Adam Driver has had a very interesting career in the industry starting with her supporting roles in the 2010s. After his on-screen debut in Clint Eastwood’s J. Edgar, the actor continued improving himself with his supporting performances in Girls, Lincoln, Frances Ha, and Inside Lleywn Davis. The actor has now become a great leading man in dramas as well as blockbusters.
Adam Driver as Neil in Gayby | Wolfe Releasing
One of his most entertaining supporting roles was in the 2012 rom-com Gayby, where he played the role of Neil, the co-worker of Matthew Wilkas’s character. Neil is a comic book enthusiast, and he shares the sentiments of many Marvel fans who hated the infamous Spider-Man storyline One More Day and how it ruined many arcs up to that point.
The Hate For Spider-Man One More Day Is Echoed By Adam Driver’s Neil in Gayby
The One More Day...
Adam Driver as Neil in Gayby | Wolfe Releasing
One of his most entertaining supporting roles was in the 2012 rom-com Gayby, where he played the role of Neil, the co-worker of Matthew Wilkas’s character. Neil is a comic book enthusiast, and he shares the sentiments of many Marvel fans who hated the infamous Spider-Man storyline One More Day and how it ruined many arcs up to that point.
The Hate For Spider-Man One More Day Is Echoed By Adam Driver’s Neil in Gayby
The One More Day...
- 5/25/2024
- by Rahul Thokchom
- FandomWire
by Elisa Giudici
Megalopolis © 2024 Caesar Film LLC.
Francis Ford Coppola returns with a film that is already legendary even before its release, featuring a story that spans decades and a production so infamous and troubled that it warrants a film of its own. That nonexistent feature could have outshone Megalopolis, which, despite its high expectations, will be remembered in this year's Cannes Film Festival history as a major disappointment...
Megalopolis © 2024 Caesar Film LLC.
Francis Ford Coppola returns with a film that is already legendary even before its release, featuring a story that spans decades and a production so infamous and troubled that it warrants a film of its own. That nonexistent feature could have outshone Megalopolis, which, despite its high expectations, will be remembered in this year's Cannes Film Festival history as a major disappointment...
- 5/25/2024
- by Elisa Giudici
- FilmExperience
The Cannes Film Festival is nearing its conclusion, with plenty of films making a splash on the starry Croisette on the French Riviera. However, one studio executive tells Variety, “There aren’t many Oscar-buzzy titles to be excited about, not even in the international feature space.”
This year’s main competition jury, led by president Greta Gerwig and including J.A. Bayona, Ebru Ceylan, Pierfrancesco Favino, Lily Gladstone, Eva Green, Hirokazu Kore-eda, Nadine Labaki and Omar Sy, will name its winners on Saturday.
It was looking like a foregone conclusion that the Palme d’Or win would be bestowed upon Jacques Audiard’s Spanish-language musical “Emilia Pérez,” starring Zoe Saldaña, Selena Gomez, and Karla Sofía Gascón, which was picked up by Netflix. However, on Friday, Mohammad Rasoulof’s “The Seed of the Sacred Fig” garnered the most enthusiastic reactions on social media from attendees and the longest-standing ovation at 12 minutes. One awards publicist says,...
This year’s main competition jury, led by president Greta Gerwig and including J.A. Bayona, Ebru Ceylan, Pierfrancesco Favino, Lily Gladstone, Eva Green, Hirokazu Kore-eda, Nadine Labaki and Omar Sy, will name its winners on Saturday.
It was looking like a foregone conclusion that the Palme d’Or win would be bestowed upon Jacques Audiard’s Spanish-language musical “Emilia Pérez,” starring Zoe Saldaña, Selena Gomez, and Karla Sofía Gascón, which was picked up by Netflix. However, on Friday, Mohammad Rasoulof’s “The Seed of the Sacred Fig” garnered the most enthusiastic reactions on social media from attendees and the longest-standing ovation at 12 minutes. One awards publicist says,...
- 5/24/2024
- by Clayton Davis
- Variety Film + TV
The 70s class of filmmakers who re-shaped cinema with their culture-defining works are seemingly getting some recognition recently. After Killers of the Flower Moon, Martin Scorsese’s stock is as high as ever. Steven Spielberg was recently announced to be revisiting a classic concept with him once again tackling a UFO film. Francis Ford Coppola is back in the spotlight with his ambitious passion project, Megalopolis. And George Lucas is getting honored at the Cannes Film Festival with a Palme d’Or for his contribution to cinema.
According to The Hollywood Reporter, Lucas would offer some retrospective about his career while accepting the award. He felt nostalgic about attending Cannes, which is where he presented his first feature, Thx-1138, at the Directors’ Fortnight in 1971. He would also, of course, talk about the very film series that is synonymous with him — Star Wars. When speaking about Disney’s purchase of the brand,...
According to The Hollywood Reporter, Lucas would offer some retrospective about his career while accepting the award. He felt nostalgic about attending Cannes, which is where he presented his first feature, Thx-1138, at the Directors’ Fortnight in 1971. He would also, of course, talk about the very film series that is synonymous with him — Star Wars. When speaking about Disney’s purchase of the brand,...
- 5/24/2024
- by EJ Tangonan
- JoBlo.com
Mohammad Rasoulof’s “The Seed of the Sacred Fig” has a lot going for it on the way to a potential Palme d’Or win: strong reviews, an anguished political call-out against Iranian oppression, and Rasoulof’s own status as an exile who just fled his home country and was finally able to attend Cannes after all. (Read our interview with the director here.)
On the steps of the Palais for Friday’s premiere, Rasoulof held up photos of two of the actors — Misagh Zare and Soheila Golestani – banned from leaving Iran to attend the festival. He’s already shared how the Islamic Republic has been pressuring his crew into convincing Cannes to drop the film, which charts the breakdown of a family after a Revolutionary Court judge’s gun goes missing, from its lineup. This is Rasoulof’s first time in competition. He previously won prizes in Un Certain...
On the steps of the Palais for Friday’s premiere, Rasoulof held up photos of two of the actors — Misagh Zare and Soheila Golestani – banned from leaving Iran to attend the festival. He’s already shared how the Islamic Republic has been pressuring his crew into convincing Cannes to drop the film, which charts the breakdown of a family after a Revolutionary Court judge’s gun goes missing, from its lineup. This is Rasoulof’s first time in competition. He previously won prizes in Un Certain...
- 5/24/2024
- by Ryan Lattanzio
- Indiewire
“Screen Talk: went live at the American Pavilion in Cannes this year and drew a lively crowd. Anne Thompson raved about one of the big-epic Hollywood titles playing out of competition, George Miller’s prequel “Furiosa” (Warner Bros.), starring Anya Taylor-Joy in the title role, which opens May 14, while both Thompson and cohost Ryan Lattanzio panned Kevin Costner’s old-fashioned three-hour Western “Horizon: An American Saga – Chapter One” (Warner Bros.).
They both agree that this vanity project makes mad genius Francis Coppola’s self-funded $120 million “Megalopolis” look brilliant by comparison. Even if the Competition title is “unhinged,” at least he’s treading new ground, unlike Costner, who has spent some $100 million so far for the first two chapters of a planned four (the second part releases August 16). Coppola still awaits a North American buyer.
Both hosts admire Jacques Audiard’s Competition title “Emilia Perez,” a Spanish-language musical shot in Mexico...
They both agree that this vanity project makes mad genius Francis Coppola’s self-funded $120 million “Megalopolis” look brilliant by comparison. Even if the Competition title is “unhinged,” at least he’s treading new ground, unlike Costner, who has spent some $100 million so far for the first two chapters of a planned four (the second part releases August 16). Coppola still awaits a North American buyer.
Both hosts admire Jacques Audiard’s Competition title “Emilia Perez,” a Spanish-language musical shot in Mexico...
- 5/24/2024
- by Ryan Lattanzio and Anne Thompson
- Indiewire
“I’m a stubborn guy and I didn’t want people to tell me how to make my movies,” is how Star Wars creator George Lucas summed up the secret to his success, speaking to a crowd of fans at a packed Debussy theater in Cannes on Friday afternoon.
The 80-year-old filmmaker was being honored at the 77th Cannes festival with a Palme d’Or for his contribution to cinema, and the crowd, a much younger cohort than is usually seen at these events, whooped and hollered as Lucas walked on the stage. They were rapt as he sat down for a wide-ranging discussion of his life in the movie business.
Lucas said he felt “nostalgic” to be back in Cannes, where he presented his first feature, Thx-1138, at the Directors’ Fortnight back in 1971. His Thx-1138 co-writer and sound designer Walter Murch was in the audience as Lucas recalled how...
The 80-year-old filmmaker was being honored at the 77th Cannes festival with a Palme d’Or for his contribution to cinema, and the crowd, a much younger cohort than is usually seen at these events, whooped and hollered as Lucas walked on the stage. They were rapt as he sat down for a wide-ranging discussion of his life in the movie business.
