IMDb > Tom yum goong (2005)
Tom yum goong
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Tom yum goong (2005) More at IMDbPro »

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Tom yum goong (2005) -- A young fighter named Kham must go to Australia to retrieve his stolen elephant. With the help of a Thai-born Australian detective, Kham must take on all comers, including a gang led by an evil woman and her two deadly bodyguards.
Tom yum goong (2005) -- A young fighter named Kham must go to Australia to retrieve his stolen elephant. With the help of a Thai-born Australian detective, Kham must take on all comers, including a gang led by an evil woman and her two deadly bodyguards.
Tom yum goong (2005) -- A young fighter named Kham must go to Australia to retrieve his stolen elephant. With the help of a Thai-born Australian detective, Kham must take on all comers, including a gang led by an evil woman and her two deadly bodyguards.
Tom yum goong (2005) -- Movieplayer.it - Italian Trailer (Flash)

Overview

User Rating:
6.9/10   12,459 votes
MOVIEmeter: ?
Down 2% in popularity this week. See why on IMDbPro.
Director:
Writers:
Napalee (written by) &
Piyaros Thongdee (written by) ...
(more)
Contact:
View company contact information for The Protector on IMDbPro.
Release Date:
8 September 2006 (USA) more
Genre:
Plot:
A young fighter named Kham must go to Australia to retrieve his stolen elephant. With the help of a Thai-born Australian detective, Kham must take on all comers, including a gang led by an evil woman and her two deadly bodyguards. full summary | add synopsis
NewsDesk:
(32 articles)
Ong Bak 2: The Beginning Movie Review
 (From MoviesOnline. 27 October 2009, 8:00 PM, PDT)

Review: Ong Bak 2
 (From Cinematical. 23 October 2009, 5:15 PM, PDT)

User Comments:
A Nutshell Review: Tom-Yum-Goong more (205 total)

Cast

  (in credits order)

Directed by
Prachya Pinkaew 
 
Writing credits
Napalee (written by) &
Piyaros Thongdee (written by) &
Joe Wannapin (written by) &
Kongdej Jaturanrasamee (written by)

Prachya Pinkaew (story)

Produced by
Piyalak Mahathanasap .... assistant producer
Kevin McGrath .... line producer: Australia
Prachya Pinkaew .... producer
Somsak Techaratanaprasert .... executive producer
Sukanya Vongsthapat .... producer
Sita Vosbein .... associate producer
 
Original Music by
Howard Drossin 
 
Cinematography by
Nattawut Kittikhun 
 
Film Editing by
Stratos Gabrielidis 
 
Production Design by
Arkadech Kaewkotara 
 
Art Direction by
Suprasit Chantakham 
Anon Phanrotthip 
Kamol Soponkhunpun 
 
Costume Design by
Ekabhume Nganchamang 
 
Production Management
Lachlan Imrie .... production manager: Australia
Apinan Kongsuoalux .... production supervisor
Bunyarat Narueritthanon .... production supervisor
Pornsuvee Punpongpipat .... production supervisor
Sorrapong Punthakoengmorn .... production supervisor
 
Second Unit Director or Assistant Director
John Clabburn .... first assistant director: Australia
Ric Lawes .... second assistant director
Jiradheep Nopamasorachorn .... second assistant director
Thammarat Piyarom .... first assistant director
Thitaya Suthipaet .... fourth assistant director
Thanawat Wattanachaimongkol .... third assistant director
 
Art Department
Nopparat Kaewko .... assistant property master
Patchara Lertkai .... prop master
Samorapum Pakdeethai .... prop master
Monthon Pongparp .... assistant property master
Mitchell Seeto .... property assistant
Mitchell Seeto .... property master
Prachya Timmukda .... prop master
 
Sound Department
Carlie Bergman .... adr recordist
Nicolas Bourgeois .... sound editor: international versions
Hervé Buirette .... sound re-recording mixer
Mark DeSimone .... adr mixer: New York
Michael J. Fox .... adr supervisor
Douglas Murray .... adr mixer
 
