Pedro Almodóvar’s challenging films shouldn’t be only for his dedicated fans: nobody mixes genuine human compassion with world-class filmmaking as well as he … while maintaining a marvelous sense of humor, of human proportion. This 1999 effort is perhaps Pedro’s strongest drama, and yet another heartfelt endorsement of womankind. For the life-beleaguered Manuela, tragedy and melodramatic setbacks only bring out a primal determination to heal all wounds.
All About My Mother
Blu-ray
The Criterion Collection 1012
1999 / Color / 2:35 widescreen / 101 min. / Todo sobre mi madre / available through The Criterion Collection / Street Date January 28, 2020 / 39.95
Starring: Cecilia Roth, Marisa Paredes, Candela Peña, Antonia San Juan, Penélope Cruz, Rosa María Sardá, Toni Cantó, Eloy Azorín, Carlos Lozano.
Cinematography: Affonso Beato
Film Editor: José Salcedo
Original Music: Alberto Iglesias
Produced by Augustín Almodóvar
Written and Directed by Pedro Almodóvar
My descriptions of this movie can’t convey what a warm, moving, and even funny experience it is.
All About My Mother
Blu-ray
The Criterion Collection 1012
1999 / Color / 2:35 widescreen / 101 min. / Todo sobre mi madre / available through The Criterion Collection / Street Date January 28, 2020 / 39.95
Starring: Cecilia Roth, Marisa Paredes, Candela Peña, Antonia San Juan, Penélope Cruz, Rosa María Sardá, Toni Cantó, Eloy Azorín, Carlos Lozano.
Cinematography: Affonso Beato
Film Editor: José Salcedo
Original Music: Alberto Iglesias
Produced by Augustín Almodóvar
Written and Directed by Pedro Almodóvar
My descriptions of this movie can’t convey what a warm, moving, and even funny experience it is.
- 2/1/2020
- by Glenn Erickson
- Trailers from Hell
Queerty has the details of Spanish MP Toni Cantó, who as an actor before becoming a member of parliament starred in La Partida, a movie about sex tourism in Havana. The movie definitely trips several triggers for prostitution, and the trailer above is Nsfw. But the politician says he doesn’t regret the film at all.
“If you’re asking me if I would have played a gay character in sex scenes while being an MP, the answer is yes. I need to express my artistic side, otherwise I go a bit mad.”
He also seems ready to rip apart anyone who feels the need to be shocked by seeing their elected official naked. Maybe Anthony Weiner should have tried this defense. “I’m aware of the fact that I live in a society where people are more shocked by seeing an MP’s backside than by one who robs...
“If you’re asking me if I would have played a gay character in sex scenes while being an MP, the answer is yes. I need to express my artistic side, otherwise I go a bit mad.”
He also seems ready to rip apart anyone who feels the need to be shocked by seeing their elected official naked. Maybe Anthony Weiner should have tried this defense. “I’m aware of the fact that I live in a society where people are more shocked by seeing an MP’s backside than by one who robs...
- 3/21/2014
- by Ed Kennedy
- The Backlot
Hi everyone, MattCanada here with another weekly dose of gay cinema. This week we're looking at Philadelphia, the Oscar winning courtroom drama, essentially the defining Hollywood response to the AIDS epidemic.
I first saw this film as a kid. I must have been about seven when I watched it with my parents and it was definitely my, and probably many other people's, introduction to AIDS. For me it continues to shape how I think about the virus, the stigma, and the epidemic. Longtime Companion opened a few years earlier but this was the first mainstream prestige film to deal with AIDS and homophobia. Having two big stars in Tom Hanks and Denzel Washington must have seemed like a big step for Hollywood. All of this is well and good, but rewatching the film for the first time in over a decade, I had serious problems with its filmic construction and especially its politics.
I first saw this film as a kid. I must have been about seven when I watched it with my parents and it was definitely my, and probably many other people's, introduction to AIDS. For me it continues to shape how I think about the virus, the stigma, and the epidemic. Longtime Companion opened a few years earlier but this was the first mainstream prestige film to deal with AIDS and homophobia. Having two big stars in Tom Hanks and Denzel Washington must have seemed like a big step for Hollywood. All of this is well and good, but rewatching the film for the first time in over a decade, I had serious problems with its filmic construction and especially its politics.
- 11/22/2009
- by CanadaMatt
- FilmExperience
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