Berlin-based sales agency M-Appeal has sold the distribution rights for Marcelo Caetano‘s “Baby,” which world premiered May 21 in Cannes Critics’ Week, to several territories.
The buyers are Palace Films for Australia and New Zealand, Swallow Wings Films for Taiwan, and Salzgeber for Germany and Austria.
The Brazilian film, based on a screenplay by Caetano and Gabriel Domingues, centers on 18-year-old Wellington, who has been released from a juvenile detention center. He finds himself alone and adrift on the streets of São Paulo, without any contact from his parents and lacking the resources to rebuild his life. He encounters Ronaldo, a mature man, who teaches him new ways of surviving. Gradually, their relationship turns into a conflicting passion.
The cast includes João Pedro Mariano, Ricardo Teodoro, Ana Flavia Cavalcanti, Bruna Linzmeyer and Luiz Bertazzo.
The production companies are Cup Filmes, Desbun Filmes and Plateau Produções in Brazil, Still Moving in France,...
The buyers are Palace Films for Australia and New Zealand, Swallow Wings Films for Taiwan, and Salzgeber for Germany and Austria.
The Brazilian film, based on a screenplay by Caetano and Gabriel Domingues, centers on 18-year-old Wellington, who has been released from a juvenile detention center. He finds himself alone and adrift on the streets of São Paulo, without any contact from his parents and lacking the resources to rebuild his life. He encounters Ronaldo, a mature man, who teaches him new ways of surviving. Gradually, their relationship turns into a conflicting passion.
The cast includes João Pedro Mariano, Ricardo Teodoro, Ana Flavia Cavalcanti, Bruna Linzmeyer and Luiz Bertazzo.
The production companies are Cup Filmes, Desbun Filmes and Plateau Produções in Brazil, Still Moving in France,...
- 5/21/2024
- by Leo Barraclough
- Variety Film + TV
Kino Lorber is expanding its streaming footprint. The boutique art-house distributor just launched its own SVOD platform, the Kino Film Collection.
The new app is available now as a standalone service on Apple TV, Fire TV, Android TV, and Roku, and it will feature hundreds of movies from Kino Lorber’s film library of more than 4,000 titles. Subscriptions will begin at $5.99 per month.
In November 2023, Kino Lorber launched an Amazon Prime Video channel; you can still access its titles there. But having its own service puts the company in the race alongside other niche streaming options in the space, like the Criterion Channel ($10.99/month) or Mubi ($14.99/month).
As part of the launch, Kino Film Collection curated a selection of titles that showcase auteurs who have played at Cannes; the 2024 film festival is currently ongoing. The collection includes early movies from Yorgos Lanthimos, Jia Zhangke, and Ken Loach, as well as...
The new app is available now as a standalone service on Apple TV, Fire TV, Android TV, and Roku, and it will feature hundreds of movies from Kino Lorber’s film library of more than 4,000 titles. Subscriptions will begin at $5.99 per month.
In November 2023, Kino Lorber launched an Amazon Prime Video channel; you can still access its titles there. But having its own service puts the company in the race alongside other niche streaming options in the space, like the Criterion Channel ($10.99/month) or Mubi ($14.99/month).
As part of the launch, Kino Film Collection curated a selection of titles that showcase auteurs who have played at Cannes; the 2024 film festival is currently ongoing. The collection includes early movies from Yorgos Lanthimos, Jia Zhangke, and Ken Loach, as well as...
- 5/17/2024
- by Brian Welk
- Indiewire
Few companies in the world have had such as impact on their local film industry than Globo Filmes, the feature co-production arm of Brazilian giant Globo, which is Latin America’s biggest communications conglomerate. Over the last 25 years, Globo Filmes has backed more than 500 movies, almost all through co-production.
Those films have collectively sold 260 million cinema theater admissions, an average of over 10 million admissions a year, accounting for more than 70% of Brazilian market share from 1998-2024.
Globo Filmes greenlights more than 20 movies a year, powering up by far the biggest production slate of any company in Brazil, thanks to article 3A of the country’s audiovisual law, which allows it to tap tax incentives for investing in feature films.
Launching in 1998, Globo Filmes helped accelerate the Brazilian film industry’s recovery after President Fernando Collor de Mello shuttered state film agency Embrafilme in 1990, paralyzing production. Twenty-five years later, after a...
Those films have collectively sold 260 million cinema theater admissions, an average of over 10 million admissions a year, accounting for more than 70% of Brazilian market share from 1998-2024.
Globo Filmes greenlights more than 20 movies a year, powering up by far the biggest production slate of any company in Brazil, thanks to article 3A of the country’s audiovisual law, which allows it to tap tax incentives for investing in feature films.
Launching in 1998, Globo Filmes helped accelerate the Brazilian film industry’s recovery after President Fernando Collor de Mello shuttered state film agency Embrafilme in 1990, paralyzing production. Twenty-five years later, after a...
- 5/16/2024
- by John Hopewell
- Variety Film + TV
A key driver in Brazil’s late 1990s cinema resurgence, Globo Filmes has co-produced iconic box office blockbusters, Oscar and “A” Fest plays, arthouse breakouts. movies sparking big TV spin-offs. A brief selection of milestones in its storied history:
1990
President Fernando Collar’s government closes state owned film company Embrafilme, decimating Brazilian film production.
1993
A new Audiovisual Law offers companies income tax deductions for investment in Brazilian movies as Brazil’s Resurgence – economic and cultural recovery – lifts off.
1997
Globo Filmes is founded. Recalls Daniel Filho, its guiding spirit, in early years: “I started working in Globo TV but I always said: “I want to make cinema.’ I was on my way to close a deal with exhibitor Luis Severiano Ribeiro to launch a film production house when I got a call from Globo to launch Globo Filmes. I agreed: Globo had to do what French and British channels were doing: Participate in films.
1990
President Fernando Collar’s government closes state owned film company Embrafilme, decimating Brazilian film production.
1993
A new Audiovisual Law offers companies income tax deductions for investment in Brazilian movies as Brazil’s Resurgence – economic and cultural recovery – lifts off.
1997
Globo Filmes is founded. Recalls Daniel Filho, its guiding spirit, in early years: “I started working in Globo TV but I always said: “I want to make cinema.’ I was on my way to close a deal with exhibitor Luis Severiano Ribeiro to launch a film production house when I got a call from Globo to launch Globo Filmes. I agreed: Globo had to do what French and British channels were doing: Participate in films.
- 5/16/2024
- by John Hopewell
- Variety Film + TV
Kleber Mendonça Filho’s “Rivers of Dust,” Anna Muyleart’s “Geni and the Zeppelin” and “Pearl Motel,” fromJorge Furtado, feature among potential nine brand new projects announced at the Cannes Festival by Globo Filmes, the theatrical film co-production arm of Brazilian TV giant Globo.
With Mendonça Filho deep in pre-production on political thriller “The Secret Agent,” co-produced by France’s Mk Productions, details on “Rivers of Dust,” save that he will re-team on it with Juliano Dornelles after their 2019 Cannes Jury Prize winner “Bacurau.”
Elsewhere, the new projects speak volumes of Globo Filmes’ current content focus. There’s the broad spectrum. . Titles straddle commercial plays – gay espionage operatives comedy “Special Agents” from Pedro Antônio – “A” list festival plays such as “Rivers” and Geni” and cross-over titles such as sex-laced situation comedy “Pearl Motel.”
Above all, additions to Globo Filmes’ development slate underscore two of its biggest investment priorities.
One is diversity.
With Mendonça Filho deep in pre-production on political thriller “The Secret Agent,” co-produced by France’s Mk Productions, details on “Rivers of Dust,” save that he will re-team on it with Juliano Dornelles after their 2019 Cannes Jury Prize winner “Bacurau.”
Elsewhere, the new projects speak volumes of Globo Filmes’ current content focus. There’s the broad spectrum. . Titles straddle commercial plays – gay espionage operatives comedy “Special Agents” from Pedro Antônio – “A” list festival plays such as “Rivers” and Geni” and cross-over titles such as sex-laced situation comedy “Pearl Motel.”
Above all, additions to Globo Filmes’ development slate underscore two of its biggest investment priorities.
One is diversity.
- 5/16/2024
- by John Hopewell
- Variety Film + TV
The trailer (below) has debuted for Marcelo Caetano’s “Baby,” which has its world premiere in Cannes Critics’ Week. Berlin-based sales agency M-Appeal has acquired world sales rights.
The Brazilian film, based on a screenplay by Caetano and Gabriel Domingues, centers on 18-year-old Wellington, who has been released from a juvenile detention center. He finds himself alone and adrift on the streets of São Paulo, without any contact from his parents and lacking the resources to rebuild his life. He encounters Ronaldo, a mature man, who teaches him new ways of surviving. Gradually, their relationship turns into a conflicting passion.
The cast includes João Pedro Mariano, Ricardo Teodoro, Ana Flavia Cavalcanti, Bruna Linzmeyer and Luiz Bertazzo.
The production companies are Cup Filmes, Desbun Filmes and Plateau Produções in Brazil, Still Moving in France, and Circe Films and Kaap Holland in the Netherlands.