Stunts
Richard Boué .... stunt coordinator: Australia
Don Ferguson .... stunt performer
Chaiporn Gunmoontree .... stunts
Somjaj Junmoonree .... stunts
Seng Kawee .... stunt coordinator
Daniel O'Neill .... stunt performer
Panna Rittikrai .... stunt coordinator
Robert Simper .... safety officer: Australia
Ron Smoorenburg .... stunts
Brice Stratford .... fight performer
Aaron Toney .... stunt double
 
Camera and Electrical Department
Thanachart Boonla .... camera operator
Manoon Chaiwach .... focus puller
Kamol Kuisrikul .... focus puller
Thamjaroen Promphan .... focus puller
Nino Tamburri .... assistant camera: Australia
Ekapol Tipayanon .... focus puller
Chalerm Wongpim .... camera operator
 
Costume and Wardrobe Department
Kanok Chaiyupatham .... costumer
Thanit Chanlumlert .... costumer
Chatchawal Sakolsilpa .... costumer
 
Music Department
Ramin Djawadi .... additional music scoring
Angela Leus .... soundtrack coordinator
Ralph Sall .... soundtrack album producer
Rob Simon .... technical score advisor
 
Other crew
Alistair Ferrier .... location manager: Australia
Chuenmanas Intarit .... production accountant
Tony Jaa .... martial arts choreographer
Somroj Kookijtikasem .... elephant trainer
Nuchchanart Markswat .... assistant production accountant
Kasidis Niamsiri .... overseas shooting coordinator
Nopadol Puntakerngamorn .... overseas shooting coordinator
Warinya Ratipakorn .... production coordinator
Panna Rittikrai .... martial arts choreographer
Quentin Tarantino .... presenter
Nitiya Thonghom .... assistant production accountant
Aaron Toney .... stand-in: Capoeira fighter (as Aron Toney)
Thida Vongsarote .... assistant production accountant
Darin Vosbein .... head production accountant
Kavinthip Yeamsuwan .... production coordinator
 
Thanks
Abhinav Bhat .... special thanks
Maria Cataldo .... special thanks
Jonathan Sanden .... special thanks
 

Production CompaniesDistributorsOther Companies

Additional Details

Also Known As:
Honour of the Dragon (Europe: English title)
Ong Bak 2 (Thailand: Thai title) (working title)
The Protector (USA)
Warrior King (UK)
more
MPAA:
Rated R for pervasive strong violence and some sexual content.
Runtime:
108 min | Germany:90 min | USA:81 min
Country:
Color:
Aspect Ratio:
1.85 : 1 more
Sound Mix:
Filming Locations:

Fun Stuff

Trivia:
Tony Jaa has developed a new style of Muay Thai specially for the film: "Muay Kotchasan" is based on elephants' movements ("throw, stamp on, grab, break"). more
Goofs:
Miscellaneous: In the bone breaking scene, Jaa fights the same man thrice in the sequence - at the start, the middle and the end. more
Quotes:
Inspector Mark: And this is the main Asian market in downtown Sydney, most of the people here are Asian, you know? Chinese, Thai, Vietnam
[Laughs and begins to walk away]
Inspector Mark: Whoa whoa whoa whoa!... And Laos!
more
Movie Connections:
Soundtrack:
Baby more

FAQ

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60 out of 80 people found the following comment useful.
A Nutshell Review: Tom-Yum-Goong, 2 November 2005
9/10
Author: DICK STEEL from Singapore

After having watched Tony Jaa in Ong Bak about a week ago on TV, I was waiting for the day when Tom-Yum-Goog finally made its way here. There was a film in between these two, called The Bodyguard, which wasn't released in the theatres here, so I guess I gotta hit the shops to look for it.

My friend has likened the introduction of Tom-Yum-Goong to watching National Geographic, and he's right. It's an idyllic Thai village scene where Kham (Tony Jaa) grows up and bonds together with herds of elephants, and it might even looked as if it came right out of Kipling's The Jungle Book.