Lucas said he felt “nostalgic” to be back in Cannes, where he presented his first feature, Thx-1138, at the Directors’ Fortnight back in 1971. His Thx-1138 co-writer and sound designer Walter Murch was in the audience as Lucas recalled how...
- 5/24/2024
- by Scott Roxborough
- The Hollywood Reporter - Movie News
The 2024 Cannes Film Festival is underway with Quentin Dupieux’s The Second Act starring Léa Seydoux and Louis Garrel serving as the opening-night film.
This year’s lineup includes major Hollywood premieres like Furiosa: A Mad Max Saga starring Anya Taylor-Joy and Chris Hemsworth, Kevin Costner’s first film of a planned four-part series Horizon: An American Saga, Francis Coppola’s long-gestating Megalopolis, Yorgos Lanthimos’ Kinds of Kindness in a reteam with Emma Stone, Paul Schrader’s Oh, Canada and Andrea Arnold’s Bird to name a few.
They are joined by new films from stalwart auteurs including David Cronenberg, Jacques Audiard, Ali Abbasi, Jia Zhang-Ke, Christophe Honoré, Paolo Sorrentino, Gilles Lellouche, Mohammad Rasoulof, Michel Hazanavicius, Guy Maddin, Noémie Merlant and Oliver Stone.
Read all of Deadline’s takes below throughout the festival, which runs May 14-25. Click on the title to read the full review and keep checking back as we update the list.
This year’s lineup includes major Hollywood premieres like Furiosa: A Mad Max Saga starring Anya Taylor-Joy and Chris Hemsworth, Kevin Costner’s first film of a planned four-part series Horizon: An American Saga, Francis Coppola’s long-gestating Megalopolis, Yorgos Lanthimos’ Kinds of Kindness in a reteam with Emma Stone, Paul Schrader’s Oh, Canada and Andrea Arnold’s Bird to name a few.
They are joined by new films from stalwart auteurs including David Cronenberg, Jacques Audiard, Ali Abbasi, Jia Zhang-Ke, Christophe Honoré, Paolo Sorrentino, Gilles Lellouche, Mohammad Rasoulof, Michel Hazanavicius, Guy Maddin, Noémie Merlant and Oliver Stone.
Read all of Deadline’s takes below throughout the festival, which runs May 14-25. Click on the title to read the full review and keep checking back as we update the list.
- 5/24/2024
- by Pete Hammond, Joe Utichi, Damon Wise, Stephanie Bunbury and Valerie Complex
- Deadline Film + TV
George Lucas got candid about criticism of the first six “Star Wars” films during a conversation at the Cannes Film Festival on Friday.
When speaking about the success of the franchise ahead of receiving the festival’s honorary Palme d’Or, Lucas reflected on some of the negative comments he’s received over the years.
“They would say, ‘It’s all white men,'” Lucas said of the films’ critics. “Most of the people are aliens! The idea is you’re supposed to accept people for what they are, whether they’re big and furry or whether they’re green or whatever. The idea is all people are equal.”
Lucas went on to say that the only beings in the “Star Wars” universe who were discriminated against were the robots.
“That was a way of saying, you know, people are always discriminating against something and sooner or later, that’s what’s going to happen,...
When speaking about the success of the franchise ahead of receiving the festival’s honorary Palme d’Or, Lucas reflected on some of the negative comments he’s received over the years.
“They would say, ‘It’s all white men,'” Lucas said of the films’ critics. “Most of the people are aliens! The idea is you’re supposed to accept people for what they are, whether they’re big and furry or whether they’re green or whatever. The idea is all people are equal.”
Lucas went on to say that the only beings in the “Star Wars” universe who were discriminated against were the robots.
“That was a way of saying, you know, people are always discriminating against something and sooner or later, that’s what’s going to happen,...
- 5/24/2024
- by Ellise Shafer
- Variety Film + TV
Is Messi’s reign as cinema’s current top dog over?
The Palm Dog — Cannes’ annual celebration of on-screen canine performances which was last year won by the blue-eyed border collie from “Anatomy of a Fall,” the first step in a dramatic bound toward furry fame — has crowned a new champion.
The 2024 Palm Dog, presented at a special event on May 24, has been given to Kodi, the senior stray at the heart of acclaimed Swiss-French comedy “Dog on Trial.” The Un Certain Regard title from director and star Laetitia Dosch sees Kodi — believed to be a blonde Griffon cross — plays Cosmos, an aggressive pet who’s taken on as a client by a defense lawyer in story exploring the status of dogs in society. According to Palm Dog founder Toby Rose, Kodi is nearing his 10th birthday and will soon retire from acting, but bow-wows out having delivered a “fine four-legged swan song.
The Palm Dog — Cannes’ annual celebration of on-screen canine performances which was last year won by the blue-eyed border collie from “Anatomy of a Fall,” the first step in a dramatic bound toward furry fame — has crowned a new champion.
The 2024 Palm Dog, presented at a special event on May 24, has been given to Kodi, the senior stray at the heart of acclaimed Swiss-French comedy “Dog on Trial.” The Un Certain Regard title from director and star Laetitia Dosch sees Kodi — believed to be a blonde Griffon cross — plays Cosmos, an aggressive pet who’s taken on as a client by a defense lawyer in story exploring the status of dogs in society. According to Palm Dog founder Toby Rose, Kodi is nearing his 10th birthday and will soon retire from acting, but bow-wows out having delivered a “fine four-legged swan song.
- 5/24/2024
- by Alex Ritman
- Variety Film + TV
The Megalopolis parties and debates last week generously fed Cannes’ appetite for media buzz. Fest-goers were reminded that Francis Coppola’s journey had been a thrill ride for those who witnessed it, invested in it or were impacted by its turmoil.
The auteur was trailed all week by fans and family, many having survived the melodramatic ordeals of One from the Heart, the operatic intrigues of Apocalypse Now and finally the utopian fever dream titled Megalopolis, which he financed by putting $120 million of his own money on the line.
All represented a defiant challenge to the pre-algorithmic definitions of risk and reward. But one long-term participant in the Coppola drama was a non-presence in Cannes last week — though he is receiving an honorary Palme d’Or on Saturday.
He’s George Lucas, the billionaire nerd from Modesto who in former years contributed a discipline and order to their company’s (Zoetrope) unruly landscape.
The auteur was trailed all week by fans and family, many having survived the melodramatic ordeals of One from the Heart, the operatic intrigues of Apocalypse Now and finally the utopian fever dream titled Megalopolis, which he financed by putting $120 million of his own money on the line.
All represented a defiant challenge to the pre-algorithmic definitions of risk and reward. But one long-term participant in the Coppola drama was a non-presence in Cannes last week — though he is receiving an honorary Palme d’Or on Saturday.
He’s George Lucas, the billionaire nerd from Modesto who in former years contributed a discipline and order to their company’s (Zoetrope) unruly landscape.
- 5/23/2024
- by Peter Bart
- Deadline Film + TV
Amazon MGM Studios has rounded out the cast of Oh. What. Fun., its all-star holiday comedy being directed by Michael Showalter, who is coming off the record-breaking success of the streamer’s romantic drama The Idea of You.
Jason Schwartzman, Eva Longoria, Joan Chen, Devery Jacobs, Havana Rose Liu and Maude Apatow have been added to the call sheet while Danielle Brooks has signed on for a cameo in the feature, which is currently shooting in Atlanta.
Michelle Pfeiffer is leading the ensemble that already include Felicity Jones, Chloë Grace Moretz, Denis Leary and The Holdovers breakout Dominic Sessa.
Described as both a love letter to moms and tonally a cross between Home for the Holidays and Planes, Trains and Automobiles, the story centers on a woman named Claire Clauster (Pfeiffer) who organizes a special Christmas outing, but her family forgets her in the shuffle. By the time they realize their mistake,...
Jason Schwartzman, Eva Longoria, Joan Chen, Devery Jacobs, Havana Rose Liu and Maude Apatow have been added to the call sheet while Danielle Brooks has signed on for a cameo in the feature, which is currently shooting in Atlanta.
Michelle Pfeiffer is leading the ensemble that already include Felicity Jones, Chloë Grace Moretz, Denis Leary and The Holdovers breakout Dominic Sessa.
Described as both a love letter to moms and tonally a cross between Home for the Holidays and Planes, Trains and Automobiles, the story centers on a woman named Claire Clauster (Pfeiffer) who organizes a special Christmas outing, but her family forgets her in the shuffle. By the time they realize their mistake,...
- 5/23/2024
- by Borys Kit
- The Hollywood Reporter - Movie News
The 77th edition of the Cannes Film Festival continues on Day 11 with the world premieres of The Seed of the Sacred Fig and The Most Precious of Cargoes.
As the festival comes to a close in anticipation of tomorrow’s awards ceremony, legendary filmmaker George Lucas will be honored with the prestigious Honorary Palme d’Or on the stage of the Grand Théâtre Lumière during the Closing Ceremony on Saturday, May 25.