The producers are Beto Tibiriçá, Ivan Melo and Caetano.
The Brazilian film, based on a screenplay by Caetano and Gabriel Domingues, centers on 18-year-old Wellington, who has been released from a juvenile detention center. He finds himself alone and adrift on the streets of São Paulo, without any contact from his parents and lacking the resources to rebuild his life. He encounters Ronaldo, a mature man, who teaches him new ways of surviving. Gradually, their relationship turns into a conflicting passion.
The cast includes João Pedro Mariano, Ricardo Teodoro, Ana Flavia Cavalcanti, Bruna Linzmeyer and Luiz Bertazzo.
The production companies are Cup Filmes, Desbun Filmes and Plateau Produções in Brazil, Still Moving in France, and Circe Films and Kaap Holland in the Netherlands.
The producers are Beto Tibiriçá, Ivan Melo and Caetano.
- 5/6/2024
- by Leo Barraclough
- Variety Film + TV
Following up his documentary Pictures of Ghosts, Brazilian director Kleber Mendonça Filho has unveiled his first narrative feature since 2019’s Bacurau. He’ll next direct the political thriller The Secret Agent, set to star Brazilian icon Wagner Moura.
Variety reports the late 1970s-set film will follow Moura as Marcelo, “a university professor in his 40s who is on the run. He travels from São Paulo to the seaside city of Recife during Carnival week, hoping to reunite with his son. But he soon finds out he has been tailed and spied on by neighbors in his new refuge, leaving him no possible escape from the tentacles of corruption.” Maria Fernanda Candido (The Traitor) is also among the ensemble of the film, which is aiming for a 2025 premiere and will mark the director’s most ambitious work yet.
The director actually revealed the project last year, saying, “The plot takes place...
Variety reports the late 1970s-set film will follow Moura as Marcelo, “a university professor in his 40s who is on the run. He travels from São Paulo to the seaside city of Recife during Carnival week, hoping to reunite with his son. But he soon finds out he has been tailed and spied on by neighbors in his new refuge, leaving him no possible escape from the tentacles of corruption.” Maria Fernanda Candido (The Traitor) is also among the ensemble of the film, which is aiming for a 2025 premiere and will mark the director’s most ambitious work yet.
The director actually revealed the project last year, saying, “The plot takes place...
- 5/1/2024
- by Leonard Pearce
- The Film Stage
Brazilian auteur Kleber Mendonça Filho (“Bacurau”) is set to direct “The Secret Agent,” a gripping political thriller headlined by “Civil War” star Wagner Moura. The film is set in the late 1970s during the final years of Brazil’s military dictatorship.
MK2 Films, the sales banner behind the Oscar-winning “Anatomy of a Fall,” will introduce the project to buyers at the Cannes Film Market. Now in pre-production, “The Secret Agent” is being produced by Brazil’s Cinemascopio and Mk Productions, whose credits include Oscar-nominated films such as Joachim Trier’s “The Worst Person in the World” and Pawel Pawlikowski’s “Cold War.”
Moura, who broke through internationally with his Golden Globe-nominated performance as Pablo Escobar in the Netflix series “Narcos,” will star as Marcelo, a university professor in his 40s who is on the run. He travels from São Paulo to the seaside city of Recife during Carnival week, hoping to reunite with his son.
MK2 Films, the sales banner behind the Oscar-winning “Anatomy of a Fall,” will introduce the project to buyers at the Cannes Film Market. Now in pre-production, “The Secret Agent” is being produced by Brazil’s Cinemascopio and Mk Productions, whose credits include Oscar-nominated films such as Joachim Trier’s “The Worst Person in the World” and Pawel Pawlikowski’s “Cold War.”
Moura, who broke through internationally with his Golden Globe-nominated performance as Pablo Escobar in the Netflix series “Narcos,” will star as Marcelo, a university professor in his 40s who is on the run. He travels from São Paulo to the seaside city of Recife during Carnival week, hoping to reunite with his son.
- 5/1/2024
- by Elsa Keslassy
- Variety Film + TV
Berlin-based M-Appeal has taken on world sales rights to Brazilian director Marcelo Caetano’s Cannes Critics’ Week title Baby.
The film, scripted by Caetano and Gabriel Domingues, follows an 18-year-old boy who is released from a juvenile detention centre and finds himself adrift on the streets of São Paulo.
The Brazil-France-Netherlands co-production is made through Cup Filmes, Caetano’s Desbun Filmes, Plateau Produções, Still Moving, Circe Films and Kaap Holland Film. The cast is led by João Pedro Mariano, Ricardo Teodoro and Ana Flavia Cavalcanti.
M-Appeal also handled the director’s 2017 debut feature Body Electric. Vitrine Filmes will distribute Caetano’s second film in Brazil.
The film, scripted by Caetano and Gabriel Domingues, follows an 18-year-old boy who is released from a juvenile detention centre and finds himself adrift on the streets of São Paulo.
The Brazil-France-Netherlands co-production is made through Cup Filmes, Caetano’s Desbun Filmes, Plateau Produções, Still Moving, Circe Films and Kaap Holland Film. The cast is led by João Pedro Mariano, Ricardo Teodoro and Ana Flavia Cavalcanti.
M-Appeal also handled the director’s 2017 debut feature Body Electric. Vitrine Filmes will distribute Caetano’s second film in Brazil.
- 4/18/2024
- ScreenDaily
Hailing from the country that gave us such grim social critics as Michael Haneke and Ulrich Seidl, Vantablack Austrian satire “Veni Vidi Vici” opens with a senseless homicide. It’s a startling scene, no less upsetting than the Scorpio killing that kick-starts “Dirty Harry” — except that in this case, the incident is calibrated as the darkest sort of comedy. Rather than picking off an unsuspecting rooftop swimmer, the serial killer does his hunting out in the open, without shame or any pretense of covering his tracks.
The movie makes no mystery of the sniper’s identity, revealing it right from the jump, the way a “Columbo” episode might. And yet the authorities show zero interest in arresting the guilty party, even going so far as to toss an eyewitness out of the police station (that man winds up offing himself in exasperation). That’s because the person responsible, Amon Maynard (Laurence Rupp), is a millionaire,...
The movie makes no mystery of the sniper’s identity, revealing it right from the jump, the way a “Columbo” episode might. And yet the authorities show zero interest in arresting the guilty party, even going so far as to toss an eyewitness out of the police station (that man winds up offing himself in exasperation). That’s because the person responsible, Amon Maynard (Laurence Rupp), is a millionaire,...
- 1/19/2024
- by Peter Debruge
- Variety Film + TV
Kleber Mendonça Filho followed his epic Bacurau with a lower-key reflection on his personal cinematic life. A hit at last year’s Cannes Film Festival, Pictures of Ghosts distills a lifetime of the Brazilian’s cinephilia through archival documentary, mystery, film clips, and personal memories to bring back to life downtown Recife’s classic movie palaces from the 20th century, many of which are mostly gone. Ahead of Grasshopper Film’s January 26 release, there’s a new trailer.
As David Katz said in his review, “If the death of cinema is imminent, at least Kleber Mendonça Filho can play it out with some vintage Tropicália. It’s becoming a nice leitmotif of the Brazilian director’s career, whose ultraviolent Bacurau curtain-raised with Gal Costa’s ‘Não Identificado,’ and latest effort Pictures of Ghosts, which premiered as a Special Screening at Cannes, eases in with Tom Zé’s deceptively jaunty ‘Happy End.
As David Katz said in his review, “If the death of cinema is imminent, at least Kleber Mendonça Filho can play it out with some vintage Tropicália. It’s becoming a nice leitmotif of the Brazilian director’s career, whose ultraviolent Bacurau curtain-raised with Gal Costa’s ‘Não Identificado,’ and latest effort Pictures of Ghosts, which premiered as a Special Screening at Cannes, eases in with Tom Zé’s deceptively jaunty ‘Happy End.
- 1/16/2024
- by Leonard Pearce
- The Film Stage
Brazilian filmmaker Kleber Mendonça Filho is best known for ambitious narrative swings like Palme d’Or contenders “Bacurau” and “Aquarius.” But with his latest film, which exuberantly melds documentary and narrative filmmaking techniques, Mendonça Filho turns the camera back on his native country and toward his medium. “Pictures of Ghosts,” which represented Brazil in the race for the 2024 Best International Feature Film Academy Award, immortalizes the lost movie houses of Brazil, specifically in Recife (the capital of Brazil’s state of Pernambuco). Watch the trailer, an IndieWire exclusive, below.
Here’s the official synopsis: “Pictures of Ghosts” “is a multidimensional journey through time, sound, architecture and filmmaking, set in the urban landscape of Recife, Brazilian coastal capital of Pernambuco: a historical and human territory, examined through the great movie theatres that served as spaces of conviviality during the 20th century. Having hosted dreams and progress, these places have also embodied...
