S.W.A.T. fans, we’ve got a fresh off the press preview for the new Season 7 Episode 4 episode titled Spare Parts!
Find out everything you need to know about the Spare Parts episode of S.W.A.T., including a full preview, videos, release date, cast information and how to watch!
S.W.A.T. Spare Parts Season 7 Episode 4 Preview
In the upcoming episode of “S.W.A.T.” titled “Spare Parts,” scheduled to air on CBS at 8:00 Pm on March 8, 2024, viewers can brace themselves for an intense and action-packed storyline. The episode delves into a high-stakes situation as a Chilean arms dealer kidnaps a woman and her daughter, setting the stage for a gripping hostage rescue mission by the S.W.A.T. team.
As the drama unfolds, Tan finds himself at a crossroads when he crosses paths with his brother. The episode takes an emotional turn as Tan is compelled to disclose the truth about his divorce from Bonnie to his family,...
Find out everything you need to know about the Spare Parts episode of S.W.A.T., including a full preview, videos, release date, cast information and how to watch!
S.W.A.T. Spare Parts Season 7 Episode 4 Preview
In the upcoming episode of “S.W.A.T.” titled “Spare Parts,” scheduled to air on CBS at 8:00 Pm on March 8, 2024, viewers can brace themselves for an intense and action-packed storyline. The episode delves into a high-stakes situation as a Chilean arms dealer kidnaps a woman and her daughter, setting the stage for a gripping hostage rescue mission by the S.W.A.T. team.
As the drama unfolds, Tan finds himself at a crossroads when he crosses paths with his brother. The episode takes an emotional turn as Tan is compelled to disclose the truth about his divorce from Bonnie to his family,...
- 3/1/2024
- by News
- TV Regular
This Friday at 8:00 Pm on CBS, “S.W.A.T.” returns with Season 7 Episode 4, titled “Spare Parts,” delivering an action-packed storyline that combines intense crime-fighting with personal revelations. The episode unfolds as a Chilean arms dealer takes a woman and her daughter hostage, setting the stage for a high-stakes operation by the S.W.A.T. team.
Amidst the tactical challenges, Tan faces a personal crossroads when he encounters his brother, leading to a candid revelation about his divorce from Bonnie. The episode delves into the complexities of family dynamics and the impact of personal choices on the lives of the S.W.A.T. team members.
Simultaneously, Hondo discovers that Hicks has received a tempting job offer, potentially pulling him away from the team. “Spare Parts” promises a riveting combination of action, emotion, and personal struggles, making it a must-watch for fans of the series. Tune in at 8:00 Pm for an evening of thrilling drama on CBS.
Amidst the tactical challenges, Tan faces a personal crossroads when he encounters his brother, leading to a candid revelation about his divorce from Bonnie. The episode delves into the complexities of family dynamics and the impact of personal choices on the lives of the S.W.A.T. team members.
Simultaneously, Hondo discovers that Hicks has received a tempting job offer, potentially pulling him away from the team. “Spare Parts” promises a riveting combination of action, emotion, and personal struggles, making it a must-watch for fans of the series. Tune in at 8:00 Pm for an evening of thrilling drama on CBS.
- 3/1/2024
- by Jules Byrd
- TV Everyday
Exclusive: Vertical has picked up U.S. rights to Deadland, a thriller led by Roberto Urbina (TNT’s Snowpiercer), which world premiered at SXSW 2023. Marking the directorial debut of Lance Larson, the film is slated for a day-and-date release on November 3rd.
Urbina stars as U.S. Border agent Angel Waters, who comes across what would normally be a routine illegal crossing, but quickly spirals into his worst nightmare. In a tragic twist of fate, a detained immigrant is killed while being held at a remote border outpost. Days later, Angel is called back to the river where he is met with a terrifying sight — the same migrant that died is standing at the river’s edge. As strange phenomena begin to overtake his life, he soon learns that on this land, that which dies doesn’t always stay dead.
Starring alongside Urbina are McCaul Lombardi (American Honey), Julieth Restrepo...
Urbina stars as U.S. Border agent Angel Waters, who comes across what would normally be a routine illegal crossing, but quickly spirals into his worst nightmare. In a tragic twist of fate, a detained immigrant is killed while being held at a remote border outpost. Days later, Angel is called back to the river where he is met with a terrifying sight — the same migrant that died is standing at the river’s edge. As strange phenomena begin to overtake his life, he soon learns that on this land, that which dies doesn’t always stay dead.
Starring alongside Urbina are McCaul Lombardi (American Honey), Julieth Restrepo...
- 10/18/2023
- by Matt Grobar
- Deadline Film + TV
Exclusive: An authorized biopic about the life of Jenni Rivera has been greenlit at ViX with Annie Gonzalez set to star and executive produce. Filming of Jenni (wt) is underway in Bogota, Colombia, and will be completed in Los Angeles.
The project is set to premiere exclusively via ViX and in select movie theaters in the United States and Mexico later this year.
Jenni (wt) will follow Rivera’s journey from her humble beginnings in Long Beach, California, to her meteoric rise to the top of the charts, and her final days before her tragic and unexpected death. The film will also share a look at the struggles she endured in her personal life and how she became the artist fans all know and love today, and how she persevered and found strength from within.
Jenni Rivera portrayed by Annie Gonzalez in Jenni (wt)
The streamer notes,...
The project is set to premiere exclusively via ViX and in select movie theaters in the United States and Mexico later this year.
Jenni (wt) will follow Rivera’s journey from her humble beginnings in Long Beach, California, to her meteoric rise to the top of the charts, and her final days before her tragic and unexpected death. The film will also share a look at the struggles she endured in her personal life and how she became the artist fans all know and love today, and how she persevered and found strength from within.
Jenni Rivera portrayed by Annie Gonzalez in Jenni (wt)
The streamer notes,...
- 3/8/2023
- by Rosy Cordero
- Deadline Film + TV
"I saw you praying in the desert. I was there." A festival trailer is out for an indie film called Deadland, marking the feature directorial debut of filmmaker Lance Larson. The film is premiering at the 2023 SXSW Film Festival coming up in March, playing in the Narrative Spotlight section this year. The film is described as a pyschological thriller - U.S. Border Patrol Agent, Angel Waters, makes a routine apprehension that will haunt him forever. "Though the immigrant he took into custody is killed at a border outpost, his death is only the beginning of the suffering Angel must endure... Set against the backdrop of the harsh and desolate Rio Grande river, Deadland uses the American and Mexican border as a launching pad to explore not only immigration but identity." This stars Roberto Urbina as Angel, McCaul Lombardi, Julieth Restrepo, Kendal Rae, Luis Chavez, Julio Cesar Cedillo, Manuel Uriza,...
- 2/28/2023
- by Alex Billington
- firstshowing.net
Netflix had a big year in 2022, surpassing more than 223 million paid streaming subscribers globally, and there’s plenty on tap in 2023 to be excited about — including new seasons of “You” and “Shadow and Bone.”
However, the streamer also saw its first subscriber loss in over a decade in its second quarter in April, prompting massive budget cuts and the loss of multiple TV projects over the course of this year.
Below is a recap of the major Netflix shows canceled in 2022, from beloved series to shows that hadn’t even aired yet.
Also Read:
Netflix Stock Tumbles on Concerns About Slow Growth for Ad-Supported Tier Gentefied Gentefied Season 2. (L-r) Manuel Uriza as Ernesto, Karrie Martin as Ana, Carlos Santos as Chris in Gentefied Season 2. Cr. Courtesy of Netflix © 2021
Netflix’s first cancellation in January 2022 was “Gentefied,” a half-hour dramedy about three Mexican-American cousins chasing the American Dream in Los Angeles that ran for two seasons.
However, the streamer also saw its first subscriber loss in over a decade in its second quarter in April, prompting massive budget cuts and the loss of multiple TV projects over the course of this year.
Below is a recap of the major Netflix shows canceled in 2022, from beloved series to shows that hadn’t even aired yet.
Also Read:
Netflix Stock Tumbles on Concerns About Slow Growth for Ad-Supported Tier Gentefied Gentefied Season 2. (L-r) Manuel Uriza as Ernesto, Karrie Martin as Ana, Carlos Santos as Chris in Gentefied Season 2. Cr. Courtesy of Netflix © 2021
Netflix’s first cancellation in January 2022 was “Gentefied,” a half-hour dramedy about three Mexican-American cousins chasing the American Dream in Los Angeles that ran for two seasons.
- 12/19/2022
- by Lucas Manfredi
- The Wrap
Exclusive: Netflix has re-upped its overall deal with international bestselling author Harlan Coben. The original five-year, multimillion-dollar pact gave Netflix access to 14 Coben books to develop, in partnership with the author, into English-language and foreign-language series as well as films. The new deal, believed to be for four years, adds 12 more Coben titles including his signature 11-book Myron Bolitar series as well as 2021’s Win.
A Myron Bolitar TV series is in early development at Netflix. It will keep the novels’ U.S. setting to possibly become the streamer’s first American-produced show based on Coben’s novels. The books’ title character is a former top basketball player-turned-owner of agency representing sports stars and celebrities.
So far, seven of the prolific American author’s novels have been turned into Netflix limited series: three in the UK, two in Poland as well as one each in Spain and France.