The Jury, chaired by director Greta Gerwig will be tasked with awarding the Palme d’Or to one of the 22 films in the Competition.
Related: ‘Megalopolis’ Cannes Film Festival Premiere Photos: Francis Ford Coppola, Adam Driver, Shia Labeouf, Aubrey Plaza & More
The jury includes Turkish screenwriter and photographer Ebru Ceylan, American actress Lily Gladstone, French actress Eva Green and Lebanese director and screenwriter Nadine Labaki, as well as Spanish director and screenwriter Juan Antonio Bayona, Italian actor Pierfrancisco Favino,...
As the festival comes to a close in anticipation of tomorrow’s awards ceremony, legendary filmmaker George Lucas will be honored with the prestigious Honorary Palme d’Or on the stage of the Grand Théâtre Lumière during the Closing Ceremony on Saturday, May 25.
The Jury, chaired by director Greta Gerwig will be tasked with awarding the Palme d’Or to one of the 22 films in the Competition.
Related: ‘Megalopolis’ Cannes Film Festival Premiere Photos: Francis Ford Coppola, Adam Driver, Shia Labeouf, Aubrey Plaza & More
The jury includes Turkish screenwriter and photographer Ebru Ceylan, American actress Lily Gladstone, French actress Eva Green and Lebanese director and screenwriter Nadine Labaki, as well as Spanish director and screenwriter Juan Antonio Bayona, Italian actor Pierfrancisco Favino,...
- 5/23/2024
- by Robert Lang
- Deadline Film + TV
Exclusive: Francis Ford Coppola‘s $120 million passion project Megalopolis has closed a fresh raft of deals following its buzzy world premiere in Competition at the Cannes Film Festival last week.
It has sold to Australia (Madman Entertainment), Benelux (September Films), Bulgaria (Profilm), Czech Republic and Slovakia (Film Europe), Ex- Yugoslavia (McF Megacom Film), Greece (Feelgood Entertainment), Hungary (Mozinet), Israel (Lev Cinemas), Morocco (Facility Event), Portugal (Midas Filmes) Romania (Independenta Film), Scandinavia (Njutafilms) and Turkey (Bir Film).
They join five top distributors who acquired the film prior to its world premiere on May 16: Constantin Film for Germany and all German-speaking territories, including Switzerland and Austria; Eagle Pictures for Italy; Tripictures for Spain; Entertainment Film Distributors Limited for the U.K., and Le Pacte for France.
Coppola’s long-time lawyer Barry Hirsch and Vincent Maraval, president of Goodfellas (ex-Wild Bunch International), brokered the new Megalopolis deals. They are also in...
It has sold to Australia (Madman Entertainment), Benelux (September Films), Bulgaria (Profilm), Czech Republic and Slovakia (Film Europe), Ex- Yugoslavia (McF Megacom Film), Greece (Feelgood Entertainment), Hungary (Mozinet), Israel (Lev Cinemas), Morocco (Facility Event), Portugal (Midas Filmes) Romania (Independenta Film), Scandinavia (Njutafilms) and Turkey (Bir Film).
They join five top distributors who acquired the film prior to its world premiere on May 16: Constantin Film for Germany and all German-speaking territories, including Switzerland and Austria; Eagle Pictures for Italy; Tripictures for Spain; Entertainment Film Distributors Limited for the U.K., and Le Pacte for France.
Coppola’s long-time lawyer Barry Hirsch and Vincent Maraval, president of Goodfellas (ex-Wild Bunch International), brokered the new Megalopolis deals. They are also in...
- 5/22/2024
- by Melanie Goodfellow
- Deadline Film + TV
When it comes to the wild success of the film industry in Hungary, which is the largest production hub in continental Europe and second in Europe only to the U.K., film commissioner Csaba Káel is quick to credit a rich cinematic legacy dating back more than 100 years. “There is a huge tradition,” he said. “We have a special film DNA in Hungary.”
The industry’s ongoing success, however, as well as its hopes for the future, is just as reliant on sound policy and investment from the country’s National Film Institute, along with a deep pool of world-class talent that is the envy of industries twice its size.
Those were among the takeaways of a panel during the Cannes Film Festival’s Marché du Film that included Káel, Hungarian producer Ildikó Kemény (“Poor Things”), Hungarian-born and Canadian-based producer Robert Lantos (“Crimes of the Future”), and the U.K.
The industry’s ongoing success, however, as well as its hopes for the future, is just as reliant on sound policy and investment from the country’s National Film Institute, along with a deep pool of world-class talent that is the envy of industries twice its size.
Those were among the takeaways of a panel during the Cannes Film Festival’s Marché du Film that included Káel, Hungarian producer Ildikó Kemény (“Poor Things”), Hungarian-born and Canadian-based producer Robert Lantos (“Crimes of the Future”), and the U.K.
- 5/22/2024
- by Christopher Vourlias
- Variety Film + TV
Netflix viewers know for sure what old movies from the streaming’s collection need to be brought to light, and this time they opted for a Hitchcock-coded psychological thriller that initially hit the screens more than 15 years ago.
Starring young Shia Labeouf as a teenage troublemaker, Disturbia has climbed to number one position in Netflix’s top chart, according to the most recent data from FlixPatrol.
What Is the Movie About?
Initially released back in 2007, Disturbia is an homage of sorts to Alfred Hitchcock’s 1954 thriller movie Rear Window as both flicks appear to share some similarities in their storylines.
Unlike Rear Window, where everything revolves around an injured photographer, Disturbia takes a closer look at outcast teenager Kale who, being strongly affected by his father’s recent death, gets into a fight with his school teacher after the latter had something to say about Kale’s late father.
Starring young Shia Labeouf as a teenage troublemaker, Disturbia has climbed to number one position in Netflix’s top chart, according to the most recent data from FlixPatrol.
What Is the Movie About?
Initially released back in 2007, Disturbia is an homage of sorts to Alfred Hitchcock’s 1954 thriller movie Rear Window as both flicks appear to share some similarities in their storylines.
Unlike Rear Window, where everything revolves around an injured photographer, Disturbia takes a closer look at outcast teenager Kale who, being strongly affected by his father’s recent death, gets into a fight with his school teacher after the latter had something to say about Kale’s late father.
- 5/22/2024
- by benjamin-patel@startefacts.com (Benjamin Patel)
- STartefacts.com
Deadline photo studio hosted talent at the 77th annual Cannes Film Festival, as cast members of Cannes premiering films stopped by including David Cronenberg and Vincent Cassel for The Shrouds; Cayden Wyatt Costner, Jena Malone, Isabelle Fuhrman, Abbey Lee, Kevin Costner, Sienna Miller, Ella Hunt, Wase Chief, Georgia MacPhail, and Luke Wilson from Horizon: An American Saga, with Galen Johnson, Cate Blanchett, Guy Maddin and Evan Johnson attending for Rumours.
Sarocha Chankimha, Ramata-Toulaye Sy, Aseel Omran attended for Rsiff Women in Cinema; Francis Ford Coppola and Nathalie Emmanuel from Megalopolis; Willem Dafoe, Hong Chau, Hunter Schafer, Margaret Qualley and Mamoudou Athie for Kinds of Kindness; Ron Howard for Jim Henson Idea Man, George Miller, Anya Taylor-Joy, Chris Hemsworth and Tom Burke of Furiosa: A Mad Max Saga and many more.
Related: Cannes 2024 in Photos: Parties, Premieres, Pressers & More
The Deadline Studio at Cannes will run from May 14-22, where the...
Sarocha Chankimha, Ramata-Toulaye Sy, Aseel Omran attended for Rsiff Women in Cinema; Francis Ford Coppola and Nathalie Emmanuel from Megalopolis; Willem Dafoe, Hong Chau, Hunter Schafer, Margaret Qualley and Mamoudou Athie for Kinds of Kindness; Ron Howard for Jim Henson Idea Man, George Miller, Anya Taylor-Joy, Chris Hemsworth and Tom Burke of Furiosa: A Mad Max Saga and many more.
Related: Cannes 2024 in Photos: Parties, Premieres, Pressers & More
The Deadline Studio at Cannes will run from May 14-22, where the...
- 5/22/2024
- by Robert Lang
- Deadline Film + TV
Francis Ford Coppola is best known for his work on The Godfather trilogy. The accomplished filmmaker is one of the era-defining filmmakers of the 70s up to the 90s, where he made some of the best works of his career. Apocalypse Now, The Outsiders, Peggy Sue Got Married, Bram Stoker’s Dracula, and The Rainmaker were some of his other great works.
Adam Driver as Cesar Catilina in Megalopolis | American Zoetrope
The director is coming up with his next ambitious film, Megalopolis, his return as a director after almost 14 years. The film was recently screened at Cannes, with the cast and Coppola talking about the movie at a press conference. The director spoke about how he was able to self-finance the film after selling off his successful winery that he started in 2008.
