself).
We also have several new genre-related movies coming our way, too: Ted Geoghegan’s Mohawk, My Friend Dahmer, Are We Not Cats, and Us & Them. Other notable releases for Tuesday, April 10th include Braven, Grindsploitation Trilogy, Disembodied and Enigma Rosso/Red Rings of Fear.
We also have several new genre-related movies coming our way, too: Ted Geoghegan’s Mohawk, My Friend Dahmer, Are We Not Cats, and Us & Them. Other notable releases for Tuesday, April 10th include Braven, Grindsploitation Trilogy, Disembodied and Enigma Rosso/Red Rings of Fear.
- 4/10/2018
- by Heather Wixson
- DailyDead
Dario Argento’s Deep Red will be available on Blu-ray From Arrow Video April 10th
From Dario Argento, maestro of the macabre and the man behind some of the greatest excursions in Italian horror (Suspiria, The Bird with the Crystal Plumage), comes Deep Red the ultimate giallo movie.
One night, musician Marcus Daly (David Hemmings, Blow Up), looking up from the street below, witnesses the brutal axe murder of a woman in her apartment. Racing to the scene, Marcus just manages to miss the perpetrator… or does he? As he takes on the role of amateur sleuth, Marcus finds himself ensnared in a bizarre web of murder and mystery where nothing is what it seems…
Aided by a throbbing score from regular Argento collaborators Goblin, Deep Red (aka Profondo Rosso and The Hatchet Murders) is a hallucinatory fever dream of a giallo punctuated by some of the most astonishing set-pieces the sub-genre has to offer.
From Dario Argento, maestro of the macabre and the man behind some of the greatest excursions in Italian horror (Suspiria, The Bird with the Crystal Plumage), comes Deep Red the ultimate giallo movie.
One night, musician Marcus Daly (David Hemmings, Blow Up), looking up from the street below, witnesses the brutal axe murder of a woman in her apartment. Racing to the scene, Marcus just manages to miss the perpetrator… or does he? As he takes on the role of amateur sleuth, Marcus finds himself ensnared in a bizarre web of murder and mystery where nothing is what it seems…
Aided by a throbbing score from regular Argento collaborators Goblin, Deep Red (aka Profondo Rosso and The Hatchet Murders) is a hallucinatory fever dream of a giallo punctuated by some of the most astonishing set-pieces the sub-genre has to offer.
- 3/20/2018
- by Tom Stockman
- WeAreMovieGeeks.com
After teasing an upcoming Blu-ray release of Elvira, Mistress of the Dark, Arrow Video now has another Blu-ray release for horror fans to get excited about: a 4K restoration of Dario Argento's Deep Red.
Due out on April 10th in the Us and Canada, the Deep Red Blu-ray comes packed with bonus features and displays new cover art that you can view below. In case you missed it, read our own Scott Drebit's Drive-In Dust Offs feature on Deep Red, and stay tuned to Daily Dead for details on other Arrow Video releases.
From Arrow Video: "New Us / Canada Title: Deep Red (Limited Edition Blu-ray)
From Dario Argento comes Deep Red – the ultimate giallo movie.
Pre-order in the Us via DiabolikDVD: http://bit.ly/2DEpPhN
Release date: 10th April 2018
From Dario Argento, maestro of the macabre and the man behind some of the greatest excursions in Italian horror (Suspiria,...
Due out on April 10th in the Us and Canada, the Deep Red Blu-ray comes packed with bonus features and displays new cover art that you can view below. In case you missed it, read our own Scott Drebit's Drive-In Dust Offs feature on Deep Red, and stay tuned to Daily Dead for details on other Arrow Video releases.
From Arrow Video: "New Us / Canada Title: Deep Red (Limited Edition Blu-ray)
From Dario Argento comes Deep Red – the ultimate giallo movie.
Pre-order in the Us via DiabolikDVD: http://bit.ly/2DEpPhN
Release date: 10th April 2018
From Dario Argento, maestro of the macabre and the man behind some of the greatest excursions in Italian horror (Suspiria,...
- 1/26/2018
- by Derek Anderson
- DailyDead
Michelangelo Antonioni’s Blow-Up—which opens today in a new restoration at New York’s Film Forum—is a film about images, photographs especially (a film whose obsession with film grain makes a hi-def digital restoration seem almost perverse). But if ever a film has been reduced to a single image in the public mind it is Antonioni’s mod masterpiece, whose shot of David Hemmings straddling super-model Veruschka at the climactic moment of an orgasmic photo shoot has become the movie’s money shot, endlessly parodied since. Veruschka (a.k.a. Countess Vera von Lehndorff-Steinort) appears for only five minutes at the beginning of the film but she, more than top-billed star Vanessa Redgrave, became the face, or rather the body, of Blow-Up.The shot was used for both the French grande (painted by Georges Kerfyser) and the Japanese poster, above, as well as for a wonderful series of green,...