Related Story 'Harlan Coben's Shelter' Adds Missi Pyle, Stephanie March, Adrienne Barbeau, Peter Riegert, Manuel Uriza & More To Cast Related Story Showbiz Shares Surge In First Trading Day Of Fourth Quarter Related Story 'Firefly Lane', Starring Katherine Heigl & Sarah Chalke, To End After Season 2 On Netflix
In an interview with Deadline, Coben discusses extending his relationship with Netflix, the Myron Bolitar series, and more.
Deadline: Talk about the decision to extend the Netflix deal.
Coben: The relationship has been really fantastic. I think it’s been a bigger success than either one of us anticipated: seven shows, four different languages, several countries, tons of viewers. So we all thought we should keep going, making what we’re doing. And I think the key piece now is that they’ve added Myron Bolitar into the mix. One of our main goals is to make a Myron Bolitar series here in the USA while we continue to do the work that we’ve been doing overseas in both the countries we’ve already had success in and some new ones I hope.
Deadline: Will you be writing the Myron Bolitar series adaptation or will you bring in another writer?
Coben: It’s early, so we haven’t made a final decision yet or who’s going. I am involved always in some capacity but I don’t know if I’ll be the one who’s going to write the pilot or just be an executive producer on it — depends on who we ended up with and how it’s going to work. Part of the great joy with Netflix is that everybody I’ve worked with there has been extraordinarily open, and my role is bigger or smaller depending on the situation, who we have, what they think they need from me; it’s on a case-by-case basis.
Certainly Myron Bolitar is dear to my heart. I’ve written 34 books, a third of them involved Myron Bolitar; he is my most prized possession, and I’m really happy now that it’s in the Netflix camp, so that we can work hard on making it right. It’s one of the properties I’ve probably been a little bit more precious about. It’s easier to move a story like The Stranger or Stay Close to another country. Myron being a series character that people read over and over again, takes a little bit more care and has to be in the USA. So I’m very excited about getting started on that.
Deadline: This will be an ongoing series, correct? All of your previous shows for Netflix have been limited series.
Coben: Yes, that’s the goal. As you pointed out, we’d set the goal for limited series on the other ones, though, at times we’ve looked at it — and again, this is the beauty of Netflix. The Stranger and Stay Close, for example, did very, very well and we were discussing, should we do a second season, or should we do something new and original? And to me it felt a little forced to do a second season on those. So I said, instead of doing a second season of The Stranger, let’s do Stay Close, and they’ve agreed. But Myron Bolitar, because there are so many books and there are so many stories, and it was created as an ongoing character, that will be how we will try to make the show, it will be an ongoing show.
Deadline: Do you have any actors in mind to play Myron. Do you have a dream casting choice?
Coben: I don’t. I’ll be honest, that’s always been a hard thing for me. With a regular character — Matt was played by Mario Casas in Spain, or Adam who was played by Richard Armitage, or Cush Jumbo playing Cassie — I can change those people around. Myron is much harder because people have a very definite idea of what he looks like. So actually no actors really comes to mind. Many years ago I had looked at trying to make Myron into a movie, and they were talking about all the big famous movie stars of the day. All of them are wonderfully talented but I was like, I can’t see that guy as Myron. So it’ll be very hard. I am confident that Netflix will scour the world in casting and will find the perfect person for us.
Deadline: Have you decided which of the 11 books will kick off the TV series?
Coben: That’s also something to discuss when I find the perfect creative partners. It’s funny, I did The Innocent in Spain with a wonderful well-known director named Oriol Paulo and Mario Casas, who is a huge star — it’s really great firepower. And Oriol Paulo put it perfectly when he described what Netflix did by putting us together, “creative Tinder,” Tinder for creatives, we were like a perfect match for one another. We just saw eye to eye, we shared a vision. And so I’m hoping that Netflix’s “creative Tinder” finds us the perfect team to develop Myron Bolitar.
Deadline: Why is it now that Netflix is being able to adapt Myron Bolitar and not the first time around? Were the rights not available?
Coben: At times, it’d been under other option elsewhere. And also, I think with this new deal, we’ve now gotten to know each other well enough to realize that our mix, the mix of Harlan Coben, the mix of me and Netflix, works. And so we both want to expand that relationship.
Deadline: Will we see Myron’s nephew Mickey Bolitar on the show or are his rights tied up at Amazon?
Coben: I don’t know how rights work. He is tied up at Amazon right now. So who knows, maybe we’ll get to do something at some point but right now, there’d be no plans for him to be in the series. Mickey doesn’t really cross into the Myron series except for one or two books, so I don’t think that’ll be an issue. Amazon’s Mickey Bolitar series, Shelter, is filming right now.
Deadline: Will the new deal include other U.S. series or will the focus still be on international productions, with Myron Bolitar as an exception?
Coben: Both. We’re working on a couple other U.S. series. But we also are going to do more with the British team that I’ve been lucky enough to work with on Safe, The Stranger and Stay Close; we’re hoping to make at least one, maybe two more series with that team. We’re looking at other European countries, I’d like to try doing a Netflix Germany or Netflix Italy show, as well as returning to France and Spain. And maybe a third show in Poland. I hope to spread out even; I’d love to do something in India and Asia as time goes on. We’re looking at Netflix Brazil, Netflix Argentina, perhaps Netflix Mexico, we’re working on certain projects with the teams that have been already successful in those areas. Our goals are very ambitious.
And yes, part of the expansion part of the new deal is that we’ll be working on a Myron Bolitar series — and several others — that will be U.S.-based as well.
Deadline: How does adapting your books in another language work? I don’t know how many languages you speak — I assume you don’t speak Polish. Do you read scripts that are translated to you? How do you make sure that the local versions represent the spirit of the novels?
Coben: I don’t speak any languages. Even though I’ve done now four productions in France, I still don’t speak any French, so I’m really bad with foreign languages. They do translate them all for me. Sometimes that means the dialogue is difficult for me to make sure it has the right nuance. So I will talk to actors, I will talk to people who speak the language. For the most part, I have to trust my team. There are local things that I don’t quite get, which makes it more interesting for me in some ways.
A quick example from when we did The Woods in Poland. I based The Woods stories in two different time zones, one when kids are in summer camp as teenagers and then the same people as adults, which I thought was really a wonderful and interesting technique. Summer camps in the United States are very, very different than the summer camps that we chose to do in Poland. They were explaining to me what their camps are like. Can I tell you that those are really authentic camps? I can because everyone in Poland told me, boy, you captured it. But I have to respect the fact that I’m doing it now in Warsaw, and not New Jersey and Massachusetts where I’d set the book, and that’s part of the collaboration.
For some people, that’s a negative. For me, I think it’s the opposite. I think the hybrid makes it more interesting. I think taking the American story and American sensibilities and combining it with a location that may be less familiar to some people or a different world actually enhances the story. And I also think in my case, it gives the stories more variety. There are people who love all seven shows. There are some people who love the more moody pace of the Polish shows. There’s some who love the bonkers fun, I would call it, of the British shows. There are some some who like the gritty realism of the Spanish show. So there’s something for everybody in a way, and for me, it gives me a chance to explore new ways of telling the story. That’s the gift that Netflix has really given me as a storyteller.
Deadline: Are you involved in the creation of English-language dubbing or subtitles for your shows?
Coben: I see them and I can sometimes say to them, that’s really awkward phrasing. Do we have anything a little better than that? I personally am not a fan of dubbing. I get it, people want to do it, I respect that. I would always encourage people to use the subtitles if they can.
Deadline: Are there new series projects under the Netflix deal that are in advanced stages?
Coben: Nothing that I can really reveal but there are at least two or three that are in the works in some status of going very soon.
Deadline: You most recently released Match. What is next for you on the book publishing side?
Coben: The next one, coming out in March, is called I Will Find You. And even though I’m not done with the book, I’m working with Netflix already on that one. It was something I had told them about before I even started the book and they were like, that sounds really cool. So I’m already trying to — which is I think a new thing — I’m trying to do it before the novel is even completed because I had enough of the story for us to start on our way outside of that.
Coben is repped by UTA and Gendler & Kelly.
A Myron Bolitar TV series is in early development at Netflix. It will keep the novels’ U.S. setting to possibly become the streamer’s first American-produced show based on Coben’s novels. The books’ title character is a former top basketball player-turned-owner of agency representing sports stars and celebrities.
So far, seven of the prolific American author’s novels have been turned into Netflix limited series: three in the UK, two in Poland as well as one each in Spain and France.
Related Story 'Harlan Coben's Shelter' Adds Missi Pyle, Stephanie March, Adrienne Barbeau, Peter Riegert, Manuel Uriza & More To Cast Related Story Showbiz Shares Surge In First Trading Day Of Fourth Quarter Related Story 'Firefly Lane', Starring Katherine Heigl & Sarah Chalke, To End After Season 2 On Netflix
In an interview with Deadline, Coben discusses extending his relationship with Netflix, the Myron Bolitar series, and more.
Deadline: Talk about the decision to extend the Netflix deal.
Coben: The relationship has been really fantastic. I think it’s been a bigger success than either one of us anticipated: seven shows, four different languages, several countries, tons of viewers. So we all thought we should keep going, making what we’re doing. And I think the key piece now is that they’ve added Myron Bolitar into the mix. One of our main goals is to make a Myron Bolitar series here in the USA while we continue to do the work that we’ve been doing overseas in both the countries we’ve already had success in and some new ones I hope.
