Leslie West, the mammoth guitarist whose ringing guitar tones and gravelly voice propelled the rock band Mountain, has died at 75. His death was confirmed by Dean Guitars. His family later confirmed that he died of a heart attack.
“With a heavy heart, we are saddened to hear about the passing of #Dean Artist and part of the Dean family, Leslie West. Legendary and one of a kind. Rest In Peace.” Dean Guitars CEO Evan Rubinson shared his personal condolences via Twitter writing, “To a man that I truly loved more than most — the funniest, most honest guy I’ve met.”
West suffered a cardiac arrest at his home in Florida. He was rushed to a hospital but never regained consciousness.
West will forever be known as the roaring voice behind the bar band classic Mississippi Queen, a cut on Mountain’s debut album. Years before Blue Oyster Cult made the cowbell a cultural joke,...
“With a heavy heart, we are saddened to hear about the passing of #Dean Artist and part of the Dean family, Leslie West. Legendary and one of a kind. Rest In Peace.” Dean Guitars CEO Evan Rubinson shared his personal condolences via Twitter writing, “To a man that I truly loved more than most — the funniest, most honest guy I’ve met.”
West suffered a cardiac arrest at his home in Florida. He was rushed to a hospital but never regained consciousness.
West will forever be known as the roaring voice behind the bar band classic Mississippi Queen, a cut on Mountain’s debut album. Years before Blue Oyster Cult made the cowbell a cultural joke,...
- 12/23/2020
- by Bruce Haring
- Deadline Film + TV
Leslie West, the towering guitarist who created the hard-rock milestone “Mississippi Queen” with his band Mountain, died Wednesday morning. West’s brother, Larry West Weinstein, confirmed the musician’s death to Rolling Stone. He was 75. The cause of death was cardiac arrest. On Monday, West was rushed to a hospital after suffering cardiac arrest at his home near Daytona, Florida, where he never regained consciousness.
Released in 1970 on Mountain’s debut album, Climbing!, “Mississippi Queen” was two and a half minutes of boisterous bliss built around West’s burly yowl...
Released in 1970 on Mountain’s debut album, Climbing!, “Mississippi Queen” was two and a half minutes of boisterous bliss built around West’s burly yowl...
- 12/23/2020
- by David Browne
- Rollingstone.com
Every week, IndieWire asks a select handful of TV critics two questions and publishes the results on Tuesday. (The answer to the second, “What is the best show currently on TV?” can be found at the end of this post.)
This week’s question: What are your winter holiday season viewing habits (that are not for work)? Do you have traditional go-to shows or movies? Are you looking forward to anything in particular?
Eric Deggans (@deggans), NPR
As I have written in the past, I’m not the kind of critic who loves holiday specials. Too often, they’re too hokey, too commercial, too weird (yes, Bill Murray, I still don’t get “A Very Murray Christmas”) or, in the case of countless Hallmark Channel movies, way too white. But I do have a few holiday media traditions, starting with my Spotify Holiday Tunes playlist, which gets fired up as...
This week’s question: What are your winter holiday season viewing habits (that are not for work)? Do you have traditional go-to shows or movies? Are you looking forward to anything in particular?
Eric Deggans (@deggans), NPR
As I have written in the past, I’m not the kind of critic who loves holiday specials. Too often, they’re too hokey, too commercial, too weird (yes, Bill Murray, I still don’t get “A Very Murray Christmas”) or, in the case of countless Hallmark Channel movies, way too white. But I do have a few holiday media traditions, starting with my Spotify Holiday Tunes playlist, which gets fired up as...
- 12/12/2017
- by Hanh Nguyen
- Indiewire
Since we already pretty much knew that The Voice was heading for a Chloe Kohanski/Addison Agen showdown in next week’s finals, there was nothing to do during Monday’s performances by Season 13’s Top 8 but sit back, chillax and enjoy. With last week’s elimination of Ashland Craft and Shi’Ann Jones, the likelihood of a sonic train wreck was greatly reduced. And the remaining singers were ordinarily all, even on an off night, decent. Which of them stood out, though, solidifying for themselves a place alongside Chloe and Addison in the finals? Read on; we’ll discuss.
- 12/12/2017
- TVLine.com
Winners of the 2017 Whistler Film Festival were announced at the Awards Celebration this morning on the final day of the 17th annual Festival. Ian Lagarde’s first feature All You Can Eat Buddha and Jason and Carlos Sanchez’s A Worthy Companion tied for the $15,000 cash prize presented by the Directors Guild of Canada, British Columbia and the $15,000 post-production prize sponsored by Encore Vancouver in the 14th edition of the coveted Borsos Competition for Best Canadian Feature Film. The jury states “each in their own way convey unique visions and creative storytelling the jury believes have made and will make powerful contributions to the world of cinema.”A Worthy Companion
A Worthy Companion takes a fresh and new perspective that explores the complexity and humanity within the predator, victim relationship. This film questions how we perpetuate manipulative power dynamics between adult and child through the inner struggle of our female protagonists.
A Worthy Companion takes a fresh and new perspective that explores the complexity and humanity within the predator, victim relationship. This film questions how we perpetuate manipulative power dynamics between adult and child through the inner struggle of our female protagonists.
- 12/5/2017
- by Sydney Levine
- Sydney's Buzz
Like many Americans, some celebrities enjoy the occasional — or not-so-occasional — herbal indulgence.
These stars, from A-list actors to singing sensations, have candidly shared their funniest tales of 420 escapades. Whether you’re stone cold sober or sky high, their confessions are bound to give you a serious case of the giggles:
Kathy Bates
Yes, the Disjointed star lights up before reading scripts for her weed dispensary sitcom.
“When I read the scripts, I’m stoned,” Bates shared on Late Night with Seth Meyers. “I just wish I had a seatbelt in bed. I laugh so hard I’m afraid to get up…...
These stars, from A-list actors to singing sensations, have candidly shared their funniest tales of 420 escapades. Whether you’re stone cold sober or sky high, their confessions are bound to give you a serious case of the giggles:
Kathy Bates
Yes, the Disjointed star lights up before reading scripts for her weed dispensary sitcom.
“When I read the scripts, I’m stoned,” Bates shared on Late Night with Seth Meyers. “I just wish I had a seatbelt in bed. I laugh so hard I’m afraid to get up…...
- 10/12/2017
- by Lydia Price
- PEOPLE.com
Saturday Night Live is sticking with its winning scheduling formula as it heads into its 43rd season.
RelatedAlec Baldwin Dedicates Emmy to Trump; Kate McKinnon, SNL Also Win
Beginning with its Sept. 30 premiere — featuring host Ryan Gosling and musical guest Jay-z — SNL will be broadcast live nationally. Each episode will air at 11:30 pm Et, 10:30 pm Ct, 9:30 pm Mt and 8:30 pm Pt. (For the Mountain and Pacific time zones, the episode will be repeated at 11:30 pm.)
RelatedAlec Baldwin Has Mixed Feelings About Sean Spicer’s Emmys Cameo
SNL began airing live nationally in April,...
RelatedAlec Baldwin Dedicates Emmy to Trump; Kate McKinnon, SNL Also Win
Beginning with its Sept. 30 premiere — featuring host Ryan Gosling and musical guest Jay-z — SNL will be broadcast live nationally. Each episode will air at 11:30 pm Et, 10:30 pm Ct, 9:30 pm Mt and 8:30 pm Pt. (For the Mountain and Pacific time zones, the episode will be repeated at 11:30 pm.)
RelatedAlec Baldwin Has Mixed Feelings About Sean Spicer’s Emmys Cameo
SNL began airing live nationally in April,...
- 9/19/2017
- TVLine.com
Live across the country, it’s “Saturday Night”! After NBC experimented last year with finally airing “Saturday Night Live” live across the country — meaning it aired in primetime in the Pacific time zone — the Peacock appears to be making the move permanent.
Like last spring’s final four episodes, “Saturday Night Live” will air at 8:30 p.m. Pt, live with its 11:30 p.m. Et telecast, and then be rebroadcast again later that night at 11:30 p.m. Pt. The news also allows the show to air at 9:30pm in the Mountain time zone. The 43rd season of “SNL” will premiere on September 30 with host Ryan Gosling and musical guest Jay-z.
The announcement comes after “Saturday Night Live’s” huge Emmy haul on Sunday night. Between the Primetime Emmys and the Creative Arts Emmys, “SNL” picked up eight wins this year, more than any other program.
Read More:...
Like last spring’s final four episodes, “Saturday Night Live” will air at 8:30 p.m. Pt, live with its 11:30 p.m. Et telecast, and then be rebroadcast again later that night at 11:30 p.m. Pt. The news also allows the show to air at 9:30pm in the Mountain time zone. The 43rd season of “SNL” will premiere on September 30 with host Ryan Gosling and musical guest Jay-z.
The announcement comes after “Saturday Night Live’s” huge Emmy haul on Sunday night. Between the Primetime Emmys and the Creative Arts Emmys, “SNL” picked up eight wins this year, more than any other program.
Read More:...
- 9/19/2017
- by Michael Schneider
- Indiewire
Saturday Night Live's special primetime edition of Weekend Update Summer Edition kicked off Thursday night with a special visit from SNL alum Bill Hader, playing the recently-ousted White House Communications Director Anthony Scaramucci.
Facetiming into the show, Hader's Scaramucci said he's totally content about the way he behaved during his run as communications director before getting fired by President Donald Trump less than two weeks after getting the job.
Watch: Melissa McCarthy Nails Amazing Sean Spicer Impression in Explosive, Hilarious 'SNL' Sketch
"The Mooch has no regrets, baby!," Hader as Scaramucci declared. "All I did was sell my company, miss the birth of my child and ruin my entire reputation, all to be king of Idiot Mountain for 11 days."
Reflecting on his ironic popularity in the media, Hader said, "Everybody loves the Mooch. I’m like human cocaine. You got a little bump of me, I made you feel excited, but I was out...
Facetiming into the show, Hader's Scaramucci said he's totally content about the way he behaved during his run as communications director before getting fired by President Donald Trump less than two weeks after getting the job.
Watch: Melissa McCarthy Nails Amazing Sean Spicer Impression in Explosive, Hilarious 'SNL' Sketch
"The Mooch has no regrets, baby!," Hader as Scaramucci declared. "All I did was sell my company, miss the birth of my child and ruin my entire reputation, all to be king of Idiot Mountain for 11 days."
Reflecting on his ironic popularity in the media, Hader said, "Everybody loves the Mooch. I’m like human cocaine. You got a little bump of me, I made you feel excited, but I was out...
- 8/11/2017
- Entertainment Tonight
Update with videos Bill Hader was the Mooch, Erik Trump was transfixed by a Fidget Spinner and Saturday Night Live‘s Weekend Update Summer Edition brought some of last season’s political fever to this hot-weather month. “The Mooch has no regrets, baby!,” said Hader as Anthony Scaramucci paying a visit to the Weekend Update desk (watch it above). “All I did was sell my company, miss the birth of my child and ruin my entire reputation, all to be king of Idiot Mountain for…...
- 8/11/2017
- Deadline TV
[…] Was one to believe that there was nowhere a god of hogs, to whom this hog personality was precious, to whom these hog squeals and agonies had a meaning? Who would take this hog into his arms and comfort him, reward him for his work well done, and show him the meaning of his sacrifice?—Upton Sinclair, The Jungle (1906)1Regarding The Jungle, the socialist author Upton Sinclair remarked that although he’d meant to “aim for the public’s heart,” he’d accidentally “hit it in the stomach.” The novel, about the life of a Lithuanian meat packer in Chicago, was treated with shock and mortification. But the public’s disgust was largely in response to Sinclair’s reports of dirtied meat products, not the plight of the working class. The subsequent frenzy only further undermined the novel’s critique of capitalism, which was ultimately reduced to a matter of meat and hygiene.
- 7/1/2017
- MUBI
Scott Derrickson (Doctor Strange, the upcoming Locke & Key pilot episode) and Daveed Diggs (Hamilton) now have some company aboard the arctic train in TNT's Snowpiercer. A few weeks after the director and actor, respectively, joined the pilot episode adaptation of Bong Joon Ho’s film of the same name, Jennifer Connelly has now joined the cast as Melanie Cavill, the "Voice of the Train."
Press Release (via The Futon Critic): Turner's TNT has cast Jennifer Connelly, who earned an Oscar(R) for her performance in A Beautiful Mind, to star in the network's drama pilot Snowpiercer. She joins Tony Award(R) winner Daveed Diggs (Hamilton, Black-ish) in the futuristic thriller, which will be directed by Scott Derrickson (Doctor Strange). Based on the acclaimed movie of the same name, Snowpiercer is a co-production of Tomorrow Studios and Turner's Studio T, along with Cj Entertainment. The project is being executive-produced by writer-showrunner Josh Friedman (Avatar 4,...
Press Release (via The Futon Critic): Turner's TNT has cast Jennifer Connelly, who earned an Oscar(R) for her performance in A Beautiful Mind, to star in the network's drama pilot Snowpiercer. She joins Tony Award(R) winner Daveed Diggs (Hamilton, Black-ish) in the futuristic thriller, which will be directed by Scott Derrickson (Doctor Strange). Based on the acclaimed movie of the same name, Snowpiercer is a co-production of Tomorrow Studios and Turner's Studio T, along with Cj Entertainment. The project is being executive-produced by writer-showrunner Josh Friedman (Avatar 4,...
- 6/7/2017
- by Derek Anderson
- DailyDead
Following the Persian New Year of Nowruz * arrive the eight days of the festival where the last works of great filmmakers such as Andrzej Wajda, Cristian Mongiu, Dardenne brothers, Denis Tanovic, Francois Ozon, Sion Sono, Agnieszka Holland, Aki Kaurismaki, Terrence Malick, Ken Loach and three Iranian Masters of Cinema will screen along with several special sidebars.
For the first time in Fajr International Film Festival, Shadow of Horror Midnight Screenings will host six horror films screening, every night at 11:30 pm in a program designed to entice an unaccustomed Iranian audience’s attention to this genre. Five of the features are from South Korea, Japan, Russia, Poland and Mexico. The sixth, an Iranian feature will have its International Premiere.
At least 68 students from 32 countries as well as 52 students from Iran are to take part in the inspiring, educational film making workshops of the 2017 Fajr. The program is called “Darol Fonoun...
For the first time in Fajr International Film Festival, Shadow of Horror Midnight Screenings will host six horror films screening, every night at 11:30 pm in a program designed to entice an unaccustomed Iranian audience’s attention to this genre. Five of the features are from South Korea, Japan, Russia, Poland and Mexico. The sixth, an Iranian feature will have its International Premiere.
At least 68 students from 32 countries as well as 52 students from Iran are to take part in the inspiring, educational film making workshops of the 2017 Fajr. The program is called “Darol Fonoun...
- 4/20/2017
- by Sydney Levine
- Sydney's Buzz
For the first time in the history of Saturday Night Live, the show will be airing live from coast to coast. NBC Entertainment Chairman Robert Greenblatt released the following statement about the time shift in showings: SNL is part of the national conversation. We thought it would be a great idea to broadcast to the West and Mountain time zones live at the same time it’s being seen in the East and Central time zones. I’m curious. How has this never happened before? It’s not like this is a novel idea. I don’t get it. Anyway, it’s a brand new episode
Big Night on SNL: Jimmy Fallon Hosts and Harry Styles Debuts as Solo Singer...
Big Night on SNL: Jimmy Fallon Hosts and Harry Styles Debuts as Solo Singer...
- 4/15/2017
- by Nat Berman
- TVovermind.com
Mind the f–ks, please. That’s pretty much the Parents Television Council’s message to NBC over the network’s decision to try out airing “Saturday Night lIve” live coast-to-coast. For the first time in its history, “Saturday Night Live” will air at 8:30 p.m. Pt, as opposed to tape-delayed. That’s got Tim Winter a bit concerned. “With NBC’s announcement that the entire nation will be watching the same live performance over its final four weeks, we are calling on NBC to be mindful that its one broadcast feed will air outside the ‘Safe Harbor’ for...
- 3/21/2017
- by Tony Maglio
- The Wrap
Saturday Night Live is closing out their record-setting 42nd season with four high-profile hosts.
The NBC sketch comedy show will welcome an alum on April 15 when Jimmy Fallon takes over hosting duties. After Fallon, Chris Pine will host for the first time on May 6 followed by Melissa McCarthy on May 13 and ending with Dwayne "The Rock" Johnson on May 20.
Making things even more exciting, SNL also revealed that the episodes will air live in all time zones.
"SNL -- enjoying its most popular season in two decades -- is part of the national conversation, and we thought it would be a great idea to broadcast to the West and Mountain time zones live at the same time it's being seen in the East and Central time zones," NBC Entertainment chairman Robert Greenblatt told Billboard this week. "That way, everyone is in on the joke at the same time. Kudos to Lorne Michaels, the producers...
The NBC sketch comedy show will welcome an alum on April 15 when Jimmy Fallon takes over hosting duties. After Fallon, Chris Pine will host for the first time on May 6 followed by Melissa McCarthy on May 13 and ending with Dwayne "The Rock" Johnson on May 20.
Making things even more exciting, SNL also revealed that the episodes will air live in all time zones.
"SNL -- enjoying its most popular season in two decades -- is part of the national conversation, and we thought it would be a great idea to broadcast to the West and Mountain time zones live at the same time it's being seen in the East and Central time zones," NBC Entertainment chairman Robert Greenblatt told Billboard this week. "That way, everyone is in on the joke at the same time. Kudos to Lorne Michaels, the producers...
- 3/17/2017
- Entertainment Tonight
Starting April 15, for the first time ever, “Saturday Night Live” will air live across the country for the final four episodes of this season. “SNL” alum Jimmy Fallon will be hosting the show on April 15, followed by Chris Pine on May 6, Melissa McCarthy on May 13, and Dwayne Johnson, who will host the season’s final show on May 20. Each episode will air live at 11:30pm Et, 10:30pm Central, 9:30pm Mountain, and 8:30pm Pt.
Read More: Noël Wells Reflects on Her Buzzy SXSW Debut and Career Post-‘Saturday Night Live’: ‘It’s Actually More Rock ’N’ Roll’
“‘SNL’ — enjoying its most popular season in two decades — is part of the national conversation, and we thought it would be a great idea to broadcast to the west and mountain time zones live at the same time it’s being seen in the east and central time zones,...
Read More: Noël Wells Reflects on Her Buzzy SXSW Debut and Career Post-‘Saturday Night Live’: ‘It’s Actually More Rock ’N’ Roll’
“‘SNL’ — enjoying its most popular season in two decades — is part of the national conversation, and we thought it would be a great idea to broadcast to the west and mountain time zones live at the same time it’s being seen in the east and central time zones,...
- 3/16/2017
- by Yoselin Acevedo
- Indiewire
Saturday Night Live will be live for everyone for the remainder of Season 42.
NBC announced on Thursday that for the first time ever, the late-night sketch comedy program will air live in all time zones, beginning on April 15 with host Jimmy Fallon. Each episode will air at 11:30 pm Et, 10:30 pm Ct, 9:30 pm Mt and 8:30 pm Pt. (For the Mountain and Pacific time zones, SNL will be repeated at 11:30 pm.)
RelatedWeekend Update Primetime Spinoff Officially Ordered at NBC
In addition, SNL has announced hosts for the rest of its current season, including Chris Pine (on May...
NBC announced on Thursday that for the first time ever, the late-night sketch comedy program will air live in all time zones, beginning on April 15 with host Jimmy Fallon. Each episode will air at 11:30 pm Et, 10:30 pm Ct, 9:30 pm Mt and 8:30 pm Pt. (For the Mountain and Pacific time zones, SNL will be repeated at 11:30 pm.)
RelatedWeekend Update Primetime Spinoff Officially Ordered at NBC
In addition, SNL has announced hosts for the rest of its current season, including Chris Pine (on May...