- 7/28/2017
- MUBI
Robb Sheppard Jul 7, 2017
Robb takes us through the impact that alcohol had on his life,
Once again, for this week's Geeks Vs Loneliness, we're eschewing our usual introduction, that you can find on the 100+ other posts in this series (some links can be found further down the page). Instead, we're handing over to Robb, who asked us if he could write a piece entitled 'alchohol, depression and movies: the trilogy of my 20s'). With a fair smattering of film quotes - just in case the context isn't clear - here it is. Huge thanks to you, Robb...
See related Don Hahn interview: The Lion King, Disney, Pixar, Frankenweenie and the future of animation The Lion King: writer hired for live action movie
It’s 5pm and to the untrained eye, I’m itching. Jonesing. Crawling up the walls.
My life is fantastic. I hate my job, obvs, but I...
Robb takes us through the impact that alcohol had on his life,
Once again, for this week's Geeks Vs Loneliness, we're eschewing our usual introduction, that you can find on the 100+ other posts in this series (some links can be found further down the page). Instead, we're handing over to Robb, who asked us if he could write a piece entitled 'alchohol, depression and movies: the trilogy of my 20s'). With a fair smattering of film quotes - just in case the context isn't clear - here it is. Huge thanks to you, Robb...
See related Don Hahn interview: The Lion King, Disney, Pixar, Frankenweenie and the future of animation The Lion King: writer hired for live action movie
It’s 5pm and to the untrained eye, I’m itching. Jonesing. Crawling up the walls.
My life is fantastic. I hate my job, obvs, but I...
- 7/5/2017
- Den of Geek
This time on the podcast, Scott Nye, David Blakeslee, and Trevor Berrett discuss Michelangelo Antonioni’s Blow-Up.
In 1966, Michelangelo Antonioni transplanted his existentialist ennui to the streets of swinging London for this international sensation, the Italian filmmaker’s first English-language feature. A countercultural masterpiece about the act of seeing and the art of image making, Blow-Up takes the form of a psychological mystery, starring David Hemmings as a fashion photographer who unknowingly captures a death on film after following two lovers in a park. Antonioni’s meticulous aesthetic control and intoxicating color palette breathe life into every frame, and the jazzy sounds of Herbie Hancock, a beautifully evasive performance by Vanessa Redgrave, and a cameo by the Yardbirds make the film a transporting time capsule from a bygone era. Blow-Up is a seductive immersion into creative passion, and a brilliant film by one of cinema’s greatest artists.
Subscribe to...
In 1966, Michelangelo Antonioni transplanted his existentialist ennui to the streets of swinging London for this international sensation, the Italian filmmaker’s first English-language feature. A countercultural masterpiece about the act of seeing and the art of image making, Blow-Up takes the form of a psychological mystery, starring David Hemmings as a fashion photographer who unknowingly captures a death on film after following two lovers in a park. Antonioni’s meticulous aesthetic control and intoxicating color palette breathe life into every frame, and the jazzy sounds of Herbie Hancock, a beautifully evasive performance by Vanessa Redgrave, and a cameo by the Yardbirds make the film a transporting time capsule from a bygone era. Blow-Up is a seductive immersion into creative passion, and a brilliant film by one of cinema’s greatest artists.
Subscribe to...
- 6/23/2017
- by Trevor Berrett
- CriterionCast
Considering everything that's been happening on the planet in the last several months, you'd have thought we're already in November or December – of 2117. But no. It's only June. 2017. And in some parts of the world, that's the month of brides, fathers, graduates, gays, and climate change denial. Beginning this evening, Thursday, June 1, Turner Classic Movies will be focusing on one of these June groups: Lgbt people, specifically those in the American film industry. Following the presentation of about 10 movies featuring Frank Morgan, who would have turned 127 years old today, TCM will set its cinematic sights on the likes of William Haines, James Whale, George Cukor, Mitchell Leisen, Dorothy Arzner, Patsy Kelly, and Ramon Novarro. In addition to, whether or not intentionally, Claudette Colbert, Colin Clive, Katharine Hepburn, Douglass Montgomery (a.k.a. Kent Douglass), Marjorie Main, and Billie Burke, among others. But this is ridiculous! Why should TCM present a...
- 6/2/2017
- by Andre Soares
- Alt Film Guide
The belief that a conspiracy of sinister forces was behind the assassination of President John F. still provides the basis for many Hollywood films. JFK would have been 100 today, and while these films are not JFK conspiracy theory films, they do reflect viewers’ more suspicious attitudes since his assassination. Blow-Up (1966) This Michelangelo Antonioni film starred David Hemmings as a photographer who discovers the clues to a potential murder in the photos he took of a beautiful woman. Soylent Green (1973) In a dystopian future, Charlton Heston discovers that the new and vital food supply from the government isn’t what they claim.