Deadline: Will you be writing the Myron Bolitar series adaptation or will you bring in another writer?
Coben: It’s early, so we haven’t made a final decision yet or who’s going. I am involved always in some capacity but I don’t know if I’ll be the one who’s going to write the pilot or just be an executive producer on it — depends on who we ended up with and how it’s going to work. Part of the great joy with Netflix is that everybody I’ve worked with there has been extraordinarily open, and my role is bigger or smaller depending on the situation, who we have, what they think they need from me; it’s on a case-by-case basis.
Certainly Myron Bolitar is dear to my heart. I’ve written 34 books, a third of them involved Myron Bolitar; he is my most prized possession, and I’m really happy now that it’s in the Netflix camp, so that we can work hard on making it right. It’s one of the properties I’ve probably been a little bit more precious about. It’s easier to move a story like The Stranger or Stay Close to another country. Myron being a series character that people read over and over again, takes a little bit more care and has to be in the USA. So I’m very excited about getting started on that.
Deadline: This will be an ongoing series, correct? All of your previous shows for Netflix have been limited series.
Coben: Yes, that’s the goal. As you pointed out, we’d set the goal for limited series on the other ones, though, at times we’ve looked at it — and again, this is the beauty of Netflix. The Stranger and Stay Close, for example, did very, very well and we were discussing, should we do a second season, or should we do something new and original? And to me it felt a little forced to do a second season on those. So I said, instead of doing a second season of The Stranger, let’s do Stay Close, and they’ve agreed. But Myron Bolitar, because there are so many books and there are so many stories, and it was created as an ongoing character, that will be how we will try to make the show, it will be an ongoing show.
Deadline: Do you have any actors in mind to play Myron. Do you have a dream casting choice?
Coben: I don’t. I’ll be honest, that’s always been a hard thing for me. With a regular character — Matt was played by Mario Casas in Spain, or Adam who was played by Richard Armitage, or Cush Jumbo playing Cassie — I can change those people around. Myron is much harder because people have a very definite idea of what he looks like. So actually no actors really comes to mind. Many years ago I had looked at trying to make Myron into a movie, and they were talking about all the big famous movie stars of the day. All of them are wonderfully talented but I was like, I can’t see that guy as Myron. So it’ll be very hard. I am confident that Netflix will scour the world in casting and will find the perfect person for us.
Deadline: Have you decided which of the 11 books will kick off the TV series?
Coben: That’s also something to discuss when I find the perfect creative partners. It’s funny, I did The Innocent in Spain with a wonderful well-known director named Oriol Paulo and Mario Casas, who is a huge star — it’s really great firepower. And Oriol Paulo put it perfectly when he described what Netflix did by putting us together, “creative Tinder,” Tinder for creatives, we were like a perfect match for one another. We just saw eye to eye, we shared a vision. And so I’m hoping that Netflix’s “creative Tinder” finds us the perfect team to develop Myron Bolitar.
Deadline: Why is it now that Netflix is being able to adapt Myron Bolitar and not the first time around? Were the rights not available?
Coben: At times, it’d been under other option elsewhere. And also, I think with this new deal, we’ve now gotten to know each other well enough to realize that our mix, the mix of Harlan Coben, the mix of me and Netflix, works. And so we both want to expand that relationship.
Deadline: Will we see Myron’s nephew Mickey Bolitar on the show or are his rights tied up at Amazon?
Coben: I don’t know how rights work. He is tied up at Amazon right now. So who knows, maybe we’ll get to do something at some point but right now, there’d be no plans for him to be in the series. Mickey doesn’t really cross into the Myron series except for one or two books, so I don’t think that’ll be an issue. Amazon’s Mickey Bolitar series, Shelter, is filming right now.
Deadline: Will the new deal include other U.S. series or will the focus still be on international productions, with Myron Bolitar as an exception?
Coben: Both. We’re working on a couple other U.S. series. But we also are going to do more with the British team that I’ve been lucky enough to work with on Safe, The Stranger and Stay Close; we’re hoping to make at least one, maybe two more series with that team. We’re looking at other European countries, I’d like to try doing a Netflix Germany or Netflix Italy show, as well as returning to France and Spain. And maybe a third show in Poland. I hope to spread out even; I’d love to do something in India and Asia as time goes on. We’re looking at Netflix Brazil, Netflix Argentina, perhaps Netflix Mexico, we’re working on certain projects with the teams that have been already successful in those areas. Our goals are very ambitious.
And yes, part of the expansion part of the new deal is that we’ll be working on a Myron Bolitar series — and several others — that will be U.S.-based as well.
Deadline: How does adapting your books in another language work? I don’t know how many languages you speak — I assume you don’t speak Polish. Do you read scripts that are translated to you? How do you make sure that the local versions represent the spirit of the novels?
Coben: I don’t speak any languages. Even though I’ve done now four productions in France, I still don’t speak any French, so I’m really bad with foreign languages. They do translate them all for me. Sometimes that means the dialogue is difficult for me to make sure it has the right nuance. So I will talk to actors, I will talk to people who speak the language. For the most part, I have to trust my team. There are local things that I don’t quite get, which makes it more interesting for me in some ways.
A quick example from when we did The Woods in Poland. I based The Woods stories in two different time zones, one when kids are in summer camp as teenagers and then the same people as adults, which I thought was really a wonderful and interesting technique. Summer camps in the United States are very, very different than the summer camps that we chose to do in Poland. They were explaining to me what their camps are like. Can I tell you that those are really authentic camps? I can because everyone in Poland told me, boy, you captured it. But I have to respect the fact that I’m doing it now in Warsaw, and not New Jersey and Massachusetts where I’d set the book, and that’s part of the collaboration.
For some people, that’s a negative. For me, I think it’s the opposite. I think the hybrid makes it more interesting. I think taking the American story and American sensibilities and combining it with a location that may be less familiar to some people or a different world actually enhances the story. And I also think in my case, it gives the stories more variety. There are people who love all seven shows. There are some people who love the more moody pace of the Polish shows. There’s some who love the bonkers fun, I would call it, of the British shows. There are some some who like the gritty realism of the Spanish show. So there’s something for everybody in a way, and for me, it gives me a chance to explore new ways of telling the story. That’s the gift that Netflix has really given me as a storyteller.
Deadline: Are you involved in the creation of English-language dubbing or subtitles for your shows?
Coben: I see them and I can sometimes say to them, that’s really awkward phrasing. Do we have anything a little better than that? I personally am not a fan of dubbing. I get it, people want to do it, I respect that. I would always encourage people to use the subtitles if they can.
Deadline: Are there new series projects under the Netflix deal that are in advanced stages?
Coben: Nothing that I can really reveal but there are at least two or three that are in the works in some status of going very soon.
Deadline: You most recently released Match. What is next for you on the book publishing side?
Coben: The next one, coming out in March, is called I Will Find You. And even though I’m not done with the book, I’m working with Netflix already on that one. It was something I had told them about before I even started the book and they were like, that sounds really cool. So I’m already trying to — which is I think a new thing — I’m trying to do it before the novel is even completed because I had enough of the story for us to start on our way outside of that.
Coben is repped by UTA and Gendler & Kelly.
- 10/3/2022
- by Nellie Andreeva
- Deadline Film + TV
Exclusive: Harlan Coben’s Shelter, Prime Video’s YA action-thriller from MGM International Television Productions and Amazon Studios, is rounding out its recurring cast. Didi Conn (Grease), Missi Pyle (Y: The Last Man), Hunter Emery (Orange Is The New Black), Antonio Cipriano (God Friended Me), Peter Riegert (Local Hero), Adrienne Barbeau (Criminal Minds), Stephanie March (Law & Order: Svu) and Kristoffer Polaha (Jurassic World Dominion) join Jaden Michael in the series adaptation of Coben’s Mickey Bolitar novels, along with newcomer Samantha Bugliaro, Narci Regina (21 Bridges), Alexa Mareka (Boogie), Manuel Uriza (Too Old To Die Young), and Lee Aaron Rosen (Emily in Paris).
In addition to Michael, they join previously announced cast Constance Zimmer, Adrian Greensmith, Abby Corrigan, Sage Linder, Brian Altemus and Tovah Feldshuh.
Based on Coben’s Mickey Bolitar trilogy, Shelter tells the story of high school junior Mickey Bolitar (Michael) as he navigates his new life and a school in New Jersey.
In addition to Michael, they join previously announced cast Constance Zimmer, Adrian Greensmith, Abby Corrigan, Sage Linder, Brian Altemus and Tovah Feldshuh.
Based on Coben’s Mickey Bolitar trilogy, Shelter tells the story of high school junior Mickey Bolitar (Michael) as he navigates his new life and a school in New Jersey.
- 9/22/2022
- by Denise Petski
- Deadline Film + TV
Gentefied is closing up shop at Netflix.
The half-hour comedy from co-creators Marvin Lemus and Linda Yvette Chávez has been cancelled after two seasons, our sister site Deadline reports.
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The series followed cousins Erik (played by J.J. Soria), Ana (Karrie Martin Lachney) and Chris (Carlos Santos) chasing the American Dream while facing struggles with their neighborhood, immigrant grandfather and family-owned taco shop.