Francis Ford Coppola Started His Own Winery Chain That Helped Fund Megalopolis Francis Ford Coppola started his winery...
Adam Driver as Cesar Catilina in Megalopolis | American Zoetrope
The director is coming up with his next ambitious film, Megalopolis, his return as a director after almost 14 years. The film was recently screened at Cannes, with the cast and Coppola talking about the movie at a press conference. The director spoke about how he was able to self-finance the film after selling off his successful winery that he started in 2008.
Francis Ford Coppola Started His Own Winery Chain That Helped Fund Megalopolis Francis Ford Coppola started his winery...
- 5/22/2024
- by Rahul Thokchom
- FandomWire
Giancarlo Esposito has gained the reputation of perfectly encapsulating the essence of complex antagonistic characters in films and TV. He gained enormous popularity as the intimidating and committed drug kingpin Gus Fring. The actor earned numerous accolades and awards for playing the character in Breaking Bad and Better Call Saul.
Giancarlo Esposito as Stan Edgar in The Boys | Amazon Studios
He has continued playing compelling grey characters in other shows like The Boys and The Mandalorian. Esposito recently revealed that he would be joining the MCU in a role that fans would be surprised by. A scooper has now revealed the possible roles that the actor could be playing, and fans are having a field day with it.
Giancarlo Esposito Reportedly Up For Two Possible Roles in the MCU The Mandalorian star recently confirmed his entry into the MCU | Lucasfilm
Ever since his breakthrough performance as Gus Fring in Breaking Bad and Better Call Saul,...
Giancarlo Esposito as Stan Edgar in The Boys | Amazon Studios
He has continued playing compelling grey characters in other shows like The Boys and The Mandalorian. Esposito recently revealed that he would be joining the MCU in a role that fans would be surprised by. A scooper has now revealed the possible roles that the actor could be playing, and fans are having a field day with it.
Giancarlo Esposito Reportedly Up For Two Possible Roles in the MCU The Mandalorian star recently confirmed his entry into the MCU | Lucasfilm
Ever since his breakthrough performance as Gus Fring in Breaking Bad and Better Call Saul,...
- 5/22/2024
- by Rahul Thokchom
- FandomWire
Illustrations by Maddie Fischer.As part of our Cannes 2024 coverage, we invited critics and programmers to share their thoughts on one moment from a film they've seen at the festival so far.Sign up for the Weekly Edit to receive exclusive reports from the Croisette straight to your inbox.Miriam BaleElizabeth Taylor: The Lost Tapes by Nanette Burstein (co-director of The Kid Stays in the Picture) is in some ways a straightforward chronological documentary of the movie star's fascinating, tabloid-centric life. What makes the film formally interesting, though, is the separation of voice and image. Burstein’s reliance on audio recordings of Taylor made in 1964 and 1985 foregrounds her remarkable voice over her blinding beauty, seen in stills and film clips. Taylor's voice, even at ages 32 and 53, can range from girlish and flirtatious to bawdy and shrill, sometimes within the same statement. When she describes how the AIDS crisis led...
- 5/21/2024
- MUBI
Nathalie Emmanuel’s first trip to the Cannes Film Festival was certainly a memorable one.
The “Fast and Furious” franchise star and “Game of Thrones” alum knows what it’s like to be in the spotlight, but Cannes is unique. First, consider the fact that she’s the leading lady in legendary filmmaker Francis Ford Coppola’s longtime passion project “Megalopolis,” which made its world premiere at the festival. Then, there’s the reality of ascending the famed red steps to the Palais des Festivals.
“This whole experience has been like nothing I’ve ever had before,” Emmanuel told Variety the next day. “That moment was so much bigger and so much grander — I just had no concept of how crazy it would be, how exciting it would be, how many people there would be. … It was quite overwhelming, but really exciting and felt like a real celebration.”
“And obviously,...
The “Fast and Furious” franchise star and “Game of Thrones” alum knows what it’s like to be in the spotlight, but Cannes is unique. First, consider the fact that she’s the leading lady in legendary filmmaker Francis Ford Coppola’s longtime passion project “Megalopolis,” which made its world premiere at the festival. Then, there’s the reality of ascending the famed red steps to the Palais des Festivals.
“This whole experience has been like nothing I’ve ever had before,” Emmanuel told Variety the next day. “That moment was so much bigger and so much grander — I just had no concept of how crazy it would be, how exciting it would be, how many people there would be. … It was quite overwhelming, but really exciting and felt like a real celebration.”
“And obviously,...
- 5/21/2024
- by Angelique Jackson
- Variety Film + TV
So this is what economizing looks like in Cannes.
The rosé still flowed, though not as freely, and it was easier to get a reservation at the Michelin-starred restaurants that are usually booked months in advance of the film festival. There were still rooms to be had at the Hôtel du Cap, the posh resort where studio chiefs and movie stars typically stay. Most troubling, the deals — both for completed films that premiered in Cannes and the packages that hit the Côte d’Azur searching for financing — are taking much longer to close.
Even in the shimmering south of France there’s no escaping that the movie business, having endured Covid shutdowns and two devastating labor strikes, has lost much of its luster. Donna Langley, the chairman of NBCUniversal Studio Group, was blunt during a talk, noting that the domestic box office is down 20% and the global box office has...
The rosé still flowed, though not as freely, and it was easier to get a reservation at the Michelin-starred restaurants that are usually booked months in advance of the film festival. There were still rooms to be had at the Hôtel du Cap, the posh resort where studio chiefs and movie stars typically stay. Most troubling, the deals — both for completed films that premiered in Cannes and the packages that hit the Côte d’Azur searching for financing — are taking much longer to close.
Even in the shimmering south of France there’s no escaping that the movie business, having endured Covid shutdowns and two devastating labor strikes, has lost much of its luster. Donna Langley, the chairman of NBCUniversal Studio Group, was blunt during a talk, noting that the domestic box office is down 20% and the global box office has...
- 5/21/2024
- by Brent Lang and Matt Donnelly
- Variety Film + TV
Fred Roos, the Oscar-winning producer of The Godfather Part II and many other notable films, has died. He was 89.
Roos had a long relationship with Francis Ford Coppola, serving as producer or co-producer on many of the director’s best known films, including the second and third Godfather films (the second bringing him his Oscar), The Conversation, Apocalypse Now, One From The Heart and The Cotton Club.
Most recently, Roos served as executive producer of Coppola’s Megalopolis, which premiered this week at the Cannes festival.
Born in Santa Monica, Roos began his film career in the mailroom at talent agency McA.
Roos had a long relationship with Francis Ford Coppola, serving as producer or co-producer on many of the director’s best known films, including the second and third Godfather films (the second bringing him his Oscar), The Conversation, Apocalypse Now, One From The Heart and The Cotton Club.
Most recently, Roos served as executive producer of Coppola’s Megalopolis, which premiered this week at the Cannes festival.
Born in Santa Monica, Roos began his film career in the mailroom at talent agency McA.
- 5/21/2024
- ScreenDaily
Fred Roos, the longtime producing and casting collaborator of Francis Ford Coppola, has died at age 89.
Roos famously found Jack Nicholson and Harrison Ford, launching both actors’ respective careers, and even helped cast Carrie Fisher alongside Ford in “Star Wars.” He is credited for also boosting the careers of Kirsten Dunst, Diane Keaton, Laurence Fishburne, Frederic Forest, Diane Lane, Nicolas Cage, Richard Dreyfuss, Rob Lowe, Tom Cruise, Patrick Swayze, Emilio Estevez, Jennifer Connelly, Billy Bob Thorton, Marshall Bell, and more.
Roos later served as the casting director for Coppola’s “The Godfather,” leading auteur Coppola to deem Roos “one of the great casting talents in the last 40 years of American movies” in a 2004 interview with the Chicago Tribune.
Roos produced follow-up film “The Godfather: Part II,” “Apocalypse Now,” and Coppola’s recent “Megalopolis,” for which he also helped cast the star-studded ensemble. In 1974, both Roos and Coppola earned two Oscar...
Roos famously found Jack Nicholson and Harrison Ford, launching both actors’ respective careers, and even helped cast Carrie Fisher alongside Ford in “Star Wars.” He is credited for also boosting the careers of Kirsten Dunst, Diane Keaton, Laurence Fishburne, Frederic Forest, Diane Lane, Nicolas Cage, Richard Dreyfuss, Rob Lowe, Tom Cruise, Patrick Swayze, Emilio Estevez, Jennifer Connelly, Billy Bob Thorton, Marshall Bell, and more.
Roos later served as the casting director for Coppola’s “The Godfather,” leading auteur Coppola to deem Roos “one of the great casting talents in the last 40 years of American movies” in a 2004 interview with the Chicago Tribune.