- 3/16/2017
- TVLine.com
“Saturday Night Live” will finally live up to its name and be truly live for the whole country. The Lorne Michaels-produced sketch comedy staple has always aired in real-time for the East Coast and Central timezones, but would operate on a tape-delay for the Mountain Time region and West Coast. That will no longer be the case — at least, not for the final four episodes of Season 42. “‘SNL’ — enjoying its most popular season in two decades — is part of the national conversation, and we thought it would be a great idea to broadcast to the west and...
- 3/16/2017
- by Tony Maglio
- The Wrap
Update With Key Speeches: Hungarian title On Body And Soul takes best film; Aki Kaurismaki, Sebastian Lelio among winners; Insyriated and I Am Not Your Negro scoop Panorama audience awards; 2018 festival dates revealed.
The awards ceremony for the 67th Berlin Film Festival took place this evening (18 Feb) with winners including Ildiko Enyedi, Alain Gomis, Agnieszka Holland and Sebastian Lelio.
Scroll down for full list of winners
Ildikò Enyedi’s Hungarian feature On Body and Soul - the unusual love story of two damaged souls trying to make contact in a harsh world - was the big winner on the night taking home the Golden Bear for best film in the Competition as well as the Ecumenical and Fipresci juries’ prizes for best film in the Official Competition and the Berliner Morgenpost Readers’ Award.
Enyedi’s film - which is handled internationally by Berlin-based sales agent Films Boutique and had been hotly tipped for the Golden Bear - is...
The awards ceremony for the 67th Berlin Film Festival took place this evening (18 Feb) with winners including Ildiko Enyedi, Alain Gomis, Agnieszka Holland and Sebastian Lelio.
Scroll down for full list of winners
Ildikò Enyedi’s Hungarian feature On Body and Soul - the unusual love story of two damaged souls trying to make contact in a harsh world - was the big winner on the night taking home the Golden Bear for best film in the Competition as well as the Ecumenical and Fipresci juries’ prizes for best film in the Official Competition and the Berliner Morgenpost Readers’ Award.
Enyedi’s film - which is handled internationally by Berlin-based sales agent Films Boutique and had been hotly tipped for the Golden Bear - is...
- 2/18/2017
- by screen.berlin@googlemail.com (Martin Blaney) andreas.wiseman@screendaily.com (Andreas Wiseman)
- ScreenDaily
The golden and silver bears are being handed out for the 67th Berlin Film Festival; Insyriated and I Am Not Your Negro scoop Panorama audience awards; 2018 festival dates revealed.
The awards ceremony for the 67th Berlin Film Festival is taking place tonight (18 Feb). Follow the event’s live stream here from 6pm GMT (7pm Cet) and below for live updates.
The international jury comprised Paul Verhoeven (director), Dora Bouchoucha Fourati (producer), Olafur Eliasson (artist), Maggie Gyllenhaal (actress), Julia Jentsch (actress), Diego Luna (actor) and Wang Quan’an (director).
The Panorama and Generation sections have already revealed winners including Insyriated and I Am Not Your Negro. Scroll down for winners in additional sections.
The Berlinale also announced its 2018 dates: February 15 - 25, which is one week later than this year’s edition.
The full list of Berlin 2017 winnersGolden Bear for Best Film
Silver Bear Grand Jury Prize
Silver Bear Alfred Bauer Prize
Silver Bear for Best Director
Silver [link=tt...
The awards ceremony for the 67th Berlin Film Festival is taking place tonight (18 Feb). Follow the event’s live stream here from 6pm GMT (7pm Cet) and below for live updates.
The international jury comprised Paul Verhoeven (director), Dora Bouchoucha Fourati (producer), Olafur Eliasson (artist), Maggie Gyllenhaal (actress), Julia Jentsch (actress), Diego Luna (actor) and Wang Quan’an (director).
The Panorama and Generation sections have already revealed winners including Insyriated and I Am Not Your Negro. Scroll down for winners in additional sections.
The Berlinale also announced its 2018 dates: February 15 - 25, which is one week later than this year’s edition.
The full list of Berlin 2017 winnersGolden Bear for Best Film
Silver Bear Grand Jury Prize
Silver Bear Alfred Bauer Prize
Silver Bear for Best Director
Silver [link=tt...
- 2/18/2017
- by andreas.wiseman@screendaily.com (Andreas Wiseman)
- ScreenDaily
Welcome back to the Weekend Warrior, your weekly look at the new movies hitting theaters this weekend, as well as other cool events and things to check out.
This Past Weekend:
The Lego Batman Movie won the weekend as expected, but not with nearly as much money as I had predicted, not besting the opening of The Lego Movie as expected, but instead ending up with a reasonable and not so bad $53 million. Fifty Shades Darker proved that the audience for movies based on the popular books was still great enough for it to win Friday with $21 million (to Lego Batman’s $15 million) and end up second for the weekend with a strong $46.6 million. That was still almost $40 million less than the opening of the previous movie Fifty Shades of Grey, but the sequel also didn’t have the benefits of Valentine’s Day and a four-day holiday. Coming in...
This Past Weekend:
The Lego Batman Movie won the weekend as expected, but not with nearly as much money as I had predicted, not besting the opening of The Lego Movie as expected, but instead ending up with a reasonable and not so bad $53 million. Fifty Shades Darker proved that the audience for movies based on the popular books was still great enough for it to win Friday with $21 million (to Lego Batman’s $15 million) and end up second for the weekend with a strong $46.6 million. That was still almost $40 million less than the opening of the previous movie Fifty Shades of Grey, but the sequel also didn’t have the benefits of Valentine’s Day and a four-day holiday. Coming in...
- 2/15/2017
- by Edward Douglas
- LRMonline.com
Chongqing.
The extraordinary growth of the Chinese film industry has seen it emerge as a global player. The Chinese industry is looking abroad to futher its filmmaking expertise and help bring its films to an international audience. In If's first China Report, Jackie Keast examines what this means for Australia. As Hollywood and film industries across the world enthusiastically court the Chinese market, can we compete?
The film industry in China is booming. Within just a few years, China has become the world.s second largest market, predicted to eclipse the Us in less than five years..
By 2015, annual ticket sales had reached 44 billion yuan, or $USD6.78 billion — a growth of 48.7 per cent from 2014..
While 2016 saw a slowdown, annual receipts nevertheless tallied 45.7 billion yuan by year.s end.
In 2016, 27 new screens opened across China each day, bringing the country.s total close to 40,000..
Chinese real estate and entertainment conglomerate Wanda...
The extraordinary growth of the Chinese film industry has seen it emerge as a global player. The Chinese industry is looking abroad to futher its filmmaking expertise and help bring its films to an international audience. In If's first China Report, Jackie Keast examines what this means for Australia. As Hollywood and film industries across the world enthusiastically court the Chinese market, can we compete?
The film industry in China is booming. Within just a few years, China has become the world.s second largest market, predicted to eclipse the Us in less than five years..
By 2015, annual ticket sales had reached 44 billion yuan, or $USD6.78 billion — a growth of 48.7 per cent from 2014..
While 2016 saw a slowdown, annual receipts nevertheless tallied 45.7 billion yuan by year.s end.
In 2016, 27 new screens opened across China each day, bringing the country.s total close to 40,000..
Chinese real estate and entertainment conglomerate Wanda...
- 1/30/2017
- by Jackie Keast
- IF.com.au
Most reviews of last night’s “Saturday Night Live” indicate that the show didn’t quite put its best foot forward with its first episode of 2017, but as always there are a number of skits worth sharing. One of those is the simply titled “Movie Interview,” in which the ever-hilarious Cecily Strong plays a Fandango correspondent interviewing the highfalutin director (Kyle Mooney) and cast of the not-so-sophisticated-sounding “Hot Robot 3: Journey to Boob Mountain.” Watch below.
Read More: ‘Saturday Night Live’ Review: Felicity Jones Hosts Uneven Hour That Robs Us Of Hope
Felicity Jones and Beck Bennett are the leads of the “Hot Robot” franchise, and like their director they’re struggling to make sense of America in the aftermath of the election. Said collaborators, as with many in Hollywood, find themselves newly politicized — not that their film (which dares to ask the question, “What if ‘American Pie’ had robots?...
Read More: ‘Saturday Night Live’ Review: Felicity Jones Hosts Uneven Hour That Robs Us Of Hope
Felicity Jones and Beck Bennett are the leads of the “Hot Robot” franchise, and like their director they’re struggling to make sense of America in the aftermath of the election. Said collaborators, as with many in Hollywood, find themselves newly politicized — not that their film (which dares to ask the question, “What if ‘American Pie’ had robots?...
- 1/15/2017
- by Michael Nordine
- Indiewire
The force was not with Jyn Erso this weekend.
Saturday Night Live kicked off 2017 with first time host Felicity Jones, who was the weakest part of an otherwise solid episode. After a very funny pep talk from Tina Fey about not letting her nerves get the best of her, the Rogue One actress spent much of the evening struggling to maintain an American accent in sketches involving Bachelor knockoffs and famous figures in the women’s suffrage movement.
VideosSNL‘s Trump Shares His ‘Golden’ Plan to ‘Shower’ Country With Jobs
In addition to Fey, Alec Baldwin returned in the...
Saturday Night Live kicked off 2017 with first time host Felicity Jones, who was the weakest part of an otherwise solid episode. After a very funny pep talk from Tina Fey about not letting her nerves get the best of her, the Rogue One actress spent much of the evening struggling to maintain an American accent in sketches involving Bachelor knockoffs and famous figures in the women’s suffrage movement.
VideosSNL‘s Trump Shares His ‘Golden’ Plan to ‘Shower’ Country With Jobs
In addition to Fey, Alec Baldwin returned in the...
- 1/15/2017
- TVLine.com
“Saturday Night Live” thinks some entertainers may have an exaggerated sense of their own importance in the era of President Trump. Cecily Strong played a reporter interviewing a director, Mikey Day, and two actors, Beck Bennett and this week’s host, Felicity Jones, about their upcoming movie “Hot Robot 3: Journey to Boob Mountain.” The interview started out innocently enough, with Strong asking Day to elaborate on a tweet he posted that said “now more than ever we artists must rise up, dig deep, and create.” But as we all should probably know by now, nothing is ever innocent when...
- 1/15/2017
- by Rasha Ali
- The Wrap
Winners of the 2016 Whistler Film Festival were announced at the Awards Celebration this morning on the final day of the 16h annual Festival.Before The Streets (Avant Les Rues) Canadian director Chloé Leriche’s first feature, won the $15,000 cash prize sponsored by the Directors Guild of Canada, British Columbia and the $15,000 post-production prize sponsored by Encore Vancouver in the 13th edition of the coveted Borsos Competition for Best Canadian Feature Film. The moving story of Shawnouk, a young First Nations man who banishes himself into exile after committing a horrible crime during a routine break-in at one of the local summer homes. The first feature film ever shot in the Atikamekw language is an accomplished first film by filmmaker Chloé Leriche.
The Borsos Jury chose Before The Streets for the Best Canadian Feature because “this surprising, unexpected film grips you from its powerful, intense opening chant, to well beyond the final credits,...
The Borsos Jury chose Before The Streets for the Best Canadian Feature because “this surprising, unexpected film grips you from its powerful, intense opening chant, to well beyond the final credits,...
- 12/7/2016
- by Sydney Levine
- Sydney's Buzz
The Works in Progress 2016 Awards at the 20th Tallinn Black Nights Film FestivalIndustry@Tallinn and Baltic Event is one of the fastest growing entertainment sector development summits in the winter season. They are held during the annual Tallinn Black Nights Film Festival, the only Fiapf accredited Competition Feature Film Festival in Northern Europe.
The Works in Progress sessions were first organized 15 years ago as a regional showcase part of the Baltic Event. Last year, upcoming international films were added to the program and today, its 2 sections, Baltic Event Works in Progress and International Works in Progress, offer buyers, producers and programmers a diverse and dynamic range of local and international projects to discover.
Industry@Tallinn & Baltic Event organized this year as well their Works in Progress pitching sessions. As a matter of fact, 26 films in production or postproduction looking for sales agents or festivals for international premieres were presented on...
The Works in Progress sessions were first organized 15 years ago as a regional showcase part of the Baltic Event. Last year, upcoming international films were added to the program and today, its 2 sections, Baltic Event Works in Progress and International Works in Progress, offer buyers, producers and programmers a diverse and dynamic range of local and international projects to discover.
Industry@Tallinn & Baltic Event organized this year as well their Works in Progress pitching sessions. As a matter of fact, 26 films in production or postproduction looking for sales agents or festivals for international premieres were presented on...
- 11/26/2016
- by Tara Karajica
- Sydney's Buzz
As Travis Manawa, he's managed to navigate a world overrun with zombies on Fear The Walking Dead, but he'll soon have to face a more ancient and massive threat in Meg, the upcoming shark thriller from Warner Bros.
Deadline reports that Cliff Curtis is set to appear in the movie Meg, based on Steve Alten's novel of the same name. Curtis will play an Operations Chief on a ship called the Mana One, co-starring alongside Jason Statham, Ruby Rose, Rainn Wilson, and Li Bingbing.
At one time set to be helmed by Eli Roth, Meg will be directed by Jon Turtletaub and is scheduled for a March 2nd, 2018 release. Filming begins later this year, and we'll keep Daily Dead readers updated on further details. For more information on the movie, check out the previous press release:
Previous Press Release: (May 16, 2016 – Burbank, CA) – Warner Bros. Pictures has set a March 2, 2018 U.
Deadline reports that Cliff Curtis is set to appear in the movie Meg, based on Steve Alten's novel of the same name. Curtis will play an Operations Chief on a ship called the Mana One, co-starring alongside Jason Statham, Ruby Rose, Rainn Wilson, and Li Bingbing.
At one time set to be helmed by Eli Roth, Meg will be directed by Jon Turtletaub and is scheduled for a March 2nd, 2018 release. Filming begins later this year, and we'll keep Daily Dead readers updated on further details. For more information on the movie, check out the previous press release:
Previous Press Release: (May 16, 2016 – Burbank, CA) – Warner Bros. Pictures has set a March 2, 2018 U.
- 9/16/2016
- by Derek Anderson
- DailyDead
Warner Bros. Pictures has set a March 2, 2018 U.S. release date for the new science fiction action thriller based on Steve Alten’s book, Meg.
The film will be co-financed by Flagship Entertainment; Gravity Pictures, a division of China Media Capital (Cmc); and Warner Bros. Pictures. Gravity Pictures will distribute the film in China and Warner Bros. will distribute the film throughout the rest of the world.
Jon Turtletaub (the “National Treasure” movies, “Last Vegas”) will direct the film. The film stars Jason Statham (“Spy,” “Furious 7,” “The Expendables” films) and award-winning Chinese actress Fan Bingbing (“Buddha Mountain,” “Iron Man 3,” “X-Men: Days of Future Past”).
Lorenzo Di Bonaventura, Belle Avery and Colin Wilson are producing the film, with Wei Wayne Jiang, Barrie M. Osborne, Randy Greenberg and Gerald R. Molen serving as executive producers.
An international underwater observation program, led by Chinese scientists, is under attack by an unknown danger,...
The film will be co-financed by Flagship Entertainment; Gravity Pictures, a division of China Media Capital (Cmc); and Warner Bros. Pictures. Gravity Pictures will distribute the film in China and Warner Bros. will distribute the film throughout the rest of the world.
Jon Turtletaub (the “National Treasure” movies, “Last Vegas”) will direct the film. The film stars Jason Statham (“Spy,” “Furious 7,” “The Expendables” films) and award-winning Chinese actress Fan Bingbing (“Buddha Mountain,” “Iron Man 3,” “X-Men: Days of Future Past”).
Lorenzo Di Bonaventura, Belle Avery and Colin Wilson are producing the film, with Wei Wayne Jiang, Barrie M. Osborne, Randy Greenberg and Gerald R. Molen serving as executive producers.
An international underwater observation program, led by Chinese scientists, is under attack by an unknown danger,...
- 5/18/2016
- by Michelle McCue
- WeAreMovieGeeks.com
The ocean’s ultimate apex predator will splash onto the big screen in less than two years, as Warner Bros. has set a March 2nd, 2018 release date for Meg. Based on Steve Alten’s novel of the same name, the film will pit Jason Statham and Fan Bingbing against a massive Megalodon:
Press Release: (May 16, 2016 – Burbank, CA) – Warner Bros. Pictures has set a March 2, 2018 U.S. release date for the new science fiction action thriller based on Steve Alten’s book, “Meg.”
The film will be co-financed by Flagship Entertainment; Gravity Pictures, a division of China Media Capital (Cmc); and Warner Bros. Pictures. Gravity Pictures will distribute the film in China and Warner Bros. will distribute the film throughout the rest of the world.
Jon Turtletaub (the “National Treasure” movies, “Last Vegas”) will direct the film. The film stars Jason Statham (“Spy,” “Furious 7,” “The Expendables” films) and award-winning Chinese actress Fan Bingbing (“Buddha Mountain,...
Press Release: (May 16, 2016 – Burbank, CA) – Warner Bros. Pictures has set a March 2, 2018 U.S. release date for the new science fiction action thriller based on Steve Alten’s book, “Meg.”
The film will be co-financed by Flagship Entertainment; Gravity Pictures, a division of China Media Capital (Cmc); and Warner Bros. Pictures. Gravity Pictures will distribute the film in China and Warner Bros. will distribute the film throughout the rest of the world.
Jon Turtletaub (the “National Treasure” movies, “Last Vegas”) will direct the film. The film stars Jason Statham (“Spy,” “Furious 7,” “The Expendables” films) and award-winning Chinese actress Fan Bingbing (“Buddha Mountain,...
- 5/17/2016
- by Derek Anderson
- DailyDead
Warner Bros. Pictures has set a March 2, 2018 U.S. release date for the new science fiction action thriller based on Steve Alten’s book, Meg.
The film will be co-financed by Flagship Entertainment; Gravity Pictures, a division of China Media Capital (Cmc); and Warner Bros. Pictures. Gravity Pictures will distribute the film in China and Warner Bros. will distribute the film throughout the rest of the world.
Jon Turtletaub (the “National Treasure” movies, “Last Vegas”) will direct the film. The film stars Jason Statham (“Spy,” “Furious 7,” “The Expendables” films) and award-winning Chinese actress Fan Bingbing (“Buddha Mountain,” “Iron Man 3,” “X-Men: Days of Future Past”).
Lorenzo Di Bonaventura, Belle Avery and Colin Wilson are producing the film, with Wei Wayne Jiang, Barrie M. Osborne, Randy Greenberg and Gerald R. Molen serving as executive producers.
An international underwater observation program, led by Chinese scientists, is under attack by an unknown danger,...
The film will be co-financed by Flagship Entertainment; Gravity Pictures, a division of China Media Capital (Cmc); and Warner Bros. Pictures. Gravity Pictures will distribute the film in China and Warner Bros. will distribute the film throughout the rest of the world.
Jon Turtletaub (the “National Treasure” movies, “Last Vegas”) will direct the film. The film stars Jason Statham (“Spy,” “Furious 7,” “The Expendables” films) and award-winning Chinese actress Fan Bingbing (“Buddha Mountain,” “Iron Man 3,” “X-Men: Days of Future Past”).
Lorenzo Di Bonaventura, Belle Avery and Colin Wilson are producing the film, with Wei Wayne Jiang, Barrie M. Osborne, Randy Greenberg and Gerald R. Molen serving as executive producers.
An international underwater observation program, led by Chinese scientists, is under attack by an unknown danger,...
- 5/17/2016
- by Kellvin Chavez
- LRMonline.com
Like Christina Aguilera executing a run during a contestant’s rehearsal package, or Blake Shelton spiking the comedic volleyball in Adam Levine’s face (over and over again), The Voice‘s Alisan Porter is pretty much perfect.
VideosLa’Porsha Renae: ‘I Deeply Apologize’ for Lgbt ‘Lifestyle’ Comment — Plus: A Deep Dive Into Her Idol Performances!
And Monday night, as she detonated a vocal bomb shaped like Demi Lovato’s “Stone Cold,” she seemingly left a barren wasteland (think Mad Max: Fury Road, without any cast members) where the Season 10 competition used to be.
Still, as Blake Shelton begged Alisan to make some mistakes,...