The half-hour comedy from co-creators Marvin Lemus and Linda Yvette Chávez has been cancelled after two seasons, our sister site Deadline reports.
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The series followed cousins Erik (played by J.J. Soria), Ana (Karrie Martin Lachney) and Chris (Carlos Santos) chasing the American Dream while facing struggles with their neighborhood, immigrant grandfather and family-owned taco shop.
- 1/13/2022
- by Keisha Hatchett
- TVLine.com
Exclusive: Netflix has opted not to renew half-hour Latinx dramedy Gentefied for a third season. The decision comes two months after the release of show’s second season on November 10.
The show never appeared in the Netflix Top 10 with the new season, which likely played a part in Netflix’s cancellation decision, which typically factors in cost, viewership and critical acclaim.
Gentefied, from creators Marvin Lemus and Linda Yvette Chávez, follows East Los Angeles Latinos on their respective and collective search for the American Dream. Season 2 tackles Erik Morales (JJ Soria) and his cousin Chris’s (Carlos Santos) struggle to keep Pops (Joaquin Cosio) in the country while dealing with new love, new babies, estranged fathers and tracking down Bad Bunny at a Halloween party. They fight to thrive, but along the way question where they truly belong in a world made up of borders, family separation, and the potential...
The show never appeared in the Netflix Top 10 with the new season, which likely played a part in Netflix’s cancellation decision, which typically factors in cost, viewership and critical acclaim.
Gentefied, from creators Marvin Lemus and Linda Yvette Chávez, follows East Los Angeles Latinos on their respective and collective search for the American Dream. Season 2 tackles Erik Morales (JJ Soria) and his cousin Chris’s (Carlos Santos) struggle to keep Pops (Joaquin Cosio) in the country while dealing with new love, new babies, estranged fathers and tracking down Bad Bunny at a Halloween party. They fight to thrive, but along the way question where they truly belong in a world made up of borders, family separation, and the potential...
- 1/13/2022
- by Nellie Andreeva
- Deadline Film + TV
It’s all about the smile for actor Manuel Uriza.
As dirty politician Carlos “Mr. Hank” Gonzalez on Netflix’s Narcos: Mexico, for instance, his grin is menacing and mercurial. But as loving father Ernesto on the streamer’s dramatic familial comedy Gentefied, he beams with warmth and sincerity.
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Uriza...
As dirty politician Carlos “Mr. Hank” Gonzalez on Netflix’s Narcos: Mexico, for instance, his grin is menacing and mercurial. But as loving father Ernesto on the streamer’s dramatic familial comedy Gentefied, he beams with warmth and sincerity.
More from TVLineNarcos: Mexico Series Finale Recap: Adios, Amado?/The Rise of El ChapoNarcos: Mexico Boss on How Bad Bunny Came to Be Kitty — Plus, One Cast Member's Real-Life Tie to This WorldCowboy Bebop Finale Delivers a Climactic Showdown -- and the Arrival of a Fan Favorite (Plus, Grade It!)
Uriza...
- 11/23/2021
- by Mekeisha Madden Toby
- TVLine.com
Cowboy Bebop went out with guns blazing in a bullet-riddled finale that pitted Spike against his nemesis Vicious — and offered a fun little nod to anime fans, too.
A blood-soaked Vicious offers a toast to himself as the new head of the Syndicate — after he slaughtered everyone else — and he thinks Julia has been plotting against him, too. “There is nothing in this world to believe in. Least of all people,” he sneers as he smashes a wine glass against her face. He wants Fearless’ head on a pike next… and speaking of Spike, he wakes up at Ana’s...
A blood-soaked Vicious offers a toast to himself as the new head of the Syndicate — after he slaughtered everyone else — and he thinks Julia has been plotting against him, too. “There is nothing in this world to believe in. Least of all people,” he sneers as he smashes a wine glass against her face. He wants Fearless’ head on a pike next… and speaking of Spike, he wakes up at Ana’s...
- 11/23/2021
- by Dave Nemetz
- TVLine.com
Method Man and Redman, Together Again! Meth Breaks Down the Duo's Power Book II: Ghost Debut — Watch
When Davis MacLean visited his brother in prison in Sunday’s Power Book II: Ghost premiere, it was a moment for hip-hop celebration: Method Man and Redman, together again!
The friends, musical collaborators and frequent co-stars reunited in the Season 2 opener, which doubled as Reggie “Redman” Noble’s entry into the Powerverse.
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Noble...
The friends, musical collaborators and frequent co-stars reunited in the Season 2 opener, which doubled as Reggie “Redman” Noble’s entry into the Powerverse.
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Noble...
- 11/22/2021
- by Kimberly Roots
- TVLine.com
“Who is this person?” someone asks at the top of Inventing Anna‘s just-released teaser trailer. “Who the hell is Anna Delvey?”
The answer… will arrive on February 11, 2022.
More from TVLineNarcos: Mexico's Manuel Uriza Explains the Joys of Working with Gentefied's Joaquin Cosio on Two Netflix DramasCowboy Bebop Finale Delivers a Climactic Showdown -- and the Arrival of a Fan Favorite (Plus, Grade It!)Method Man and Redman, Together Again! Meth Breaks Down the Duo's Power Book II: Ghost Debut -- Watch
Inventing Anna is the first series Shonda Rhimes created for the streaming network (her involvement on Bridgerton is...
The answer… will arrive on February 11, 2022.
More from TVLineNarcos: Mexico's Manuel Uriza Explains the Joys of Working with Gentefied's Joaquin Cosio on Two Netflix DramasCowboy Bebop Finale Delivers a Climactic Showdown -- and the Arrival of a Fan Favorite (Plus, Grade It!)Method Man and Redman, Together Again! Meth Breaks Down the Duo's Power Book II: Ghost Debut -- Watch
Inventing Anna is the first series Shonda Rhimes created for the streaming network (her involvement on Bridgerton is...
- 11/22/2021
- by Kimberly Roots
- TVLine.com
It’s been over a year since audiences met the Morales clan and their Boyle Heights, Los Angeles taco shop, Mama Fina’s. At the end of Season 1, the group knew that Mama Fina’s was on death’s door, set to be bought out by a gentrifying white woman interested in turning it into a pop-up shop. On top of that, family patriarch Casimiro, aka Pop (Joaquín Cosio), had been picked up on a routine traffic violation and was being detained by Ice. With so much tension built up, creators Marvin Lemus and Linda Yvette Chávez could have made this a heavily dramatized season. And it is, no doubt, but “Gentefied” always retains the sense of heart and community that made Season 1 so special.
Last season was about not only introducing us to the characters, but bringing them together. Cousins Erik (Joseph Julian Soria), Ana (Karrie Martin), and Chris...
Last season was about not only introducing us to the characters, but bringing them together. Cousins Erik (Joseph Julian Soria), Ana (Karrie Martin), and Chris...
- 11/10/2021
- by Kristen Lopez
- Indiewire
Exclusive: Roberto Urbina (Snowpiercer), McCaul Lombardi (American Honey), Julieth Restrepo (Loving Pablo), Kendal Rae (2 Broke Girls), Luis Chávez (Ocean’s Thirteen), Julio César Cedillo (Sicario), Manuel Uriza (Rambo: Last Blood) and Chris Mulkey (On the Basis of Sex) will star in Deadland, an indie thriller from director Lance Larson, which has wrapped production in Oklahoma and Texas.
The film centers on border agent Angel Waters (Urbina), who is called to investigate a man who walks the harsh plains of the South Texas desert, finding that what should be a routine apprehension quickly turns into his worst nightmare.
In an unexpected turn of events, the migrant is accidentally killed, with Waters and his fellow officers quickly burying the body in the desert. They swear to an oath of silence—but the migrant refuses to stay silent.
Larson and Jas Shelton wrote the script, with David Elliot providing creative supervision. Larson and...
The film centers on border agent Angel Waters (Urbina), who is called to investigate a man who walks the harsh plains of the South Texas desert, finding that what should be a routine apprehension quickly turns into his worst nightmare.
In an unexpected turn of events, the migrant is accidentally killed, with Waters and his fellow officers quickly burying the body in the desert. They swear to an oath of silence—but the migrant refuses to stay silent.
Larson and Jas Shelton wrote the script, with David Elliot providing creative supervision. Larson and...
- 11/2/2021
- by Matt Grobar
- Deadline Film + TV
Netflix’s half-hour Latinx dramedy Gentefied is returning for Season 2 on Nov. 10.
The series from creators Marvin Lemus and Linda Yvette Chávez follows East Los Angeles Latinos on their respective and collective search for the American Dream. Season 2 picks up after the emotional debut season’s finale that saw Erik Morales (JJ Soria) and his girlfriend Lidia (Annie Gonzalez) welcome a daughter, Delfina. As Erik realizes his grandfather Pops (Joaquin Cosio) is missing from the hospital celebration, it is revealed that he has been arrested for an outstanding warrant and his beloved pick-up truck is being impounded.
The streamer teases the return will tackle Erik and his cousin Chris’s (Carlos Santos) struggle to keep Pops in the country while dealing with new love, new babies, estranged fathers, and tracking down Bad Bunny at a Halloween party. They’ll fight to thrive, but along the way will question where they...
