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TV phenomenon "Barney & Friends" is the subject of a forthcoming docuseries that breaks down how the beloved children's show became a target for hate. "I Love You, You Hate Me," a two-part event from Peacock directed by Tommy Avallone, highlights the astronomical rise of Barney in the early '90s, as well as the friendly purple dinosaur's terrible treatment from furious public backlash.
In the trailer for "I Love You, You Hate Me," talking heads like Bill Nye the Science Guy, NBC's Al Roker, and others share stories about how the world turned on Barney's positive messages of love, acceptance, and inclusion - all of which stemmed from creator Sheryl Leach - before the clip begs the question: "Why does the world love to hate?" "As her beloved character was heading into the stratosphere, people couldn't accept that this was just a show," Roker says.
TV phenomenon "Barney & Friends" is the subject of a forthcoming docuseries that breaks down how the beloved children's show became a target for hate. "I Love You, You Hate Me," a two-part event from Peacock directed by Tommy Avallone, highlights the astronomical rise of Barney in the early '90s, as well as the friendly purple dinosaur's terrible treatment from furious public backlash.
In the trailer for "I Love You, You Hate Me," talking heads like Bill Nye the Science Guy, NBC's Al Roker, and others share stories about how the world turned on Barney's positive messages of love, acceptance, and inclusion - all of which stemmed from creator Sheryl Leach - before the clip begs the question: "Why does the world love to hate?" "As her beloved character was heading into the stratosphere, people couldn't accept that this was just a show," Roker says.
- 9/29/2022
- by Njera Perkins
- Popsugar.com
Barney can be your friend, too, if you just make-believe him. But what if you just irrationally hate him?
Hit children’s series “Barney and Friends” promoted loving each other despite differences, but new Peacock docuseries “I Love You, You Hate Me” chronicles the rising backlash to Barney’s message.
The two-part limited series premieres October 12 and features a deep dive into the rise and fall of Barney the Dinosaur’s furious backlash — and what it says about the human need to hate, per an official synopsis. From Barney-bashing to frat parties to homicidal video games, something in American society broke into a million pieces, and it’s never been put together again…or is this just who we were all along?
“‘I Love You, You Hate Me’ unpacks how a children’s character who stood for inclusion, understanding, and kindness birthed a movement of anger and criticism that threatened the show,...
Hit children’s series “Barney and Friends” promoted loving each other despite differences, but new Peacock docuseries “I Love You, You Hate Me” chronicles the rising backlash to Barney’s message.
The two-part limited series premieres October 12 and features a deep dive into the rise and fall of Barney the Dinosaur’s furious backlash — and what it says about the human need to hate, per an official synopsis. From Barney-bashing to frat parties to homicidal video games, something in American society broke into a million pieces, and it’s never been put together again…or is this just who we were all along?
“‘I Love You, You Hate Me’ unpacks how a children’s character who stood for inclusion, understanding, and kindness birthed a movement of anger and criticism that threatened the show,...
- 9/29/2022
- by Samantha Bergeson
- Indiewire
Old-fashioned date movies don’t fill mall multiplexes the way they did a decade or two ago, before megabudget tentpoles subsumed the bulk of adult moviegoing, but they appear to have a future on Netflix — for couples, at least, who have already reached the staying-in point in their relationship. A sunny, innocuous romcom that matches millennial neuroses to age-old Cupid’s-arrow contrivance, “Set It Up” makes a case for the genre remaining big, à la Norma Desmond, even as the pictures get small. Director Claire Scanlon and writer Katie Silberman’s slight, cutely bow-tied tale of two overworked young PAs tactically engineering a romance between their demanding bosses — only to (surprise!) fall for each other in the process — may be more frothy than it is actually funny, but in adorable stars Glen Powell and Zoey Deutch, it happens upon a perky pairing that might, in another era, have become a fixture.
- 6/15/2018
- by Guy Lodge
- Variety Film + TV
Now this is a list that could result in a lot of fascinating dissection and thanks to HitFix it comes to our attention almost three years after it was originally released back in 2012, celebrating the Motion Picture Editors Guild's 75th anniversary. Over at HitFix, Kris Tapley asks, "Is this news to anyone elsec" Um, yes, I find it immensely interesting and a perfect starting point for anyone looking to further explore the art of film editing. In an accompanying article we get the particulars concerning what films were eligible and how films were to be considered: In our Jan-feb 12 issue, we asked Guild members to vote on what they consider to be the Best Edited Films of all time. Any feature-length film from any country in the world was eligible. And by "Best Edited," we explained, we didn't just mean picture; sound, music and mixing were to be considered as well.
- 2/4/2015
- by Brad Brevet
- Rope of Silicon
A random bit of researching on a Tuesday night led me to something I didn't know existed: The Motion Picture Editors Guild's list of the 75 best-edited films of all time. It was a feature in part celebrating the Guild's 75th anniversary in 2012. Is this news to anyone else? I confess to having missed it entirely. Naturally, I had to dig in. What was immediately striking to me about the list — which was decided upon by the Guild membership and, per instruction, was considered in terms of picture and sound editorial as opposed to just the former — was the most popular decade ranking. Naturally, the 1970s led with 17 mentions, but right on its heels was the 1990s. I wouldn't have expected that but I happen to agree with the assessment. Thelma Schoonmaker's work on "Raging Bull" came out on top, an objectively difficult choice to dispute, really. It was so transformative,...
- 2/4/2015
- by Kristopher Tapley
- Hitfix
This July and August, the UCLA Film & Television Archive in Los Angeles, California is screening a series of horror and thriller films directed by women called No She Didn't!: Women Exploitation Auteurs. From July 24th through August 8th, films like Terminal Island (directed by Stephanie Rothman), Bad Girls Go To Hell and Another Day, Another Man (directed by Doris Wishman), Gaitor Bait (directed by Beverly Sebastian), Bury Me an Angel (directed by Barbra Peters), and Slumber Party Massacre (directed by Amy Holden-Jones) will be screened in their full exploitation glory.
July 24th, Stephanie Rothman will make a rare appearance to introduce Terminal Island, her feminist exploitation flick...
In the 1970s and ‘80s, something funny happened on the way to the grindhouse. With women still sorely under-represented in the directorial ranks of the "New Hollywood," a number of women began working as writer-directors in the low-budget world of exploitation films.
July 24th, Stephanie Rothman will make a rare appearance to introduce Terminal Island, her feminist exploitation flick...
In the 1970s and ‘80s, something funny happened on the way to the grindhouse. With women still sorely under-represented in the directorial ranks of the "New Hollywood," a number of women began working as writer-directors in the low-budget world of exploitation films.
- 6/29/2009
- by Superheidi
- Planet Fury
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