VideosLa’Porsha Renae: ‘I Deeply Apologize’ for Lgbt ‘Lifestyle’ Comment — Plus: A Deep Dive Into Her Idol Performances!
And Monday night, as she detonated a vocal bomb shaped like Demi Lovato’s “Stone Cold,” she seemingly left a barren wasteland (think Mad Max: Fury Road, without any cast members) where the Season 10 competition used to be.
Still, as Blake Shelton begged Alisan to make some mistakes,...
- 4/19/2016
- TVLine.com
I’m not going to kvetch about American Idol failing to reward one of its dozens of worthy grads with a Thursday-night performance slot — there are only six weeks left, after all! — and instead using it to promote the doing-just-fine-already former X Factor judge Demi Lovato.
Related2016 Renewal Scorecard: What’s Coming Back? What’s Getting Cancelled? What’s on the Bubble?
I won’t complain that the show’s producers learned nothing from last season — and have once again returned to a format where current contestants spend two hours waiting with nervous anticipation to find out which of ’em are at risk of elimination,...
Related2016 Renewal Scorecard: What’s Coming Back? What’s Getting Cancelled? What’s on the Bubble?
I won’t complain that the show’s producers learned nothing from last season — and have once again returned to a format where current contestants spend two hours waiting with nervous anticipation to find out which of ’em are at risk of elimination,...
- 3/4/2016
- TVLine.com
39 years ago today, Bill Murray appeared on “Saturday Night Live” for the first time. In the show’s second season, Murray replaced Chevy Chase on the “SNL” cast shortly after Chase left to pursue a movie career. It may be hard to imagine now, but Murray had a shaky start on the show, as he struggled to fill audience favorite Chase’s shoes. He even delivered an on-air apology and plea for support from viewers, saying “I don’t think I’m making it on the show” and begging them to “laugh whenever I saw something” — not for his sake, of course, but for the widowed mother he cares for. It wasn’t until later on “SNL” that Murray began to develop his sarcastic, sleazy slacker persona and became the celebrated comedian we know him as today. He gave us such memorable sketches as “Family Feud” with a Coneheaded clan,...
- 1/15/2016
- by Emily Rome
- Hitfix
Warner Bros. Pictures has unveiled brand new photos from their upcoming lineup of films hitting cinemas in 2016.
Above is Tom Hanks with director/producer Clint Eastwood on the set of the upcoming film Sully. On January 15, 2009, the world witnessed the “Miracle on the Hudson” when Captain “Sully” Sullenberger (Hanks) glided his disabled plane onto the frigid waters of the Hudson River, saving the lives of all 155 aboard. However, even as Sully was being heralded by the public and the media for his unprecedented feat of aviation skill, an investigation was unfolding that threatened to destroy his reputation and his career.
Sully also stars Aaron Eckhart (“Olympus Has Fallen,” “The Dark Knight”) as Sully’s co-pilot, Jeff Skiles, and Oscar nominee Laura Linney (“The Savages,” “Kinsey,” Showtime’s “The Big C”) as Sully’s wife, Lorraine Sullenberger.
Eastwood is directing the film from a screenplay by Todd Komarnicki, based on the...
Above is Tom Hanks with director/producer Clint Eastwood on the set of the upcoming film Sully. On January 15, 2009, the world witnessed the “Miracle on the Hudson” when Captain “Sully” Sullenberger (Hanks) glided his disabled plane onto the frigid waters of the Hudson River, saving the lives of all 155 aboard. However, even as Sully was being heralded by the public and the media for his unprecedented feat of aviation skill, an investigation was unfolding that threatened to destroy his reputation and his career.
Sully also stars Aaron Eckhart (“Olympus Has Fallen,” “The Dark Knight”) as Sully’s co-pilot, Jeff Skiles, and Oscar nominee Laura Linney (“The Savages,” “Kinsey,” Showtime’s “The Big C”) as Sully’s wife, Lorraine Sullenberger.
Eastwood is directing the film from a screenplay by Todd Komarnicki, based on the...
- 1/11/2016
- by Michelle McCue
- WeAreMovieGeeks.com
Happy New Year, everybody! I've been on vacation since Christmas — give or take a quick pop-in to discuss the news that George R.R. Martin's next book definitely won't be out before the next "Game of Thrones" season — but spent time here and there struggling to make the ascent up Screener Mountain. Not only are there a few dozen TV shows premiering in January alone, but press tour officially starts tomorrow (I don't get there til Thursday), so between the broadcast networks, cable, and the various streaming outlets, it's been a terrifying reminder that, as John Landgraf once said, we haven't hit Peak TV in America quite yet. That said, while there's an absurd amount of new stuff premiering this month alone, much less of that is worth getting excited about as a viewer. I'll be doing reviews of the things I find genuinely intriguing — in ways both good and bad — over the coming weeks,...
- 1/4/2016
- by Alan Sepinwall
- Hitfix
The 15th anniversary celebration of the Whistler Film Festival wrapped Sunday night, living up to its title as ‘Canada’s coolest film fest’ by hosting more premieres, filmmakers, industry executives, and celebrities than ever before, including unique experiences from films, music and parties to high adrenaline races.
The Whistler Film Festival’s Pandora Audience Award went to British-American romantic drama "Carol," directed by Todd Haynes from the screenplay by Phyllis Nagy (Variety 10 Screenwriters to Watch class of 2014) starring Cate Blanchett and Rooney Mara, which received its Canadian premiere at Whistler. The Wff Audience Award runner-ups were "The Legend of Barney Thomson," character-actor Robert Carlyle's first theatrical feature and directorial debut, which received its North American premiere at the festival, followed by Ricardo Trogi’s mid-life crisis dramedy, Quebec film "Le Mirage," the highest grossing and most popular Canadian film of the year so far. The Wff Audience Award is a non-cash prize presented to the highest-rated film as voted by the audience.
Paul Gratton, Director of Programming had this to say about this year’s event: "We were very fortunate to open this year's fest with the Canadian premiere of "Carol," a film we are convinced will be a major contender in this year's awards season race. The festival took off from there, with many sold out screenings, packed and newsworthy industry sessions, and over 450 guests who made a point of trekking out to beautiful Whistler to support their films and talk business with the high-level movers and shakers also in attendance. 2015 represented another step forward towards making Wff the coolest festival in the world. Can't wait 'til next year.”
Total attendance for this year’s fest was 13,233 attendees (a 18% increase over 11,273 in 2014) . This included 7,740 film-screening attendees and 3,533 special event attendees (Signature Series, Music Café, ShortWork Showcase, R-Rated Party, Awards Brunch, L’Oreal Men Expert Bobsleigh Race and Celebrity Challenge Ski Race), in addition to 2,530 Summit attendees. Several of the feature films were at or near capacity, including: "Born to be Blue," "Chasing Bansky," "Forsaken," "How to Plan and Orgy in a Small Town," "Legend,""Legend of Barney Thomson," "Numb," "The Lady in the Van," "the Steps," and "Trumbo."
Designed to facilitate international alliances and financial partnerships, Wff’s industry Summit program presented 30 interactive sessions that addressed a range of issues affecting the film, television, and digital media industry. Overall Summit attendance was at 86% capacity with 2,530 attendees (a 13% increase over 2,231 in 2014) including 855 delegates (on par with 2014). The Whistler Summit directly connects to Wff’s slate of project development programs designed to provide creative and business immersion experiences for 42 Canadian artists including its Feature Project Lab, Praxis Screenwriters Lab, Aboriginal Filmmaker Fellowship, and Music Café. Wff also collaborates with several industry organizations by hosting specific third party initiatives at the Whistler Summit including the Women in the Director’s Chair Industry Immersion, Women in Film & Television Film Market Preparation Mentorship, and the Mppia Short Film Award Pitch with the Motion Picture Production Industry Association and Creative BC. In addition to the
204 scheduled meetings (a 10% increase over 186 in 2014) that took place during the Summit, there was again a notable increase in unscheduled meetings that took place outside of scheduled blocks proving the festival remains an important place for the industry to meet and do business. Industry guests came from Canada, USA, UK, India, and China to participate, and included some of the top talent and executives in the business.
Film met music when Morning Show, one of the ten-featured BC artists from Wff’s Music Café, performed the live score for "He Hated Pigeons." Wff’s Music Café, which expanded to include two showcases over two days and featured five music supervisors, was well received with several deals in the works and over 526 guests in attendance.
Toronto’s first-time feature director Jamie M. Dagg’s "River" dominated Whistler prize-giving, winning for best Canadian feature, Best Director and Best Screenplay in the Borsos Competition for Best Canadian Feature presented by the Directors Guild of Canada – British Columbia. The jury also awarded French-Canadian actor Paul Savoie with Best Performance in a Borsos Film for his performance in "The Diary of an Old Man," as well as provided honorable mention for Rossif Sutherland’s work in "River" and Laura Abramsen’s roles in "Basic human Needs" and "The Sabbatical." Lastly, Best Cinematography in a Borsos Film, presented by I.A.T.S.E. Local 669, went to cinematographer Dylan Macleod for "He Hated Pigeons," directed by Ingrid Veninger. The Borsos Jury was comprised of three accomplished film industry artists that included the highly versatile director and screenwriter and WFF15 Alumni Carl Bessai ("Rehearsal), beloved actor and director Marc-André Grondin , and award-winning producer extraordinaire, Kim McCraw.
Other Whistler award winners included "Last Harvest" by first-time female director Hui (Jane) Wang that won the World Documentary Award presented by Tribute.ca with honorable mention for Brian D. Johnson’s "Al Purdy Was Here." The Best Mountain Culture Film presented by Whistler Blackcomb went to Anthony Bonello’s "Eclipse." The Canadian ShortWork Award went to "Withheld" directed by Johnathan Sousa, with an honorable mention to Amanda Strong and Bracken Hanuse Corlett’s Mia’. The International ShortWork Award was awarded to "Dissonance" by Germany filmmaker Till Nowak, with Langara College’s Canadian ShortWork Award for Best Screenplay given to Jem Garrard’s "The World Who Came to Dinner." Emily Carr University of Art and Design’s Lawrence Lam won the ShortWork Student Award presented by Capilano University Film Centre for "The Blue Jet," and Maja Aro won the Mppia Short Film Award for "Hoods" presented by Mppia and Creative BC, which consists of a $15,000 cash award plus up to $100,000 in services. The Alliance of Women Film Journalists (Awfj) Eda Awards gave Best Female-Directed Narrative Feature to Valerie Weiss’ "A Light Beneath Their Feet," Best Female-Directed Documentary to Hui (Jane) Wang’s "Last Harvest," with a special mention for Brian D. Johnson’s "Al Purdy Was Here." In addition, Céline Devaux’s "Sunday Lunch" took home the Best Female-Directed Short Award.
Receiving Wff’s Trailblazer Award and Tribute presented by Pandora, British-born Canadian actor, film producer, and film director Kiefer Sutherland discussed his extensive acting career spanning film, stage and television, with CTV Film Critic Jim Gordon , followed by the Western Canadian Premiere of his latest film, "Forsaken." Scottish-born Robert Carlyle , one of the most recognizable actors today, graced the Festival’s red carpet at this year’s Spotlight event as Wff’s Maverick Award honoree and sat down with Jim Gordon to discuss his bold choices that have led to the creation of some of the most dynamic, memorable, and beloved characters of our time before the North American Premiere of his directorial debut, "The Legend the Barny Thomson." One of Canada's hardest working and most accomplished character actors, Bruce Greenwood was the recipient of Wff’s Career Achievement Award, at the World Premiere of his latest film "Rehearsal," directed by admired Wff Alumni Carl Bessai.
The Whistler Film Festival proudly hosted the Variety 10 Screenwriters to Watch for the fourth consecutive year hosted by Variety Vice President and Executive Editor, Steven Gaydos . This year’s slate of screenwriters in attendance included Bryan Sipe ("Demolition"), John Scott III ("Maggie"), Meg LeFauve ("Inside Out"), Mike Le ("Patient Zero"), and Emma Donoghue ("Room"), who also delivered a Master Class for the Wff Praxis Screenwriters Lab participants.
To top it all off, Lauren Lee Smith ("How to Plan an Orgy in a Small Town"), Jakob Davies ("The Birdwatcher"), Taylor Russell and Rustin Gresiuk ("Suspension") were recognized as Wff’s Rising Stars sponsored by Ubcp/Actra at this year’s Keynote Filmmaker Luncheon presented by Pacific Northwest Pictures, and all had films premiering at the fest.
Over 400 guests attended the fest with other notable talent in attendance with films premiering at the fest including: actor Rossif Sutherland ("River"), director Jon Cassar ("Forsaken"), actor Callum Keith Rennie ("Born to Be Blue"), director/writer Sandy Wilson ("My American Cousin), actors Aleks Paunovic, Stefanie von Pfetten, Marie Avgeropoulos and Colin Cunningham ("Numb"), actors Chelah Horsdal and Alex Zahara ("Patterson's Wager"), actor Sage Brocklebank ("Suspension"), actors Gabrielle Rose and Camille Sullivan ("The Birdwatcher"), actor Rebecca Dalton ("The Colossal Failure of the Modern Relationship"), actor Paul Savoie ("The Diary of an Old Man"), director and founder of the Toronto Film Critics Association Brian D. Johnson ("Al Purdy Was Here"), director and co-founder of World Elephant Day Patricia Sims and co-director Michael Clark ("When Elephants Were Young"), "The Steps" director Andrew Currie and actor Steven McCarthy , and award-winning directors Philippe Lesage ("The Demons") and Ricardo Trogi ("The Miracle"). Veteran director Bruce McDonald attended as a mentor of the Wff Praxis Screenwriters Lab, as well as Canadian actress, writer, filmmaker, comedian, and social activist Mary Walsh , who participated in the Women In The Director’s Chair program and got a standing ovation as Wff’s Keynote Speaker at the Filmmaker Luncheon.
The Whistler Film Festival’s Pandora Audience Award went to British-American romantic drama "Carol," directed by Todd Haynes from the screenplay by Phyllis Nagy (Variety 10 Screenwriters to Watch class of 2014) starring Cate Blanchett and Rooney Mara, which received its Canadian premiere at Whistler. The Wff Audience Award runner-ups were "The Legend of Barney Thomson," character-actor Robert Carlyle's first theatrical feature and directorial debut, which received its North American premiere at the festival, followed by Ricardo Trogi’s mid-life crisis dramedy, Quebec film "Le Mirage," the highest grossing and most popular Canadian film of the year so far. The Wff Audience Award is a non-cash prize presented to the highest-rated film as voted by the audience.
Paul Gratton, Director of Programming had this to say about this year’s event: "We were very fortunate to open this year's fest with the Canadian premiere of "Carol," a film we are convinced will be a major contender in this year's awards season race. The festival took off from there, with many sold out screenings, packed and newsworthy industry sessions, and over 450 guests who made a point of trekking out to beautiful Whistler to support their films and talk business with the high-level movers and shakers also in attendance. 2015 represented another step forward towards making Wff the coolest festival in the world. Can't wait 'til next year.”
Total attendance for this year’s fest was 13,233 attendees (a 18% increase over 11,273 in 2014) . This included 7,740 film-screening attendees and 3,533 special event attendees (Signature Series, Music Café, ShortWork Showcase, R-Rated Party, Awards Brunch, L’Oreal Men Expert Bobsleigh Race and Celebrity Challenge Ski Race), in addition to 2,530 Summit attendees. Several of the feature films were at or near capacity, including: "Born to be Blue," "Chasing Bansky," "Forsaken," "How to Plan and Orgy in a Small Town," "Legend,""Legend of Barney Thomson," "Numb," "The Lady in the Van," "the Steps," and "Trumbo."
Designed to facilitate international alliances and financial partnerships, Wff’s industry Summit program presented 30 interactive sessions that addressed a range of issues affecting the film, television, and digital media industry. Overall Summit attendance was at 86% capacity with 2,530 attendees (a 13% increase over 2,231 in 2014) including 855 delegates (on par with 2014). The Whistler Summit directly connects to Wff’s slate of project development programs designed to provide creative and business immersion experiences for 42 Canadian artists including its Feature Project Lab, Praxis Screenwriters Lab, Aboriginal Filmmaker Fellowship, and Music Café. Wff also collaborates with several industry organizations by hosting specific third party initiatives at the Whistler Summit including the Women in the Director’s Chair Industry Immersion, Women in Film & Television Film Market Preparation Mentorship, and the Mppia Short Film Award Pitch with the Motion Picture Production Industry Association and Creative BC. In addition to the
204 scheduled meetings (a 10% increase over 186 in 2014) that took place during the Summit, there was again a notable increase in unscheduled meetings that took place outside of scheduled blocks proving the festival remains an important place for the industry to meet and do business. Industry guests came from Canada, USA, UK, India, and China to participate, and included some of the top talent and executives in the business.
Film met music when Morning Show, one of the ten-featured BC artists from Wff’s Music Café, performed the live score for "He Hated Pigeons." Wff’s Music Café, which expanded to include two showcases over two days and featured five music supervisors, was well received with several deals in the works and over 526 guests in attendance.
Toronto’s first-time feature director Jamie M. Dagg’s "River" dominated Whistler prize-giving, winning for best Canadian feature, Best Director and Best Screenplay in the Borsos Competition for Best Canadian Feature presented by the Directors Guild of Canada – British Columbia. The jury also awarded French-Canadian actor Paul Savoie with Best Performance in a Borsos Film for his performance in "The Diary of an Old Man," as well as provided honorable mention for Rossif Sutherland’s work in "River" and Laura Abramsen’s roles in "Basic human Needs" and "The Sabbatical." Lastly, Best Cinematography in a Borsos Film, presented by I.A.T.S.E. Local 669, went to cinematographer Dylan Macleod for "He Hated Pigeons," directed by Ingrid Veninger. The Borsos Jury was comprised of three accomplished film industry artists that included the highly versatile director and screenwriter and WFF15 Alumni Carl Bessai ("Rehearsal), beloved actor and director Marc-André Grondin , and award-winning producer extraordinaire, Kim McCraw.
Other Whistler award winners included "Last Harvest" by first-time female director Hui (Jane) Wang that won the World Documentary Award presented by Tribute.ca with honorable mention for Brian D. Johnson’s "Al Purdy Was Here." The Best Mountain Culture Film presented by Whistler Blackcomb went to Anthony Bonello’s "Eclipse." The Canadian ShortWork Award went to "Withheld" directed by Johnathan Sousa, with an honorable mention to Amanda Strong and Bracken Hanuse Corlett’s Mia’. The International ShortWork Award was awarded to "Dissonance" by Germany filmmaker Till Nowak, with Langara College’s Canadian ShortWork Award for Best Screenplay given to Jem Garrard’s "The World Who Came to Dinner." Emily Carr University of Art and Design’s Lawrence Lam won the ShortWork Student Award presented by Capilano University Film Centre for "The Blue Jet," and Maja Aro won the Mppia Short Film Award for "Hoods" presented by Mppia and Creative BC, which consists of a $15,000 cash award plus up to $100,000 in services. The Alliance of Women Film Journalists (Awfj) Eda Awards gave Best Female-Directed Narrative Feature to Valerie Weiss’ "A Light Beneath Their Feet," Best Female-Directed Documentary to Hui (Jane) Wang’s "Last Harvest," with a special mention for Brian D. Johnson’s "Al Purdy Was Here." In addition, Céline Devaux’s "Sunday Lunch" took home the Best Female-Directed Short Award.
Receiving Wff’s Trailblazer Award and Tribute presented by Pandora, British-born Canadian actor, film producer, and film director Kiefer Sutherland discussed his extensive acting career spanning film, stage and television, with CTV Film Critic Jim Gordon , followed by the Western Canadian Premiere of his latest film, "Forsaken." Scottish-born Robert Carlyle , one of the most recognizable actors today, graced the Festival’s red carpet at this year’s Spotlight event as Wff’s Maverick Award honoree and sat down with Jim Gordon to discuss his bold choices that have led to the creation of some of the most dynamic, memorable, and beloved characters of our time before the North American Premiere of his directorial debut, "The Legend the Barny Thomson." One of Canada's hardest working and most accomplished character actors, Bruce Greenwood was the recipient of Wff’s Career Achievement Award, at the World Premiere of his latest film "Rehearsal," directed by admired Wff Alumni Carl Bessai.