The series from creators Marvin Lemus and Linda Yvette Chávez follows East Los Angeles Latinos on their respective and collective search for the American Dream. Season 2 picks up after the emotional debut season’s finale that saw Erik Morales (JJ Soria) and his girlfriend Lidia (Annie Gonzalez) welcome a daughter, Delfina. As Erik realizes his grandfather Pops (Joaquin Cosio) is missing from the hospital celebration, it is revealed that he has been arrested for an outstanding warrant and his beloved pick-up truck is being impounded.
The streamer teases the return will tackle Erik and his cousin Chris’s (Carlos Santos) struggle to keep Pops in the country while dealing with new love, new babies, estranged fathers, and tracking down Bad Bunny at a Halloween party. They’ll fight to thrive, but along the way will question where they...
- 9/10/2021
- by Rosy Cordero
- Deadline Film + TV
Exclusive: Clarissa Thibeaux (Runaways), Manuel Uriza (Rambo: Last Blood), Ivana Rojas (Sneakerheads) and Melinna Bobadilla (Orange is the New Black) are set for recurring roles on Netflix dramedy Gentefied, from Marvin Lemus and Linda Yvette Chávez, the duo behind Sundance darling Gente-fied: The Digital Series, and Macro.
Created by Chicano first-gen writers Lemus and Chávez, Gentefied is a half-hour dramatic comedy adapted from the 2017 Sundance digital series of the same name. Described as a badass bilingual series about family, community, brown love, and the displacement that disrupts it all, Gentefied follows three Mexican-American cousins who struggle to chase the American Dream, even while that same dream threatens the things they hold most dear: their neighborhood, their immigrant grandfather, and the family taco shop. Set in a rapidly changing Los Angeles, the dramedy navigates important themes like identity, class, and balancing insta-fame with translating memes for their parents.
Karrie Martin, JJ Soria,...
Created by Chicano first-gen writers Lemus and Chávez, Gentefied is a half-hour dramatic comedy adapted from the 2017 Sundance digital series of the same name. Described as a badass bilingual series about family, community, brown love, and the displacement that disrupts it all, Gentefied follows three Mexican-American cousins who struggle to chase the American Dream, even while that same dream threatens the things they hold most dear: their neighborhood, their immigrant grandfather, and the family taco shop. Set in a rapidly changing Los Angeles, the dramedy navigates important themes like identity, class, and balancing insta-fame with translating memes for their parents.
Karrie Martin, JJ Soria,...
- 4/23/2021
- by Denise Petski
- Deadline Film + TV
Luis Gerardo Méndez, Alberto Guerra, Luisa Rubino and Benito Antonio Martínez Ocasio (aka Bad Bunny) are joining the Season 3 cast of Netflix’s Narcos: Mexico.
Méndez will play Victor Tapia, a Juarez cop with a moral dilemma; despite his
misgivings over getting involved, he is drawn into the mystery of a series of brutal killings Guerra is Ismael “El Mayo” Zambada, an independent drug trafficker, whose unassuming manner belies the fact that he is quietly one step ahead of everyone else Rubino will be Andrea Nuñez, a young idealistic and ambitious journalist, whose mission to expose corruption brings her an even bigger story than she anticipated Ocasio “Bad Bunny” will guest star as Arturo “Kitty” Paez, a member of Ramon Arellano Felix’s gang called the “Narco Juniors” – rich, well connected kids from upper society who fell in with the cartel life for the money, drugs and violence.
Additional new...
Méndez will play Victor Tapia, a Juarez cop with a moral dilemma; despite his
misgivings over getting involved, he is drawn into the mystery of a series of brutal killings Guerra is Ismael “El Mayo” Zambada, an independent drug trafficker, whose unassuming manner belies the fact that he is quietly one step ahead of everyone else Rubino will be Andrea Nuñez, a young idealistic and ambitious journalist, whose mission to expose corruption brings her an even bigger story than she anticipated Ocasio “Bad Bunny” will guest star as Arturo “Kitty” Paez, a member of Ramon Arellano Felix’s gang called the “Narco Juniors” – rich, well connected kids from upper society who fell in with the cartel life for the money, drugs and violence.
Additional new...
- 11/10/2020
- by Greg Evans
- Deadline Film + TV
People risk all kinds of things to make movies — money, reputations, sometimes even their health. But in “The Infiltrators,” it feels as if the crew we see on-screen is putting their lives on the line for a cause they believe in, and that the movie is just a byproduct, as opposed to the principal mission.
In that way, it’s like “The Cove,” the remarkable dolphin-saving doc in which marine-life activists sneaked into a secluded Japanese killing field like soldiers on a special-ops mission. “The Infiltrators” also documents a courageous undercover operation, this one involving Dreamers who turn themselves over to Border Patrol officers in order to assist their fellow undocumented immigrants from inside a federal detention center — except, in this case, directors Cristina Ibarra and Alex Rivera rely on a mix of talking heads and reenactment footage to dramatize a mission for which principal coverage was limited to a few audio recordings.
In that way, it’s like “The Cove,” the remarkable dolphin-saving doc in which marine-life activists sneaked into a secluded Japanese killing field like soldiers on a special-ops mission. “The Infiltrators” also documents a courageous undercover operation, this one involving Dreamers who turn themselves over to Border Patrol officers in order to assist their fellow undocumented immigrants from inside a federal detention center — except, in this case, directors Cristina Ibarra and Alex Rivera rely on a mix of talking heads and reenactment footage to dramatize a mission for which principal coverage was limited to a few audio recordings.
- 5/2/2020
- by Peter Debruge
- Variety Film + TV
The Oscilloscope Laboratories docu-thriller The Infiltrators is hitting virtual cinemas today before making its way to on-demand and digital June 2. The virtual release is becoming a staple for many film titles as it allows audiences to purchase film tickets through a theater’s website and, in turn, helps continue support of theaters that have been closed due to Covid-19.
Directed by Alex Rivera and Cristina Ibarra, the film made its world premiere last year at the Sundance Film Festival where it the won the Next Section Audience Award. The hybrid pic blends feature filmmaking, re-enactments of real-life events and documentary footage to tell the true story of young undocumented immigrants who are intentionally detained by Border Patrol and thrown into a for-profit detention center.
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Directed by Alex Rivera and Cristina Ibarra, the film made its world premiere last year at the Sundance Film Festival where it the won the Next Section Audience Award. The hybrid pic blends feature filmmaking, re-enactments of real-life events and documentary footage to tell the true story of young undocumented immigrants who are intentionally detained by Border Patrol and thrown into a for-profit detention center.
More from DeadlineWestern Thriller 'True History Of Kelly Gang' And '60s Coming-Of-Age Drama 'To The Stars' Make Debuts - Specialty Streaming PreviewComing-Of-Age Foodie Comedy 'Abe' Fires Up,...
- 5/1/2020
- by Dino-Ray Ramos
- Deadline Film + TV
"No one knows how this will all end." Oscilloscope Labs has debuted the official trailer for an acclaimed indie documentary-feature hybrid titled The Infiltrators, that first premiered at the 2019 Sundance Film Festival. It won the Next Audience Award & Best of Next award, and went on to pick up a few more prizes including the Rogue Award as the Ashland Film Festival. The film is about a rag-tag group of undocumented youth - known as "DREAMers" - that deliberately get detained by the Us Border Patrol in order to infiltrate a shadowy, for-profit detention center. By weaving together documentary footage of the real infiltrators with re-enactments of the events inside the detention center, The Infiltrators tells an incredible and thrilling true story in a genre-defying new cinematic language. Starring Maynor Alvarado, Chelsea Rendon, Manuel Uriza, Juan Gabriel Pareja, and Vik Sahay. Looks like a vitally important and rousing, inspiring film. Here's...
- 3/4/2020
- by Alex Billington
- firstshowing.net
Hey, "Hawaii Five-0" fans. We hope you guys enjoyed tonight's big season premiere episode 1. Now that it's done and in the can, it's time to reveal some of the major plotlines that will be going down in the next,new episode 2, which is scheduled to air next week. Thanks to the lovely CBS people, we've got a new press release from them for episode 2. It reveals a few teaser description. So, let's just go ahead and dive into these things. For starters,episode 2 is officially named, "Kuipeia e ka makani apaa.” That actually means "Knocked flat by the wind; sudden disaster" in English. It sounds like episode 2 will feature some very intense, dramatic, action-filled and interesting scenes as Tani and Junior try to escape a deadly tunnel situation! Five-0 investigates who's responsible for the deadly tunnel cave in. Eddie the dog sniffs out a bomb and more! We'll go ahead...
- 9/28/2019
- by Chris
- OnTheFlix
Exclusive: Oscilloscope Laboratories has acquired U.S. rights to the critically acclaimed immigration feature The Infiltrators. Directed by Alex Rivera and Cristina Ibarra, the film made its world premiere earlier this year at the Sundance Film Festival where it went on to won the Audience Award: Next and the Next Innovator Prize. Oscilloscope is set to release the feature in theaters before streaming on digital platforms.