Here’s the official synopsis: “Pictures of Ghosts” “is a multidimensional journey through time, sound, architecture and filmmaking, set in the urban landscape of Recife, Brazilian coastal capital of Pernambuco: a historical and human territory, examined through the great movie theatres that served as spaces of conviviality during the 20th century. Having hosted dreams and progress, these places have also embodied...
- 1/16/2024
- by Ryan Lattanzio
- Indiewire
Kino Lorber has launched a new subscription streaming outlet, Kino Film Collection.
The $6-a-month destination for recent theatrical releases and hundreds of other films drawn from the company’s vast library will be available in the U.S. on Prime Video Channels.
Kino Lorber also operates Kino Now, a platform for rentals and purchases of arthouse and specialty films. The company has made several streaming moves of late. In 2022, it acquired MHz Choice and installed AMC Networks veteran Ed Carroll and former IFC Films head Lisa Schwartz in key management roles. Schwartz, Kino Lorber’s Chief Revenue Officer, will oversee Kino Film Collection. Last spring, Kino Lorber also formed a joint venture with First Look Media to operate both MHz Choice and First Look’s streaming service Topic.
Films available on Kino Film Collection at launch include new 4K restorations of The Conformist as well as key works by contemporary...
The $6-a-month destination for recent theatrical releases and hundreds of other films drawn from the company’s vast library will be available in the U.S. on Prime Video Channels.
Kino Lorber also operates Kino Now, a platform for rentals and purchases of arthouse and specialty films. The company has made several streaming moves of late. In 2022, it acquired MHz Choice and installed AMC Networks veteran Ed Carroll and former IFC Films head Lisa Schwartz in key management roles. Schwartz, Kino Lorber’s Chief Revenue Officer, will oversee Kino Film Collection. Last spring, Kino Lorber also formed a joint venture with First Look Media to operate both MHz Choice and First Look’s streaming service Topic.
Films available on Kino Film Collection at launch include new 4K restorations of The Conformist as well as key works by contemporary...
- 11/1/2023
- by Dade Hayes
- Deadline Film + TV
Independent film distributor Kino Lorber has officially unveiled streaming service Kino Film Collection, available via Prime Video here.
The Kino Film Collection will be launched in the U.S. on the Amazon Service via Prime Video Channels for $5.99 per month. The Collection will feature new Kino releases fresh from theaters, along with hundreds of films from its expansive library of more than 4,000 titles, with many now streaming for the first time.
New 4K restorations of films like Bernardo Bertolucci’s “The Conformist,” Yorgos Lanthimos’ “Dogtooth,” Jafar Panahi’s “Taxi,” Todd Haynes’ “Poison,” Tran Anh Hung’s “The Scent of Green Papaya,” Ana Lily Amirpour’s “A Girl Walks Home Alone At Night,” and Jia Zhangke’s “A Touch of Sin” are among highlights of the first offerings from Kino Film Collection.
Kino canon films like Fritz Lang’s historic “Metropolis,” F.W. Murnau’s “Nosferatu,” Robert Wiene’s “The Cabinet of Dr. Caligari,...
The Kino Film Collection will be launched in the U.S. on the Amazon Service via Prime Video Channels for $5.99 per month. The Collection will feature new Kino releases fresh from theaters, along with hundreds of films from its expansive library of more than 4,000 titles, with many now streaming for the first time.
New 4K restorations of films like Bernardo Bertolucci’s “The Conformist,” Yorgos Lanthimos’ “Dogtooth,” Jafar Panahi’s “Taxi,” Todd Haynes’ “Poison,” Tran Anh Hung’s “The Scent of Green Papaya,” Ana Lily Amirpour’s “A Girl Walks Home Alone At Night,” and Jia Zhangke’s “A Touch of Sin” are among highlights of the first offerings from Kino Film Collection.
Kino canon films like Fritz Lang’s historic “Metropolis,” F.W. Murnau’s “Nosferatu,” Robert Wiene’s “The Cabinet of Dr. Caligari,...
- 11/1/2023
- by Samantha Bergeson
- Indiewire
Sônia Braga to be honored during opening ceremony
Kleber Mendonça Filho’s Pictures Of Ghosts will open the 15th Hollywood Brazilian Film Festival running November 6 to 11.
The documentary, this year’s Brazilian submission for the Oscars, explores the picture palaces of Filho’s hometown of Recife. It will screen at Academy Museum of Motion Pictures and premiered in Cannes Special Screenings. US distributors are Grasshopper Film and Gratitude Films.
Sônia Braga, star of Kiss Of The Spider Woman and Filho’s Aquarius and Bacurau, will be honoured during the opening ceremony
The year’s line-up was curated by Thiago Macêdo Correia,...
Kleber Mendonça Filho’s Pictures Of Ghosts will open the 15th Hollywood Brazilian Film Festival running November 6 to 11.
The documentary, this year’s Brazilian submission for the Oscars, explores the picture palaces of Filho’s hometown of Recife. It will screen at Academy Museum of Motion Pictures and premiered in Cannes Special Screenings. US distributors are Grasshopper Film and Gratitude Films.
Sônia Braga, star of Kiss Of The Spider Woman and Filho’s Aquarius and Bacurau, will be honoured during the opening ceremony
The year’s line-up was curated by Thiago Macêdo Correia,...
- 10/24/2023
- by Jeremy Kay
- ScreenDaily
Following his epic Bacurau, Brazilian director Kleber Mendonça Filho returned to Cannes Film Festival this year with Pictures of Ghosts, a bittersweet, fascinating look at his personal cinematic life. Utilizing archive documentary, mystery, film clips, and personal memories to bring back to life downtown Recife’s classic movie palaces from the 20th century, many of which are mostly gone, the film will stop by TIFF and NYFF followed by a release from Grasshopper Film and now the first trailer has arrived.
David Katz said in his review, “If the death of cinema is imminent, at least Kleber Mendonça Filho can play it out with some vintage Tropicália. It’s becoming a nice leitmotif of the Brazilian director’s career, whose ultraviolent Bacurau curtain-raised with Gal Costa’s “Não Identificado,” and latest effort Pictures of Ghosts, which premiered as a Special Screening at Cannes, eases in with Tom Zé’s deceptively jaunty “Happy End.
David Katz said in his review, “If the death of cinema is imminent, at least Kleber Mendonça Filho can play it out with some vintage Tropicália. It’s becoming a nice leitmotif of the Brazilian director’s career, whose ultraviolent Bacurau curtain-raised with Gal Costa’s “Não Identificado,” and latest effort Pictures of Ghosts, which premiered as a Special Screening at Cannes, eases in with Tom Zé’s deceptively jaunty “Happy End.
- 8/22/2023
- by Jordan Raup
- The Film Stage
Paris-based outfit Urban Sales has locked several deals on “Pictures of Ghosts,” the latest film by celebrated Brazilian director Kleber Mendonça Filho ahead of its North American premieres at Toronto and New York film festivals. The movie world premiered at Cannes in the Special Screenings section.
Weaving archive documentary, mystery, film clips and personal memories, the film has sold to the U.S. (Grasshopper Film and Gratitude Films), Portugal (Nitrato Filmes) and France (Urban Distribution and Dean Media). “Pictures of Ghosts” will be released simultaneously in Portugal and Brazil on Aug. 24.
Described as a multidimensional journey through time, sound, architecture and filmmaking, “Pictures of Ghosts” is set in the urban landscape of Recife, located in the Brazilian coastal capital of Pernambuco. Having hosted dreams and progress, these places have also embodied a major transformation on social practices.
The film was produced by Emilie Lesclaux at CinemaScópio Produções and co-produced by...
Weaving archive documentary, mystery, film clips and personal memories, the film has sold to the U.S. (Grasshopper Film and Gratitude Films), Portugal (Nitrato Filmes) and France (Urban Distribution and Dean Media). “Pictures of Ghosts” will be released simultaneously in Portugal and Brazil on Aug. 24.
Described as a multidimensional journey through time, sound, architecture and filmmaking, “Pictures of Ghosts” is set in the urban landscape of Recife, located in the Brazilian coastal capital of Pernambuco. Having hosted dreams and progress, these places have also embodied a major transformation on social practices.
The film was produced by Emilie Lesclaux at CinemaScópio Produções and co-produced by...
- 8/16/2023
- by Elsa Keslassy
- Variety Film + TV
Michel Merkt, the Monaco-based producer and consultant who’s played a key behind-the-scene role in bolstering Cannes’s profile post-pandemic, has been named honorary citizen of the city of Cannes
Merkt, an AMPAS voter who has produced over 50 films, was awarded the diploma prize by Cannes Mayor David Lisnard during an intimate ceremony on May 23. Lisnard paid tribute to the Swiss-born consultant and benefactor’s crucial backing for the city’s cultural and social initiatives.
In the last few years, Merkt has helped reinvigorate Critics Week, the Cannes Film Festival’s sidebar dedicated to first and second films, by financing the renovation of its venue, the Miramar theater. He also lent a precious financing hand to the Cannes Film Festival, Directors Fortnight, as well as Canneseries and helped enlist top-level executives for its industry program, on top of being involved in the city’s plans to build a college campus.