Roos produced follow-up film “The Godfather: Part II,” “Apocalypse Now,” and Coppola’s recent “Megalopolis,” for which he also helped cast the star-studded ensemble. In 1974, both Roos and Coppola earned two Oscar...
- 5/21/2024
- by Samantha Bergeson
- Indiewire
Mike Figgis has been shooting a behind-the-scenes documentary for the past 18 months about the making of Francis Ford Coppola’s Megalopolis. It’s called Megadoc.
Figgis told me Monday that it’s been edited but there’s allowance for the fact that the film played in competition here at the Cannes Film Festival. He recorded an interview with the cinema titan the other day.
Figgis, who was introduced into the Coppola clan back in the mid 1990s after directing Nicolas Cage in Leaving Las Vegas, told me that the documentary is “very much a fly-on-the-wall” and also features conversations with various cast members — Adam Driver, Aubrey Plaza, Dustin Hoffman, Shia Labeouf — and Coppola’s wife Eleanor Coppola, who shot the footage and directed her own study of her husband’s work for the acclaimed Hearts of Darkness: A Filmmaker’s Apocalypse, about the making of 1979s Apocalypse Now.
He will go...
Figgis told me Monday that it’s been edited but there’s allowance for the fact that the film played in competition here at the Cannes Film Festival. He recorded an interview with the cinema titan the other day.
Figgis, who was introduced into the Coppola clan back in the mid 1990s after directing Nicolas Cage in Leaving Las Vegas, told me that the documentary is “very much a fly-on-the-wall” and also features conversations with various cast members — Adam Driver, Aubrey Plaza, Dustin Hoffman, Shia Labeouf — and Coppola’s wife Eleanor Coppola, who shot the footage and directed her own study of her husband’s work for the acclaimed Hearts of Darkness: A Filmmaker’s Apocalypse, about the making of 1979s Apocalypse Now.
He will go...
- 5/21/2024
- by Baz Bamigboye
- Deadline Film + TV
Fred Roos, the casting director turned producer who jump-started the career of Jack Nicholson and collaborated often with Francis Ford Coppola, sharing a best picture Oscar with the filmmaker for The Godfather Part II, has died. He was 89.
Roos died Saturday at his home in Beverly Hills, a publicist announced.
It’s part of Hollywood lore that before Harrison Ford became a famous actor, he was laboring as a carpenter to make ends meet. What some might not know is that it was at Roos’ house where Ford was woodworking when the casting director befriended him, eventually pushing him for roles in George Lucas’ American Graffiti (1973) and Star Wars (1977) and Coppola’s The Conversation (1974).
And it was Roos who convinced Lucas — who had been leaning toward Amy Irving — that Carrie Fisher should portray Princess Leia in Star Wars. (Roos did not have an official role on that film.)
Roos, however,...
Roos died Saturday at his home in Beverly Hills, a publicist announced.
It’s part of Hollywood lore that before Harrison Ford became a famous actor, he was laboring as a carpenter to make ends meet. What some might not know is that it was at Roos’ house where Ford was woodworking when the casting director befriended him, eventually pushing him for roles in George Lucas’ American Graffiti (1973) and Star Wars (1977) and Coppola’s The Conversation (1974).
And it was Roos who convinced Lucas — who had been leaning toward Amy Irving — that Carrie Fisher should portray Princess Leia in Star Wars. (Roos did not have an official role on that film.)
Roos, however,...
- 5/21/2024
- by Chris Koseluk
- The Hollywood Reporter - Movie News
Fred Roos, casting director for landmark films such as “American Graffiti” and who went on to have a close relationship with Francis Ford Coppola, including producing best picture winner “Godfather Part II” and “Apocalypse Now,” died Saturday in Beverly Hills. He was 89.
Roos was both casting director and executive producer on Coppola’s most recent film “Megalopolis” which premiered last week at the Cannes Film Festival. Last year, Coppola posted a photo of Roos with Adam Driver on Instagram and thanked him for his work on the long-gestating epic.
Roos was instrumental in helping stars including Tom Cruise, Jack Nicholson, Carrie Fisher and Richard Dreyfuss get their early notable roles.
His long collaboration with Coppola as producer or co-producer included “The Conversation,” “One From the Heart,” “The Outsiders,” “Rumble Fish,” “The Cotton Club,” “The Godfather Part III,” “Tetro,” “Youth Without Youth” and “Tucker: The Man and His Dream.”
Roos was not credited,...
Roos was both casting director and executive producer on Coppola’s most recent film “Megalopolis” which premiered last week at the Cannes Film Festival. Last year, Coppola posted a photo of Roos with Adam Driver on Instagram and thanked him for his work on the long-gestating epic.
Roos was instrumental in helping stars including Tom Cruise, Jack Nicholson, Carrie Fisher and Richard Dreyfuss get their early notable roles.
His long collaboration with Coppola as producer or co-producer included “The Conversation,” “One From the Heart,” “The Outsiders,” “Rumble Fish,” “The Cotton Club,” “The Godfather Part III,” “Tetro,” “Youth Without Youth” and “Tucker: The Man and His Dream.”
Roos was not credited,...
- 5/21/2024
- by Pat Saperstein
- Variety Film + TV
Fred Roos, the Oscar-winning The Godfather Part II producer and longtime executive producer for Francis Ford Coppola and Sofia Coppola, died Saturday in Beverly Hills at 89, four days shy of his 90th birthday.
The news about Roos, who won his Godfather Part II Oscar and later was nominated for Coppola’s Apocalypse Now, comes as Francis Ford Coppola is here at the Cannes Film Festival, 45 years after winning the Palme d’Or for Apocalypse Now. Coppola is in town with his $120 million passion project Megalopolis, which had its world premiere last week. Roos is billed as producer on Megalopolis.
The news also comes after Coppola’s wife of 61 years, Eleanor, died April 12. Roos was an executive producer on Hearts of Darkness, her famed documentary about the making of Apocalypse Now that won them both an Emmy in 1992.
Roos was Francis Coppola’s co-producer on The Conversation, The Godfather Part II and Apocalypse Now,...
The news about Roos, who won his Godfather Part II Oscar and later was nominated for Coppola’s Apocalypse Now, comes as Francis Ford Coppola is here at the Cannes Film Festival, 45 years after winning the Palme d’Or for Apocalypse Now. Coppola is in town with his $120 million passion project Megalopolis, which had its world premiere last week. Roos is billed as producer on Megalopolis.
The news also comes after Coppola’s wife of 61 years, Eleanor, died April 12. Roos was an executive producer on Hearts of Darkness, her famed documentary about the making of Apocalypse Now that won them both an Emmy in 1992.
Roos was Francis Coppola’s co-producer on The Conversation, The Godfather Part II and Apocalypse Now,...
- 5/21/2024
- by Anthony D'Alessandro
- Deadline Film + TV
Just yesterday, we reported how Kevin Costner is struggling to find someone who will help him finance the third and fourth parts of his planned Western epic – Horizon. Costner is an acclaimed filmmaker and Oscar winner who has left us with many memorable roles, but the guy likes the Western genre, both as an actor and as a director. After the success of Yellowstone, Costner embarked on an epic journey to explain how the Americans colonized the West, planning to make a four-part movie epic. The first two parts will be released in cinemas this year, with the first film premiering in Cannes only recently.
Costner has invested a lot of his own money into financing the projects and is now looking for studios who are willing to give money to him to finish the project. But, based on the first critics’ reviews, Costner won’t have much luck in his endeavor,...
Costner has invested a lot of his own money into financing the projects and is now looking for studios who are willing to give money to him to finish the project. But, based on the first critics’ reviews, Costner won’t have much luck in his endeavor,...
- 5/21/2024
- by Arthur S. Poe
- Fiction Horizon
“Chances are you’ve never heard of Preston Thomas Tucker; dreamer, inventor, visionary — a man ahead of his time.”
Chances are you’ve never heard of the movie made about him either. Like the car he had created in his name, it came and went in nearly the same breath. And yet, also like the car, the film’s legacy and staying power lies in the strength of its parts, as well as the personal passion put into it by its maker, Francis Ford Coppola. In fact, it’s hard not to watch his 1988 film “Tucker: The Man and His Dream” and discern a link between Coppola and the film’s eponymous character. Played by a still boyish Jeff Bridges with a glint in his eye and a manic energy that veers between zealous enthusiasm and fevered paranoia, Tucker is a man entwined with his dreams. Much like Coppola, he is driven by family,...
Chances are you’ve never heard of the movie made about him either. Like the car he had created in his name, it came and went in nearly the same breath. And yet, also like the car, the film’s legacy and staying power lies in the strength of its parts, as well as the personal passion put into it by its maker, Francis Ford Coppola. In fact, it’s hard not to watch his 1988 film “Tucker: The Man and His Dream” and discern a link between Coppola and the film’s eponymous character. Played by a still boyish Jeff Bridges with a glint in his eye and a manic energy that veers between zealous enthusiasm and fevered paranoia, Tucker is a man entwined with his dreams. Much like Coppola, he is driven by family,...