The Infiltrators is a very timely docu-thriller that tells the true story of young immigrants who get detained by Border Patrol, and put in a shadowy for-profit detention center — on purpose. Marco (Maynor Alvarado) and Viri (Vida‘s Chelsea Rendon) are members of the National Immigrant Youth Alliance, a group of radical Dreamers who are on a mission to stop deportations. And the best place to stop deportations, they believe, is in detention. However, when they try to pull off a prison break in reverse,...
The Infiltrators is a very timely docu-thriller that tells the true story of young immigrants who get detained by Border Patrol, and put in a shadowy for-profit detention center — on purpose. Marco (Maynor Alvarado) and Viri (Vida‘s Chelsea Rendon) are members of the National Immigrant Youth Alliance, a group of radical Dreamers who are on a mission to stop deportations. And the best place to stop deportations, they believe, is in detention. However, when they try to pull off a prison break in reverse,...
- 9/5/2019
- by Dino-Ray Ramos
- Deadline Film + TV
Undocumented immigrants are detained by the U.S. Immigration and Customs Enforcement on a regular basis, and their experiences could provide the foundation of a potent documentary, or a riveting social thriller. “The Infiltrators” endeavors to be both: Husband-and-wife co-directors Alex Rivera (“Sleep Dealer”) and Cristina Ibarra (“Las Marthas”) oscillates from real-life accounts of Dreamer activists going undercover in detention facilities to help reunite immigrants with their families, and fictional reenactments of the drama that unfolded inside.
The experimental approach takes some time to settle in and doesn’t always click, but at its best, “The Infiltrators” manages to personalize the undocumented struggle by transforming it into an unlikely blend of activism and suspense that makes a compelling case for the abolishment of Ice.
The two-pronged approach reflects its creators’ many modes: Rivera’s 2008 “Sleep Dealer” was a sci-fi allegory for contemporary immigration concerns, while Ibarra directed several documentaries on the same subject.
The experimental approach takes some time to settle in and doesn’t always click, but at its best, “The Infiltrators” manages to personalize the undocumented struggle by transforming it into an unlikely blend of activism and suspense that makes a compelling case for the abolishment of Ice.
The two-pronged approach reflects its creators’ many modes: Rivera’s 2008 “Sleep Dealer” was a sci-fi allegory for contemporary immigration concerns, while Ibarra directed several documentaries on the same subject.
- 2/1/2019
- by Eric Kohn
- Indiewire
Chronicling the audacious acts of a group of organized undocumented youth prior to the Obama-implemented, temporary relief known as Daca (Deferred Action for Childhood Arrivals), “The Infiltrators,” from Latinx directors Alex Rivera and Cristina Ibarra, is a vital piece of hybrid cinema that shines light into the obscure realm of privately-operated immigration detention facilities. The timely film world-premiered Friday night at the Sundance Film Festival.
Interweaving firsthand accounts in talking-head format and scripted reenactments, Rivera and Ibarra construct a high-stakes, real-life drama centered on the National Immigrant Youth Alliance (Niya), comprised of resourceful and deeply committed DREAMers who’ve dared to defy the system, not only for their own benefit but also for the greater good.
“Everyone needs a plan,” says Niya activist Marco Saavedra (played by Maynor Alvarado in the docufiction sections) when detailing their strategy behind the 2012 infiltration of the Broward Transitional Center, an immigration jail in Florida,...
Interweaving firsthand accounts in talking-head format and scripted reenactments, Rivera and Ibarra construct a high-stakes, real-life drama centered on the National Immigrant Youth Alliance (Niya), comprised of resourceful and deeply committed DREAMers who’ve dared to defy the system, not only for their own benefit but also for the greater good.
“Everyone needs a plan,” says Niya activist Marco Saavedra (played by Maynor Alvarado in the docufiction sections) when detailing their strategy behind the 2012 infiltration of the Broward Transitional Center, an immigration jail in Florida,...
- 1/26/2019
- by Carlos Aguilar
- The Wrap
In today’s film news roundup, immigration drama “The Infiltrators” gets financing, Jake Busey is starring in a high-school comedy, and Stuart Ford’s Agc Studios hires two former Im Global executives.
Project Financing
Chicago Media Project Invest/Impact’s Paula Froehle and Steve Cohen have joined the immigration drama “The Infiltrators” as executive producers and financiers, Variety has learned exclusively.
Cmp I/I has invested previously in the Academy Award-winning documentary “Icarus,” “Won’t You Be My Neighbor,” and Showtime’s series “The Fourth Estate.”
Directed and produced by Alex Rivera and Cristina Ibarra, “The Infiltrators” centers on a small group of young undocumented immigrants who embark on a high-risk mission inside America’s for-profit detention system in order to set people free. The film, which mixes documentary with narrative dramatization, stars Chelsea Rendon, Vik Sahay, Maynor Alvarado, and Manuel Uriza.
Production is currently underway in Southern California. The...
Project Financing
Chicago Media Project Invest/Impact’s Paula Froehle and Steve Cohen have joined the immigration drama “The Infiltrators” as executive producers and financiers, Variety has learned exclusively.
Cmp I/I has invested previously in the Academy Award-winning documentary “Icarus,” “Won’t You Be My Neighbor,” and Showtime’s series “The Fourth Estate.”
Directed and produced by Alex Rivera and Cristina Ibarra, “The Infiltrators” centers on a small group of young undocumented immigrants who embark on a high-risk mission inside America’s for-profit detention system in order to set people free. The film, which mixes documentary with narrative dramatization, stars Chelsea Rendon, Vik Sahay, Maynor Alvarado, and Manuel Uriza.
Production is currently underway in Southern California. The...
- 8/31/2018
- by Dave McNary
- Variety Film + TV
Recently, CBS served up the very first official description/spoiler teasers for their upcoming "NCIS" premiere episode 1 of the new season 15 via a press release! It sounds like things will be really intense to start off the season. The D.C. team will be working nonstop to locate Gibbs and McGee in the deep Paraguay jungle. Torres and Vance have to attend a congressional hearing and more. The premiere episode 1 is titled, "House Divided." We'll go ahead and start things off with the Gibbs and McGee storyline. They made sure to put this storyline in all caps. So, it sounds like the episode will certainly focus heavily on them. They tell us that their storyline is going to pick up two months after they were last spotted fighting an elusive group of rebels in a Paraguay jungle. The D.C. NCIS team will be working tirelessly to try to track...
- 9/18/2017
- by Andre Braddox
- OnTheFlix
Andrew Howard and Manuel Uriza have landed series regular roles in FX's drama pilot Snowfall. Co-created and co-written by the Boyz N The Hood director John Singleton and Eric Amadio and directed by Singleton, Snowfall is set against the infancy of the crack cocaine epidemic in Los Angeles in the 1980s. Howard, repped by ICM Partners and Link, will play Avi Drexler, an unpredictable cocaine dealer operating in the San Fernando Valley. Uriza, repped by Rebel Entertainment…...
- 8/21/2015
- Deadline TV
In the Mexican film Tekuani: The Golden God (aka Tekuani, The Guardian) three friends who work together as independent rescue workers are having a rough go of it. They help people who are trapped underground or in remote regions of the country, and their reward is often no more than a chicken or a turkey. Carlos (Manuel Uriza) is a family man, and he's beginning to buckle under the financial pressure. His wife is none too happy about his inability to provide for her and their children, and the bills are mounting rapidly. So when the team arrives in a dense, hilly forest where a woman named Itzel (Iazua Larios) wants them to find her brother -- a guide who took a tourist group out...
[Read the whole post on twitchfilm.com...]...
[Read the whole post on twitchfilm.com...]...
- 11/19/2014
- Screen Anarchy
Next week in Miami, hundreds of bloggers, marketers, corporate brand reps, music and film artists will be checking in at the Eden Roc Hotel to attend Hispanicize, a social media platform for today’s Latino innovators. Now in its 4th year, the marketing, interactive, film and music conference was founded by Manny Ruiz, a PR businessman who adopted the term Hispanicize to signify the transformation and growing impact of Latino culture into traditional American mainstream and who created this convergence to amplify the success of diverse voices in social media.
In part modeled after SXSW and Ted Talks, Hispanicize aims to be a digital multi-media launchpad and idea stimulating conference tailored towards Latinos. The event’s core journalistic DNA is confirmed by guest co-chair, Soledad O Brien, who just signed off on her morning CNN show capping off a decade of reporting for the news outlet. For the second year the South Beach setting will host yacht parties, beachside receptions, breakfast and lunch networking, and 100 plus talks, featuring such entrepreneurs in social media like the Latina Mom Bloggers, panels like How Brands and Agencies are Engaging and Collaborating with Latino Bloggers and Getting on Corporate Boards. The heavily sponsored event, (Procter & Gamble is the presenting sponsor) will include a Diversity Tech Leaders Summit presented by Sprint in which the lesser-known business stories of diverse tech and social media entrepreneurs who are making their marks in digital media will be highlighted.
I have to admit I knew nothing of Hispanicize up until a couple months ago. Curious, I went on the website and I found the lingo a tad superfluous and hyperbolic. Words like iconic and mighty are used to describe the young but clearly flourishing event. Then again, this kind of grandiose speak is typical Public Relations so it makes sense given it is a partnership with Hispanic Public Relations Association (Hpra) and the Public Relations Society of America (Prsa).