- 5/28/2017
- by Rosemary Rossi
- The Wrap
Every week, IndieWire asks a select handful of film and TV critics two questions and publishes the results on Monday. (The answer to the second, “What is the best film in theaters right now?”, can be found at the end of this post.)
This week’s question: In honor of the Cannes Film Festival, the 70th edition of which starts this week, what is the best film to ever win the coveted Palme d’Or?
For a complete list of Palme d’Or winners, click here.
Erin Whitney (@Cinemabite), ScreenCrush
This question is impossible because I clearly haven’t seen all 40 Palme d’Or winners (it’s on my to do list, I swear). But I could easily say “Apocalypse Now,” “Paris, Texas,” “Taxi Driver,” “Amour,” or even “Pulp Fiction.” But since this is a personal question, I have to say “The Tree of Life.” No film has moved me...
This week’s question: In honor of the Cannes Film Festival, the 70th edition of which starts this week, what is the best film to ever win the coveted Palme d’Or?
For a complete list of Palme d’Or winners, click here.
Erin Whitney (@Cinemabite), ScreenCrush
This question is impossible because I clearly haven’t seen all 40 Palme d’Or winners (it’s on my to do list, I swear). But I could easily say “Apocalypse Now,” “Paris, Texas,” “Taxi Driver,” “Amour,” or even “Pulp Fiction.” But since this is a personal question, I have to say “The Tree of Life.” No film has moved me...
- 5/15/2017
- by David Ehrlich
- Indiewire
In focus: David Hemmings in Antonioni’s trip around swinging London, part of Cannes Classics Photo: Cannes Film Festival
The Cannes Film Festival organisers have put the accent on heritage cinema with a particular connection to the Festival itself in the 70th edition.
The selection of some 24 titles and five documentaries, mainly in brand new copies, covers the years from 1946 to 1992 and includes René Clément’s The Battle Of The Rails, shown at the very first event, where it won an international jury award and a best director award.
Danielle Darrieux who has celebrated her 100th birthday, as she appears in Max Ophüls’ Madame De… in 1953. Photo: Cannes Film Festival
Other landmark titles announced today (3 May) are The Wages Of Fear by Henri-Georges Clouzot (shown in 1953); 1967’s Palme d’Or winner Blow-Up, Michelangelo Antonioni’s take on swinging London with David Hemmings, and the highly controversial (at the time in...
The Cannes Film Festival organisers have put the accent on heritage cinema with a particular connection to the Festival itself in the 70th edition.
The selection of some 24 titles and five documentaries, mainly in brand new copies, covers the years from 1946 to 1992 and includes René Clément’s The Battle Of The Rails, shown at the very first event, where it won an international jury award and a best director award.
Danielle Darrieux who has celebrated her 100th birthday, as she appears in Max Ophüls’ Madame De… in 1953. Photo: Cannes Film Festival
Other landmark titles announced today (3 May) are The Wages Of Fear by Henri-Georges Clouzot (shown in 1953); 1967’s Palme d’Or winner Blow-Up, Michelangelo Antonioni’s take on swinging London with David Hemmings, and the highly controversial (at the time in...
- 5/3/2017
- by Richard Mowe
- eyeforfilm.co.uk
Stars: Robert Powell, Jenny Agutter, Joseph Cotten, Angela Punch McGregor, Peter Sumner, Lorna Lesley, Ralph Cotterill, Adrian Wright, Tyler Coppin | Written by David Ambrose | Directed by David Hemmings
When I was younger I was a big James Herbert fan, so watching The Survivor was something I just had to do. Confusing and slow, I’ll admit I was not ready for what I found with the film, but now with its new release on Blu-ray, is it about time to give the film another chance?
When a 747 crash lands in a Sydney suburb the only other survivor is David Keller (Robert Powell). Unable to remember what happened to make the plane crash, he starts his own investigation into what happened. With the help of local psychic Hobbs (Jenny Agutter) he discovers not only why the plane crashed, but also why some of the dead refuse to be at peace.
The Survivor...
When I was younger I was a big James Herbert fan, so watching The Survivor was something I just had to do. Confusing and slow, I’ll admit I was not ready for what I found with the film, but now with its new release on Blu-ray, is it about time to give the film another chance?
When a 747 crash lands in a Sydney suburb the only other survivor is David Keller (Robert Powell). Unable to remember what happened to make the plane crash, he starts his own investigation into what happened. With the help of local psychic Hobbs (Jenny Agutter) he discovers not only why the plane crashed, but also why some of the dead refuse to be at peace.
The Survivor...
