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- A young Palestinian schoolteacher gives birth to her son in an Israeli prison where she fights to protect him, survive and maintain hope.
- Ruza left Belgrade for Switzerland as a young woman full of hope for a new, better life. 25 years later she appears to have achieved everything: She owns a canteen in Zurich, which she manages with a firm grip and financial success. Ruza values her meticulously-structured daily routine, both in her professional and private life. Ruzas's orderly world shifts when 22-year-old Ana from Sarajevo enters the scene. She feels threatened by Ana's direct, impulsive manner while at the same time she is intrigued by her zest for life. Slowly a friendship develops between these two self-willed women. However, a certain distance between them remains: Ruza's afraid to open herself up completely, and Ana has a secret too difficult to reveal.
- "Mother married a photo of Father," says director Firouzeh Khosrovani in the opening of this deeply personal documentary. She's not speaking metaphorically though. Her mother Tayi literally married a portrait of Hossein in Teheran -he was in Switzerland studying radiology and was unable to travel back to his homeland for the wedding. The event illustrates the abyss that still exists in their marriage: Hossein is a secular progressive and Tayi a devout, traditional Muslim. But this family history is also a sort of x-ray, laying bare the conflicts of Iranian society in the run-up to, and aftermath of the Iranian Revolution in 1979. Besides Khosrovani's commentary, we hear letters being read aloud and recollections of conversations between her parents. At the same time, we see photographs and videos from the family archive. These fragments of intimacy are interspersed with stylized shots of the filmmaker's parental home, its decor and furnishings subtly reflecting each new phase in her parents' marriage-and in Iranian society. Credit: IDFA 2020.
- When her mother decides to stop administering medication to her mentally challenged daughter, 18-year-old Dora awakes, as if from a deep sleep. Dora discovers her body, her sensuality and finally, sex, too.
- Emily is sent to work and live in the Sovereign's castle. She manages to escape into the woods, where she meets some lively hookers. Together they become «Robber Girls» taking a stand and fighting the patriarchy.
- "Abu Nawas" is a trendy café and popular hangout for artists, communists and gay Iraqi exiles in London, it's close to the Salafist Mosque. When Nasseer, a fanatic religious youth and nephew of poet Taufiq, attacks his uncle's friends he sets into action a course of events that will turn everyone's life upside down.
- A murder, a police raid and a photo of a mysterious girl; a young mother must piece together her twin son's secret romantic life, in order to find out what happened to them.
- The rugged mountain valley of Bregaglia brought forth an entire dynasty of artists: the Giacomettis. Director Susanna Fanzun traces the footsteps of this remarkable family.
- Enter a dark, dangerous world where the lines between reality and fantasy are blurred. Angela is 18, a stunning Dutch blonde, a comic illustrator, and bored with life. Eager for adventure, she moves to Tokyo to become a bar hostess for Asian men who like Western women. An innocent in this sexual underworld, she confronts sleazy customers, jealous co-workers and a mystery: the disappearance of a former hostess. As she discovers clues, she sketches them out in comic-strip style, and slowly begins to confuse what she knows with what she draws.
- Pensioner Roli comes to Fareed's assistance when the Syrian refugee is faced with the burial of his Muslim wife. Together they stumble into a bewildering forest of Swiss bureaucracy to which Roli finds beautifully simple answer.
- Croatia, 7th of January 1992: In the middle of the war a young journalists' body is being found dressed with an uniform of the international mercenary group. 19 years later, his cousin Anja Kofmel detects his story.
- Interviews with six of the mass murderers from Sabra and Shatilla. The faces are in black and are not identifiable.
- The life of 20-year-old Nico from upper class Zurich is all party, sex and drugs when she meets Carlos, the front man of a hip hop band. With naivete and infinite self-confidence, she tries to adopt his lifestyle - with harsh consequences.
- Tracing the emigrations of his family over more than half a century, this riveting 3D documentary epic from acclaimed expatriate Iraqi filmmaker Samir pays moving homage to the frustrated democratic dreams of a people successively plagued by the horrors of dictatorship, war, and foreign occupation.
- How do you come home when everything has changed? Through hidden memories, ambiguous fantasies and violent sensations. The story of a young woman searching for herself in Lebanon.
- A scandal when a Scottish student accused two of her teachers of having an affair.
- Skalde lives in a small rural community, far from a world that may no longer exist. She is an interloper in her own home, having been born to an 'outsider' mother and therefore marked by a social stigma she cannot easily erase. Displaying a loyalty to the codes of the community, she has earned the respect of the village elder. However, when she encounters a mysterious girl in the local woods, Skalde risks everything by befriending her, eventually giving the girl a home. She attempts to hide her subterfuge to maintain her standing with the villagers, but her plans threaten to unravel.
- 60-year-old Meredith considers herself happily married to André. So it comes as a shock when she's diagnosed as HIV-positive and her husband is the only one who could have transmitted the disease.
- Giorgio's poor parents sell their son to Milan to work as a chimney sweeper. There he joins the «Black Brothers».
- Autumn 1947: Elisha, a young Jew, learns that he has been chosen to kill the hostage John Dawson, a captain in the British Army occupying Palestine. Will Elisha, himself a survivor of the holocaust, be able to commit this irrevocable act?
- An female family saga from the inside of Modernism, told by the women in the haze of the iconic architect Mies van der Rohe.
- Vincent an insurance salesman of a corrupt corporation that bleeds every last dime from deceased debtors begins to rethink his stance on humanity after he meets someone who goes against the very system he has lived by for many years.
- Investment banker HP has allegedly ridden out the crash of the stock exchange. One evening, at a barbecue event with his banker friends and their wives, HP's Danish au-pair threatens to blow the whistle on her love affair with HP's married boss. HP wants to please everybody. But the next morning, he has lost everything: his house, his wife, his friends, and his job - NACHBEBEN is an intimate play which examines how neo-liberal principals force their way into the most private of spheres, namely those of the family and of friendships. NACHBEBEN is a film about men that have been trained to poker, spy and speculate in an economic world. It is also a film about women that are expected to accept this but in the end decide not to. It is astonishing to note that although banks and large corporations represent the largest employment sector of modern-day Switzerland, NACHBEBEN is the first Swiss film which deals in depth with the people of this socio-economic environment. And although affluence and materialism appear to be ubiquitous in Switzerland, no national film to date has illustrated the human price which these traits ultimately demand.
- Documentary about the life of avant-garde filmmaker Maya Deren, who led the independent film movement of the 1940s.
- The sequel to "One Franco, 14 Pesetas" - the Spanish migrants return to Switzerland in 1974 as tourists.