The Whistler Film Festival proudly hosted the Variety 10 Screenwriters to Watch for the fourth consecutive year hosted by Variety Vice President and Executive Editor, Steven Gaydos . This year’s slate of screenwriters in attendance included Bryan Sipe ("Demolition"), John Scott III ("Maggie"), Meg LeFauve ("Inside Out"), Mike Le ("Patient Zero"), and Emma Donoghue ("Room"), who also delivered a Master Class for the Wff Praxis Screenwriters Lab participants.
To top it all off, Lauren Lee Smith ("How to Plan an Orgy in a Small Town"), Jakob Davies ("The Birdwatcher"), Taylor Russell and Rustin Gresiuk ("Suspension") were recognized as Wff’s Rising Stars sponsored by Ubcp/Actra at this year’s Keynote Filmmaker Luncheon presented by Pacific Northwest Pictures, and all had films premiering at the fest.
Over 400 guests attended the fest with other notable talent in attendance with films premiering at the fest including: actor Rossif Sutherland ("River"), director Jon Cassar ("Forsaken"), actor Callum Keith Rennie ("Born to Be Blue"), director/writer Sandy Wilson ("My American Cousin), actors Aleks Paunovic, Stefanie von Pfetten, Marie Avgeropoulos and Colin Cunningham ("Numb"), actors Chelah Horsdal and Alex Zahara ("Patterson's Wager"), actor Sage Brocklebank ("Suspension"), actors Gabrielle Rose and Camille Sullivan ("The Birdwatcher"), actor Rebecca Dalton ("The Colossal Failure of the Modern Relationship"), actor Paul Savoie ("The Diary of an Old Man"), director and founder of the Toronto Film Critics Association Brian D. Johnson ("Al Purdy Was Here"), director and co-founder of World Elephant Day Patricia Sims and co-director Michael Clark ("When Elephants Were Young"), "The Steps" director Andrew Currie and actor Steven McCarthy , and award-winning directors Philippe Lesage ("The Demons") and Ricardo Trogi ("The Miracle"). Veteran director Bruce McDonald attended as a mentor of the Wff Praxis Screenwriters Lab, as well as Canadian actress, writer, filmmaker, comedian, and social activist Mary Walsh , who participated in the Women In The Director’s Chair program and got a standing ovation as Wff’s Keynote Speaker at the Filmmaker Luncheon.
- 12/9/2015
- by Peter Belsito
- Sydney's Buzz
Ahead of the official company launch in Los Angeles on Monday the fledgling Us branch of China’s Le Vision Pictures has unveiled two major partnerships.
Los Angeles-based Le Vision Pictures USA is teaming up with Dark Horse Comics to adapt and develop slate of six original Chinese graphic novels.
The partners will adapt the Chinese-language titles into English-language versions and line up feature adaptations on: The Path To Immortality, The Descendants Of Straw Mountain, Gods Of China, The Naughty Queen, Magical Days and P.A.I.U. - Paranormal Activity Investigation Unit.
Le Vision Pictures USA also unveiled a two-film deal with The Lion King director Rob Minkoff (pictured) and producing partner Pietro Ventani of Flying Tigers Entertainment to co-develop and produce the live-action comedy Silkworms and animation Wolf Totem.
Silkworms tells of two bumbling monks sent to ancient China by the Holy Roman Emperor to steal the closely guarded secret of Chinese silk production. [link...
Los Angeles-based Le Vision Pictures USA is teaming up with Dark Horse Comics to adapt and develop slate of six original Chinese graphic novels.
The partners will adapt the Chinese-language titles into English-language versions and line up feature adaptations on: The Path To Immortality, The Descendants Of Straw Mountain, Gods Of China, The Naughty Queen, Magical Days and P.A.I.U. - Paranormal Activity Investigation Unit.
Le Vision Pictures USA also unveiled a two-film deal with The Lion King director Rob Minkoff (pictured) and producing partner Pietro Ventani of Flying Tigers Entertainment to co-develop and produce the live-action comedy Silkworms and animation Wolf Totem.
Silkworms tells of two bumbling monks sent to ancient China by the Holy Roman Emperor to steal the closely guarded secret of Chinese silk production. [link...
- 11/9/2015
- by jeremykay67@gmail.com (Jeremy Kay)
- ScreenDaily
“We don’t go up there. They ain’t supposed to come down.”
That’s the guiding principle of Wgn’s upcoming drama Outsiders, a gritty look at the Farrell Clan’s centuries-long struggle to defend its home — and way of life — atop Shay Mountain from those in the Kentucky town below.
The action series stars David Morse (Treme) as Big Foster, a powerful man who’s next in line to lead his family.
Related The 100‘s Davina Porter Joins Wgn America’s Slavery Drama Underground
The ensemble cast also includes Joe Anderson (The Divide) as Asa, who’s looking...
That’s the guiding principle of Wgn’s upcoming drama Outsiders, a gritty look at the Farrell Clan’s centuries-long struggle to defend its home — and way of life — atop Shay Mountain from those in the Kentucky town below.
The action series stars David Morse (Treme) as Big Foster, a powerful man who’s next in line to lead his family.
Related The 100‘s Davina Porter Joins Wgn America’s Slavery Drama Underground
The ensemble cast also includes Joe Anderson (The Divide) as Asa, who’s looking...
- 10/13/2015
- TVLine.com
As of this article's publication only five countries have announced their official Oscar entries for the 88th Academy Awards: Hungary ("Son of Saul"), Romania ("Aferim!"), Bosnia & Herzegovina ("Our Everyday Life"), Luxembourg ("Baby(A)lone"), and Kazakhstan ("Stranger"). Taking into account last year's record number of submissions, 83 in total, there are certainly a lot more coming in the next few weeks. Several national film organization have already narrowed the field down to a shortlist of films that qualify to be considered, other countries skip the shortlist and simply announce their participant title without revealing what was being considered.
Trying to predict what a particular nation will enter is a tall order because of the numerous factors that weight in, especially when dealing with countries with a large film industry. In other cases, however, there are usually just a couple standouts that meet the standards to be submitted. Whatever the case, even with the most obvious choices there could be surprises such as Indian choosing not to submitting "The Lunchbox" or Chile choosing another film over Silva's "The Maid."
While there is no sure-fie formula to predict what films will be competing for the Best Foreign Language Film Academy Award, by looking at festivals, release dates, national awards, previous submissions, and with a hefty dose of educated speculation, I've put together a list of 35 titles that, at this point, seem like excellent choices.
Update 08/28: Several countries have announced their official submissions: Croatia ("The High Sun"), Germany ("Labyrinth of Lies"), Guatemala ("Ixcanul"), Switzerland ("Iraqi Odyssey"), and Palestine ("The Wanted 18").
Argentina
"The Clan" (El Clan)
Dir. Pablo Trapero
Isa: Film Factory Entertainment
U.S. Distribution: None Yet
Argentine Release Date: August 13th, 2015
Coming off the success of this year’s nominee “Wild Tales,” which also did very well at the U.S. box-office for Sony Pictures Classics and became a spectacular hit back home, Argentina seems to have another strong contender this year with Pablo Trapero’s latest work “The Clan” (El Clan). Two of the director’s previous films have been submitted before (“Lion’s Den” and “Carrancho”), and this one about the Puccio family, which was criminal organization that kidnapped and murdered wealthy people, looks more than promising. “The Clan” is also produced by Almodovar’s El Deso, just as Damian Szifron’s “Tales” was. There are several other films that have enough merits to be considered, but might prove insufficient when faced with Trapero’s film. “Refugiado,” “El Patron,” “Two Shots” and, even “Jauaja,” starring Viggo Mortensen, qualify
Brazil
"The Second Mother"
Dir. Anna Muylaert
Isa: The Match Factory
U.S. Distribution: Oscilloscope Pictures
Brazilian Release Date: August 27, 2015
Undoubtedly the most awarded Brazilian film of the year is also their best bet at the Oscars. Anna Muylaert's “The Second Mother” premiered at Sundance where it won a Special Jury Prize for both of its leading actresses Regina Casé and Camila Márdila. It went on to screen in the Panorama section of the Berlinale and took home the C.I.C.A.E. Award and the Audience Award. The film tells the story of a live-in housekeeper and his daughter as they navigate the class divisions prevalent in Brazilian society. Another factor in its favor is the fact that the film has secured U.S. distribution thanks to Oscilloscope. “The Second Mother” opens in Brazil on August 27 and, in a strange turn of events, on August 28 in the U.S. While there are plenty of other great Brazilian works that qualify to be submitted, it’s unlikely that the selection committee will look elsewhere. Other films that could have a shot at being chosen are “August Winds,” “Casa Grande.” “Blue Blood,” and “White Out, Black In”
Bulgaria
"The Judgement"
Dir. Stephan Komandarev
Isa: Premium Film
U.S. Distribution: None Yet
Bulgarian Release Date: October 16, 2014
Following last year’s scandalous selection of “Bulgarian Rhapsody” over the more deserving “Viktoria,” the Eastern European country has a two-way race in which both candidates have almost equal chances at being chosen. Stephan Komandarev’s drama “The Judgement” is the larger production of the two and revolves around a desperate father trying to amend his relationship with his estrange son. At the same time the protagonist is also trying to make ends meet and decides to take on the dangerous job of smuggling illegal immigrant from Syria through a remote area of the Turkish-Greek-Bulgarian border. The other film is Kristina Grozeva & Petar Valchanov's “The Lesson,” about a devoted teacher who is faced with corrupt bureaucracy after her classroom is burglarized. Winning awards at the Sofia International Film Festival, San Sebastian, Thessaloniki, and screening at Tiff and Rotterdam, “The Lesson” should be the frontrunner. However, “The Judgement” might have the edge not only because it sports a larger budget and wider appeal, but because Komandarev is the filmmaker behind “The World is Big and Salvation Lurks Around the Corner,” which is the one Bulgarian film that has gotten the closest to Oscar glory when it was shortlisted by the Academy in 2010. Less likely to be selected but still viable possibilities are “Adultery,”"Buffer Zone," and "The Petrov File."
Canada
"Felix & Meira"
Dir. Maxime Giroux
Isa: Urban Distribution International
U.S. Distribution: Oscilloscope Laboratories
Canadian Release Date: January 30th, 2015
As of now Canada’s ideal representative would be the small, but touching, “Felix & Meir,” about a married woman from the Orthodox Jewish community who falls in love with a secular man, as way to know life beyond the restrictions of her faith. This tiny gem won the Best Canadian Feature award at last year’s Tiff and received four awards at the Whistler Film Festival including Best Film and Best Director. “Felix & Meira” was acquired by Oscilloscope for U.S. distribution and was released last April. To date it has grossed nearly $500,00, which, for a subtle and niche film like this, is a great feat. Giroux’ film should take this easily, unless the new film by Oscar-nominated director Philippe Falardeau decides to push for the opportunity. Falardeau newest film “Guibord Goes to War” (Guibord s’en va-t-en guerre) is a political dark comedy that premiered at Locarno and is scheduled to open in Canada on October 2- just two days after AMPAS’ deadline. If the distributor decides to have a one-week qualifying run ahead of the release, then it would become the new frontrunner to represent Canada. However, it’s still unknown if that is being considered or if the film will just wait till next year. Falardeau was nominated in the category for “Monsieur Lazhar” in 2012. “Chorus,” which premiered at Sundance, Berlin’s “Corbo,” Tiff’s “In Her Place,” and the “Les Loups” also qualify.
Chile
"The Club" (El Club)
Dir. Pablo Larraín
Isa: Funny Balloons
U.S. Distribution: Music Box Films
Chilean Release Date: May 28, 2015
With Pablo Larraín’s Silver Bear-winner film, Chile has an easy choice to make. “The Club,” which was recently picked up for U.S. distribution by Music Box Films, has received universal critical acclaimed and has cemented its director as one of the most important figures in Latin American cinema. Larraín’s latest centers on a group of priests and nuns sent to a beach town to purify their sinful pasts involving everything from pedophilia to kidnapping. The only other film that truly stands a chance is Matias Lira's “El Bosque de Karadima,” which deals with similar themes regarding secrecy and crimes against children within the Catholic Church. But even if this film has been well-received at home, “The Club” has had more much more international visibility and it has the distinction of being the newest work from the director behind “No,” Chile’s only Oscar-nominated film to date. Other notable works that will be part of the conversation include historical drama “Allende en su Laberinto” by veteran director Miguel Littin, Rodrigo Sepúlveda’s touching “Aurora," and indie flick “La Voz en Off.”
China
"Mountains May Depart" (山河故人)
Dir. Zhangke Jia
Isa: MK2
U.S. Distribution: Kino Lorber
Chinese Release Date: Unknown
Censorship has always played a role in China’s decision-making process when it comes to their Oscar submissions. Some of the best Chinese films in recent years are never considered given their controversial topics or because they were made outside of the state-run system. Under this circumstances patriotic epics or lavish period dramas are often selected even when their quality is subpar. The country’s big production this year is “The Lady of the Dynasty,” which was a box-office disappointment and garnered mostly negative reviews locally. With this in mind, the hope is that they will finally look at more compelling films with greater international exposure, such as Jia Zhangke’s “Mountains May Depart.” Premiering at Cannes to mostly positive responses, the film looks at Chinese society from three perspectives scattered over three decades. The film has passed the censors' revisions and will be allowed to screen in mainland Chine, which means it’s possible one of Zhangke’s film might finally represent his homeland. His previous effort, “A Touch of Sin,” was ignored because of its thematic elements. Jean-Jacques Annaud’s stunning “Wolf Totem” is a close second choice, but given the fact that China submitted a film by a French director last, they might want to highlight a homegrown talent this time. There is also “Red Amnesia,” a thriller about a widow that compulsively needs to take careof those around her until strange incidents shake her life. Er Cheng’s “The Wasted Times,” which appears to be a delirious visual treat, but it opens just a few days after the September 30th deadline. A qualifying run prior to that date is possible, but not likely. “Mountains May Depart” is definitely the strongest candidate.
Colombia
"Embrace of the Serpent" (El Abrazo de la Serpiente)
Dir. Ciro Guerra
Isa: Films Boutique
U.S. Distribution: Oscilloscope Laboratories
Colombian Release Date: May 25th, 2015
The Colombian film industry has had an outstanding year and that has produced an impressive lineup of films from which their strongest Oscar entry to date will emerge. Three films that screened at the Cannes Film Festival - two of which earned prizes – are at the top of the list. Winning the Art Cinema Award at the Directors’ Fortnight Ciro Guerra’s black-and-white “Embrace of the Serpent” is the one to beat among these trio of art house wonders. Guerra’s film is a period piece about the clash between the native people of the Amazon and a European explorer, which has received stellar reviews and was picked up for U.S. distribution by Oscilloscope. Two of Guerra’s previous films, “Wandering Shadows” and “The Wind Journey,” also represented Colombia at the Academy Awards. Nevertheless, the other films that screen at the Croisette, Golden Camera-winner “Land and Shade” and war drama “Alias Maria,” shouldn’t be completely counted out of the running. Films like Franco Lolli's “Gente de Bien” (Cannes 2014), Josef Wladyka's “Manos Sucias,” "Todos Se Van," and “Ruido Rosa” qualify and testify of the great moment Colombian filmmaking is experiencing, but they will have a difficult time pulling off an upset.
Croatia
"The High Sun" (Zvizdan)
Dir. Dalibor Matanic
Isa: Cercamon
U.S. Distribution: None Yet
Croatian Release Date: Septemeber 2015
It’s not often that a Croatian feature manage to grab Cannes’ attention and take home a prestigious award like the Un Certain Regard Jury Prize. “The High Sun” achieved such feat and should be almost a lock to become the country’s Oscar entry. This intense drama, that expands over three decades and explores the Balkan region’s turbulent history, also won 7 awards at the Pula Film Festival including Best Film, Director, Leading Actress, Supporting Actor, and Supporting Actress. If there’s another film with a reasonable shot, it would be Ognjen Svilicic's “These Are the Rules” about a family questioning their moral compass after a violent incident, which did well in the festival circuit winning awards in Venice, Warsaw, Stockholm, and Pula. Svilicic’s 2007 feature “Armin” represented the country at the 80th Academy Awards. “The Bridge at the End of the World,” “Ungiven,” “The Reaper,” “Number 55” are other noteworthy Croatian films released during the past year, but Matanic’s highly praised wok should have no trouble becoming the official entry.
Dominican Republic
"Sand Dollar" (Dólares de Arena)
Dir. Israel Cárdenas & Laura Amelia Guzmán
Isa: FIGa Films
U.S. Distribution: Breaking Glass Pictures
Dominican Release Date: November 13th, 2014
Thanks to a growing film industry, Dominican films have participated every year starting in 2011 after being absent from the race since 1995. Their submissions have included romantic comedies and low-budget crime dramas that weren’t successful at getting AMPAS’ attention. Fortunately, this year they might have their strongest candidate yet with “Sand Dollars.” In Israel Cárdenas & Laura Amelia Guzmán's film starring Geraldine Chaplin, a local girl becomes the object of desire for an older French woman visiting the Caribbean country, influenced by her boyfriend the Dominican beauty decides to take advantage of the foreigner’s interest. “Sand Dollars” has screened at countless festivals around the world winning a handful of awards and has secured U.S. distribution. Guillermo Zouain's road-trip comedy “Algún Lugar” has also been well-received at a couple of international festivals, but is less likely to be picked. “Pueto Pa’ Mí,” a drama about urban music, documentary “Tu y Yo," and biopic “Maria Montez,” might be out of luck. It’s unclear if Agliberto Meléndez political film “Del Color de La Noche,” has premiered yet, so that could a contender next year given that the director was behind the country’s first ever Oscar submission.
Ethiopia
"Lamb"
Dir. Yared Zeleke
Isa: Films Distribution
U.S. Distribution: None Yet
Ethiopian Release Date: Unknown
The East African nation has only sent two films for consideration. Last year it was the Angeline Jolie-supported “Difret,” which was part of the World Cinema competition at the 2014 Sundance Film Festival. This year only two films seem to qualify. “Lamb” is the first-ever Ethiopian film to screen at Cannes, which makes it the unquestionable favorite. It’s a rural story about a boy and his beloved sheep moving in with relatives as his mother goes to work in the city. Reviews were positive praising the film’s cinematography and layered storytelling. The other film that could possibly be selected is Hermon Hailay’s “Prince of Love” about a prostitute and a cab driver struggling to get by in the capital city of Addis Ababa. “Prince of Love” represented the country at Fespaco, one of Africa’s most renowned festivals, and will screen at Tiff in September. Ethiopia might choose to send “Lamb” this time around and save Hailay’s feature for next year depending on release date.
Finland
"The Fencer" (Miekkailija)
Dir. Klaus Härö
Isa: The Little Film Company
U.S. Distribution: None Yet
Finnish Release Date: March 13th, 2015
Peculiar teen drama “They Have Escaped” won four Jussi Awards from the Finnish Academy earlier this year including Best Film and Best Director; however, it will probably face an uphill battle to become Finland’s Oscar entry. Instead, Estonian-language period piece, “The Fencer,” looks like a more feasible alternative because of its classic story, elegant cinematography, and the director behind it: Klaus Härö. The film tells the story of a young Estonian fencer who leaves his homeland to become a Pe teacher and escape persecution by the Russian authorities in the 1950s. Some critics have gone as far as to call it “the best Finnish film in a decade.” Three of Härö’s previous films (“Elina: As If I Wasn’t There,””Mother of Mine, “ and Letter to Father Jacob) were selected as Oscar entries. The only obstacle in its path is the fact that this is an Estonian story with mostly Estonian dialogue. If the selection committee can overlook that, this will be their pick. Antti Jokinen's “Wildeye,” a visually arresting war drama that opens in September is another strong option, particularly because Jokinen’s previous film, “Purge,” represent the country in 2013. “Absolution,” “Head First,” ”Homecoming,” and “Tsamo” are proof a strong year in Finnish cinema but won’t make the cut.