Merkt, an AMPAS voter who has produced over 50 films, was awarded the diploma prize by Cannes Mayor David Lisnard during an intimate ceremony on May 23. Lisnard paid tribute to the Swiss-born consultant and benefactor’s crucial backing for the city’s cultural and social initiatives.
In the last few years, Merkt has helped reinvigorate Critics Week, the Cannes Film Festival’s sidebar dedicated to first and second films, by financing the renovation of its venue, the Miramar theater. He also lent a precious financing hand to the Cannes Film Festival, Directors Fortnight, as well as Canneseries and helped enlist top-level executives for its industry program, on top of being involved in the city’s plans to build a college campus.
- 5/24/2023
- by Elsa Keslassy
- Variety Film + TV
One of the great Brazilian directors working today, Kleber Mendonça Filho’s recent epic Bacurau was unfortunately thwarted in its U.S. release, coming out as the pandemic arrived. Hopefully, you’ve had a chance to catch up with the Carpenter-inspired western, and now he’s set to premiere his new film at the Cannes Film Festival.
Utilizing archive documentary, mystery, film clips, and personal memories, Pictures of Ghosts has been described as “a multidimensional journey through time, sound, architecture, and filmmaking.” Here’s the official Cannes synopsis: “Downtown Recife’s classic movie palaces from the 20th century are mostly gone. That city area is now an archaeological site of sorts that reveals aspects of life in society which have been lost. And that’s just part of the story.”
“Cinemas in city centers are common to many other places in the world, but it so happens that I am from Pernambuco,...
Utilizing archive documentary, mystery, film clips, and personal memories, Pictures of Ghosts has been described as “a multidimensional journey through time, sound, architecture, and filmmaking.” Here’s the official Cannes synopsis: “Downtown Recife’s classic movie palaces from the 20th century are mostly gone. That city area is now an archaeological site of sorts that reveals aspects of life in society which have been lost. And that’s just part of the story.”
“Cinemas in city centers are common to many other places in the world, but it so happens that I am from Pernambuco,...
- 5/17/2023
- by Jordan Raup
- The Film Stage
Frédéric Corvez’s Paris-based Urban Sales has boarded “Pictures of Ghosts”, the latest film of renowned Brazilian director Kleber Mendonça Filho.
The movie, which marks Mendonça Filho’s fifth feature film, will world premiere at Cannes in the Special Screenings section.
“Pictures of Ghosts” will mark the director’s third film to bow at Cannes, following two competition entries, “Bacurau” (co-directed by Juliano Dornelles) which won the Jury Prize n 2019, and “Aquarius” in 2016.
“Pictures of Ghosts” combines archive documentary, mystery, film clips and personal memories. The film is produced by Emilie Lesclaux at CinemaScópio Produções and co-produced by Silvia Cruz and Felipe Lopes’ Vitrine Filmes.
Described as a multidimensional journey through time, sound, architecture and filmmaking, “Pictures of Ghosts” is set in the urban landscape of Recife, located in the Brazilian coastal capital of Pernambuco. Having hosted dreams and progress, these places have also embodied a major transformation on social practices.
The movie, which marks Mendonça Filho’s fifth feature film, will world premiere at Cannes in the Special Screenings section.
“Pictures of Ghosts” will mark the director’s third film to bow at Cannes, following two competition entries, “Bacurau” (co-directed by Juliano Dornelles) which won the Jury Prize n 2019, and “Aquarius” in 2016.
“Pictures of Ghosts” combines archive documentary, mystery, film clips and personal memories. The film is produced by Emilie Lesclaux at CinemaScópio Produções and co-produced by Silvia Cruz and Felipe Lopes’ Vitrine Filmes.
Described as a multidimensional journey through time, sound, architecture and filmmaking, “Pictures of Ghosts” is set in the urban landscape of Recife, located in the Brazilian coastal capital of Pernambuco. Having hosted dreams and progress, these places have also embodied a major transformation on social practices.
- 4/27/2023
- by Elsa Keslassy
- Variety Film + TV
Paris-based Loco Films has released the tense, terrifying trailer for “Property,” Brazilian director Daniel Bandeira’s survival thriller that’s set to have its world premiere Feb. 23 in the Panorama section of the Berlin Film Festival.
Lensed by veteran cinematographer Pedro Sotero, the Dp behind Kleber Mendonça Filho’s 2019 Berlinale player “Bacurau,” “Property” follows a woman who flees her family estate in an armored car after local workers rise up to occupy it. Trapped inside the vehicle, she refuses to negotiate, prompting a collision between the competing worlds of haves and have-nots that speaks to a growing schism taking shape in societies across the globe.
Bandeira’s sophomore effort is a timely and explosive portrait of a society on the brink. “Brazil is a time bomb,” the director told Variety. “We’re running toward a point where this bomb will eventually blow up.” He added: “A reckoning is on the way.
Lensed by veteran cinematographer Pedro Sotero, the Dp behind Kleber Mendonça Filho’s 2019 Berlinale player “Bacurau,” “Property” follows a woman who flees her family estate in an armored car after local workers rise up to occupy it. Trapped inside the vehicle, she refuses to negotiate, prompting a collision between the competing worlds of haves and have-nots that speaks to a growing schism taking shape in societies across the globe.
Bandeira’s sophomore effort is a timely and explosive portrait of a society on the brink. “Brazil is a time bomb,” the director told Variety. “We’re running toward a point where this bomb will eventually blow up.” He added: “A reckoning is on the way.
- 2/16/2023
- by Christopher Vourlias
- Variety Film + TV
Paris-based banner Loco Films will be hitting the European Film Market with mix of French and international movies, including the Berlinale Panorama title “Property,” as well as “Grand Expectations” and “Like An Actress.”
“Property,” which marks the sophomore outing of Brazilian helmer Daniel Bandeira, is a survival thriller lensed Pedro Sotero, the cinematographer of Kleber Mendonça Filho’s “Bacurau” and “Aquarius.” The sole Brazilian movie competing at the Berlin Film Festival, “Territory” follows Teresa, who flees her family estate in an armored car after rebelling workers start occupying it. She’s trapped, but refuses to negotiate, prompting a collision between two universes.
Laurent Danielou at Loco Films pointed Bandeira was part of the collective Recife alongside Mendonça Filho with whom he teamed on his first short film “Little Cotton Girl.” “Property” is produced by Simio Filmes and Vilarejo Filmes whose credits include other politically minded films such as “Aquarius.”
“‘Property...
“Property,” which marks the sophomore outing of Brazilian helmer Daniel Bandeira, is a survival thriller lensed Pedro Sotero, the cinematographer of Kleber Mendonça Filho’s “Bacurau” and “Aquarius.” The sole Brazilian movie competing at the Berlin Film Festival, “Territory” follows Teresa, who flees her family estate in an armored car after rebelling workers start occupying it. She’s trapped, but refuses to negotiate, prompting a collision between two universes.
Laurent Danielou at Loco Films pointed Bandeira was part of the collective Recife alongside Mendonça Filho with whom he teamed on his first short film “Little Cotton Girl.” “Property” is produced by Simio Filmes and Vilarejo Filmes whose credits include other politically minded films such as “Aquarius.”
“‘Property...
- 2/9/2023
- by Elsa Keslassy
- Variety Film + TV
In 2017, when the Cannes Film Festival celebrated its 70th anniversary, “Guardians of the Galaxy Vol. 2” was a box-office smash, “Moonlight” won Best Picture, and Will Smith was a giddy member of the festival jury, watching everything from “Good Time” to “The Killing of a Sacred Deer.” Salma Hayek, host of the dinner party for that evening, hired a surprise mariachi band to storm the event as the Three Amigos goaded the room into one boisterous song after another.
Those were more innocent times. The festival’s 75th-anniversary ceremony and subsequent dinner took place two years after the festival’s Covid-era cancellation and the obliteration of theaters around the world. Hopes remain that “Top Gun: Maverick” can reignite moviegoing enthusiasm a week after its boisterous Cannes premiere, but within the celebratory atmosphere many actors and filmmakers expressed uncertainty about how much stability remained for their work.
This time, there were no mariachi bands.
Those were more innocent times. The festival’s 75th-anniversary ceremony and subsequent dinner took place two years after the festival’s Covid-era cancellation and the obliteration of theaters around the world. Hopes remain that “Top Gun: Maverick” can reignite moviegoing enthusiasm a week after its boisterous Cannes premiere, but within the celebratory atmosphere many actors and filmmakers expressed uncertainty about how much stability remained for their work.
This time, there were no mariachi bands.
- 5/25/2022
- by Eric Kohn
- Indiewire
Adding to its notable lineup in Latin American movies, Paris-based sales agent MPM Premium has taken international sales rights to “Fogaréu,” from writer-director Flávia Neves, part of Brazil’s new wave of female filmmakers, which is one of the most exciting developments the country’s cinema currently has going for it.
MPM Premium is introducing the film at this week’s Berlin Festival, where it world premieres in Panorama on Feb. 15.