I reached out to the founder Manny Ruiz to find out more about the mission of the event and found his enthusiasm and excitement for what he considers a pioneering movement infectious. It’s hard to argue that this mass tech and entertainment crossroads gathering makes for an incredible networking opportunity. Ruiz called it a “Uniting of these industries to create a symphony” and went on to note it is much more powerful for bloggers to converge at the same place with journalists, marketers, digital, music and film innovators then if you had them out there individually and remotely. Before I knew it I was put in touch with with Roman Morales, the Film Showcase Organizer and I came onboard as Programmer for the film component. A big reason I stepped in was because I was particularly attracted to presenting Us independent Latino films to an audience heavy with social media influence and bloggers, to see if it would indeed create a higher level of buzz, publicity and exposure from the community.
Along with a special screening of Filly Brown days before its national theatrical release, this year Hispanicize will screen six features including the high profile sneak preview of The Weinstein Company’s Aftershock, the horror comedy produced and starring Eli Roth, directed by Chilean filmmaker Nicolas Lopez (Que Pena tu Vida, Promedio Rojo). Also, straight from SXSW the music industry and character-driven documentary Los Wild Ones about the Wild Records label and family of Mexican rockabilly acts. With the exception of Aftershock, all the films reflect a taste of the diaspora of unique, bi-cultural Us narratives, and notably are all first features. Three of the films, Blaze You Out, Filly Brown and Mission Park are being distributed by Lionsgate labels Pantelion and Grindstone Entertainment. Meanwhile, seeking distribution is Dreamer written and directed by Salvador born Jesse Salmeron, a poignant and timely story starring and produced by Jeremy Ray Valdez about an upwardly mobile American whose paralyzed by the fear of being deported. Los Wild Ones is also seeking distribution and should find considerable traction within and outside hard core music fan circles.
My personal pride and joy however has to be the shorts film showcase. Portraying visionary quests for identity, love, truth and legacy and created by multicultural emergent voices from San Antonio, Miami, La, NYC, Oaxaca and Puerto Rico. This is the medium in which to find provocative, daring and versatile young generation of fresh voices who you can expect will blow up big soon. To name just a few, the filmmakers include Jillian Mayer and Lucas Leyva of the Borscht corporation, Zoé Salicrup Junco, the filmmaker of Gabi who workshopped her feature script of the short at San Antonio’s CineFestival’s Latino Screenwriters Project, Victor Hugo Duran the Colombia Film grad whose short, Fireworks played at the La Film Festival last year and is currently shooting his first feature in Mexico called La Victoria, and Steve Acevedo, the director of El Cocodrilo which is a powerful and urgent film about a journalist played by Jacob Vargas on the run from narcos, who participated in NBCU Directing Fellowship.
I’ll try not to go all Spring Breaker debauchery when I head to Miami next week. I’m very interested in immersing myself in the Hispanicize program to cover the dialogue and scrutinize the impact so stay tuned for my report.
See below to check out full film list and links. Hispanicize will take place April 9 – 13. For information on how to attend and the schedule click here.
Blaze You Out
(USA, 2013, 90 min)
Writers/Directors: Mateo Frazier, Diego Joaquin Lopez
Cast: Veronica Diaz Carranza, Elizabeth Pena, Q’orianka Kilcher, Mark Adair Rios, Elizabeth Pena
Logline: An unyielding young woman ventures into the ruthless underworld of the town’s heroin trade in order to save her younger sister’s life.
Dreamer
(USA, 2013)
Writer/Director: Jesse Salmeron
Cast: Jeremy Ray Valdez, Isabella Hofmann, Cory Knauf
Logline: Joe Rodriguez is an All American young man. He’s amiable, well educated and attractive. He’s graduated from college and is working and excelling in his field. He’s on his way to achieving the American Dream. That is until his employer discovers his undocumented status and the life he’s worked so hard for begins to crumble around him. He must face the possibility of losing his livelihood, his family and even himself.
Los Wild Ones
(USA, 2013, 95 min)
Director: Elise Salomon Writers: Ryan Brown, Elise Salomon
Featuring Luis Arriaga, Gizzelle, the Rhythm Shakers and more
Logline: Wild Records is an La indie music label comprised of young Hispanic musicians, it is run by Irishman, Reb Kennedy. Wild is an unconventional family, reminiscent of the early days of Sun Records, all of its musicians write and perform 50s Rock ‘n Roll. If Wild is going to continue to grow and reach broader audiences, its current business model will cease to work.
Aftershock
(USA, 2012, 90 min)
Director: Nicolás López
Writers: Guillermo Amoedo, Nicolás López and Eli Roth
Cast: Andrea Osvart, Ariel Levy, Eli Roth
Logline: In Chile, a group of travelers who are in an underground nightclub when a massive earthquake hits quickly learn that reaching the surface is just the beginning of their nightmare.
Mission Park
(USA, 2013, 120 min)
Writer/Director: Bryan Ramirez
Cast: Jeremy Ray Valdez, Walter Perez, Fenanda Romero, Joseph Julian Soria, William Rothaar, Jesse Borrego
Logline: Four friends from the rough side of town grow apart when two are consumed by a life of crime, and the other two become FBI agents sent deep undercover – to bring down those childhood friends.
Shorts Film Showcase~
#Postmodem
(USA, 2012, 13 mins)
Writers/Directors: Lucas Leyva, Jillian Mayer
Cast: Jillian Mayer, Kayla Delacerda, Amy Seimetz, Arly Montes, Jesse Miller, Shivers Thedog
Logline: A comedic, satirical, sci-fi pop musical based on the theories of Ray Kurzweil and other futurists, #PostModem is the story of two Miami girls and how they deal with technological singularity, as told through a series of cinematic tweets.
@borschtcorp
Fireworks
(USA, 2012, 11 mins)
Director: Victor Hugo Duran
Writer: Kevin James McMuillin
Cast: Roger Cruz, Alberto Castañeda, Irene Sorto, Azucena Benitez, Edgar Vanegas, Julio Duran, Victor Hugo Duran, Kevin James McMullin
Logline: During the Fourth of July in South Los Angeles, a teenage boy and his brother scour the neighborhood for fireworks in order to win the admiration of a girl.
Twitter: @victorhugoduran
Clara Como El Agua
(USA, 2012 10 min)
Writer/Director: Fernanda Rossi
Cast: Kathiria Bonilla León, Sixta Rivera, Rubén Andrés Medina, Alfonso Peña Ossoria, Stephanie Quiles Reyes, Eyra Aguero
Logline: Clara is the only light-skinned and clear-eyed girl in an all-black neighborhood. Teased incessantly, the children claim her unknown father is actually a “gringo” tourist. However, Clara was told a different story, and to find out the truth, she will venture into the magical waters of the bioluminescent bay all on her own.
Echo Bear
(USA, 2012 6min)
Writer/director: Yolanda Cruz
Cast: Joe Nunez, Hugo Medina, Tzina Carmel, Donato López, Lobo Manet
Logline: Bear, a single gay Latino man in L.A.’s Echo Park neighborhood, looks for love online. Fearing traffic, he searches locally, but soon discovers how geographic convenience can turn to heartache overnight.
Vincent Valdez: Excerpts For John
(2012, USA, 12 min)
Directed by Mark and Angela Walley
Logline: Two years in the making, this beautifully shot and perfectly paced short documentary captures the creative process of painter Vincent Valdez, as the artist works on a series of pieces dedicated to a childhood friend John Holt Jr. an Army combat medic who died in 2009 after serving in Iraq.
El Cocodrilo
(2012, 15 min)
Director: Steve Acevedo
Writer: Alfredo Barrios, Jr.
Cast: Jacob Vargas Hugo Medina Shannon Lucio Manuel Uriza
Logline: A Mexican journalist and a cartel assassin collide in a diner, with tragic consequences for both.
Reinaldo Arenas
(USA, 2012, 3:29min)
Writer/director Lucas Leyva
Shark: Alberto Ibarguen Man: Epifanio Leyva
Logline: Told from the point of view of a dying shark, 'Reinaldo Arenas' metaphorically captures the current state of the aging Cuban-American exile community, many of whom have still not come to terms with the Communist Revolution that changed their lives forever. The film culls from various Cuban films and works of literature to create not a singular voice, but a feeling of a particular moment in time
@borschtcorp
Gabi
(2012, USA 20 min)
Writer/Director: Zoe Junco
Cast: Marisé Alvarez , Dalia Davi , Roy Sanchez Vahamonde , Aris Mejias
Logline: A Puerto Rican saying haunts single women in their 30’s: “If such a woman is not married by this time, she must be a slut, a lesbian, or a prude.” This is the story of that woman...
@gabifilm...
In part modeled after SXSW and Ted Talks, Hispanicize aims to be a digital multi-media launchpad and idea stimulating conference tailored towards Latinos. The event’s core journalistic DNA is confirmed by guest co-chair, Soledad O Brien, who just signed off on her morning CNN show capping off a decade of reporting for the news outlet. For the second year the South Beach setting will host yacht parties, beachside receptions, breakfast and lunch networking, and 100 plus talks, featuring such entrepreneurs in social media like the Latina Mom Bloggers, panels like How Brands and Agencies are Engaging and Collaborating with Latino Bloggers and Getting on Corporate Boards. The heavily sponsored event, (Procter & Gamble is the presenting sponsor) will include a Diversity Tech Leaders Summit presented by Sprint in which the lesser-known business stories of diverse tech and social media entrepreneurs who are making their marks in digital media will be highlighted.