France
"Dheepan"
Dir. Jacques Audiard
Isa: Wild Bunch
U.S. Distribution: Sundance Selects
French Release Date: August 26th, 2015
Given the amount of films produced in France each year, this is the most difficult country to narrow down. However, this year there is a heavyweight contender among the scores of worthy productions. Surprise Palme d’Or-winner “Deephan” by the Academy Award-nominated director of “A Prophet," Jacques Audiard, is a clear favorite. Audiard is a legend and it’s hard to think France won’t support the film that took home one of cinema’s most coveted prizes. Following the relevant immigrant story of a Sri Lankan warrior in France, “Dheepan” is almost a safe bet. If for some unimaginable reason Audiard’s latest is not chosen, the most likely alternative would be well-received “My Golden Days” by Arnaud Desplechin, which has been picked up for U.S. distribution by Magnolia Pictures. While there are dozens of films that could be considered, here are some other important French films that qualify based on their release dates: “Girlhood,” “Standing Tall,” “The Measure of Man,” “The New Girlfriend,” “Valley of Love,” “Eden,”"The Connection."
Germany
"Labyrinth of Lies" (Im Labyrinth des Schweigens)
Dir. Giulio Ricciarelli
Isa: Beta Cinema
U.S. Distribution: Sony Pictures Classics
German Release Date: November 6th, 2014
After an 8-film shortlist was released, - which sadly doesn’t include “Phoenix” because it opened late last September – things look pretty clear for the German selection committee. It’s really a 3-film race between “13 Minutes,” Labyrinth of Lies,” and “Victoria.” Unfortunately, and despite incredibly positive reviews, Sebastian Schipper's “Victoria” might be considered a risky choice because a big part of it is in English. That leaves Oliver Hirschbiegel’s “13 Minutes,” about a man who tried to assassinate Hitler in 1939. On the surface this looks like the prime title to send to AMPAS since Hirschbiegel’s “Downfall” earned him a nomination and he has worked in Hollywood for several years now. Yet, reception wasn’t as warm for his first German film in a decade. On the other “Labyrinth of Lies,” which deals with Post-World War II Germany and how the government tried to cover up its recent Nazi past, had better luck. Critical reception has been better for this film and it was a financial success in Germany and France, which gives the edge. Both “13 Minutes” and “Labyrinth of Lies” were acquired by Sony Pictures Classics for U.S. distribution. The complete list of shortlisted films can be found Here
Greece
"Xenia" (Ξενία)
Dir. Panos H. Koutras
Isa: Pyramide International
U.S. Distribution: Strand Releasing
Greek Release Date: October 2nd, 2014
Although it’s not an official rule, Greece almost-automatically selects the winner of the Best Film Prize at the Hellenic Film Awards as their Oscar submissions. This year’s winner was the Lgbt dramedy “Xenia,” which follows two Albanian brothers searching for their Greek father after their mother’s death. The film was nominated for 15 Hellenic Film Awards and won a total of six. “Xenia” premiered in the Un Certain Regard section at the Cannes Film Festival and will be released in the U.S. in October by Strand Releasing. I can’t see any other film being selected other than Koutras’ Almodovar-infused film, but if that were the case the other Best Film nominees – that meet AMPAS requirements- would be the ones to look to: “Electra,” “A Blast,” and “Forever.”
Guatemala
"Ixcanul"
Dir. Jayro Bustamante
Isa: Film Factory Entertainment
U.S. Distribution: None Yet
Guatemalan Release Date: August 27th, 2015
This is a no-brainer. Guatemala has only sent a film once back in 1994, but this year director Jayro Bustamante delivered the most awarded Guatemalan film in history. That should be a good enough reason to enter the race once again. “Ixcanul” won the Alfred Bauer Award at the Berlinale and has screened across the world to great success. Bustamante’s film centers on a Mayan girl who wants to escape the arrange marriage that awaits her to see what’s beyond her village. Another Guatemalan film, which also screened in Berlin, Edgar Sajcabún's “La Casa Más Grande del Mundo,” will probably not open theatrically in time and should be considered next year.
Iceland
"Rams" (Hrútar)
Dir. Grímur Hákonarson
Isa: New Europe Film Sales
U.S. Distribution: Cohen Media Group
Icelandic Release Date: May 28th, 2015
Two middle-aged brothers in an Icelandic rural town leave their differences behind and come together to save their beloved farm animals in the Un Certain Regard Award-winner “Rams.” With such recognition under its belt and having just been picked for U.S. distribution by Cohen Media Group, Grímur Hákonarson's film is certainly the handsomest choice. Still, “Rams” is not without a strong rival. Crowd-pleaser “Virgin Mountain,” about a lonely man whose life changes when he meets a new friend, had its U.S. premiere at the Tribecca Film Festival where it won three awards: Best Narrative Feature, Best Actor, and Best Screenplay. It could go either way, but the Cannes prestige and having found a U.S. distributor give “Rams” the upper hand. Iceland produced several qualifying features this year including “Brave Men’s Blood,” “East of the Mountain, “ and “The Homecoming.”
Iran
"Muhammad: The Messenger of God"
Dir. Majid Majidi
PC: Nourtaban Film Industry
U.S. Distribution: None Yet
Iranian Release Date: August 26, 2015
Iran will have to make an incredibly difficult decision that unfortunately may have political repercussions. Majid Majidi’s latest film “Muhammad: The Messenger of God” is the most expense Iranian feature ever made. The historical epic brings to life the early years of the prophet's life with impressive locations, costumes, and cinematography courtesy of Three-time Oscar-winner Vittorio Storaro. Majidi himself is no stranger to the Academy having earned Iran’s first-ever Academy Award nomination with “Children of Heaven.” Taking these facts into consideration, “Muhammad” seems to be the obvious selection, but there are many religious and political concerns that could get in its way. Islam prohibits the depiction of the prophet and other sacred figures in any artistic work. Knowing this, Majidi shot the entire film - which is the first part in what’s to become a trilogy – without ever showing the prophet’s face by shooting most scenes from his point of view or showing him with his back to the camera. This was acceptable for Iran’s censors, as the film will open this week in theaters across the Middle Eastern country. However, other Muslim countries, particularly Sunni Muslims, have been outspoken about their discontent with the film. Whether Iran will still choose to submit the film to AMPAS is a mystery, but it will certainly have more to do with outside influences rather than artistic merit. “Muhammad” will have its North American premiere at the Montreal World Film Festival.
“Nahid” by Ida Panahandeh, about a woman’s journey from divorce to remarrying, won the Avenir Prize in the Un Certain Regard section at Cannes, but - although censors have said the film will be allowed the screen in Iran - it might not open theatrically in time. It also deals with a controversial subject and that might limit it chances. A third, and much safer option, is romantic drama “What’s the Time in Your World?” starring Leila Hatami (“A Speration”) and Ali Mosaffa (“The Past”). Directed by Safi Yazdanian, the film looks beautifully done and sports two of the most talented Iranian actors working today. It could definitely be a good alternative. Other films include “Borderless,” “Track 143,” "Tales” and “Confessions of a Dangerous Mind.” Perhaps Iran will ignore the risk and submit their most lavish film to date by one of their most celebrated filmmakers who still works within the state’s parameters.
Israel
"The Kind Words" (Ha'milim ha'tovot )
Dir. Shemi Zarhin
Isa: Beta Cinema
U.S. Distribution: None Yet
Israeli Release Date: May 28, 2015
With 12 nominations to Israel’s Ophir Awards, “The Kind Words” including Best Film, Best Director, Best Screenplay, Best Actor, and Best Actress Shem Zarhin’s film is the one to beat. Since the winner of the Ophir Award for Best Film automatically becomes Israel’s Oscar submission, “The Kind Words” has a strong shot at both honors. The film follows a group of siblings as they travel abroad to uncover a secret. By default the other contenders are the rest of the films nominated for Best Film: “Wounded Land,” ”Afterthought,” “Wedding Doll,” and “Baba Joon.” Of this Elad Keidan's “Afterthought,” which premiered at Cannes to positive reviews, and Erez Tadmor's intense drama “Wounded Land” appear to be the strongest alternatives. Despite being nominated several times Israel has never won the Best Foreign Language Film Academy Award.
Italy
"My Mother" (Mia Madre)
Dir. Nanni Moretti
Isa: Films Distribution
U.S. Distribution: Alchemy
Italian Release Date: April 16th, 2015
Nanni Moretti is back with “Mia Madre,” a new family drama that screened in competition at this year’s Cannes Film Festival and won a few awards at the Italian David di Donatello Awards. Since the big winner at the national awards, “Black Souls,” was considered last year, Moretti’s film is the frontrunner. However, there is a wild card that could change things. Veteran filmmaker Marco Bellocchio will release his newest work “Blood of My Blood,” a historical drama about a 17th century woman accused of being a witch, on September 9 - just in time to qualify. It’s likely that Moretti will have enough support to pull it off, but there is still a chance that might not be set in stone. Besides these two films there is Mario Martone’s “Leopardi,” a biopic about poet Giacomo Leopardi, which won several David di Donatello Awards and was also recognized in Venice. With even less possibilities are Sundance’s “Cloro,” “Greenery Will Bloom Again,” and Albanian-language “Sworn Virgin,”
Ivory Coast
"Run"
Dir. Philippe Lacôte
PC: Banshee Films
U.S. Distribution: None Yet
Ivorian Release Date: December 17th, 2014
The first and only time a film represent Ivory Coast at the Oscars was back in 1977. That film, “Black and White in Color,” won the first and only Academy Award attributed to a Sub-Saharan African country. Nevertheless, that landmark work was directed by a Frenchmen, Jean-Jacques Annaud, and had mostly French talent in the leading roles. Now, almost 40 years later, an actual Ivorian film looks presents a fantastic opportunity for the country to return to the race. Philippe Lacote’s political drama “Run” screened in the Un Certain Regard section in Cannes 2014, Tiff, and AFI Fest, and later opened commercially in Abidjan, the Ivorian Capital, and Paris. Ivory Coast has only one eligible film to submit as their Oscar entry, and fortunately it’s a good one.
Japan
"Our Little Sister" (海街 diary)
Dir. Hirokazu Koreeda
Isa: Wild Bunch
U.S. Distribution: Sony Pictures Classics
Japanese Release Date: June 13th, 2015
Japan hasn’t had a successful entry since unexpectedly winning the award in 2009 with “Departures.” Their selections are often baffling because they tend to ignore festival winners and critically acclaimed films to pick obscure titles that rarely connect with voters. In recent years outstanding films such as “Like Father, Like Son” have been overlooked. Having said this, one can only hope that this time around they will chose more wisely. This year another film by Hirokazu Koreeda, “Our Little Sister,” debuted at Cannes and has been picked up for U.S. distribution by Sony Pictures Classic – a powerhouse distributor in the Best Foreign Language Film race. Based on a manga series, the film revolves around a group of young women who decide to adopt their stepsister after their father dies. “Our Little Sister” was also a financial success in its homeland. Even with all these positive qualities on its side, Japan might refuse to submit Koreeda’s film and look elsewhere. Other options from the festival circuit include Naomi Kawase's “An- Sweet Red Bean Paste,” which less positive reviews; “Journey to the Shore,” though it opens on October 1; “Kabukicho Love Hotel,” which screened at Tiff last year, and “Cape Nostalgia.”
Jordan
"Theeb" (ذيب)
Dir. Naji Abu Nowar
Isa: Fortissimo Films
U.S. Distribution: Film Movement
Jordanian Release Date: March 19th, 2015
In 2008 Jordan submitted their first-ever Oscar submission, and the first feature film made in the country in half a century. That film, “Captain Abu Raed,” did very well in festivals like Sundance and Dubai. Since then, Jordanian cinema has been scarce forcing the country to be absent from the race. That could change this year with “Theeb” by UK-born filmmaker Naji Abu Nowar. His period piece about a Bedouin boy during World War I has played at numerous festivals and will have a U.S. theatrical release via Film Movement.
Lithuania
"The Summer of Sangailé" (Sangaile)
Dir. Alanté Kavaïté
Isa: Films Distribution
U.S. Distribution: Strand Releasing
Lithuanian Release Date: August 21st, 2015
The Sundance Film Festival screened its first-ever Lithuanian feature this past January, “The Summer of Sangailé” by Alanté Kavaïté. This Lgbt coming-of-age story showcases captivating cinematography and nuanced performances. “Sangailé” went on to win the Directing Award in the World Cinema Competition at the Park City festival. It will also become one of the very few Lithuanian films to have been distributed in the U.S. when Strand Releasing schedules its theatrical release. Being the most awarded narrative film from the Baltic nation, it should be a shoo-in. "Sangailé" also won three Silver Crane Awards (Lithuanian Oscars): Best Film, Best Actress for Julija Steponaityte and best set design for Ramunas Rastauskas. Its only realistic adversary is the documentary “Master and Tatyana,” which won the Best Documentary, Best Director, and Best Cinematography prizes at the Silver Crane. Lithuania has shown to be fond of submitting documentaries, but one could presume that “Sangaile’s” wider international appeal will help it succeed.
Mexico
"The Thin Yellow Line" (La Delgada Línea Amarilla)
Dir. Celso R. García
Isa: Latido Films
U.S. Distribution: None Yet
Mexican Release Date: Unknown
Among the 14 films that the Mexican Academy announced as candidates to become the official Oscar submission, only a handful of them have a real chance at representing Mexico. It’s really a three-way race between “600 Miles,” “La Tirisia,” and “The Thin Yellow Line.” Each of these has distinctive assets as well as factors that could play against them. Gabriel Ripstein's “600 Miles” stars Tim Roth, which could be beneficial because Academy voters would see a familiar face on screen. At the same time Roth’s participation means that there is a considerable amount of English dialogue that could make the film feel less authentic when considered as a “foreign language film” representing a country. Then there is Jorge Pérez Solano's art house marvel, “La Tirisia,” about the role of women in a very traditional Mexican community. This is a film that truly showcases an unseen aspect of Mexican culture and has garnered international recognition, but it might be too small in scope to be selected.
Lastly, “The Yellow Thin Line,” which was awarded at the Guadalajara Film Festival but hasn’t travel much. It will screen at the Chicago International Film Festival in October. “The Thin Yellow Line” tells the story of a group of men working on a deserted road as they are forced to come to terms with their yearnings and failures. The premise seems unique; the cast includes some of Mexico’s most recognizable talents, and it’s partly produced my Guillermo del Toro. That last fact is what could set the film apart from the rest because the general public and Academy voters will be intrigued to see what was it about this story that interested Del Toro, who hasn’t been involved in a Mexican project in several years. It’s a tough race, but having someone like the “Pan’s Labyrinth’s” director supporting the film could be a deal breaker.
Peru
"The Vanished Elephant" (El Elefante Desaparecido)
Dir. Javier Fuentes-León
Isa: Mundial
U.S. Distribution: Oscilloscope Laboratories
Peruvian Release Date: October 9th, 2015
Javier Fuentes-Leon’s “The Vanished Elephant” premiered at last year’s Tiff and was also part of this year’s Los Angeles Film Festival making it the highest profile Peruvian film of the year. At home, the critical response was very positive and the quality of the film, in comparison to other Peruvian works released in the last 12 months, is undeniable. “The Vanished Elephant” tells the cryptic story of a writer whose girlfriend disappears without a trace. After receiving a series of strange photographs, he delves into deceitful conspiracy that defies the lines between reality and fiction. Fuentes-Leon debut feature “Undertow” was submitted to the Academy back in 2010. Enrica Perez’ “Climas” about three Peruvian women from different walks of life and Héctor Gálvez forensic mystery “Nn” have both screened at several international festivals, and though they are much smaller film’s than “The Vanished Elephant,”either of them could be the next best choice to become Peru’s Oscar entry. Less likely titles include “Videophilia,” “Solos,” and historical drama “Gloria del Pacífico.”
The Philippines
"Trap" (Taklub)
Dir. Brillante Mendoza
Isa: Films Distribution
U.S. Distribution: None Yet
Filipino Release Date: Unknown
Brillante Mendoza is one the Philippines most acclaimed auteurs and yet none of his films have ever been selected to represent the Southeast Asian nation at the Oscars. His latest work, “Trap,” won Special Mention from the Ecumenical Jury at Cannes and it’s the prime contender to travel to L.A. this year. “Trap” follows a group of survivors soon after Typhoon Haiyan devastated a great part of the country. The film stars Filipino actress Nora Aunor, who also the lead in Mendoza’s “Thy Womb,” which was the Filipino entry at the Golden Globes a couple years back. Given that Mendoza’s work has never been selected, there is a chance he might miss out once more. If that happens, the film that could benefit is Paul Soriano's Manny Pacquiao biopic titled “Kid Kulafo,” which would evidently ring a bell with Americans. Other films to be considered include “Justice,” also starring Aunor, “Crocodile,” or even lighthearted comedy “English Only, Please.”
Russia
"Sunstroke"
Dir. Nikita Mikhalkov
Isa: Wild Bunch
U.S. Distribution: None Yet
Russian Release Date: October 4th, 2014
Even after winning the Golden Globe and being nominated for an Academy Awards, Andrey Zvyagintsev “Leviathan” couldn’t get the Best Film award from the Russian Academy. Instead, they decided to bestow that honor on veteran filmmaker Nikita Mikhalkov's period piece "Sunstroke.” This is the type of film that Russia loves to submit: patriotic, historical, and epic. Even though last year the Russian selection committee showed they could overlook their political agenda to ensure the best film represented the country, this year they will go back to their old ways. This is not to say “Sunstroke” is a bad film, as hardly anyone outside of Russia has seen, but it does mean that other more daring offers like Yuriy Bykov's festival darling “The Fool” and Aleksey German's “Under Electric Clouds" have little hope at becoming the country’s entry and getting the exposure that comes with it. Mikhalkov won the Oscar in for “Burnt by the Sun” in 1995 and was nominated again for "12" in 2008, which means he will be hard to beat this year. "The Fool" would be a much more interesting selection but its story about a regular citizen fighting the corrupt system might prove too controversial. There is also another war epic titled "Batalion" by Dmitriy Meskhiev, which could pull off a surprise.
Serbia
"Enclave" (Enklava)
Dir. Goran Radovanovic
PC: Nana Filam
U.S. Distribution: None Yet
Serbian Eelease Date: March 19, 2015
Serbia’s 6-film shortlist includes worlds that deal with a variety of subjects, from the recurrent tales of war and its aftermath, triumphant sports stories, and even the peculiar case of a boy who grew up wild in the woods. Of all these possibilities, the film that seems to have the most gravitas is Goran Radovanovic's “Enclave,” a film about the ethnic divide in Kosovo and the atrocities that perpetuates. This is definitely not the film with the most international exposure, but the story might be enough to warrant its submission. Films that deal with similar issues like, “Circles,” have been previous selected. But the Serbian committee wants to stay away from both war and sports dramas, they might go with Vuk Rsumovic “No One’s Child” which did very well at a few festivals including Venice and Palm Springs. It could either way. Original comedy "Monument to Michael Jackson" could also be a more lighthearted choice. The shortlist is completed by "We Will Be the World Champions"," The Man Who Defended Gavrilo Princip," and "The Disobedient" (Sundance 2014).
Spain
"Ma Ma"
Dir. Julio Medem
Isa: Seville International
U.S. Distribution: None Yet
Spanish Release Date: September 11, 2015
For a long time I had hope that Spain would find a loophole and submit their most honored film at this year’s Goya Awards, “Marshland” (La Isla Minima), but that seems like a farfetched hope now. Luckily, another film that looks like a winner will be released just in time. “Ma Ma” directed by Julio Medem and starring Academy Award-winner Penelope Cruz has Oscar written all over it. Cruz plays a mother diagnosed with cancer and whose ferocious battle with the disease will reinvigorate her love for life. The actress also served as a producer in what has become one of the most anticipated films of the year. The only films that could challenge are coming-of-ager “A Cambio de Nada” and Basque-language drama “Loreak.” The former appears to be feel-good story that might seem slight in comparison to both “Ma Ma” and “Loreak,” which deals with a woman who starts receiving flowers from a mysterious sender. “Magical Girl” is a brilliantly twisty film, but being so edgy it will probably be considered to risky for the Oscar race. Penelope Cruz’ star power will decide this race.