First glimpsed at 2020’s Ventana Sur project market, “Fogaréu” shares a sense of attitude and a feminist agenda and a visual verve with fellow Brazilian Ventana Sur titles “The Pink Cloud,” Iuli Gerbase’s a sci-fi character-driven thriller, and “The Joy of Things,” Thais Fujinaga’s portrait of motherhood, also playing at the same market.
It begins, for example, with menacing shots of the Klu Klux Klan, marching towards the Brazilian colonial town of Goiás, or so it seems...
MPM Premium is introducing the film at this week’s Berlin Festival, where it world premieres in Panorama on Feb. 15.
First glimpsed at 2020’s Ventana Sur project market, “Fogaréu” shares a sense of attitude and a feminist agenda and a visual verve with fellow Brazilian Ventana Sur titles “The Pink Cloud,” Iuli Gerbase’s a sci-fi character-driven thriller, and “The Joy of Things,” Thais Fujinaga’s portrait of motherhood, also playing at the same market.
It begins, for example, with menacing shots of the Klu Klux Klan, marching towards the Brazilian colonial town of Goiás, or so it seems...
- 2/13/2022
- by John Hopewell
- Variety Film + TV
Marvel Comics "Giant-Size Black Cat: Infinity Score" #1, in support of ‘Black Cat" currently being developed for live-action by Sony Pictures, is written by Jed MacKay and illustrated by C.F. Villa, with covers by Dave Johnson and Jee-Hyung Lee:
"...the grand climax to 'Infinite Destinies', 'Infinity Score' and the totality of 'Black Cat' over the past two years is jam-packed in this oversize special. Now that 'Black Cat' has brought half of the 'Infinity Stones' together, collecting a level of power that hasn't been seen in years. to what end?
"This hasn't taken her out of the crosshairs of 'Nick Fury' or 'Nighthawk' and with the 'Infinity Stones' involved, can 'Thanos' be far behind?..."
Click the images to enlarge...
"...the grand climax to 'Infinite Destinies', 'Infinity Score' and the totality of 'Black Cat' over the past two years is jam-packed in this oversize special. Now that 'Black Cat' has brought half of the 'Infinity Stones' together, collecting a level of power that hasn't been seen in years. to what end?
"This hasn't taken her out of the crosshairs of 'Nick Fury' or 'Nighthawk' and with the 'Infinity Stones' involved, can 'Thanos' be far behind?..."
Click the images to enlarge...
- 1/29/2022
- by Unknown
- SneakPeek
Every year, former President Barack Obama reminds us just how good we had it by flexing his impeccable taste in film and TV. As December gets halfway through, it’s that time of year again for Obama to name his favorite films of 2021.
“Over the next few days, I’ll share my annual list of favorite books, music, and movies. Art always sustains and nourishes the soul. But for me, music and storytelling felt especially urgent during this pandemic year,” Obama wrote on Twitter before beginning the rollout of the best art he consumed in the past year. His list of top films includes critics’ favorite “Drive My Car” (which is Japan’s entry for the International Feature Oscar), Questlove’s Oscar-hopeful documentary “Summer of Soul,” “West Side Story,” and “The Power of the Dog.”
Obama also made room for films including “Pig,” “Passing,” “The Card Counter,” Oscar winner “Judas and the Black Messiah,...
“Over the next few days, I’ll share my annual list of favorite books, music, and movies. Art always sustains and nourishes the soul. But for me, music and storytelling felt especially urgent during this pandemic year,” Obama wrote on Twitter before beginning the rollout of the best art he consumed in the past year. His list of top films includes critics’ favorite “Drive My Car” (which is Japan’s entry for the International Feature Oscar), Questlove’s Oscar-hopeful documentary “Summer of Soul,” “West Side Story,” and “The Power of the Dog.”
Obama also made room for films including “Pig,” “Passing,” “The Card Counter,” Oscar winner “Judas and the Black Messiah,...
- 12/16/2021
- by Ryan Lattanzio
- Indiewire
Marvel Comics "Giant-Size Black Cat: Infinity Score" #1, available December 8, 2021, in support of "Black Cat" being developed for live-action film, is written by Jed MacKay and illustrated by C.F. Villa, with covers by Dave Johnson and Jee-Hyung Lee:
"...the grand climax to 'Infinite Destinies', 'Infinity Score' and the totality of 'Black Cat' over the past two years is jam-packed in this oversize special. Now that 'Black Cat' has brought half of the 'Infinity Stones' together, collecting a level of power that hasn't been seen in years. to what end?
"This hasn't taken her out of the crosshairs of 'Nick Fury' or 'Nighthawk' and with the 'Infinity Stones' involved, can 'Thanos' be far behind?..."
Click the images to enlarge...
"...the grand climax to 'Infinite Destinies', 'Infinity Score' and the totality of 'Black Cat' over the past two years is jam-packed in this oversize special. Now that 'Black Cat' has brought half of the 'Infinity Stones' together, collecting a level of power that hasn't been seen in years. to what end?
"This hasn't taken her out of the crosshairs of 'Nick Fury' or 'Nighthawk' and with the 'Infinity Stones' involved, can 'Thanos' be far behind?..."
Click the images to enlarge...
- 12/5/2021
- by Unknown
- SneakPeek
Udo Kier is the kind of actor who defies notions of great screen acting as chameleonic or transformative: you don’t cast him in a role, you cast the role as Udo Kier, and let his curious, transfixing presence do the rest. Over a globe-trotting, seven-decade career that has cheerfully run the grindhouse-to-arthouse gamut, the German star’s million-yard gaze — through distinctively double-glazed, powder-blue eyes — has left a lingering impression in any number of films that have not, and helped a handful of great ones haunt us a little deeper.
- 8/6/2021
- by Guy Lodge
- Rollingstone.com
On Thursday evening, the Brazilian Cinematheque was engulfed in flames in western Sao Paulo, where the 6,500-square meter building has housed much of the country’s filmmaking legacy for decades. The organization was founded in 1940 and serves as the largest film archive in South America, with 250,000 rolls of film, 90,000 titles, one million documents and historical materials like early projectors.
Early reports suggest that the fire, the second to strike the complex in six years, was caused by a short-circuit in the air conditioning system. However, many in the Brazilian community have been quick to denounce the blaze as the fault of the government, which eliminated funding for the Cinematheque in early 2020 and caused it to remain abandoned since then.
While it remains too early to ascertain the full extent of the damage, early reports from the ground show that while there were no victims in the blaze, the fire has...
Early reports suggest that the fire, the second to strike the complex in six years, was caused by a short-circuit in the air conditioning system. However, many in the Brazilian community have been quick to denounce the blaze as the fault of the government, which eliminated funding for the Cinematheque in early 2020 and caused it to remain abandoned since then.
While it remains too early to ascertain the full extent of the damage, early reports from the ground show that while there were no victims in the blaze, the fire has...
- 7/30/2021
- by Eric Kohn
- Indiewire
The 74th Cannes Film Festival has unveiled its jury which includes five women; a majority in the nine-person group including President Spike Lee.
The jury includes French-Senegalese actor-director Mati Diop whose 2019 movie Atlantics took home the Grand Prix from the festival; Crazy Heart Oscar nominated actress Maggie Gyllenhaal, French Inglorious Basterds actress Mélanie Laurent, Austrian filmmaker Jessica Hausner and French singer Mylène Farmer.
Rounding out the jury are French actor and recent Golden Globe and BAFTA nominated The Mauritanian actor Tahar Rahim, Brazilian director Kleber Mendonça Filho and South Korean actor Song Kang-Ho who starred in the 2019 Cannes Palme d’Or winner and ultimate Oscar Best Picture winner, Parasite. Song has been a frequent star in Bong Joon Ho’s canon including The Host and Memories of Murder.
Diop’s Atlantics was shortlisted as one of the ten best international films at the Oscars. She has also directed several short-films...
The jury includes French-Senegalese actor-director Mati Diop whose 2019 movie Atlantics took home the Grand Prix from the festival; Crazy Heart Oscar nominated actress Maggie Gyllenhaal, French Inglorious Basterds actress Mélanie Laurent, Austrian filmmaker Jessica Hausner and French singer Mylène Farmer.
Rounding out the jury are French actor and recent Golden Globe and BAFTA nominated The Mauritanian actor Tahar Rahim, Brazilian director Kleber Mendonça Filho and South Korean actor Song Kang-Ho who starred in the 2019 Cannes Palme d’Or winner and ultimate Oscar Best Picture winner, Parasite. Song has been a frequent star in Bong Joon Ho’s canon including The Host and Memories of Murder.
Diop’s Atlantics was shortlisted as one of the ten best international films at the Oscars. She has also directed several short-films...
- 6/24/2021
- by Anthony D'Alessandro
- Deadline Film + TV
The 2021 Cannes Film Festival has announced the jurors who will join Spike Lee in determining the winners of this year’s event. The “BlacKkKlansman” Oscar winner is serving as the 2021 jury president and will be accompanied by director Mati Diop, singer-songwriter Mylène Farmer, actress-director Maggie Gyllenhaal, writer-director Jessica Hausner, actress-director Mélanie Laurent, writer-director Kleber Mendonça Filho, actor Tahar Rahim, and actor Song Kang-ho. The Jury will unveil its list of winners Saturday, July 17 during the Cannes Closing Ceremony.