It's a picture of calm before the storm, and the first 10 minutes set the scene, as the elephants will play an important aspect in this movie as it gets elevated into mythical status (check out the CGI scene, looks like Jackie Chan's The Myth, with its historical fights). You'll know right away that this is a Thai movie, with its excellent fusion of Thai elements into the storyline - the elephants, the rivers, the rituals, Buddhism, "Tom-Yum-Goong", and of course, Muay Thai.

With elephants, the natural baddies are first and foremost, the poachers, who kidnap our hero's pets (wrong move). Of course these baddies belong to a larger crime family and syndicate operating out of Sydney, Australia, which deals with drugs, human and animal trafficking, prostitution, all with the blessings of corrupt cops, and led by a transvestite (yes, you heard me right).

Tom-Yum-Goong may refer to a shrimp dish in Thailand, but in this movie, it refers to a restaurant which serves as a front for illegal activities. Action fans need not wait too long for Tony Jaa action, as he plunges head on into fights with the Thai gangsters first, in their bungalow hideout. And that's just to whet your appetite for more mayhem! Bridging the fights from Thailand to Australia is a short boat chase scene that looked right out from Indiana Jones and the Last Crusade, but that's the only weak action sequence in Tom-Yum-Goong.

There are plenty of fights in Sydney to keep all action fans happy - like the massive battle with the Aussie streetgangs (on roller blades and bikes) in an abandoned warehouse, which also showcased Jaa's agility and acrobatic ability. I thought that somehow the cinematography during this sequence let Jaa down at times, especially when he weaved in and out of the trains, the camera just couldn't keep up, and was positioned at a bad angle.

But that aside, it made up for itself in a beautifully filmed, one-motion tracking shot of Jaa making his way through a four-storey restaurant, kicking major rear, without seemingly any cuts (I said seemingly, as there was a part where water droplets stained the camera, but somehow disappeared abruptly). Doom has its gimmicky first-person shooter perspective, this one here has its classic third-person perspective, as if you're controlling Jaa in a coin-operated fight console, taking on the baddies with various swift moves.

If you've known by now, I kinda likened Jaa's movies so far to Bruce Lee's (some see shades of Matrix in this movie), and there was another action sequence in which Jaa was up against hordes of gangsters in an enclosed room (think Lee in the Japanese dojo in Fists of Fury), and he floored them all with bone-crushing, limb-breaking kicks and punches. Move aside Steven Seagal, Jaa's doing it faster, and more lethal! The fights with the huge wrestlers too was a highlight (ala Lee in Game of Death with Kareem Abdul-Jabbar), as was the final fight with the final "boss".

Perhaps my favourite in the movie is the scene at the temple. Water, Fire, and a looming Buddha, Jaa takes on three distinct exponents one-on-one - the hip hop breakdancer, the Chinese wushu sword expert, and the Western wrestler. While this movie has done away with Ong-Bak's repetitive sequences (yes, we know what Jaa is capable of already), the slow-mo in this particular set is pure poetry in motion. It's different from Ong-Bak, in that Jaa, like Lee in Enter The Dragon, gets beaten up and injured. You can inflict pain and injure Jaa, but like Lee, he bounces back with a vengeance, sans shirt too.

Jaa has let his action do the talking instead of his acting abilities (no stunt double, no wire-work, no special effects), and I have no qualms with that, given after all, this is an out and out action movie. Petchtai Wongkamlao, who plays Inspector Mark, and has been featured in all of Jaa's movies, returns to add his comedic touch to the film as a Thai-immigrant policeman in Sydney, and fans of Ong Bak will also be pleased that this movie is helmed by the same director Prachya Pinkaew.

While Hollywood struggles to find worthy successors to its 80s and 90s action heroes like Stallone, Van Damme, and Schwarzeneggar, Asia has already found one to takeover the mantle from Bruce Lee, Jackie Chan and Jet Li (as the latter two seemed to have drifted and indicated a preference for dramas). He's Thai, and his name is Tony Jaa. You heard it here first, he's gonna be setting the bar for action movies to come. He can only get better, and I'm already a huge fan!

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