Sweden
"A Pigeon Sat on a Branch Reflecting on Existence" (En duva satt på en gren och funderade på tillvaron)
Dir. Roy Andersson
Isa: Coproduction Office (Paris)
U.S. Distribution: Magnolia Pictures
Swedish Release Date: November 14th, 2014
The two previous chapters sin Andersson’s trilogy about being human were submitted to AMPAS, and even if they didn’t get a nomination, it’s hard to imagine them not submitting “A Pigeon.” The film has been critically acclaimed and it won the Golden Lion at last year’s Venice Film festival. Furthermore, it has already been released in the U.S. by Magnolia, the company that handled last year’s Swedish submission, “Force Majeure.” While I’d love to see Andersson be selected, there are several other films that could prevent that from happening. Kay Pollack, who earned Sweden’s most recent nomination for “As It Is in Heaven,” has a new film opening in early September titled “Heaven on Earth.” Depending on how that film is received the tables may or may not turn. The third strongest option is the romantic costume drama “Gentlemen,” which won several awards from the Swedish Academy and has already been picked up for U.S. distribution by, of course, Magnolia. Smaller, yet worthy candidates, include “My Skinny Sister” and “Flocking,” both of which premiered in Berlin.
Switzerland
"Vanity" (La Vanité)
Dir. Lionel Baier
Isa: Wide
U.S. Distribution: None Yet
Swiss Release Date: September 2, 2015
Out of the 7 films shortlisted by the Swiss, the one that immediately stands out is dark comedy “Vanity.” The film just premiered at Locarno and it stars Spanish actress, and one of Almodovar’s favorites, Carmen Maura, as well as Patrick Lapp. Although the film deals with suicide, the approach seems to be very comedic. In a list of several obscure titles, “Vanity” should come out on top. A second option could be Stina Werenfels' “Dora or the Sexual Neuroses of Our Parents,” which screened in Berlin’s Panorama section and tells the story of a mentally disabled woman discovering her sexuality. “War” by Simon Jaquemet, about a rebellious teenager, had some festival play as well but is less likely to be chosen. The other four titles in the shortlist are: “Pause,” doc “Iraqi Odyssey,” “Chubby,” and “L’oasis des mendiants.”
Taiwan
"The Assassin" (聶隱娘)
Dir. Hsiao-hsien Hou
Isa: Wild Bunch
U.S. Distribution: Well Go USA Entertainment
Taiwanese Release Date: August 28th, 2015
There is really no race here. “The Assassin” will be Taiwan’s entry almost certainly. Winner of the Best Director Award at the Cannes Film Festival and clearly one of the best reviewed films of the year, this martial arts epic, which is said to showcase marvelous imagery, should be consider a strong contender. I can’t see Taiwan not choosing the film, but there are still other films that could be considered. Of those the most viable, but very distant, second choice could be Tso-chi Chang's “Thanatos, Drunk,” which was awarded in Berlin and received six prizes at the Taipei Film Festival. The film revolves around to brothers in Taipei trying to find jobs.
Thailand
"Cemetery of Splendor" (รักที่ขอนแก่น)
Dir. Apichatpong Weerasethakul
Isa: The Match Factory
U.S. Distribution: Strand Releasing
Thai Release Date: Unknown
It was a great year for Thai art house cinema, which means the country has several prominent titles to choose from. Strangely enough, even when there are films with international recognition, Thailand often decides to submit a quirky romantic comedy or a random horror film. The reasons behind their selections are unknown. Still, assuming that they will pay attention to their most respected filmmakers, the number one choice should be "Cemetery of Splendor." However, Apichatpong Weerasethakul's films are not as well liked in his homeland are they are abroad, but it seems irrational for them not consider the film. It might be too abstract for AMPAS’ taste, but it’s still the most prestigious work. Other possibilities include “How to Win at Checkers (Every Time)," which is partially in English, “The Blue Hours” (Berlin’s Panorama), and Rotterdam’s “Vanishing Point.” Of course, there are scores of more commercial titles from which the committee might pick.
Turkey
"Mustang"
Dir. Deniz Gamze Ergüven
Isa: Kinology
U.S. Distribution: Cohen Media Group
Turkish Release Date: Unknown
Last year Nuri Bilge Ceylan’s Palme d’Or-winning film “Winter Sleep” failed to receive a nomination, perhaps due to it’s length and cerebral screenplay. This year another title out of Cannes shows more promise. “Mustang” tells the story of five sisters living in a small village and subjected to the sexist prejudices of the townspeople. With extensive festival play and in the hands of Cohen Media Group - the company behind this year’s nominee “Timbuktu" - Deniz Gamze Ergüven’s film is the ideal pick. Sundance’s “Ivy” by Tolga Karaçelik, about a group of men trapped aboard a ship could definitely be a top contender. Kutlug Ataman's “Kuzu,” winner of the C.I.C.A.E. Award in Berlin’s Panorama section would be the third most likely film to represent Turkey at the Oscars. Lastly, “The Miracle,” a romantic period piece, is a large local production that could be considered, but lacks the festival exposure of the other three.
Venezuela
"Gone With the River" (Dauna, Lo que lleva el río)
Dir. Mario Crespo
Isa: Centro Nacional Autonomo de Cinematografía
U.S. Distribution: None Yet
Venezuelan Release Date: March 20, 2015
With Alberto Arvelo’s “The Liberator,” the South American nation got as close as it’s ever been to Oscar glory this year. The biopic about Simón Bolívar starring Edgar Ramírez managed to become one of the 9 shortlisted finalists out of 83 submissions. Venezuela has several options to submit for the 88th Academy Awards, but they are much smaller in magnitude on this occasion. Appearing at the NATIVe sidebar of the Berlinale, “Dauna, lo que lleva el río” or “ Gone with the River” is the most important Venezuelan film of the year and gives voice to the country’s indigenous people by telling story that rarely gets seen on screen. On the other hand, the film “3 Beauties,” about another of Venezuelan’s most well-known obsessions, beauty pageants, has received critical praise at home but it seems to be a lighter satirical comedy. Their Oscar entry could be either one of the two, but I think they will go with the more socially relevant story. A smaller film, “Espejos,” could be part of the conversation but is possibilities are very limited.
Trying to predict what a particular nation will enter is a tall order because of the numerous factors that weight in, especially when dealing with countries with a large film industry. In other cases, however, there are usually just a couple standouts that meet the standards to be submitted. Whatever the case, even with the most obvious choices there could be surprises such as Indian choosing not to submitting "The Lunchbox" or Chile choosing another film over Silva's "The Maid."
While there is no sure-fie formula to predict what films will be competing for the Best Foreign Language Film Academy Award, by looking at festivals, release dates, national awards, previous submissions, and with a hefty dose of educated speculation, I've put together a list of 35 titles that, at this point, seem like excellent choices.
Update 08/28: Several countries have announced their official submissions: Croatia ("The High Sun"), Germany ("Labyrinth of Lies"), Guatemala ("Ixcanul"), Switzerland ("Iraqi Odyssey"), and Palestine ("The Wanted 18").
Argentina
"The Clan" (El Clan)
Dir. Pablo Trapero
Isa: Film Factory Entertainment
U.S. Distribution: None Yet
Argentine Release Date: August 13th, 2015
Coming off the success of this year’s nominee “Wild Tales,” which also did very well at the U.S. box-office for Sony Pictures Classics and became a spectacular hit back home, Argentina seems to have another strong contender this year with Pablo Trapero’s latest work “The Clan” (El Clan). Two of the director’s previous films have been submitted before (“Lion’s Den” and “Carrancho”), and this one about the Puccio family, which was criminal organization that kidnapped and murdered wealthy people, looks more than promising. “The Clan” is also produced by Almodovar’s El Deso, just as Damian Szifron’s “Tales” was. There are several other films that have enough merits to be considered, but might prove insufficient when faced with Trapero’s film. “Refugiado,” “El Patron,” “Two Shots” and, even “Jauaja,” starring Viggo Mortensen, qualify
Brazil
"The Second Mother"
Dir. Anna Muylaert
Isa: The Match Factory
U.S. Distribution: Oscilloscope Pictures
Brazilian Release Date: August 27, 2015
Undoubtedly the most awarded Brazilian film of the year is also their best bet at the Oscars. Anna Muylaert's “The Second Mother” premiered at Sundance where it won a Special Jury Prize for both of its leading actresses Regina Casé and Camila Márdila. It went on to screen in the Panorama section of the Berlinale and took home the C.I.C.A.E. Award and the Audience Award. The film tells the story of a live-in housekeeper and his daughter as they navigate the class divisions prevalent in Brazilian society. Another factor in its favor is the fact that the film has secured U.S. distribution thanks to Oscilloscope. “The Second Mother” opens in Brazil on August 27 and, in a strange turn of events, on August 28 in the U.S. While there are plenty of other great Brazilian works that qualify to be submitted, it’s unlikely that the selection committee will look elsewhere. Other films that could have a shot at being chosen are “August Winds,” “Casa Grande.” “Blue Blood,” and “White Out, Black In”
Bulgaria
"The Judgement"
Dir. Stephan Komandarev
Isa: Premium Film
U.S. Distribution: None Yet
Bulgarian Release Date: October 16, 2014
Following last year’s scandalous selection of “Bulgarian Rhapsody” over the more deserving “Viktoria,” the Eastern European country has a two-way race in which both candidates have almost equal chances at being chosen. Stephan Komandarev’s drama “The Judgement” is the larger production of the two and revolves around a desperate father trying to amend his relationship with his estrange son. At the same time the protagonist is also trying to make ends meet and decides to take on the dangerous job of smuggling illegal immigrant from Syria through a remote area of the Turkish-Greek-Bulgarian border. The other film is Kristina Grozeva & Petar Valchanov's “The Lesson,” about a devoted teacher who is faced with corrupt bureaucracy after her classroom is burglarized. Winning awards at the Sofia International Film Festival, San Sebastian, Thessaloniki, and screening at Tiff and Rotterdam, “The Lesson” should be the frontrunner. However, “The Judgement” might have the edge not only because it sports a larger budget and wider appeal, but because Komandarev is the filmmaker behind “The World is Big and Salvation Lurks Around the Corner,” which is the one Bulgarian film that has gotten the closest to Oscar glory when it was shortlisted by the Academy in 2010. Less likely to be selected but still viable possibilities are “Adultery,”"Buffer Zone," and "The Petrov File."
Canada
"Felix & Meira"
Dir. Maxime Giroux
Isa: Urban Distribution International
U.S. Distribution: Oscilloscope Laboratories
Canadian Release Date: January 30th, 2015
As of now Canada’s ideal representative would be the small, but touching, “Felix & Meir,” about a married woman from the Orthodox Jewish community who falls in love with a secular man, as way to know life beyond the restrictions of her faith. This tiny gem won the Best Canadian Feature award at last year’s Tiff and received four awards at the Whistler Film Festival including Best Film and Best Director. “Felix & Meira” was acquired by Oscilloscope for U.S. distribution and was released last April. To date it has grossed nearly $500,00, which, for a subtle and niche film like this, is a great feat. Giroux’ film should take this easily, unless the new film by Oscar-nominated director Philippe Falardeau decides to push for the opportunity. Falardeau newest film “Guibord Goes to War” (Guibord s’en va-t-en guerre) is a political dark comedy that premiered at Locarno and is scheduled to open in Canada on October 2- just two days after AMPAS’ deadline. If the distributor decides to have a one-week qualifying run ahead of the release, then it would become the new frontrunner to represent Canada. However, it’s still unknown if that is being considered or if the film will just wait till next year. Falardeau was nominated in the category for “Monsieur Lazhar” in 2012. “Chorus,” which premiered at Sundance, Berlin’s “Corbo,” Tiff’s “In Her Place,” and the “Les Loups” also qualify.
Chile
"The Club" (El Club)
Dir. Pablo Larraín
Isa: Funny Balloons
U.S. Distribution: Music Box Films
Chilean Release Date: May 28, 2015
With Pablo Larraín’s Silver Bear-winner film, Chile has an easy choice to make. “The Club,” which was recently picked up for U.S. distribution by Music Box Films, has received universal critical acclaimed and has cemented its director as one of the most important figures in Latin American cinema. Larraín’s latest centers on a group of priests and nuns sent to a beach town to purify their sinful pasts involving everything from pedophilia to kidnapping. The only other film that truly stands a chance is Matias Lira's “El Bosque de Karadima,” which deals with similar themes regarding secrecy and crimes against children within the Catholic Church. But even if this film has been well-received at home, “The Club” has had more much more international visibility and it has the distinction of being the newest work from the director behind “No,” Chile’s only Oscar-nominated film to date. Other notable works that will be part of the conversation include historical drama “Allende en su Laberinto” by veteran director Miguel Littin, Rodrigo Sepúlveda’s touching “Aurora," and indie flick “La Voz en Off.”
China
"Mountains May Depart" (山河故人)
Dir. Zhangke Jia
Isa: MK2
U.S. Distribution: Kino Lorber
Chinese Release Date: Unknown
Censorship has always played a role in China’s decision-making process when it comes to their Oscar submissions. Some of the best Chinese films in recent years are never considered given their controversial topics or because they were made outside of the state-run system. Under this circumstances patriotic epics or lavish period dramas are often selected even when their quality is subpar. The country’s big production this year is “The Lady of the Dynasty,” which was a box-office disappointment and garnered mostly negative reviews locally. With this in mind, the hope is that they will finally look at more compelling films with greater international exposure, such as Jia Zhangke’s “Mountains May Depart.” Premiering at Cannes to mostly positive responses, the film looks at Chinese society from three perspectives scattered over three decades. The film has passed the censors' revisions and will be allowed to screen in mainland Chine, which means it’s possible one of Zhangke’s film might finally represent his homeland. His previous effort, “A Touch of Sin,” was ignored because of its thematic elements. Jean-Jacques Annaud’s stunning “Wolf Totem” is a close second choice, but given the fact that China submitted a film by a French director last, they might want to highlight a homegrown talent this time. There is also “Red Amnesia,” a thriller about a widow that compulsively needs to take careof those around her until strange incidents shake her life. Er Cheng’s “The Wasted Times,” which appears to be a delirious visual treat, but it opens just a few days after the September 30th deadline. A qualifying run prior to that date is possible, but not likely. “Mountains May Depart” is definitely the strongest candidate.
Colombia
"Embrace of the Serpent" (El Abrazo de la Serpiente)
Dir. Ciro Guerra
Isa: Films Boutique
U.S. Distribution: Oscilloscope Laboratories
Colombian Release Date: May 25th, 2015
The Colombian film industry has had an outstanding year and that has produced an impressive lineup of films from which their strongest Oscar entry to date will emerge. Three films that screened at the Cannes Film Festival - two of which earned prizes – are at the top of the list. Winning the Art Cinema Award at the Directors’ Fortnight Ciro Guerra’s black-and-white “Embrace of the Serpent” is the one to beat among these trio of art house wonders. Guerra’s film is a period piece about the clash between the native people of the Amazon and a European explorer, which has received stellar reviews and was picked up for U.S. distribution by Oscilloscope. Two of Guerra’s previous films, “Wandering Shadows” and “The Wind Journey,” also represented Colombia at the Academy Awards. Nevertheless, the other films that screen at the Croisette, Golden Camera-winner “Land and Shade” and war drama “Alias Maria,” shouldn’t be completely counted out of the running. Films like Franco Lolli's “Gente de Bien” (Cannes 2014), Josef Wladyka's “Manos Sucias,” "Todos Se Van," and “Ruido Rosa” qualify and testify of the great moment Colombian filmmaking is experiencing, but they will have a difficult time pulling off an upset.
Croatia
"The High Sun" (Zvizdan)
Dir. Dalibor Matanic
Isa: Cercamon
U.S. Distribution: None Yet
Croatian Release Date: Septemeber 2015
It’s not often that a Croatian feature manage to grab Cannes’ attention and take home a prestigious award like the Un Certain Regard Jury Prize. “The High Sun” achieved such feat and should be almost a lock to become the country’s Oscar entry. This intense drama, that expands over three decades and explores the Balkan region’s turbulent history, also won 7 awards at the Pula Film Festival including Best Film, Director, Leading Actress, Supporting Actor, and Supporting Actress. If there’s another film with a reasonable shot, it would be Ognjen Svilicic's “These Are the Rules” about a family questioning their moral compass after a violent incident, which did well in the festival circuit winning awards in Venice, Warsaw, Stockholm, and Pula. Svilicic’s 2007 feature “Armin” represented the country at the 80th Academy Awards. “The Bridge at the End of the World,” “Ungiven,” “The Reaper,” “Number 55” are other noteworthy Croatian films released during the past year, but Matanic’s highly praised wok should have no trouble becoming the official entry.
Dominican Republic
"Sand Dollar" (Dólares de Arena)
Dir. Israel Cárdenas & Laura Amelia Guzmán
Isa: FIGa Films
U.S. Distribution: Breaking Glass Pictures
Dominican Release Date: November 13th, 2014
Thanks to a growing film industry, Dominican films have participated every year starting in 2011 after being absent from the race since 1995. Their submissions have included romantic comedies and low-budget crime dramas that weren’t successful at getting AMPAS’ attention. Fortunately, this year they might have their strongest candidate yet with “Sand Dollars.” In Israel Cárdenas & Laura Amelia Guzmán's film starring Geraldine Chaplin, a local girl becomes the object of desire for an older French woman visiting the Caribbean country, influenced by her boyfriend the Dominican beauty decides to take advantage of the foreigner’s interest. “Sand Dollars” has screened at countless festivals around the world winning a handful of awards and has secured U.S. distribution. Guillermo Zouain's road-trip comedy “Algún Lugar” has also been well-received at a couple of international festivals, but is less likely to be picked. “Pueto Pa’ Mí,” a drama about urban music, documentary “Tu y Yo," and biopic “Maria Montez,” might be out of luck. It’s unclear if Agliberto Meléndez political film “Del Color de La Noche,” has premiered yet, so that could a contender next year given that the director was behind the country’s first ever Oscar submission.
Ethiopia
"Lamb"
Dir. Yared Zeleke
Isa: Films Distribution
U.S. Distribution: None Yet
Ethiopian Release Date: Unknown
The East African nation has only sent two films for consideration. Last year it was the Angeline Jolie-supported “Difret,” which was part of the World Cinema competition at the 2014 Sundance Film Festival. This year only two films seem to qualify. “Lamb” is the first-ever Ethiopian film to screen at Cannes, which makes it the unquestionable favorite. It’s a rural story about a boy and his beloved sheep moving in with relatives as his mother goes to work in the city. Reviews were positive praising the film’s cinematography and layered storytelling. The other film that could possibly be selected is Hermon Hailay’s “Prince of Love” about a prostitute and a cab driver struggling to get by in the capital city of Addis Ababa. “Prince of Love” represented the country at Fespaco, one of Africa’s most renowned festivals, and will screen at Tiff in September. Ethiopia might choose to send “Lamb” this time around and save Hailay’s feature for next year depending on release date.
Finland
"The Fencer" (Miekkailija)
Dir. Klaus Härö
Isa: The Little Film Company
U.S. Distribution: None Yet
Finnish Release Date: March 13th, 2015
Peculiar teen drama “They Have Escaped” won four Jussi Awards from the Finnish Academy earlier this year including Best Film and Best Director; however, it will probably face an uphill battle to become Finland’s Oscar entry. Instead, Estonian-language period piece, “The Fencer,” looks like a more feasible alternative because of its classic story, elegant cinematography, and the director behind it: Klaus Härö. The film tells the story of a young Estonian fencer who leaves his homeland to become a Pe teacher and escape persecution by the Russian authorities in the 1950s. Some critics have gone as far as to call it “the best Finnish film in a decade.” Three of Härö’s previous films (“Elina: As If I Wasn’t There,””Mother of Mine, “ and Letter to Father Jacob) were selected as Oscar entries. The only obstacle in its path is the fact that this is an Estonian story with mostly Estonian dialogue. If the selection committee can overlook that, this will be their pick. Antti Jokinen's “Wildeye,” a visually arresting war drama that opens in September is another strong option, particularly because Jokinen’s previous film, “Purge,” represent the country in 2013. “Absolution,” “Head First,” ”Homecoming,” and “Tsamo” are proof a strong year in Finnish cinema but won’t make the cut.