- 5/21/2024
- by Harrison Richlin
- Indiewire
When it comes to versatility, few do it better than Jeff Daniels, who has had no problem switching between dramas and comedies throughout his illustrious career. However, for his 1993 comedy, Dumb and Dumber, which will be celebrating its 30th anniversary this year, Daniels recalled his agents being against him taking the gig in the Jim Carrey-led film.
While this proved to be the right decision, as the comedy cemented itself as a classic and made a fortune at the box office, the actor feared his career might end because of the toilet scene. But opposed to his fear, the scene was lauded by fans and critics, and it also reminded Clint Eastwood of his failed date.
An upset stomach doesn’t differentiate between people
Clint Eastwood Could Relate to Jeff Daniels’ Toilet Scene
Jeff Daniels in Dumb and Dumber | New Line Cinema
Considering the actor was coming off the...
While this proved to be the right decision, as the comedy cemented itself as a classic and made a fortune at the box office, the actor feared his career might end because of the toilet scene. But opposed to his fear, the scene was lauded by fans and critics, and it also reminded Clint Eastwood of his failed date.
An upset stomach doesn’t differentiate between people
Clint Eastwood Could Relate to Jeff Daniels’ Toilet Scene
Jeff Daniels in Dumb and Dumber | New Line Cinema
Considering the actor was coming off the...
- 5/21/2024
- by Santanu Roy
- FandomWire
Hollywood gentleman Steven Spielberg’s prowess as a director is well known to the world. The director is now one of the richest celebrities of all time, but he once went through a phase where he could not even think of dating anyone. Thanks to his endurance, the world is blessed with a legendary filmmaker who has several astonishing titles to his credit.
Steven Spielberg. Credit: CBS News/YouTube
Spielberg’s movies inherently possess the crux of unique storytelling, and the director has provided several astonishing blockbusters, including his highest-grossing movies Jurassic Park, E.T. the Extra-Terrestrial, and Indiana Jones and the Kingdom of the Crystal Skull. But before crafting his legacy and a whopping $8 billion fortune, the filmmaker was financially struggling.
Steven Spielberg Didn’t Have Enough Money To Go On A Date
Steven Spielberg. Credit: Elena Ternovaja/Wikimedia Commons.
Steven Spielberg is one of the two billionaire directors with...
Steven Spielberg. Credit: CBS News/YouTube
Spielberg’s movies inherently possess the crux of unique storytelling, and the director has provided several astonishing blockbusters, including his highest-grossing movies Jurassic Park, E.T. the Extra-Terrestrial, and Indiana Jones and the Kingdom of the Crystal Skull. But before crafting his legacy and a whopping $8 billion fortune, the filmmaker was financially struggling.
Steven Spielberg Didn’t Have Enough Money To Go On A Date
Steven Spielberg. Credit: Elena Ternovaja/Wikimedia Commons.
Steven Spielberg is one of the two billionaire directors with...
- 5/21/2024
- by Lachit Roy
- FandomWire
[Editor’s note: this list was originally published in May 2023. It has since been updated with new films to crack the Cannes 5-minute mark.]
Each Cannes Film Festival is accompanied by the annual debate about whether the length of a film’s standing ovation is an accurate measure of its quality. But whether you see the practice of tracking ovation times as a fun cinephile tradition or an oversimplified waste of time, there’s no denying that it happens every year. For certain film industry observers, the number of minutes of applause that a buzzy movie receives on the Croisette is as significant as the first wave of reviews.
Cannes audiences have long been known for their bold responses to new movies. There’s virtually no such thing as a lukewarm response at the world’s biggest film festival — or at least, nothing that an American audience would recognize as lukewarm. Virtually all films receive either a standing ovation or loud boos. The over the top responses are a ritual in and of themselves,...
Each Cannes Film Festival is accompanied by the annual debate about whether the length of a film’s standing ovation is an accurate measure of its quality. But whether you see the practice of tracking ovation times as a fun cinephile tradition or an oversimplified waste of time, there’s no denying that it happens every year. For certain film industry observers, the number of minutes of applause that a buzzy movie receives on the Croisette is as significant as the first wave of reviews.
Cannes audiences have long been known for their bold responses to new movies. There’s virtually no such thing as a lukewarm response at the world’s biggest film festival — or at least, nothing that an American audience would recognize as lukewarm. Virtually all films receive either a standing ovation or loud boos. The over the top responses are a ritual in and of themselves,...
- 5/21/2024
- by Wilson Chapman
- Indiewire
One of the most anticipated moments of the 77th Cannes Film Festival finally arrived Monday night with the world premiere of the Donald Trump drama The Apprentice, starring Sebastian Stan as a young version of the real estate mogul in his pre-maga days.
Only Francis Ford Coppola’s wildly ambitious swan song Megalopolis had inspired more pre-premiere chatter and curiosity at this year’s edition of the glamorous French film festival. Ahead of its unveiling, virtually no one had seen The Apprentice, as the movie reportedly was finished only days before its premiere.
Ali Abbasi, Stan, Martin Donovan and Maria Bakalova walked the Cannes red carpet for the premiere. Only Jeremy Strong, who plays notorious political fixer Roy Cohn in the film, was not in attendance.
Directed by acclaimed Iranian-Danish filmmaker Abbasi and written by Gabe Sherman, The Apprentice explores Donald Trump’s rise to power in 1980s America under...
Only Francis Ford Coppola’s wildly ambitious swan song Megalopolis had inspired more pre-premiere chatter and curiosity at this year’s edition of the glamorous French film festival. Ahead of its unveiling, virtually no one had seen The Apprentice, as the movie reportedly was finished only days before its premiere.
Ali Abbasi, Stan, Martin Donovan and Maria Bakalova walked the Cannes red carpet for the premiere. Only Jeremy Strong, who plays notorious political fixer Roy Cohn in the film, was not in attendance.
Directed by acclaimed Iranian-Danish filmmaker Abbasi and written by Gabe Sherman, The Apprentice explores Donald Trump’s rise to power in 1980s America under...
- 5/20/2024
- by Patrick Brzeski and Scott Roxborough
- The Hollywood Reporter - Movie News
The 2024 Cannes Film Festival set the tone and atmosphere for a slew of awaited movies coming this Summer. Amidst that long line, Megalopolis, from Francis Ford Coppola, has become a major talking point in recent times, especially after its seven-and-a-half-minute-long standing ovation at the fest screening. On the other side of the slate, anticipation runs equally high for The Garfield Movie starring Chris Pratt as the voice of the famed orange cat.
A still from The Garfield Movie trailer (via Sony Entertainment)
In a remarkable coincidence, the world premiere of the sci-fi flick happened in tandem with the early airings of the family comedy, making way for an interesting clash of reviews. Labeled as one of, if not the most ambitious project by the award-winning director, the Adam Driver-led movie faced some tough competition from the animated feature. Furthermore, in one direct aspect of this clash, one of them...
A still from The Garfield Movie trailer (via Sony Entertainment)
In a remarkable coincidence, the world premiere of the sci-fi flick happened in tandem with the early airings of the family comedy, making way for an interesting clash of reviews. Labeled as one of, if not the most ambitious project by the award-winning director, the Adam Driver-led movie faced some tough competition from the animated feature. Furthermore, in one direct aspect of this clash, one of them...
- 5/20/2024
- by Imteshal Karim
- FandomWire
As ever, Cannes is providing serious buzz. It’s a key part of the festival circuit – films screen, conversation proliferates, and exciting must-sees come out of it all. And amid the myriad takes on Francis Ford Coppola’s Megalopolis, the debut of Kevin Costner’s Horizon, and the arrival of another new Yorgos Lanthimos joint Kinds Of Kindness, there’s one film that’s got everybody talking: The Substance. It’s an upcoming body horror from French filmmaker Coralie Fargeat (previously behind Revenge), and has provoked all kinds of conversation – in part for giving Demi Moore her biggest role in years.
Since The Substance has been acquired for distribution by Mubi, there’s already a teaser for the film. It’s only brief, but give it a watch here:
There’s not a huge amount to go off here, but the cryptic teaser does offer hints at the premise – of...
Since The Substance has been acquired for distribution by Mubi, there’s already a teaser for the film. It’s only brief, but give it a watch here:
There’s not a huge amount to go off here, but the cryptic teaser does offer hints at the premise – of...
- 5/20/2024
- by Ben Travis
- Empire - Movies
Scale, sweep, or schadenfreude; whatever you might be seeking in the films of Kevin Costner, you tend to walk away with the vistas. Think of the golden plains and stampeding buffalo of his directorial debut Dances with Wolves; or the jaw-dropping aerial shot of scavengers circling the atoll in Waterworld; and lest we forget The Postman, a work even the most harebrained viewers haven’t found the energy to reappraise, which still left you with an image of The Sound of Music projected onto a quarry wall, not to mention that statue of himself constructed for the film’s whacky finale. For better or worse, they aren’t easily forgotten.