The majority of the jury has deep connections with the Cannes Film Festival. Mati Diop won the Grand Prix at the 2019 Cannes Film Festival with “Atlantics,” while Jessica Hausner also competed at Cannes 2019 with “Little Joe,” which won star Emily Beecham the Best Actress prize. Tahar Rahim got his breakout in Jacques Audiard’s Grand Prix-winning “A Prophet.” Melanie Laurent starred in Quentin Tarantino’s Palme d’Or contender “Inglourious Basterds,” while...
The majority of the jury has deep connections with the Cannes Film Festival. Mati Diop won the Grand Prix at the 2019 Cannes Film Festival with “Atlantics,” while Jessica Hausner also competed at Cannes 2019 with “Little Joe,” which won star Emily Beecham the Best Actress prize. Tahar Rahim got his breakout in Jacques Audiard’s Grand Prix-winning “A Prophet.” Melanie Laurent starred in Quentin Tarantino’s Palme d’Or contender “Inglourious Basterds,” while...
- 6/24/2021
- by Zack Sharf
- Indiewire
The Cannes Film Festival has unveiled the jury for the competition, which will be powered by a majority of women, including American actor-filmmaker Maggie Gyllenhaal, French actor-helmer Mélanie Laurent, French-Senegalese actor-director Mati Diop, Austrian director Jessica Hausner and cult French singer Mylene Farmer.
Spike Lee will presider over the jury which will also include French actor Tahar Rahim, Brazilian helmer Kleber Mendonça Filho and South Korean actor Song Kang-ho. It’s a history-making jury, with a first-time Black president and a ratio of five women to three men.
Gyllenhaal, who just made her directorial feature debut with “The Lost Daughter,” is best known for her roles in “Donnie Darko,” “Secretary,” and Christopher Nolan’s “The Dark Knight.” She earned her first Oscar nomination with “Crazy Heart” and won a Golden Globe for her performance in the miniseries “The Honourable Woman.” She went on to produce and star in the HBO...
Spike Lee will presider over the jury which will also include French actor Tahar Rahim, Brazilian helmer Kleber Mendonça Filho and South Korean actor Song Kang-ho. It’s a history-making jury, with a first-time Black president and a ratio of five women to three men.
Gyllenhaal, who just made her directorial feature debut with “The Lost Daughter,” is best known for her roles in “Donnie Darko,” “Secretary,” and Christopher Nolan’s “The Dark Knight.” She earned her first Oscar nomination with “Crazy Heart” and won a Golden Globe for her performance in the miniseries “The Honourable Woman.” She went on to produce and star in the HBO...
- 6/24/2021
- by Elsa Keslassy
- Variety Film + TV
Sônia Braga with her Aquarius director Kleber Mendonça Filho Photo: Anne-Katrin Titze
In celebration of the 50th anniversary of New Directors/New Films, hosted by Film at Lincoln Center and the Museum of Modern Art, Kleber Mendonça Filho spoke with Richard Peña, Ramin Bahrani chatted with Larry Kardish, and Sara Driver will speak with Wendy Keys in the HBO sponsored live virtual Free Talks. Sleepwalk was screened virtually for free in the New Directors/New Films at 50: A Retrospective programme.
Jesmark Scicluna in Alex Camilleri’s Luzzu screens on Sunday, May 9 at 6:00pm
Ramin Bahrani joined Larry Kardish virtually last night for a wonderful in-depth conversation on his career. I sent in the following comment and question which...
In celebration of the 50th anniversary of New Directors/New Films, hosted by Film at Lincoln Center and the Museum of Modern Art, Kleber Mendonça Filho spoke with Richard Peña, Ramin Bahrani chatted with Larry Kardish, and Sara Driver will speak with Wendy Keys in the HBO sponsored live virtual Free Talks. Sleepwalk was screened virtually for free in the New Directors/New Films at 50: A Retrospective programme.
Jesmark Scicluna in Alex Camilleri’s Luzzu screens on Sunday, May 9 at 6:00pm
Ramin Bahrani joined Larry Kardish virtually last night for a wonderful in-depth conversation on his career. I sent in the following comment and question which...
- 5/6/2021
- by Anne-Katrin Titze
- eyeforfilm.co.uk
Minari, Sound Of Metal deliver best supporting actor prizes.
Nomadland was named best feature and Chloe Zhao best director while Carey Mulligan and Riz Ahmed took lead acting honours at the virtual 2021 Film Independent Spirit Awards on Thursday night (April 22).
Searchlight Pictures’ Nomadland won four prizes on the night including Joshua James Richards for cinematography, and editing for Zhao, who was one of four women nominated in the directing category and has enjoyed a magnificent awards season.
Amazon Studios’ Sound Of Metal earned three awards for Ahmed, supporting actor Paul Raci, and first feature for Darius Marder.
Focus Features’ Promising...
Nomadland was named best feature and Chloe Zhao best director while Carey Mulligan and Riz Ahmed took lead acting honours at the virtual 2021 Film Independent Spirit Awards on Thursday night (April 22).
Searchlight Pictures’ Nomadland won four prizes on the night including Joshua James Richards for cinematography, and editing for Zhao, who was one of four women nominated in the directing category and has enjoyed a magnificent awards season.
Amazon Studios’ Sound Of Metal earned three awards for Ahmed, supporting actor Paul Raci, and first feature for Darius Marder.
Focus Features’ Promising...
- 4/23/2021
- by Jeremy Kay
- ScreenDaily
Spirit Awards 2021 Winners List: ‘Nomadland,’ ‘I May Destroy You,’ Riz Ahmed, Carey Mulligan Win Big
“Mank” is the big leader at the 2021 Oscars with 10 nominations, but that wasn’t the case at the 36th Film Independent Spirit Awards. The nomination leader at this ceremony was Eliza Hittman’s acclaimed “Never Rarely Sometimes Always,” which the Academy shut out from the Oscars. The same goes for other beloved Spirit Award nominees like “First Cow,” “Miss Juneteenth,” and “The Assistant.” In other words, the Indie Spirit Awards were a breath of fresh air in this elongated awards season where underdog indie contenders finally get their due in the spotlight.
“Minari” also preformed strong at the Indie Spirits, earning six nominations to match its six Oscar nominations. Fellow Oscar nominees “Ma Rainey’s Black Bottom” and “Nomadland” each picked up five Spirit Award nominations. Netflix was the most nominated studio with 16 nominations, followed by Focus Features with 10 and A24 with 9.
“Nomadland” was the big winner, taking home the prizes...
“Minari” also preformed strong at the Indie Spirits, earning six nominations to match its six Oscar nominations. Fellow Oscar nominees “Ma Rainey’s Black Bottom” and “Nomadland” each picked up five Spirit Award nominations. Netflix was the most nominated studio with 16 nominations, followed by Focus Features with 10 and A24 with 9.
“Nomadland” was the big winner, taking home the prizes...
- 4/23/2021
- by Zack Sharf
- Indiewire
“Nomadland” wins four awards, including Best Feature; “Sound of Metal” wins three and “Promising Young Woman” takes two
“Nomadland” won Best Feature at the 2021 Film Independent Spirit Awards, which were announced live Thursday, and for the first time in primetime.
“Nomadland” took home four prizes, including Best Feature, Best Director for Chloé Zhao, as well as Best Editing and Best Cinematography. “Sound of Metal” also had a big night, winning Best First Feature, Best Supporting Male Paul Raci and an upset win for Best Male Lead Riz Ahmed. Carey Mulligan also won Best Female Lead for “Promising Young Woman,” and Yuh-Jung Youn won Best Supporting Female for “Minari.”
The coronavirus resulted in moving the Indie Spirits ceremony, now in its 36th year, away from its usual slot as an afternoon hangout in a tent near the Santa Monica pier on the Saturday before the Oscars to now taking place Thursday,...
“Nomadland” won Best Feature at the 2021 Film Independent Spirit Awards, which were announced live Thursday, and for the first time in primetime.
“Nomadland” took home four prizes, including Best Feature, Best Director for Chloé Zhao, as well as Best Editing and Best Cinematography. “Sound of Metal” also had a big night, winning Best First Feature, Best Supporting Male Paul Raci and an upset win for Best Male Lead Riz Ahmed. Carey Mulligan also won Best Female Lead for “Promising Young Woman,” and Yuh-Jung Youn won Best Supporting Female for “Minari.”
The coronavirus resulted in moving the Indie Spirits ceremony, now in its 36th year, away from its usual slot as an afternoon hangout in a tent near the Santa Monica pier on the Saturday before the Oscars to now taking place Thursday,...
- 4/23/2021
- by Brian Welk
- The Wrap
The last major awards show before the Oscars has finally arrived, the 36th Independent Spirit Awards. The virtual ceremony aired Thursday, April 22 on IFC at 7 p.m. Pt/10 p.m. Et and was hosted by “Saturday Night Live” star Melissa Villaseñor. The Spirit Awards celebrated the best in indie filmmaking for the 2020 calendar year, and this year they invited TV shows to the party, too. Don’t forget, only American-made fare with budgets under $20 million were eligible for consideration. Winners were chosen by all of Film Independent’s eligible members, including industry insiders and any movie fans who signed up for membership.