France
"Dheepan"
Dir. Jacques Audiard
Isa: Wild Bunch
U.S. Distribution: Sundance Selects
French Release Date: August 26th, 2015
Given the amount of films produced in France each year, this is the most difficult country to narrow down. However, this year there is a heavyweight contender among the scores of worthy productions. Surprise Palme d’Or-winner “Deephan” by the Academy Award-nominated director of “A Prophet," Jacques Audiard, is a clear favorite. Audiard is a legend and it’s hard to think France won’t support the film that took home one of cinema’s most coveted prizes. Following the relevant immigrant story of a Sri Lankan warrior in France, “Dheepan” is almost a safe bet. If for some unimaginable reason Audiard’s latest is not chosen, the most likely alternative would be well-received “My Golden Days” by Arnaud Desplechin, which has been picked up for U.S. distribution by Magnolia Pictures. While there are dozens of films that could be considered, here are some other important French films that qualify based on their release dates: “Girlhood,” “Standing Tall,” “The Measure of Man,” “The New Girlfriend,” “Valley of Love,” “Eden,”"The Connection."
Germany
"Labyrinth of Lies" (Im Labyrinth des Schweigens)
Dir. Giulio Ricciarelli
Isa: Beta Cinema
U.S. Distribution: Sony Pictures Classics
German Release Date: November 6th, 2014
After an 8-film shortlist was released, - which sadly doesn’t include “Phoenix” because it opened late last September – things look pretty clear for the German selection committee. It’s really a 3-film race between “13 Minutes,” Labyrinth of Lies,” and “Victoria.” Unfortunately, and despite incredibly positive reviews, Sebastian Schipper's “Victoria” might be considered a risky choice because a big part of it is in English. That leaves Oliver Hirschbiegel’s “13 Minutes,” about a man who tried to assassinate Hitler in 1939. On the surface this looks like the prime title to send to AMPAS since Hirschbiegel’s “Downfall” earned him a nomination and he has worked in Hollywood for several years now. Yet, reception wasn’t as warm for his first German film in a decade. On the other “Labyrinth of Lies,” which deals with Post-World War II Germany and how the government tried to cover up its recent Nazi past, had better luck. Critical reception has been better for this film and it was a financial success in Germany and France, which gives the edge. Both “13 Minutes” and “Labyrinth of Lies” were acquired by Sony Pictures Classics for U.S. distribution. The complete list of shortlisted films can be found Here
Greece
"Xenia" (Ξενία)
Dir. Panos H. Koutras
Isa: Pyramide International
U.S. Distribution: Strand Releasing
Greek Release Date: October 2nd, 2014
Although it’s not an official rule, Greece almost-automatically selects the winner of the Best Film Prize at the Hellenic Film Awards as their Oscar submissions. This year’s winner was the Lgbt dramedy “Xenia,” which follows two Albanian brothers searching for their Greek father after their mother’s death. The film was nominated for 15 Hellenic Film Awards and won a total of six. “Xenia” premiered in the Un Certain Regard section at the Cannes Film Festival and will be released in the U.S. in October by Strand Releasing. I can’t see any other film being selected other than Koutras’ Almodovar-infused film, but if that were the case the other Best Film nominees – that meet AMPAS requirements- would be the ones to look to: “Electra,” “A Blast,” and “Forever.”
Guatemala
"Ixcanul"
Dir. Jayro Bustamante
Isa: Film Factory Entertainment
U.S. Distribution: None Yet
Guatemalan Release Date: August 27th, 2015
This is a no-brainer. Guatemala has only sent a film once back in 1994, but this year director Jayro Bustamante delivered the most awarded Guatemalan film in history. That should be a good enough reason to enter the race once again. “Ixcanul” won the Alfred Bauer Award at the Berlinale and has screened across the world to great success. Bustamante’s film centers on a Mayan girl who wants to escape the arrange marriage that awaits her to see what’s beyond her village. Another Guatemalan film, which also screened in Berlin, Edgar Sajcabún's “La Casa Más Grande del Mundo,” will probably not open theatrically in time and should be considered next year.
Iceland
"Rams" (Hrútar)
Dir. Grímur Hákonarson
Isa: New Europe Film Sales
U.S. Distribution: Cohen Media Group
Icelandic Release Date: May 28th, 2015
Two middle-aged brothers in an Icelandic rural town leave their differences behind and come together to save their beloved farm animals in the Un Certain Regard Award-winner “Rams.” With such recognition under its belt and having just been picked for U.S. distribution by Cohen Media Group, Grímur Hákonarson's film is certainly the handsomest choice. Still, “Rams” is not without a strong rival. Crowd-pleaser “Virgin Mountain,” about a lonely man whose life changes when he meets a new friend, had its U.S. premiere at the Tribecca Film Festival where it won three awards: Best Narrative Feature, Best Actor, and Best Screenplay. It could go either way, but the Cannes prestige and having found a U.S. distributor give “Rams” the upper hand. Iceland produced several qualifying features this year including “Brave Men’s Blood,” “East of the Mountain, “ and “The Homecoming.”
Iran
"Muhammad: The Messenger of God"
Dir. Majid Majidi
PC: Nourtaban Film Industry
U.S. Distribution: None Yet
Iranian Release Date: August 26, 2015
Iran will have to make an incredibly difficult decision that unfortunately may have political repercussions. Majid Majidi’s latest film “Muhammad: The Messenger of God” is the most expense Iranian feature ever made. The historical epic brings to life the early years of the prophet's life with impressive locations, costumes, and cinematography courtesy of Three-time Oscar-winner Vittorio Storaro. Majidi himself is no stranger to the Academy having earned Iran’s first-ever Academy Award nomination with “Children of Heaven.” Taking these facts into consideration, “Muhammad” seems to be the obvious selection, but there are many religious and political concerns that could get in its way. Islam prohibits the depiction of the prophet and other sacred figures in any artistic work. Knowing this, Majidi shot the entire film - which is the first part in what’s to become a trilogy – without ever showing the prophet’s face by shooting most scenes from his point of view or showing him with his back to the camera. This was acceptable for Iran’s censors, as the film will open this week in theaters across the Middle Eastern country. However, other Muslim countries, particularly Sunni Muslims, have been outspoken about their discontent with the film. Whether Iran will still choose to submit the film to AMPAS is a mystery, but it will certainly have more to do with outside influences rather than artistic merit. “Muhammad” will have its North American premiere at the Montreal World Film Festival.
“Nahid” by Ida Panahandeh, about a woman’s journey from divorce to remarrying, won the Avenir Prize in the Un Certain Regard section at Cannes, but - although censors have said the film will be allowed the screen in Iran - it might not open theatrically in time. It also deals with a controversial subject and that might limit it chances. A third, and much safer option, is romantic drama “What’s the Time in Your World?” starring Leila Hatami (“A Speration”) and Ali Mosaffa (“The Past”). Directed by Safi Yazdanian, the film looks beautifully done and sports two of the most talented Iranian actors working today. It could definitely be a good alternative. Other films include “Borderless,” “Track 143,” "Tales” and “Confessions of a Dangerous Mind.” Perhaps Iran will ignore the risk and submit their most lavish film to date by one of their most celebrated filmmakers who still works within the state’s parameters.
Israel
"The Kind Words" (Ha'milim ha'tovot )
Dir. Shemi Zarhin
Isa: Beta Cinema
U.S. Distribution: None Yet
Israeli Release Date: May 28, 2015
With 12 nominations to Israel’s Ophir Awards, “The Kind Words” including Best Film, Best Director, Best Screenplay, Best Actor, and Best Actress Shem Zarhin’s film is the one to beat. Since the winner of the Ophir Award for Best Film automatically becomes Israel’s Oscar submission, “The Kind Words” has a strong shot at both honors. The film follows a group of siblings as they travel abroad to uncover a secret. By default the other contenders are the rest of the films nominated for Best Film: “Wounded Land,” ”Afterthought,” “Wedding Doll,” and “Baba Joon.” Of this Elad Keidan's “Afterthought,” which premiered at Cannes to positive reviews, and Erez Tadmor's intense drama “Wounded Land” appear to be the strongest alternatives. Despite being nominated several times Israel has never won the Best Foreign Language Film Academy Award.
Italy
"My Mother" (Mia Madre)
Dir. Nanni Moretti
Isa: Films Distribution
U.S. Distribution: Alchemy
Italian Release Date: April 16th, 2015
Nanni Moretti is back with “Mia Madre,” a new family drama that screened in competition at this year’s Cannes Film Festival and won a few awards at the Italian David di Donatello Awards. Since the big winner at the national awards, “Black Souls,” was considered last year, Moretti’s film is the frontrunner. However, there is a wild card that could change things. Veteran filmmaker Marco Bellocchio will release his newest work “Blood of My Blood,” a historical drama about a 17th century woman accused of being a witch, on September 9 - just in time to qualify. It’s likely that Moretti will have enough support to pull it off, but there is still a chance that might not be set in stone. Besides these two films there is Mario Martone’s “Leopardi,” a biopic about poet Giacomo Leopardi, which won several David di Donatello Awards and was also recognized in Venice. With even less possibilities are Sundance’s “Cloro,” “Greenery Will Bloom Again,” and Albanian-language “Sworn Virgin,”
Ivory Coast
"Run"
Dir. Philippe Lacôte
PC: Banshee Films
U.S. Distribution: None Yet
Ivorian Release Date: December 17th, 2014
The first and only time a film represent Ivory Coast at the Oscars was back in 1977. That film, “Black and White in Color,” won the first and only Academy Award attributed to a Sub-Saharan African country. Nevertheless, that landmark work was directed by a Frenchmen, Jean-Jacques Annaud, and had mostly French talent in the leading roles. Now, almost 40 years later, an actual Ivorian film looks presents a fantastic opportunity for the country to return to the race. Philippe Lacote’s political drama “Run” screened in the Un Certain Regard section in Cannes 2014, Tiff, and AFI Fest, and later opened commercially in Abidjan, the Ivorian Capital, and Paris. Ivory Coast has only one eligible film to submit as their Oscar entry, and fortunately it’s a good one.
Japan
"Our Little Sister" (海街 diary)
Dir. Hirokazu Koreeda
Isa: Wild Bunch
U.S. Distribution: Sony Pictures Classics
Japanese Release Date: June 13th, 2015
Japan hasn’t had a successful entry since unexpectedly winning the award in 2009 with “Departures.” Their selections are often baffling because they tend to ignore festival winners and critically acclaimed films to pick obscure titles that rarely connect with voters. In recent years outstanding films such as “Like Father, Like Son” have been overlooked. Having said this, one can only hope that this time around they will chose more wisely. This year another film by Hirokazu Koreeda, “Our Little Sister,” debuted at Cannes and has been picked up for U.S. distribution by Sony Pictures Classic – a powerhouse distributor in the Best Foreign Language Film race. Based on a manga series, the film revolves around a group of young women who decide to adopt their stepsister after their father dies. “Our Little Sister” was also a financial success in its homeland. Even with all these positive qualities on its side, Japan might refuse to submit Koreeda’s film and look elsewhere. Other options from the festival circuit include Naomi Kawase's “An- Sweet Red Bean Paste,” which less positive reviews; “Journey to the Shore,” though it opens on October 1; “Kabukicho Love Hotel,” which screened at Tiff last year, and “Cape Nostalgia.”
Jordan
"Theeb" (ذيب)
Dir. Naji Abu Nowar
Isa: Fortissimo Films
U.S. Distribution: Film Movement
Jordanian Release Date: March 19th, 2015
In 2008 Jordan submitted their first-ever Oscar submission, and the first feature film made in the country in half a century. That film, “Captain Abu Raed,” did very well in festivals like Sundance and Dubai. Since then, Jordanian cinema has been scarce forcing the country to be absent from the race. That could change this year with “Theeb” by UK-born filmmaker Naji Abu Nowar. His period piece about a Bedouin boy during World War I has played at numerous festivals and will have a U.S. theatrical release via Film Movement.
Lithuania
"The Summer of Sangailé" (Sangaile)
Dir. Alanté Kavaïté
Isa: Films Distribution
U.S. Distribution: Strand Releasing
Lithuanian Release Date: August 21st, 2015
The Sundance Film Festival screened its first-ever Lithuanian feature this past January, “The Summer of Sangailé” by Alanté Kavaïté. This Lgbt coming-of-age story showcases captivating cinematography and nuanced performances. “Sangailé” went on to win the Directing Award in the World Cinema Competition at the Park City festival. It will also become one of the very few Lithuanian films to have been distributed in the U.S. when Strand Releasing schedules its theatrical release. Being the most awarded narrative film from the Baltic nation, it should be a shoo-in. "Sangailé" also won three Silver Crane Awards (Lithuanian Oscars): Best Film, Best Actress for Julija Steponaityte and best set design for Ramunas Rastauskas. Its only realistic adversary is the documentary “Master and Tatyana,” which won the Best Documentary, Best Director, and Best Cinematography prizes at the Silver Crane. Lithuania has shown to be fond of submitting documentaries, but one could presume that “Sangaile’s” wider international appeal will help it succeed.
Mexico
"The Thin Yellow Line" (La Delgada Línea Amarilla)
Dir. Celso R. García
Isa: Latido Films
U.S. Distribution: None Yet
Mexican Release Date: Unknown
Among the 14 films that the Mexican Academy announced as candidates to become the official Oscar submission, only a handful of them have a real chance at representing Mexico. It’s really a three-way race between “600 Miles,” “La Tirisia,” and “The Thin Yellow Line.” Each of these has distinctive assets as well as factors that could play against them. Gabriel Ripstein's “600 Miles” stars Tim Roth, which could be beneficial because Academy voters would see a familiar face on screen. At the same time Roth’s participation means that there is a considerable amount of English dialogue that could make the film feel less authentic when considered as a “foreign language film” representing a country. Then there is Jorge Pérez Solano's art house marvel, “La Tirisia,” about the role of women in a very traditional Mexican community. This is a film that truly showcases an unseen aspect of Mexican culture and has garnered international recognition, but it might be too small in scope to be selected.
Lastly, “The Yellow Thin Line,” which was awarded at the Guadalajara Film Festival but hasn’t travel much. It will screen at the Chicago International Film Festival in October. “The Thin Yellow Line” tells the story of a group of men working on a deserted road as they are forced to come to terms with their yearnings and failures. The premise seems unique; the cast includes some of Mexico’s most recognizable talents, and it’s partly produced my Guillermo del Toro. That last fact is what could set the film apart from the rest because the general public and Academy voters will be intrigued to see what was it about this story that interested Del Toro, who hasn’t been involved in a Mexican project in several years. It’s a tough race, but having someone like the “Pan’s Labyrinth’s” director supporting the film could be a deal breaker.
Peru
"The Vanished Elephant" (El Elefante Desaparecido)
Dir. Javier Fuentes-León
Isa: Mundial
U.S. Distribution: Oscilloscope Laboratories
Peruvian Release Date: October 9th, 2015
Javier Fuentes-Leon’s “The Vanished Elephant” premiered at last year’s Tiff and was also part of this year’s Los Angeles Film Festival making it the highest profile Peruvian film of the year. At home, the critical response was very positive and the quality of the film, in comparison to other Peruvian works released in the last 12 months, is undeniable. “The Vanished Elephant” tells the cryptic story of a writer whose girlfriend disappears without a trace. After receiving a series of strange photographs, he delves into deceitful conspiracy that defies the lines between reality and fiction. Fuentes-Leon debut feature “Undertow” was submitted to the Academy back in 2010. Enrica Perez’ “Climas” about three Peruvian women from different walks of life and Héctor Gálvez forensic mystery “Nn” have both screened at several international festivals, and though they are much smaller film’s than “The Vanished Elephant,”either of them could be the next best choice to become Peru’s Oscar entry. Less likely titles include “Videophilia,” “Solos,” and historical drama “Gloria del Pacífico.”
The Philippines
"Trap" (Taklub)
Dir. Brillante Mendoza
Isa: Films Distribution
U.S. Distribution: None Yet
Filipino Release Date: Unknown
Brillante Mendoza is one the Philippines most acclaimed auteurs and yet none of his films have ever been selected to represent the Southeast Asian nation at the Oscars. His latest work, “Trap,” won Special Mention from the Ecumenical Jury at Cannes and it’s the prime contender to travel to L.A. this year. “Trap” follows a group of survivors soon after Typhoon Haiyan devastated a great part of the country. The film stars Filipino actress Nora Aunor, who also the lead in Mendoza’s “Thy Womb,” which was the Filipino entry at the Golden Globes a couple years back. Given that Mendoza’s work has never been selected, there is a chance he might miss out once more. If that happens, the film that could benefit is Paul Soriano's Manny Pacquiao biopic titled “Kid Kulafo,” which would evidently ring a bell with Americans. Other films to be considered include “Justice,” also starring Aunor, “Crocodile,” or even lighthearted comedy “English Only, Please.”
Russia
"Sunstroke"
Dir. Nikita Mikhalkov
Isa: Wild Bunch
U.S. Distribution: None Yet
Russian Release Date: October 4th, 2014
Even after winning the Golden Globe and being nominated for an Academy Awards, Andrey Zvyagintsev “Leviathan” couldn’t get the Best Film award from the Russian Academy. Instead, they decided to bestow that honor on veteran filmmaker Nikita Mikhalkov's period piece "Sunstroke.” This is the type of film that Russia loves to submit: patriotic, historical, and epic. Even though last year the Russian selection committee showed they could overlook their political agenda to ensure the best film represented the country, this year they will go back to their old ways. This is not to say “Sunstroke” is a bad film, as hardly anyone outside of Russia has seen, but it does mean that other more daring offers like Yuriy Bykov's festival darling “The Fool” and Aleksey German's “Under Electric Clouds" have little hope at becoming the country’s entry and getting the exposure that comes with it. Mikhalkov won the Oscar in for “Burnt by the Sun” in 1995 and was nominated again for "12" in 2008, which means he will be hard to beat this year. "The Fool" would be a much more interesting selection but its story about a regular citizen fighting the corrupt system might prove too controversial. There is also another war epic titled "Batalion" by Dmitriy Meskhiev, which could pull off a surprise.
Serbia
"Enclave" (Enklava)
Dir. Goran Radovanovic
PC: Nana Filam
U.S. Distribution: None Yet
Serbian Eelease Date: March 19, 2015
Serbia’s 6-film shortlist includes worlds that deal with a variety of subjects, from the recurrent tales of war and its aftermath, triumphant sports stories, and even the peculiar case of a boy who grew up wild in the woods. Of all these possibilities, the film that seems to have the most gravitas is Goran Radovanovic's “Enclave,” a film about the ethnic divide in Kosovo and the atrocities that perpetuates. This is definitely not the film with the most international exposure, but the story might be enough to warrant its submission. Films that deal with similar issues like, “Circles,” have been previous selected. But the Serbian committee wants to stay away from both war and sports dramas, they might go with Vuk Rsumovic “No One’s Child” which did very well at a few festivals including Venice and Palm Springs. It could either way. Original comedy "Monument to Michael Jackson" could also be a more lighthearted choice. The shortlist is completed by "We Will Be the World Champions"," The Man Who Defended Gavrilo Princip," and "The Disobedient" (Sundance 2014).