The multi-hyphenate makes his long-awaited return to the director’s chair with Horizon: An American Saga – Chapter 1, a classic western told through the unhurried framework of a limited series and a vision as wide as the open sky. It...
The multi-hyphenate makes his long-awaited return to the director’s chair with Horizon: An American Saga – Chapter 1, a classic western told through the unhurried framework of a limited series and a vision as wide as the open sky. It...
- 5/20/2024
- by Rory O'Connor
- The Film Stage
Kevin Costner’s new Western epic may have gotten a 10-minute standing ovation at Cannes, but once critics got back from festival screenings to their hotel rooms, they posted reviews for Horizon: An American Saga — Chapter 1 that were far less enthusiastic.
Horizon is the first film in writer-director-star Costner’s massive four-picture gamble that he famously leveraged one of his homes to help finance (spending $38 million out of pocket for the $90 million-budgeted film). Chapter 1 is three hours and is largely focused on setting the stage — introducing a sprawling ensemble of characters, with the promise of more dramatic events to come in the remaining films.
There are not a large number of reviews for the post-Civil War Western tale so far, but some of the early critiques are pretty harsh. The most common complaint is the film doesn’t feel like cinema so much as a trio of back-to-back episodes of a new TV series,...
Horizon is the first film in writer-director-star Costner’s massive four-picture gamble that he famously leveraged one of his homes to help finance (spending $38 million out of pocket for the $90 million-budgeted film). Chapter 1 is three hours and is largely focused on setting the stage — introducing a sprawling ensemble of characters, with the promise of more dramatic events to come in the remaining films.
There are not a large number of reviews for the post-Civil War Western tale so far, but some of the early critiques are pretty harsh. The most common complaint is the film doesn’t feel like cinema so much as a trio of back-to-back episodes of a new TV series,...
- 5/20/2024
- by James Hibberd
- The Hollywood Reporter - Movie News
Youth Without YouthImage: Sony Pictures Classics
Youth Without Youth, Tetro, Twixt—years could pass without us hearing the titles of these Francis Ford Coppola movies. These digitally-shot, classically-infused “late era” films excited, baffled, and irritated 21st century audiences in equal measure, but are too readily dismissed as a bad couple...
Youth Without Youth, Tetro, Twixt—years could pass without us hearing the titles of these Francis Ford Coppola movies. These digitally-shot, classically-infused “late era” films excited, baffled, and irritated 21st century audiences in equal measure, but are too readily dismissed as a bad couple...
- 5/20/2024
- by Rory Doherty
- avclub.com
Aside from being one of the biggest cinema events in the year, the Cannes Film Festival is also a big market where filmmakers pitch their projects to potential buyers and where many deals are made. We have already reported on the endeavors – some successful, some not (yet) – of the filmmakers in Cannes to find distributors (e.g. Megalopolis or The Monkey), and we are now going to discuss yet another story from the film festival, related to a movie we have already reported on.
Kevin Costner is one of the most recognizable names in the movie industry, and while has starred in numerous movies, including The Untouchables, Jkf, The Bodyguard, and others, the filmmaker really likes the Western genre. He starred in Wyatt Earp, directed and starred in Dances with Wolves, which earned him two Oscars, and starred in the western series Hatfields & McCoys and Yellowstone, and he is...
Kevin Costner is one of the most recognizable names in the movie industry, and while has starred in numerous movies, including The Untouchables, Jkf, The Bodyguard, and others, the filmmaker really likes the Western genre. He starred in Wyatt Earp, directed and starred in Dances with Wolves, which earned him two Oscars, and starred in the western series Hatfields & McCoys and Yellowstone, and he is...
- 5/20/2024
- by Arthur S. Poe
- Fiction Horizon
Kevin Costner’s dream project Horizon: An American Saga was finally shown to the world at the Cannes Film Festival. The film had its premiere at the prestigious festival and reportedly received a seven-minute standing ovation. The two-part saga’s first chapter was shown at the festival and reportedly received positive responses.
Costner could be seen tearing up after the end of the film. The actor reportedly promised the production of two more installments. Fans who had gone to watch the Western took to social media to express their admiration for Costner’s work after the actor-filmmaker took a huge risk and financed the $100 million project on his own by selling his ranch.
Kevin Costner’s Horizon: An American Saga Gets An Amazing Response At Cannes Kevin Costner in Horizon: An American Saga
The seven-minute standing ovation at the Cannes Film Festival is a privilege few films receive and is...
Costner could be seen tearing up after the end of the film. The actor reportedly promised the production of two more installments. Fans who had gone to watch the Western took to social media to express their admiration for Costner’s work after the actor-filmmaker took a huge risk and financed the $100 million project on his own by selling his ranch.
Kevin Costner’s Horizon: An American Saga Gets An Amazing Response At Cannes Kevin Costner in Horizon: An American Saga
The seven-minute standing ovation at the Cannes Film Festival is a privilege few films receive and is...
- 5/20/2024
- by Nishanth A
- FandomWire
Filming in Hungary offers everything from a massive amount of production space and a 20-year strong tax rebate to eight symphony orchestras and thermal baths.
On a panel during the Cannes Film Festival at the Marche du Film, film commissioner Csaba Kael, as well as producers Ildikó Kemeny, Robert Lantos and Mike Goodridge, spoke about the experiences of filming in Hungary.
Kael noted that commercial film production began in the country in the early 1900s. “It is built into our DNA,” he said of filmmaking. Only the U.K. has more film production than Hungary, Kael added. This year, Hungary is celebrating the 20th anniversary of its tax rebate program, which offers films produced in Hungary a 30 percent rebate based on their expenditure.
Lantos, who has been filming in the country since the 1990s prior to the tax credits, said, “Whenever I have a project that needs a European-looking city,...
On a panel during the Cannes Film Festival at the Marche du Film, film commissioner Csaba Kael, as well as producers Ildikó Kemeny, Robert Lantos and Mike Goodridge, spoke about the experiences of filming in Hungary.
Kael noted that commercial film production began in the country in the early 1900s. “It is built into our DNA,” he said of filmmaking. Only the U.K. has more film production than Hungary, Kael added. This year, Hungary is celebrating the 20th anniversary of its tax rebate program, which offers films produced in Hungary a 30 percent rebate based on their expenditure.
Lantos, who has been filming in the country since the 1990s prior to the tax credits, said, “Whenever I have a project that needs a European-looking city,...
- 5/20/2024
- by Mia Galuppo
- The Hollywood Reporter - Movie News
The Cannes Film Festival keeps on chugging, with more acquisitions, more premieres and an honorary Palme d’Or awarded to a studio for the first time.
The Glorious Return of Jacques Audiard
French filmmaker Jacques Audiard is a consistent staple at Cannes. His film “A Prophet” won the Grand Prix in 2010, 2012’s “Rust and Bone” competed for the Palme d’Or and 2015’s “Deephan” won the Palme d’Or. The last time Audiard was at Cannes in 2021, his smaller “Paris, 13th District” competed for the Palme d’Or.
Now he’s back with “Emilia Pérez,” a musical crime comedy about an escaped Mexican cartel leader undergoing gender-affirming surgery that stars Karla Sofía Gascón, Selena Gomez, Zoe Saldaña and Édgar Ramírez. And judging by the response to the film, it sounds like he has a good shot at Cannes’ top prize once again.
The film “landed the loudest, most enthusiastic standing ovation,...
The Glorious Return of Jacques Audiard
French filmmaker Jacques Audiard is a consistent staple at Cannes. His film “A Prophet” won the Grand Prix in 2010, 2012’s “Rust and Bone” competed for the Palme d’Or and 2015’s “Deephan” won the Palme d’Or. The last time Audiard was at Cannes in 2021, his smaller “Paris, 13th District” competed for the Palme d’Or.
Now he’s back with “Emilia Pérez,” a musical crime comedy about an escaped Mexican cartel leader undergoing gender-affirming surgery that stars Karla Sofía Gascón, Selena Gomez, Zoe Saldaña and Édgar Ramírez. And judging by the response to the film, it sounds like he has a good shot at Cannes’ top prize once again.
The film “landed the loudest, most enthusiastic standing ovation,...
- 5/19/2024
- by Drew Taylor
- The Wrap
Francis Ford Coppola’s Megalopolis is receiving mixed reviews from critics after its debut at the Cannes Film Festival on May 16. While some appreciate the director’s crazy vision for the movie, others deem it as a disaster. Coppola doesn’t care as he is happy that he got to do the film that he had been planning since the ’70s.
He shared that he was done with studios not letting him make movies he wanted like they did with his vision for Western drama. Coppola revealed that he originally optioned the script of Clint Eastwood’s Unforgiven but he failed to convince any studio to put in the money for the project.