Heading into the ceremony, “Never Rarely Sometimes Always” was the nominations leader with seven overall bids. “Minari” came in right behind it with six noms, followed by “Ma Rainey’s Black Bottom” and “Nomadland” (the Oscar front-runner) with five bids each. On the TV side, both “Little America” and...
Heading into the ceremony, “Never Rarely Sometimes Always” was the nominations leader with seven overall bids. “Minari” came in right behind it with six noms, followed by “Ma Rainey’s Black Bottom” and “Nomadland” (the Oscar front-runner) with five bids each. On the TV side, both “Little America” and...
- 4/23/2021
- by Marcus James Dixon
- Gold Derby
The 2021 Film Independent Spirit Awards are finally upon us, after the nominations were announced three months ago, and the ceremony is taking place just a few days ahead of the Academy Awards. This year, the Spirit Awards won’t be held midday in a hangar in Santa Monica, but will instead live-stream on IFC on Thursday, April 22 at 7:00 p.m. Pt/10:00 p.m. Et. In addition to the linear broadcast, the Spirit Awards will also stream simultaneously on AMC+. Following the broadcast, the full awards ceremony will be made available on demand across AMC+ and IFC platforms starting Friday, April 23. This year’s ceremony will be hosted by “Saturday Night Love” comedian Melissa Villaseñor.
If you’re cord cutter who doesn’t have cable, you can watch IFC live with one of these streaming services, many of which offer a free trial: Philo, fuboTV, Sling TV, YouTube TV,...
If you’re cord cutter who doesn’t have cable, you can watch IFC live with one of these streaming services, many of which offer a free trial: Philo, fuboTV, Sling TV, YouTube TV,...
- 4/21/2021
- by Ryan Lattanzio
- Indiewire
The independent film community is not assembling under a billowy white tent for the 36th Independent Spirit Awards on the Saturday before the Oscars. Mounting a live awards show on the Santa Monica beach just wasn’t going to happen. Yes, the Oscars will give it a try April 25 via two Los Angeles hubs and another dozen or so satellite feeds around the world, but the Academy has millions to spend on safety protocols. Nonprofit arts organization Film Independent will hold the annual awards ceremony as a IFC primetime live broadcast April 22 at 7pm Pt, 10pm Et.
More people voted for the Spirits this year than ever before: Film Independent has grown to over 7,000 members, adding more international voters. Spirits have a $22.5 million budget cap; international film qualification is based on the writer, director, and producer’s country of origin. A foreign-language with an American story is not an international film; nor is “The Father.
More people voted for the Spirits this year than ever before: Film Independent has grown to over 7,000 members, adding more international voters. Spirits have a $22.5 million budget cap; international film qualification is based on the writer, director, and producer’s country of origin. A foreign-language with an American story is not an international film; nor is “The Father.
- 4/21/2021
- by Anne Thompson
- Thompson on Hollywood
The independent film community is not assembling under a billowy white tent for the 36th Independent Spirit Awards on the Saturday before the Oscars. Mounting a live awards show on the Santa Monica beach just wasn’t going to happen. Yes, the Oscars will give it a try April 25 via two Los Angeles hubs and another dozen or so satellite feeds around the world, but the Academy has millions to spend on safety protocols. Nonprofit arts organization Film Independent will hold the annual awards ceremony as a IFC primetime live broadcast April 22 at 7pm Pt, 10pm Et.
More people voted for the Spirits this year than ever before: Film Independent has grown to over 7,000 members, adding more international voters. Spirits have a $22.5 million budget cap; international film qualification is based on the writer, director, and producer’s country of origin. A foreign-language with an American story is not an international film; nor is “The Father.
More people voted for the Spirits this year than ever before: Film Independent has grown to over 7,000 members, adding more international voters. Spirits have a $22.5 million budget cap; international film qualification is based on the writer, director, and producer’s country of origin. A foreign-language with an American story is not an international film; nor is “The Father.
- 4/21/2021
- by Anne Thompson
- Indiewire
It’s almost time for the 36th Independent Spirit Awards, which will celebrate the best in indie filmmaking for the 2020 calendar year. Remember, only American-made movies with budgets under $20 million were eligible for consideration. Winners will be chosen by all of Film Independent’s eligible members, including industry insiders and any movie fans who sign up for membership. So who will win? Read on to see what we’re predicting to prevail when this year’s trophies are handed out Thursday, April 22 in a virtual ceremony airing on IFC at 7 p.m. Pt/10 p.m. Et.
Gold Derby’s 2021 Spirit Awards odds are based on the combined forecasts of more than 2,300 Gold Derby readers, including Experts we’ve polled from major media outlets, Editors who cover awards year-round for this website, Top 24 Users who did the best predicting last year’s winners, All-Star Users who had the best prediction scores over the last two years,...
Gold Derby’s 2021 Spirit Awards odds are based on the combined forecasts of more than 2,300 Gold Derby readers, including Experts we’ve polled from major media outlets, Editors who cover awards year-round for this website, Top 24 Users who did the best predicting last year’s winners, All-Star Users who had the best prediction scores over the last two years,...
- 4/21/2021
- by Marcus James Dixon
- Gold Derby
The 36th Film Independent Spirit Awards are set to take place this week as a welcome reprieve to this elongated Oscar season. Unlike the Academy Awards, where David Fincher’s “Mank” reigns supreme with 10 nominations, the 2021 Indie Spirit Awards are dominated by Eliza Hittman’s “Never Rarely Sometimes Always,” which was shut out of the Oscar nominations. “Never Rarely” boasts seven Spirit Award nominations this year, including Best Feature and Best Director.
Unlike the Oscars, the Spirit Awards also boast a Best First Feature category to honor the greatest directorial debuts of the last year. The 2021 nominees in this category are “I Carry You With Me,” “The 40 Year Old Version,” “Sound of Metal,” “Miss Juneteenth,” and “Nine Days.” Only “Sound of Metal” broke into the Oscars among these nominees.
As always, the budget cutoff for films to be eligible for the Spirit Awards is $22.5 million. For this reason, several high...
Unlike the Oscars, the Spirit Awards also boast a Best First Feature category to honor the greatest directorial debuts of the last year. The 2021 nominees in this category are “I Carry You With Me,” “The 40 Year Old Version,” “Sound of Metal,” “Miss Juneteenth,” and “Nine Days.” Only “Sound of Metal” broke into the Oscars among these nominees.
As always, the budget cutoff for films to be eligible for the Spirit Awards is $22.5 million. For this reason, several high...
- 4/19/2021
- by Zack Sharf
- Indiewire
Two of the five Oscar nominees for Best Sound won at the Golden Reel Awards bestowed by the Motion Picture Sound Editors (Mpse) on April 16 .”Greyhound” ran off with sound effects and foley while “Soul” took the animation prize. Two of the other Oscar contenders — “News of the World” and “Sound of Metal” — were shut out here despite a leading three nominations while the fifth nominee, “Mank,” had but one bid.
The upcoming Oscars mark the introduction of the Best Sound category, which combines Best Sound Editing and Best Sound Mixing. There can be up to six nominees from a film: one production sound mixer, two supervising sound editors and three re-recording mixers.
In 2020 the war film “1917” won Best Sound Mixing while the auto racing drama “Ford v Ferrari” claimed the Best Sound Editing honor. Over the past decade, the two categories matched a half dozen times: “Inception” (2010), “Hugo...
The upcoming Oscars mark the introduction of the Best Sound category, which combines Best Sound Editing and Best Sound Mixing. There can be up to six nominees from a film: one production sound mixer, two supervising sound editors and three re-recording mixers.
In 2020 the war film “1917” won Best Sound Mixing while the auto racing drama “Ford v Ferrari” claimed the Best Sound Editing honor. Over the past decade, the two categories matched a half dozen times: “Inception” (2010), “Hugo...
- 4/17/2021
- by Paul Sheehan
- Gold Derby
Corporate behemoths like Netflix and Disney Plus define the streaming world, but the pandemic inspired specialized distributors to invent a VOD niche with virtual cinema. Led by companies like Kino Lorber, Magnolia Films, and Film Movement, they offer films in partnership with art house theaters and split the revenues. What initially sounded like a long shot became common practice in the space of a year, and virtual cinema could be a permanent feature that runs in parallel to theatrical releases.
Using its website and membership lists to access target audiences, Kino Lorber began selling films through its Kino Lorber Marquee platform last March, starting with “Bacurau.” It also helped acclimate older viewers into seeing movies online.
A year later, Kino Lorber has released 30 films via virtual cinema. According to its self reporting, shared with IndieWire, the platform grossed $1.2 million, with $600,000 going to some 50 arthouse theaters. That’s down from the...