Spain
"Ma Ma"
Dir. Julio Medem
Isa: Seville International
U.S. Distribution: None Yet
Spanish Release Date: September 11, 2015
For a long time I had hope that Spain would find a loophole and submit their most honored film at this year’s Goya Awards, “Marshland” (La Isla Minima), but that seems like a farfetched hope now. Luckily, another film that looks like a winner will be released just in time. “Ma Ma” directed by Julio Medem and starring Academy Award-winner Penelope Cruz has Oscar written all over it. Cruz plays a mother diagnosed with cancer and whose ferocious battle with the disease will reinvigorate her love for life. The actress also served as a producer in what has become one of the most anticipated films of the year. The only films that could challenge are coming-of-ager “A Cambio de Nada” and Basque-language drama “Loreak.” The former appears to be feel-good story that might seem slight in comparison to both “Ma Ma” and “Loreak,” which deals with a woman who starts receiving flowers from a mysterious sender. “Magical Girl” is a brilliantly twisty film, but being so edgy it will probably be considered to risky for the Oscar race. Penelope Cruz’ star power will decide this race.
Sweden
"A Pigeon Sat on a Branch Reflecting on Existence" (En duva satt på en gren och funderade på tillvaron)
Dir. Roy Andersson
Isa: Coproduction Office (Paris)
U.S. Distribution: Magnolia Pictures
Swedish Release Date: November 14th, 2014
The two previous chapters sin Andersson’s trilogy about being human were submitted to AMPAS, and even if they didn’t get a nomination, it’s hard to imagine them not submitting “A Pigeon.” The film has been critically acclaimed and it won the Golden Lion at last year’s Venice Film festival. Furthermore, it has already been released in the U.S. by Magnolia, the company that handled last year’s Swedish submission, “Force Majeure.” While I’d love to see Andersson be selected, there are several other films that could prevent that from happening. Kay Pollack, who earned Sweden’s most recent nomination for “As It Is in Heaven,” has a new film opening in early September titled “Heaven on Earth.” Depending on how that film is received the tables may or may not turn. The third strongest option is the romantic costume drama “Gentlemen,” which won several awards from the Swedish Academy and has already been picked up for U.S. distribution by, of course, Magnolia. Smaller, yet worthy candidates, include “My Skinny Sister” and “Flocking,” both of which premiered in Berlin.
Switzerland
"Vanity" (La Vanité)
Dir. Lionel Baier
Isa: Wide
U.S. Distribution: None Yet
Swiss Release Date: September 2, 2015
Out of the 7 films shortlisted by the Swiss, the one that immediately stands out is dark comedy “Vanity.” The film just premiered at Locarno and it stars Spanish actress, and one of Almodovar’s favorites, Carmen Maura, as well as Patrick Lapp. Although the film deals with suicide, the approach seems to be very comedic. In a list of several obscure titles, “Vanity” should come out on top. A second option could be Stina Werenfels' “Dora or the Sexual Neuroses of Our Parents,” which screened in Berlin’s Panorama section and tells the story of a mentally disabled woman discovering her sexuality. “War” by Simon Jaquemet, about a rebellious teenager, had some festival play as well but is less likely to be chosen. The other four titles in the shortlist are: “Pause,” doc “Iraqi Odyssey,” “Chubby,” and “L’oasis des mendiants.”
Taiwan
"The Assassin" (聶隱娘)
Dir. Hsiao-hsien Hou
Isa: Wild Bunch
U.S. Distribution: Well Go USA Entertainment
Taiwanese Release Date: August 28th, 2015
There is really no race here. “The Assassin” will be Taiwan’s entry almost certainly. Winner of the Best Director Award at the Cannes Film Festival and clearly one of the best reviewed films of the year, this martial arts epic, which is said to showcase marvelous imagery, should be consider a strong contender. I can’t see Taiwan not choosing the film, but there are still other films that could be considered. Of those the most viable, but very distant, second choice could be Tso-chi Chang's “Thanatos, Drunk,” which was awarded in Berlin and received six prizes at the Taipei Film Festival. The film revolves around to brothers in Taipei trying to find jobs.
Thailand
"Cemetery of Splendor" (รักที่ขอนแก่น)
Dir. Apichatpong Weerasethakul
Isa: The Match Factory
U.S. Distribution: Strand Releasing
Thai Release Date: Unknown
It was a great year for Thai art house cinema, which means the country has several prominent titles to choose from. Strangely enough, even when there are films with international recognition, Thailand often decides to submit a quirky romantic comedy or a random horror film. The reasons behind their selections are unknown. Still, assuming that they will pay attention to their most respected filmmakers, the number one choice should be "Cemetery of Splendor." However, Apichatpong Weerasethakul's films are not as well liked in his homeland are they are abroad, but it seems irrational for them not consider the film. It might be too abstract for AMPAS’ taste, but it’s still the most prestigious work. Other possibilities include “How to Win at Checkers (Every Time)," which is partially in English, “The Blue Hours” (Berlin’s Panorama), and Rotterdam’s “Vanishing Point.” Of course, there are scores of more commercial titles from which the committee might pick.
Turkey
"Mustang"
Dir. Deniz Gamze Ergüven
Isa: Kinology
U.S. Distribution: Cohen Media Group
Turkish Release Date: Unknown
Last year Nuri Bilge Ceylan’s Palme d’Or-winning film “Winter Sleep” failed to receive a nomination, perhaps due to it’s length and cerebral screenplay. This year another title out of Cannes shows more promise. “Mustang” tells the story of five sisters living in a small village and subjected to the sexist prejudices of the townspeople. With extensive festival play and in the hands of Cohen Media Group - the company behind this year’s nominee “Timbuktu" - Deniz Gamze Ergüven’s film is the ideal pick. Sundance’s “Ivy” by Tolga Karaçelik, about a group of men trapped aboard a ship could definitely be a top contender. Kutlug Ataman's “Kuzu,” winner of the C.I.C.A.E. Award in Berlin’s Panorama section would be the third most likely film to represent Turkey at the Oscars. Lastly, “The Miracle,” a romantic period piece, is a large local production that could be considered, but lacks the festival exposure of the other three.
Venezuela
"Gone With the River" (Dauna, Lo que lleva el río)
Dir. Mario Crespo
Isa: Centro Nacional Autonomo de Cinematografía
U.S. Distribution: None Yet
Venezuelan Release Date: March 20, 2015
With Alberto Arvelo’s “The Liberator,” the South American nation got as close as it’s ever been to Oscar glory this year. The biopic about Simón Bolívar starring Edgar Ramírez managed to become one of the 9 shortlisted finalists out of 83 submissions. Venezuela has several options to submit for the 88th Academy Awards, but they are much smaller in magnitude on this occasion. Appearing at the NATIVe sidebar of the Berlinale, “Dauna, lo que lleva el río” or “ Gone with the River” is the most important Venezuelan film of the year and gives voice to the country’s indigenous people by telling story that rarely gets seen on screen. On the other hand, the film “3 Beauties,” about another of Venezuelan’s most well-known obsessions, beauty pageants, has received critical praise at home but it seems to be a lighter satirical comedy. Their Oscar entry could be either one of the two, but I think they will go with the more socially relevant story. A smaller film, “Espejos,” could be part of the conversation but is possibilities are very limited.
- 8/26/2015
- by Carlos Aguilar
- Sydney's Buzz
We're less than two weeks away from the start of the Stanley Film Festival and it's been officially announced that Tom Quinn will be the recipient of their Visionary Award. We also have details on the festival's panels and jurors:
April 20, 2014 (Denver, Co) - The Stanley Film Festival (Sff) produced by the Denver Film Society (Dfs) and presented by Chiller, announced today it will honor Tom Quinn, co-president of RADiUS-twc as its 2015 Visionary Award Winner. Quinn is behind this year’s breakout horror title It Follows as well as other genre heavy hitters such as Snowpiercer, Blue Ruin and Only God Forgives. The Visionary award is given to a figure in contemporary horror who is making forward-thinking contributions that elevate the genre and provides a platform for new, innovative artists to create work. Previous recipients include Daniel Noah, Josh C. Waller and Elijah Wood, co-founders of SpectreVision (2014) and Eli Roth (2013). Quinn,...
April 20, 2014 (Denver, Co) - The Stanley Film Festival (Sff) produced by the Denver Film Society (Dfs) and presented by Chiller, announced today it will honor Tom Quinn, co-president of RADiUS-twc as its 2015 Visionary Award Winner. Quinn is behind this year’s breakout horror title It Follows as well as other genre heavy hitters such as Snowpiercer, Blue Ruin and Only God Forgives. The Visionary award is given to a figure in contemporary horror who is making forward-thinking contributions that elevate the genre and provides a platform for new, innovative artists to create work. Previous recipients include Daniel Noah, Josh C. Waller and Elijah Wood, co-founders of SpectreVision (2014) and Eli Roth (2013). Quinn,...
- 4/20/2015
- by Jonathan James
- DailyDead
Thomas Daneskov’s low-budget Diy drama The Elite (Eliten) has won the New Talent Grand Pix at Copenhagen’s Cph Pix.
The international jury comprised Alex Ross Perry, Katrine Wiedemann and Gabe Klinger. They said they were “pleased to discover a deeply personal, relevant and contemporary new voice in Danish independent cinema with ‘The Elite’ by Thomas Daneskov, a disturbing and hilarious portrait of privileged youth made in a spirit of collectivity.”
Daneskov, 26, wins €10,000 ($10,800) towards his next film.
Interview: Thomas Daneskov, The Elite
The jury also gave a special mention to Limbo by Anna Sofie Hartmann, “which deployed stunning images through a rigorous and challenging form and which kept us thinking for days.”
The Politiken Audience Award went to Dagur Kari’s Virgin Mountain, the second Icelandic film in a row to claim the honour (after Of Horses And Men). The film is a tender portrait of a 43-year-old man who lives with is mother but wants...
The international jury comprised Alex Ross Perry, Katrine Wiedemann and Gabe Klinger. They said they were “pleased to discover a deeply personal, relevant and contemporary new voice in Danish independent cinema with ‘The Elite’ by Thomas Daneskov, a disturbing and hilarious portrait of privileged youth made in a spirit of collectivity.”
Daneskov, 26, wins €10,000 ($10,800) towards his next film.
Interview: Thomas Daneskov, The Elite
The jury also gave a special mention to Limbo by Anna Sofie Hartmann, “which deployed stunning images through a rigorous and challenging form and which kept us thinking for days.”
The Politiken Audience Award went to Dagur Kari’s Virgin Mountain, the second Icelandic film in a row to claim the honour (after Of Horses And Men). The film is a tender portrait of a 43-year-old man who lives with is mother but wants...
- 4/17/2015
- by wendy.mitchell@screendaily.com (Wendy Mitchell)
- ScreenDaily
2Nd Update, Tuesday 3:21 Am Pt: Actuals have been reported from most of the studios, with very few discrepancies amongst the major titles. The Top 5 remain the same as projected on Sunday, save for a tie-break between Exodus: Gods And Kings and China’s Miss Granny with the latter landing at No. 4 and the former at No. 5 on the international chart. There are also more markets reporting on The Imitation Game which added $6.6M for a $41.8M cume.
Figures have been updated throughout the below for those films as well as: Night At The Museum: Secret Of The Tomb, Taken 3, The Hobbit: The Battle Of The Five Armies, Penguins Of Madagascar, Big Hero 6, Seventh Son, Into The Woods, Ouija, Honig Im Kopf, Unbroken, The Theory Of Everything, American Sniper, Dumb And Dumber To, Let’s Be Cops, The Water Diviner, Boyhood, Horrible Bosses 2, The Hunger Games: Mockingjay Part 1, Birdman and Gone Girl.
Figures have been updated throughout the below for those films as well as: Night At The Museum: Secret Of The Tomb, Taken 3, The Hobbit: The Battle Of The Five Armies, Penguins Of Madagascar, Big Hero 6, Seventh Son, Into The Woods, Ouija, Honig Im Kopf, Unbroken, The Theory Of Everything, American Sniper, Dumb And Dumber To, Let’s Be Cops, The Water Diviner, Boyhood, Horrible Bosses 2, The Hunger Games: Mockingjay Part 1, Birdman and Gone Girl.
- 1/13/2015
- by Nancy Tartaglione
- Deadline
2Nd Update: : International actuals are in from most of the studios with a few figure shifts. The Hobbit: The Battle Of The Five Armies came in higher than projected with a total $54M weekend and a cume of $504.65M. Disney’s Into The Woods, previously at a projected $1M for the weekend, nearly doubled that to take a confirmed $1.7M. In Italy, Clint Eastwood’s American Sniper was above its estimated record-breaking haul with $7.1M on 425 screens and the best per-screen average in the market. There’s also a new local movie record in fast-growing Vietnam — see the key market round-ups below for more on that one.
Figures have been updated throughout for The Hobbit: The Battle Of The Five Armies, Exodus: Gods And Kings, Penguins Of Madagascar, Night At The Museum: Secret Of The Tomb, Big Hero 6, Into The Woods, Seventh Son, Taken 3, American Sniper, The Water Diviner,...
Figures have been updated throughout for The Hobbit: The Battle Of The Five Armies, Exodus: Gods And Kings, Penguins Of Madagascar, Night At The Museum: Secret Of The Tomb, Big Hero 6, Into The Woods, Seventh Son, Taken 3, American Sniper, The Water Diviner,...
- 1/6/2015
- by Nancy Tartaglione
- Deadline
How would you program this year's newest, most interesting films into double features with movies of the past you saw in 2014?
Looking back over the year at what films moved and impressed us, it is clear that watching old films is a crucial part of making new films meaningful. Thus, the annual tradition of our end of year poll, which calls upon our writers to pick both a new and an old film: they were challenged to choose a new film they saw in 2014—in theatres or at a festival—and creatively pair it with an old film they also saw in 2014 to create a unique double feature.
All the contributors were given the option to write some text explaining their 2014 fantasy double feature. What's more, each writer was given the option to list more pairings, with or without explanation, as further imaginative film programming we'd be lucky to catch...
Looking back over the year at what films moved and impressed us, it is clear that watching old films is a crucial part of making new films meaningful. Thus, the annual tradition of our end of year poll, which calls upon our writers to pick both a new and an old film: they were challenged to choose a new film they saw in 2014—in theatres or at a festival—and creatively pair it with an old film they also saw in 2014 to create a unique double feature.
All the contributors were given the option to write some text explaining their 2014 fantasy double feature. What's more, each writer was given the option to list more pairings, with or without explanation, as further imaginative film programming we'd be lucky to catch...
- 1/5/2015
- by Notebook
- MUBI
Final Update, Monday 4:49 Pm Pt: Across the Top 10 major studio releases internationally there’s reason for some holiday cheer. This weekend’s figures are up 19.4% over last frame with The Hobbit: The Battle Of The Five Armies leading the pack at $89M, plus strong perfs from Exodus: Gods And Kings in new key markets and the Night At The Museum finale. Still, that result is down from last year, largely due to the impact that Frozen was having on the season with a $50.5M take in the comparable frame. Five Armies in the estimates is also about 9.3% off from Smaug’s performance last year, but there are those nasty currency fluctuations to take into account.
Still, it a big weekend for local titles. Last frame’s Indian release Pk added Bollywood flair to the international box office with an offshore haul of $14.3M for a global cume of $61.46M.
Still, it a big weekend for local titles. Last frame’s Indian release Pk added Bollywood flair to the international box office with an offshore haul of $14.3M for a global cume of $61.46M.
- 12/29/2014
- by Nancy Tartaglione
- Deadline
Exclusive: For Ellen helmer So Yong Kim has set Jena Malone and Riley Keough to lead Lovesong, the tale of best friends Sarah (Keough) and Mindy (Malone) who take off on an impromptu road trip with Sarah’s young daughter in tow and see their deep BFFship develop into a surprising romance – despite the fact that Mindy is about to get married.
Kim wrote Lovesong with frequent collaborator Bradley Rust Gray, whose own features Jack and Diane and The Exploding Girl were produced by Kim. Lovesong reunites the duo with Keough, who starred in Gray’s Jack and Diane and also starred in a short film Kim directed for designer Miu Miu earlier this year, Spark and Light. Malone appeared in both Jack and Diane and For Ellen.
Also cast in the indie, which is backed by Autumn Productions and Gamechanger Films in association with The Monofonus Press, are Brooklyn Decker (Just Go With It,...
Kim wrote Lovesong with frequent collaborator Bradley Rust Gray, whose own features Jack and Diane and The Exploding Girl were produced by Kim. Lovesong reunites the duo with Keough, who starred in Gray’s Jack and Diane and also starred in a short film Kim directed for designer Miu Miu earlier this year, Spark and Light. Malone appeared in both Jack and Diane and For Ellen.
Also cast in the indie, which is backed by Autumn Productions and Gamechanger Films in association with The Monofonus Press, are Brooklyn Decker (Just Go With It,...
- 12/22/2014
- by Jen Yamato
- Deadline
Forthcoming feature debut of Kirsten Tan wins $75,000 production prize.
Three production awards, worth a total of $200,000 (€160,000), have been handed out at the 7th TorinoFilmLab Meeting Event (Nov 23-26). Held within the Torino Film Festival, the event is a three-day international co-pro market and public presentation of the projects developed in the Tfl programmes during the year.
Within the FrameWork Programme, in which nine projects seeking co-production agreements were presented, the top prize of $75,000 (€60,000) went to Kirsten Tan’s Popeye.
The Singapore-Thailand production will mark Tan’s feature debut and centres on a disenchanted man who encounters his long-lost elephant on the streets of Bangkok and takes his old friend on a journey across the country in search of the farm where they grew up together.
The film was previously selected to participate in a project lab at Berlinale Talent’s Script Station 2014.
Recipients of $62,000 (€50,000) each were Natalia Garagiola’s Argentinean production Hunting Season and John Trengove’s South...
Three production awards, worth a total of $200,000 (€160,000), have been handed out at the 7th TorinoFilmLab Meeting Event (Nov 23-26). Held within the Torino Film Festival, the event is a three-day international co-pro market and public presentation of the projects developed in the Tfl programmes during the year.
Within the FrameWork Programme, in which nine projects seeking co-production agreements were presented, the top prize of $75,000 (€60,000) went to Kirsten Tan’s Popeye.
The Singapore-Thailand production will mark Tan’s feature debut and centres on a disenchanted man who encounters his long-lost elephant on the streets of Bangkok and takes his old friend on a journey across the country in search of the farm where they grew up together.
The film was previously selected to participate in a project lab at Berlinale Talent’s Script Station 2014.
Recipients of $62,000 (€50,000) each were Natalia Garagiola’s Argentinean production Hunting Season and John Trengove’s South...
- 11/27/2014
- by michael.rosser@screendaily.com (Michael Rosser)
- ScreenDaily
As the Studio has done in the past with such epic film series as “Harry Potter” and “The Dark Knight,” Warner Bros. Pictures, in conjunction with New Line Cinema and Metro-Goldwyn-Mayer Pictures (MGM), is once again treating über-fans to a movie marathon, this time in celebration of the highly anticipated finale of Peter Jackson’s blockbuster “The Hobbit” Trilogy.
On Marathon Monday, December 15—two days prior to the third and final film’s theatrical release—moviegoers in select theaters across North America can experience Middle-earth one last time, beginning with “The Hobbit: An Unexpected Journey,” followed by “The Hobbit: The Desolation of Smaug,” and, a full 24 hours prior to its theatrical release, “The Hobbit: The Battle of the Five Armies.”
Tickets for Marathon Monday go on sale Friday, November 14 at 12:00 p.m. Est / 9:00 a.m. Pst, the same date and time as tickets for opening day of “The Hobbit: The Battle of the Five Armies...
On Marathon Monday, December 15—two days prior to the third and final film’s theatrical release—moviegoers in select theaters across North America can experience Middle-earth one last time, beginning with “The Hobbit: An Unexpected Journey,” followed by “The Hobbit: The Desolation of Smaug,” and, a full 24 hours prior to its theatrical release, “The Hobbit: The Battle of the Five Armies.”
Tickets for Marathon Monday go on sale Friday, November 14 at 12:00 p.m. Est / 9:00 a.m. Pst, the same date and time as tickets for opening day of “The Hobbit: The Battle of the Five Armies...
- 11/14/2014
- by Michelle McCue
- WeAreMovieGeeks.com
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