I have to admit I knew nothing of Hispanicize up until a couple months ago. Curious, I went on the website and I found the lingo a tad superfluous and hyperbolic. Words like iconic and mighty are used to describe the young but clearly flourishing event. Then again, this kind of grandiose speak is typical Public Relations so it makes sense given it is a partnership with Hispanic Public Relations Association (Hpra) and the Public Relations Society of America (Prsa).
I reached out to the founder Manny Ruiz to find out more about the mission of the event and found his enthusiasm and excitement for what he considers a pioneering movement infectious. It’s hard to argue that this mass tech and entertainment crossroads gathering makes for an incredible networking opportunity. Ruiz called it a “Uniting of these industries to create a symphony” and went on to note it is much more powerful for bloggers to converge at the same place with journalists, marketers, digital, music and film innovators then if you had them out there individually and remotely. Before I knew it I was put in touch with with Roman Morales, the Film Showcase Organizer and I came onboard as Programmer for the film component. A big reason I stepped in was because I was particularly attracted to presenting Us independent Latino films to an audience heavy with social media influence and bloggers, to see if it would indeed create a higher level of buzz, publicity and exposure from the community.
Along with a special screening of Filly Brown days before its national theatrical release, this year Hispanicize will screen six features including the high profile sneak preview of The Weinstein Company’s Aftershock, the horror comedy produced and starring Eli Roth, directed by Chilean filmmaker Nicolas Lopez (Que Pena tu Vida, Promedio Rojo). Also, straight from SXSW the music industry and character-driven documentary Los Wild Ones about the Wild Records label and family of Mexican rockabilly acts. With the exception of Aftershock, all the films reflect a taste of the diaspora of unique, bi-cultural Us narratives, and notably are all first features. Three of the films, Blaze You Out, Filly Brown and Mission Park are being distributed by Lionsgate labels Pantelion and Grindstone Entertainment. Meanwhile, seeking distribution is Dreamer written and directed by Salvador born Jesse Salmeron, a poignant and timely story starring and produced by Jeremy Ray Valdez about an upwardly mobile American whose paralyzed by the fear of being deported. Los Wild Ones is also seeking distribution and should find considerable traction within and outside hard core music fan circles.
My personal pride and joy however has to be the shorts film showcase. Portraying visionary quests for identity, love, truth and legacy and created by multicultural emergent voices from San Antonio, Miami, La, NYC, Oaxaca and Puerto Rico. This is the medium in which to find provocative, daring and versatile young generation of fresh voices who you can expect will blow up big soon. To name just a few, the filmmakers include Jillian Mayer and Lucas Leyva of the Borscht corporation, Zoé Salicrup Junco, the filmmaker of Gabi who workshopped her feature script of the short at San Antonio’s CineFestival’s Latino Screenwriters Project, Victor Hugo Duran the Colombia Film grad whose short, Fireworks played at the La Film Festival last year and is currently shooting his first feature in Mexico called La Victoria, and Steve Acevedo, the director of El Cocodrilo which is a powerful and urgent film about a journalist played by Jacob Vargas on the run from narcos, who participated in NBCU Directing Fellowship.
I’ll try not to go all Spring Breaker debauchery when I head to Miami next week. I’m very interested in immersing myself in the Hispanicize program to cover the dialogue and scrutinize the impact so stay tuned for my report.
See below to check out full film list and links. Hispanicize will take place April 9 – 13. For information on how to attend and the schedule click here.
Blaze You Out
(USA, 2013, 90 min)
Writers/Directors: Mateo Frazier, Diego Joaquin Lopez
Cast: Veronica Diaz Carranza, Elizabeth Pena, Q’orianka Kilcher, Mark Adair Rios, Elizabeth Pena
Logline: An unyielding young woman ventures into the ruthless underworld of the town’s heroin trade in order to save her younger sister’s life.
Dreamer
(USA, 2013)
Writer/Director: Jesse Salmeron
Cast: Jeremy Ray Valdez, Isabella Hofmann, Cory Knauf
Logline: Joe Rodriguez is an All American young man. He’s amiable, well educated and attractive. He’s graduated from college and is working and excelling in his field. He’s on his way to achieving the American Dream. That is until his employer discovers his undocumented status and the life he’s worked so hard for begins to crumble around him. He must face the possibility of losing his livelihood, his family and even himself.
Los Wild Ones
(USA, 2013, 95 min)
Director: Elise Salomon Writers: Ryan Brown, Elise Salomon
Featuring Luis Arriaga, Gizzelle, the Rhythm Shakers and more
Logline: Wild Records is an La indie music label comprised of young Hispanic musicians, it is run by Irishman, Reb Kennedy. Wild is an unconventional family, reminiscent of the early days of Sun Records, all of its musicians write and perform 50s Rock ‘n Roll. If Wild is going to continue to grow and reach broader audiences, its current business model will cease to work.
Aftershock
(USA, 2012, 90 min)
Director: Nicolás López
Writers: Guillermo Amoedo, Nicolás López and Eli Roth
Cast: Andrea Osvart, Ariel Levy, Eli Roth
Logline: In Chile, a group of travelers who are in an underground nightclub when a massive earthquake hits quickly learn that reaching the surface is just the beginning of their nightmare.
Mission Park
(USA, 2013, 120 min)
Writer/Director: Bryan Ramirez
Cast: Jeremy Ray Valdez, Walter Perez, Fenanda Romero, Joseph Julian Soria, William Rothaar, Jesse Borrego
Logline: Four friends from the rough side of town grow apart when two are consumed by a life of crime, and the other two become FBI agents sent deep undercover – to bring down those childhood friends.
Shorts Film Showcase~
#Postmodem
(USA, 2012, 13 mins)
Writers/Directors: Lucas Leyva, Jillian Mayer
Cast: Jillian Mayer, Kayla Delacerda, Amy Seimetz, Arly Montes, Jesse Miller, Shivers Thedog
Logline: A comedic, satirical, sci-fi pop musical based on the theories of Ray Kurzweil and other futurists, #PostModem is the story of two Miami girls and how they deal with technological singularity, as told through a series of cinematic tweets.
@borschtcorp
Fireworks
(USA, 2012, 11 mins)
Director: Victor Hugo Duran
Writer: Kevin James McMuillin
Cast: Roger Cruz, Alberto Castañeda, Irene Sorto, Azucena Benitez, Edgar Vanegas, Julio Duran, Victor Hugo Duran, Kevin James McMullin
Logline: During the Fourth of July in South Los Angeles, a teenage boy and his brother scour the neighborhood for fireworks in order to win the admiration of a girl.
Twitter: @victorhugoduran
Clara Como El Agua
(USA, 2012 10 min)
Writer/Director: Fernanda Rossi
Cast: Kathiria Bonilla León, Sixta Rivera, Rubén Andrés Medina, Alfonso Peña Ossoria, Stephanie Quiles Reyes, Eyra Aguero
Logline: Clara is the only light-skinned and clear-eyed girl in an all-black neighborhood. Teased incessantly, the children claim her unknown father is actually a “gringo” tourist. However, Clara was told a different story, and to find out the truth, she will venture into the magical waters of the bioluminescent bay all on her own.
Echo Bear
(USA, 2012 6min)
Writer/director: Yolanda Cruz
Cast: Joe Nunez, Hugo Medina, Tzina Carmel, Donato López, Lobo Manet
Logline: Bear, a single gay Latino man in L.A.’s Echo Park neighborhood, looks for love online. Fearing traffic, he searches locally, but soon discovers how geographic convenience can turn to heartache overnight.
Vincent Valdez: Excerpts For John
(2012, USA, 12 min)
Directed by Mark and Angela Walley
Logline: Two years in the making, this beautifully shot and perfectly paced short documentary captures the creative process of painter Vincent Valdez, as the artist works on a series of pieces dedicated to a childhood friend John Holt Jr. an Army combat medic who died in 2009 after serving in Iraq.
El Cocodrilo
(2012, 15 min)
Director: Steve Acevedo
Writer: Alfredo Barrios, Jr.
Cast: Jacob Vargas Hugo Medina Shannon Lucio Manuel Uriza
Logline: A Mexican journalist and a cartel assassin collide in a diner, with tragic consequences for both.
Reinaldo Arenas
(USA, 2012, 3:29min)
Writer/director Lucas Leyva
Shark: Alberto Ibarguen Man: Epifanio Leyva
Logline: Told from the point of view of a dying shark, 'Reinaldo Arenas' metaphorically captures the current state of the aging Cuban-American exile community, many of whom have still not come to terms with the Communist Revolution that changed their lives forever. The film culls from various Cuban films and works of literature to create not a singular voice, but a feeling of a particular moment in time
@borschtcorp
Gabi
(2012, USA 20 min)
Writer/Director: Zoe Junco
Cast: Marisé Alvarez , Dalia Davi , Roy Sanchez Vahamonde , Aris Mejias
Logline: A Puerto Rican saying haunts single women in their 30’s: “If such a woman is not married by this time, she must be a slut, a lesbian, or a prude.” This is the story of that woman...
@gabifilm...
- 4/3/2013
- by Christine Davila
- Sydney's Buzz
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