Using its website and membership lists to access target audiences, Kino Lorber began selling films through its Kino Lorber Marquee platform last March, starting with “Bacurau.” It also helped acclimate older viewers into seeing movies online.
A year later, Kino Lorber has released 30 films via virtual cinema. According to its self reporting, shared with IndieWire, the platform grossed $1.2 million, with $600,000 going to some 50 arthouse theaters. That’s down from the...
- 3/10/2021
- by Tom Brueggemann
- Indiewire
It’s no secret that Latino artists are rarely nominated for mainstream accolades. Unless there’s a streaming behemoth supporting a famed director, like “Roma” back in 2018, Latin Americans and American Latinos are routinely shut out of the awards conversation.
Of course, that’s not because there’s a lack of worthy contenders. Among the many factors that keep the projects that do make it to screens in the United States from getting recognition, a crucial one is clear economic disparity in relation to titles with deep-pocketed distributors.
Most of these movies don’t have sizable budgets for marketing campaigns, which makes it difficult for them to get on the radar of awards pundits, the press in general, and, more importantly, Academy voters. Nevertheless, this season, once again, there are plenty of works by or about Latinos that Academy members can and should consider.
Some great documentaries — such as “Mucho Mucho Amor,...
Of course, that’s not because there’s a lack of worthy contenders. Among the many factors that keep the projects that do make it to screens in the United States from getting recognition, a crucial one is clear economic disparity in relation to titles with deep-pocketed distributors.
Most of these movies don’t have sizable budgets for marketing campaigns, which makes it difficult for them to get on the radar of awards pundits, the press in general, and, more importantly, Academy voters. Nevertheless, this season, once again, there are plenty of works by or about Latinos that Academy members can and should consider.
Some great documentaries — such as “Mucho Mucho Amor,...
- 3/4/2021
- by Carlos Aguilar
- Indiewire
The nominations for the 3rd Annual Latino Entertainment Journalists Association (Leja) Awards have been announced with “Ma Rainey’s Black Bottom” and “Nomadland” leading.
“Ma Rainey’s Black Bottom” by director George C. Wolfe, earned 10 nominations including best picture, best actor for Chadwick Boseman, best actress for Viola Davis, best supporting actor for Colman Domingo, best adapted screenplay for Ruben Santiago-Hudson, best ensemble casting, best production and set design, best costume design, best hair and makeup and best sound.
Chloé Zhao received the most individual nominations for directing, writing, producing and editing Searchlight Pictures’ “Nomadland,” the most for any woman in the history of Leja. Jayro Bustamante was nominated for best picture, director, original screenplay and international feature for “La Llorona.”
Netflix led the studio tally with a total of 42 nominations, and Amazon Studios nabbed an impressive 14 total.
“It’s been an extremely difficult year for our industry and our Latinx community,...
“Ma Rainey’s Black Bottom” by director George C. Wolfe, earned 10 nominations including best picture, best actor for Chadwick Boseman, best actress for Viola Davis, best supporting actor for Colman Domingo, best adapted screenplay for Ruben Santiago-Hudson, best ensemble casting, best production and set design, best costume design, best hair and makeup and best sound.
Chloé Zhao received the most individual nominations for directing, writing, producing and editing Searchlight Pictures’ “Nomadland,” the most for any woman in the history of Leja. Jayro Bustamante was nominated for best picture, director, original screenplay and international feature for “La Llorona.”
Netflix led the studio tally with a total of 42 nominations, and Amazon Studios nabbed an impressive 14 total.
“It’s been an extremely difficult year for our industry and our Latinx community,...
- 3/3/2021
- by Jazz Tangcay
- Variety Film + TV
Nearly a year after closing its physical location, New York City’s IFC Center is preparing to finally reopen on Friday, March 5. The theater has announced a range of new safety measures along with new releases and several screening series. The arthouse venue first shut its doors on March 13, 2020 as early lockdown measures called for the closure of a variety of cultural institutions. In late February, New York Governor Andrew Cuomo announced that New York City movie theaters had permission to reopen at 25 percent capacity and with a maximum of 50 people allowed per screen. Other areas of the state reopened months ago.
While the state has enacted a number of guidelines for reopening theaters, IFC Center has added additional safety measures, including mandatory mask-wearing at all times, no concession sales, and no eating and drinking allowed in theaters. Its five screens will also feature reserved seating (with six feet between...
While the state has enacted a number of guidelines for reopening theaters, IFC Center has added additional safety measures, including mandatory mask-wearing at all times, no concession sales, and no eating and drinking allowed in theaters. Its five screens will also feature reserved seating (with six feet between...
- 3/2/2021
- by Kate Erbland
- Indiewire
All five of our predicted Oscar nominees for Best Sound number among the contenders for the Golden Reel Awards bestowed by the Motion Picture Sound Editors (Mpse). Oscar frontrunner “Sound of Metal” reaped three bids across the seven film categories as did one of its closest Oscar rivals, “News of the World.” Two of the other expected Oscar nominees — “Ma Rainey’s Black Bottom” and “Tenet” are double nominees while the fifth predicted contender, “Mank,” had to make do with one nomination from the Mpse.
The upcoming Oscars mark the introduction of the Best Sound category, which combines Best Sound Editing and Best Sound Mixing. There can be up to six nominees from a film: one production sound mixer, two supervising sound editors and three re-recording mixers.
In 2020 the war film “1917” won Best Sound Mixing while the auto racing drama “Ford v Ferrari” claimed the Best Sound Editing honor. Over the past decade,...
The upcoming Oscars mark the introduction of the Best Sound category, which combines Best Sound Editing and Best Sound Mixing. There can be up to six nominees from a film: one production sound mixer, two supervising sound editors and three re-recording mixers.
In 2020 the war film “1917” won Best Sound Mixing while the auto racing drama “Ford v Ferrari” claimed the Best Sound Editing honor. Over the past decade,...
- 3/1/2021
- by Paul Sheehan
- Gold Derby
Darius Marder’s innovative “Sound of Metal” and Paul Greengrass’ “News of the World” western each grabbed three sound editing nominations at the 68th annual Mpse Golden Reel Awards (which will be held virtually on April 16). “Sound of Metal,” the frontrunner, captures Riz Ahmed’s heavy-metal drummer slowly losing his hearing, while “News of the World” creates the shootouts, sandstorms, and rainstorms that assault Tom Hanks on his journey in post-Civil War Texas. The Academy has consolidated sound editing and mixing onto a single category for the first time this season.
Several features scored two nominations: “Tenet,” “Ma Rainey’s Black Bottom,” “The Trial of the Chicago 7,” and “Greyhound.” Also making the cut were “Mank,” “The Midnight Sky,” “The Invisible Woman,” “Nomadland,””Wonder Woman 1984,” “Emperor,” and “Cherry.”
Feature musical nominees included “Ma Rainey’s Black Bottom,” The Prom,” “Eurovision Song Contest: The Story of the Fire Saga,” “The High Note,...
Several features scored two nominations: “Tenet,” “Ma Rainey’s Black Bottom,” “The Trial of the Chicago 7,” and “Greyhound.” Also making the cut were “Mank,” “The Midnight Sky,” “The Invisible Woman,” “Nomadland,””Wonder Woman 1984,” “Emperor,” and “Cherry.”
Feature musical nominees included “Ma Rainey’s Black Bottom,” The Prom,” “Eurovision Song Contest: The Story of the Fire Saga,” “The High Note,...
- 3/1/2021
- by Bill Desowitz
- Indiewire
“News of the World” and “Sound of Metal” led all films in nominations for the Motion Picture Sound Editors’ Golden Reel Awards, the Mpse announced on Monday. The two films each received three nominations in the seven Golden Reel film categories, including in the Feature Effects/Foley category, the Mpse category that most closely corresponded to the Oscars’ Best Sound Editing category.
(This year, the Academy has merged what were two sound categories, Best Sound Editing and Best Sound Mixing, into a single Best Sound category.)
Other nominees in the effect/foley category were “Cherry,” “Greyhound,” “The Midnight Sky,” “Tenet” and “Wonder Woman 84.” Films with two nominations include “The Trial of the Chicago 7,” “Ma Rainey’s Black Bottom,” “The Midnight Sky,” “Tenet,” “Wonder Woman 84” and “Greyhound.”
In the television categories, “Snowpiercer,” “Better Call Saul,” “Ozark” and “The Queen’s Gambit” led all programs with three nominations each, while “The Umbrella Academy,...
(This year, the Academy has merged what were two sound categories, Best Sound Editing and Best Sound Mixing, into a single Best Sound category.)
Other nominees in the effect/foley category were “Cherry,” “Greyhound,” “The Midnight Sky,” “Tenet” and “Wonder Woman 84.” Films with two nominations include “The Trial of the Chicago 7,” “Ma Rainey’s Black Bottom,” “The Midnight Sky,” “Tenet,” “Wonder Woman 84” and “Greyhound.”
In the television categories, “Snowpiercer,” “Better Call Saul,” “Ozark” and “The Queen’s Gambit” led all programs with three nominations each, while “The Umbrella Academy,...
- 3/1/2021
- by Steve Pond
- The Wrap
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