Francis Ford Coppola and Marlon Brando on the sets of The Godfather | Paramount Pictures
Interestingly, Coppola self-financed Megalopolis after studios refused to take up the risky subject of the film. He invested $120 million of his hard-earned money...
He shared that he was done with studios not letting him make movies he wanted like they did with his vision for Western drama. Coppola revealed that he originally optioned the script of Clint Eastwood’s Unforgiven but he failed to convince any studio to put in the money for the project.
Francis Ford Coppola and Marlon Brando on the sets of The Godfather | Paramount Pictures
Interestingly, Coppola self-financed Megalopolis after studios refused to take up the risky subject of the film. He invested $120 million of his hard-earned money...
- 5/19/2024
- by Hashim Asraff
- FandomWire
Spoiler Alert: This article contains details about the narrative of Francis Ford Coppola’s Megalopolis.
Exclusive: One of the many talking points to emerge from this week’s Cannes Film Festival screening of Francis Ford Coppola’s epic Megalopolis is whether distributors will be able to replicate the film’s ‘fourth wall moment’.
As most reviews for the film detail, at a certain point in Wednesday’s world premiere a performer walked onto the stage in front of the cinema screen and engaged with Adam Driver’s character in a device known as “breaking the fourth wall.”
Is it plausible that distributors would replicate such a moment in every screening? Unlikely. But at least one will give it a good shot.
Jean Labadie, who runs the film’s French distributor Le Pacte, told Deadline: “We certainly will do a lot of such performances. With four screenings a day in many...
Exclusive: One of the many talking points to emerge from this week’s Cannes Film Festival screening of Francis Ford Coppola’s epic Megalopolis is whether distributors will be able to replicate the film’s ‘fourth wall moment’.
As most reviews for the film detail, at a certain point in Wednesday’s world premiere a performer walked onto the stage in front of the cinema screen and engaged with Adam Driver’s character in a device known as “breaking the fourth wall.”
Is it plausible that distributors would replicate such a moment in every screening? Unlikely. But at least one will give it a good shot.
Jean Labadie, who runs the film’s French distributor Le Pacte, told Deadline: “We certainly will do a lot of such performances. With four screenings a day in many...
- 5/19/2024
- by Andreas Wiseman, Zac Ntim and Melanie Goodfellow
- Deadline Film + TV
One of the best things about being at film festivals is that most of the time you never know what is going to happen in the film you're about to watch. At Cannes, it's usually the first time the film is ever being shown to an audience. Walking into these films without any expectations or any idea what we're all in for can result in some of the most wildly exhilarating experiences when you encounter a truly ambitious, unexpected, one-of-a-kind creation. That's the case with Emilia Perez from French filmmaker Jacques Audiard. I shouldn't be surprised, however, considering my love for Audiard's films goes back all the way to my very first visit to Cannes in 2009 - Un Prophet (A Prophet) is still one of my all-time favorite Cannes films. 15 years later and Audiard has totally blown me away again with Emilia Perez, a full-on Broadway-esque musical about Mexican society...
- 5/19/2024
- by Alex Billington
- firstshowing.net
Sony brought together a multiverse’s worth of its filmmakers past and present together Friday at Cannes for a dinner celebrating the 100th anniversary of Columbia Pictures.
The attendees at Mamo Michelangelo included Cannes jury president and Barbie director Greta Gerwig (who made Little Women for Columbia), Spider-Man: Into the Spider-Verse Oscar winners Phil Lord and Chris Miller, Bad Boys: Ride or Die directors Adil El Arbi and Bilall Fallah, Chloe Zhao, whose The Rider was distributed by Sony Pictures Classics, Anyone But You director Will Gluck and Kraven the Hunter filmmaker J.C. Chandor.
Entrepreneur and film producer Charles Finch hosted the dinner with Tom Rothman, chairman & CEO of Sony Pictures Entertainment’s Motion Picture Group.
During the dinner, Rothman gave a toast in which he wandered among the tables, pointing out specific talent and giving a nod to their contributions to the studio, name checking Ghostbusters: Afterlife director Jason Reitman...
The attendees at Mamo Michelangelo included Cannes jury president and Barbie director Greta Gerwig (who made Little Women for Columbia), Spider-Man: Into the Spider-Verse Oscar winners Phil Lord and Chris Miller, Bad Boys: Ride or Die directors Adil El Arbi and Bilall Fallah, Chloe Zhao, whose The Rider was distributed by Sony Pictures Classics, Anyone But You director Will Gluck and Kraven the Hunter filmmaker J.C. Chandor.
Entrepreneur and film producer Charles Finch hosted the dinner with Tom Rothman, chairman & CEO of Sony Pictures Entertainment’s Motion Picture Group.
During the dinner, Rothman gave a toast in which he wandered among the tables, pointing out specific talent and giving a nod to their contributions to the studio, name checking Ghostbusters: Afterlife director Jason Reitman...
- 5/19/2024
- by Aaron Couch
- The Hollywood Reporter - Movie News
Recalling the first time one of his films screened at the Cannes Film Festival, a young filmmaker remembered how the duration of the standing ovation the audience gave seemed to grow with every retelling in the media. In the room, he clocked about “a six-and-a-half-minute standing ovation, [but] by the time I had got back to L.A., it had grown to 20 minutes,” he said. “I said: ‘Wait a minute, I’m happy with six. I never even had a two-minute ovation.’ ”
That director was Steven Spielberg. The film was E.T. the Extra Terrestrial, which closed the 35th Cannes festival in 1982. Even back then, they were timing standing ovations — and arguing about just how long a festival audience stayed on its feet clapping. There’s a long a tradition of using that figure, preferably inflated, as a marketing hook in your movie’s rollout.
“The film that received a 15-minute...
That director was Steven Spielberg. The film was E.T. the Extra Terrestrial, which closed the 35th Cannes festival in 1982. Even back then, they were timing standing ovations — and arguing about just how long a festival audience stayed on its feet clapping. There’s a long a tradition of using that figure, preferably inflated, as a marketing hook in your movie’s rollout.
“The film that received a 15-minute...
- 5/19/2024
- by Scott Roxborough
- The Hollywood Reporter - Movie News
One of only nine directors to win the Palme d’Or twice, Francis Ford Coppola took home his first 50 years ago — back when the award was still called the Grand Prix — for The Conversation.
A psychological thriller starring Gene Hackman as a morally conflicted surveillance expert in San Francisco, The Conversation couldn’t have been released at a more appropriate time. Hitting U.S. theaters on April 7, 1974, the movie asked pointed questions about power, responsibility and technology — subjects that had been top of the American mind for two years as a result of the Watergate scandal. It was pure serendipity; Coppola had started writing the screenplay in the 1960s. Just four months after the film’s release, Richard Nixon would resign the presidency for his role in the infamous cover-up.
In the intervening years, the film has only seen its cultural resonance increase. In 1995, it was chosen for preservation by...
A psychological thriller starring Gene Hackman as a morally conflicted surveillance expert in San Francisco, The Conversation couldn’t have been released at a more appropriate time. Hitting U.S. theaters on April 7, 1974, the movie asked pointed questions about power, responsibility and technology — subjects that had been top of the American mind for two years as a result of the Watergate scandal. It was pure serendipity; Coppola had started writing the screenplay in the 1960s. Just four months after the film’s release, Richard Nixon would resign the presidency for his role in the infamous cover-up.
In the intervening years, the film has only seen its cultural resonance increase. In 1995, it was chosen for preservation by...
- 5/19/2024
- by Shannon L. Bowen
- The Hollywood Reporter - Movie News
The apocalypse seems to be on a lot of filmmakers’ minds this year. The latest example: “Rumours,” an entirely quirky take on the end of the western world as seen through a disastrous G7 meeting, which premiered out of competition at the Cannes Film Festival on Saturday.
Starring Cate Blanchett as the leader of Germany, Charles Dance as the (oddly British accented) U.S. president and a host of other actors rounding out the G7, the film is a mix of genres that aims for satire but doesn’t quite achieve coherence.
On the heels of Francis Ford Coppola’s sprawling ode to the decline of American power in “Megalopolis,” “Rumours,” directed by Canadian filmmaker Guy Maddin and Evan and Galen Johnson, echoes the theme of Western haplessness and arrogance leading to disaster.
Part comedy, part parody and part fever dream, the movie sets seven world leaders adrift at a...
Starring Cate Blanchett as the leader of Germany, Charles Dance as the (oddly British accented) U.S. president and a host of other actors rounding out the G7, the film is a mix of genres that aims for satire but doesn’t quite achieve coherence.
On the heels of Francis Ford Coppola’s sprawling ode to the decline of American power in “Megalopolis,” “Rumours,” directed by Canadian filmmaker Guy Maddin and Evan and Galen Johnson, echoes the theme of Western haplessness and arrogance leading to disaster.
Part comedy, part parody and part fever dream, the movie sets seven world leaders adrift at a...
- 5/18/2024
- by Sharon Waxman
- The Wrap
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