- 4/28/2017
- by Paul Metcalf
- Nerdly
Get in touch to send in cinephile news and discoveriesNEWSRadley Metzger's The Lickerish QuartetRadley Metzger, whose groundbreaking erotic films helped set standards of style for both mainstream and arthouse cinema, has died at 88. His classics Camille 2000 (1969) and The Lickerish Quartet (1970) were featured on Mubi last year. Critic and programmer Steve Macfarlane interviewed the director at Slant Magazine for the Film Society of Lincoln Center's 2014 retrospective devoted to Metzger.Recommended VIEWINGThe Cinémathèque française has been on a roll uploading video discussions that have taken place at their Paris cinema. This 34 minute talk is between Wes Anderson and director/producer Barbet Schroeder.The Criterion Collection has recently released a new edition of Michelangelo Antonioni's masterpiece Blow-Up, and has uploaded this stellar clip of actor David Hemmings speaking on a talk show about making the film.Recommended READINGHoward Hawks' ScarfaceHow does Chicago intertwine itself with crime and the culture created in the mix of the two?...
- 4/5/2017
- MUBI
Elle
Blu-ray
Sony Pictures Home Entertainment
2017 / Color / 2.40:1 widescreen / Street Date March 14, 2017
Starring: Isabelle Huppert, Laurent Lafitte, Anne Consigny, Charles Berling.
Cinematography: Stéphane Fontaine
Film Editor: Job Ter Burg
Written by David Birke
Produced by Saïd Ben Saïd and Michel Merkt
Directed by Paul Verhoeven
Michèle Leblanc, glamorous entrepreneur of a successful video game company, is the calm at the center of many storms. Her son’s girlfriend has given birth to another man’s child, an employee is stalking her with anime porn and her botox-ridden mother is betrothed to a male prostitute.
In the face of all this outrageous fortune, Michèle remains cool, calm and collected, even in the aftermath of her own harrowing sexual assault.
Elle, the new film from the Dutch provocateur Paul Verhoeven, begins with that already infamous assault, our heroine struggling under the weight of her attacker while an unblinking cat perches nearby, watching.
Blu-ray
Sony Pictures Home Entertainment
2017 / Color / 2.40:1 widescreen / Street Date March 14, 2017
Starring: Isabelle Huppert, Laurent Lafitte, Anne Consigny, Charles Berling.
Cinematography: Stéphane Fontaine
Film Editor: Job Ter Burg
Written by David Birke
Produced by Saïd Ben Saïd and Michel Merkt
Directed by Paul Verhoeven
Michèle Leblanc, glamorous entrepreneur of a successful video game company, is the calm at the center of many storms. Her son’s girlfriend has given birth to another man’s child, an employee is stalking her with anime porn and her botox-ridden mother is betrothed to a male prostitute.
In the face of all this outrageous fortune, Michèle remains cool, calm and collected, even in the aftermath of her own harrowing sexual assault.
Elle, the new film from the Dutch provocateur Paul Verhoeven, begins with that already infamous assault, our heroine struggling under the weight of her attacker while an unblinking cat perches nearby, watching.
- 3/27/2017
- by Charlie Largent
- Trailers from Hell
“A Mod Murder Mystery”
By Raymond Benson
Michelangelo Antonioni’s Blowup (it’s spelled this way in the film credits, but on theatrical posters and advertising it was called Blow-Up) was a landmark, envelope-pushing film that caused quite a stir. For one thing, it was one of the nails in the coffin of the U.S. Production Code, paving the way for the elimination of cinematic censorship and the eventual creation of the movie ratings. Its depiction of nudity, sexual attitudes, and recreational drugs crossed the line for late 1966. Nevertheless, newspaper ads got away with simply proclaiming that the picture was “Recommended for Mature Audiences,” since this was prior to the ratings themselves.
Blowup also stands as a cultural landmark in that it captures that moment of time called “Swinging London.” Everything was “mod”—music, fashion, art... even groups of youths were called “mods.” Antonioni’s film could serve as...
By Raymond Benson
Michelangelo Antonioni’s Blowup (it’s spelled this way in the film credits, but on theatrical posters and advertising it was called Blow-Up) was a landmark, envelope-pushing film that caused quite a stir. For one thing, it was one of the nails in the coffin of the U.S. Production Code, paving the way for the elimination of cinematic censorship and the eventual creation of the movie ratings. Its depiction of nudity, sexual attitudes, and recreational drugs crossed the line for late 1966. Nevertheless, newspaper ads got away with simply proclaiming that the picture was “Recommended for Mature Audiences,” since this was prior to the ratings themselves.
Blowup also stands as a cultural landmark in that it captures that moment of time called “Swinging London.” Everything was “mod”—music, fashion, art... even groups of youths were called “mods.” Antonioni’s film could serve as...
- 3/26/2017
- by nospam@example.com (Cinema Retro)
- Cinemaretro.com
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